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2,000 | archivos_extraidos/MCE-Corpus-main/Dataset/1678 | Francisco Bellón | Atlas de Geografía Humana | 2 | 5 | muchocine | Although the film begins as a deep exploration of the current women's soul, the plot takes not result in pure folletín. | Since its inception, the film has been always linked in a very special way to literature, both classical and contemporary. There are writers especially loved by the film, whose works tend easily to bring to the big screen, in the majority of cases for purely commercial reasons, with the intention of dragging a large number of faithful readers and potential viewers. Almudena Grandes is one of these writers, that five of his novels have been made film versions.Atlas of human geography involves the return of Azucena Rodríguez to cinema after more than ten years of absence, and makes it to face the challenge of adapting the novel by Almudena Grandes. The story focuses on the lives of four women, Anna (Cuca scribe), Fran (Rosa Vila), Rosa (Montse Germán) and Marisa (María Bouzas), and their emotional problems. Though the film begins as a deep exploration of the current women's soul, the plot not takes lead over rough roads, and finally empties into the pure folletín (or soap opera,) as they prefer. The main virtue of the tape is the feeling of verisimilitude and reality that trasnmite, with a few well built and easily recognizable characters for the Viewer, that can be identified. This most notably contribute his Quartet of players, very well directed by Azucena Rodríguez, and made some really excellent performances, and we hope they do not forget them in the face of human geography, despite being a sentimentaloide folletín, Goya.Atlas no longer an acceptable film that can be seen if it has the predisposition of the public. And attention to the winks to Almudena Grandes and Gerardo Herrero with Los Aires difficult, and Joaquín Oristrell unconscious. |
2,001 | archivos_extraidos/MCE-Corpus-main/Dataset/1378 | Francisco Bellón | Noche en el museo | 2 | 5 | muchocine | Night at the Museum entertaining and will laugh both adults and children, making the delight | In recent years, it is difficult to find a good movie made for children, either because some fall into the trap of not treating children as intelligent beings, or pecan excessive edulcoramiento. It is almost incredible attend the inability of the current film industry to make worthy children's tapes that are not animated. But there is still some example to glimpse hope, as this evening in the Museum who has not never imagined that a museum figures come to life? That is the approach of this fun and entertaining film directed by Shawn Levy and starring one of the most popular comedians of the current film scene, Ben Stiller. What must be taken into account is that the film is a vehicle for the showcasing of Ben Stiller and its patochadas, as well as the colleagues list Luke Wilson and Steve Coogan. On the contrary, always pleasant and entertaining presence of Robin Williams, and Dick Van Dyke and Mickey Rooney, returns serve to level the balance. The tape entertains and will laugh both adults and children, making the delicacies and not be few children that night at the Museum they awaken curiosity and love for history. |
2,002 | archivos_extraidos/MCE-Corpus-main/Dataset/3452 | Iñaki Bilbao | Luz de Domingo | 3 | 5 | muchocine | Good movie by Garci, who will go down in history as Alfredo Landa the last performance in the film?. | Personal adaptation, together with Horacio Valcárcel, from the novel by Ramón Pérez Ayala.Es personal because Garci, with its peculiar Cadence, with its narrative tempo as yours, it makes extremely in that regard to previous works, but also gives it that peculiar touch, that some like and others hate.What to my respect, I like it much.I am not saying that negative aspects, which are liked by Garci, but that really sin the little natural, contrived there are no. For example, some "prints" eclogues, where the characters, one or two at most, appear in the central part of a remnant of the nature, beautiful in itself, but overly prepared for the occasion.The light, the simpar photography, very yellow, magnificent precious landscapes in which the action unfolds as well as rhythmic music. And performers with an once magnificent Alfredo Landa at the head do wonder (Alex Gonzálesz appears occasionally to both forced before the literary dialogues should declaim, a character taken, I am afraid, Gregory Peck in "Big country" (see the scene of the pulse with the evil son of his hateful father)(véa_se_la_escena_deel_pulso_con_el_malvado_hijo_de_su_odiosos_padre))(remember in its spirit to the fight with fists between Peck and Heston). In the perfect setting with other great work of Gil Parrondo.Tan only, in addition to what I have already said above, I would say in the flat negative that the script, especially at the beginning, gives some fits, showing various scenes as if they were pieces, without much hilazón with the whole. However, and as the story takes body, in my opinion everything appears as it emerged perfectly, although I recognise that this narrative is not much taste / as spectators. Garci to do this and point.I guess that they will return to give this last film released by Garci from all corners, but I think it is interesting, for as long that is not bored nothing, and has no doubt dramatic force in some moments, as well as pieces in a good mood, almost always in charge of the couple Kiti Manver-Manuel Galiana, both splendid. Yes, I usually like the film by Garci and on this occasion, also. |
2,003 | archivos_extraidos/MCE-Corpus-main/Dataset/1767 | Tito Chinchan | El ejército de las tinieblas | 4 | 5 | muchocine | Terror of serie B, with a lot of humor, which is essential viewing. You have no excuse, it is short, vibrant, hilarious and mythical. To see with psychotropic substances accompanied by colleagues, be able to be. | Only is 92 this film? I thought he was older, perhaps by the amount of times that I've seen. I remember the first time (that I saw, not the other, that you are obsessed with the defollar and the demeterysacar) left me amazed completely, and even outraged by did not understand what they had just seen. With the passing of the years and the screenings, I noticed account I have to see her every year in order to reset the brain and see that we do not need hiperproducciones to have a great time.The film is of a type that works in a giant hardware store, until a series of avatars of fate (not to miss the cangrenada hand) appears in the past, specifically in the middle ages. It is that his arrival, accompanied by a car, a chainsaw and a trimmed, coincides with a prophecy. So have to retrieve the book of the dead (called Necronomicon) so the wise can send you back to their world. But it does not of another good and awakens the army of darkness.My mother, that film. If you see with serious metalidad, you'll see a shit that you're going to want to cut the veins with a spoon of coffee, to suffer more. But if you see knowing that this is a mixture of cheap horror movies, crappy special effects and unbridled humor, you're going to have a good time and you will want to have this wonder in your deuvedeteca as a server has. The special effects are pretty crappy mostly, except the skeletons that are not bad. Situations are hilarious, and cause more than one laugh. But what I liked most of the film is how quickly that goes. I.e. 82 minutes in which spend more than the 12 extended hours of the orcs and hobbits (mother what I have just said).In short, terror of serie B, with a lot of humor, which is essential viewing. You have no excuse, it is short, vibrant, hilarious and mythical. To see with psychotropic substances accompanied by colleagues, be able to be.Great. Besitos. p. D: there very large scenes, such as the cangrenada hand, when she breaks the mirror when we look at the shoulder, the flying monster that competes with the special effects of Ed Wood, etc. |
2,004 | archivos_extraidos/MCE-Corpus-main/Dataset/1623 | Florinda Chic | El jefe de todo esto | 2 | 5 | muchocine | Enthusiasts of breaking waves, dancing in the dark, Dogville, the idiots, Europe or other good works of the dogma 95 as Mifune, celebration... abstain, this is more expendable. Although if you're a Platypus or Scandinavian, it entusiasmará you. | Because although it seems not, given the deep and dramatic load of his filmography, Lars Von Trier has sense of humor, their own. And at the head of this patent, that Yes in its own way has left him: austere and Danish jokes.On this occasion, we moved to an Office in which an unemployed actor is hired to perform the role of a Chief who do not know that is an invention of the true owner to fall sympathetic to his subordinates and they load their anger against the imaginary director of the company in front of employees.Personally not I laughed only. The humor is very local and is told that the Danes start laughing when call you idiots and like me not, then clear, nor smiled. Ignored by almost all of the rest of Europe, it is that Danes between and Icelanders there is a rivalry that comes from 400 years ago when Iceland was under the rule of Denmark, with which these gags nor you take them grace if you're not part involved.However there are some comedic scene that works and of course lengthy dialogues, daylighting and a shooting shooting form called Automavisión. Von Trier released the handheld camera and uses a system that after placing the camera in an artistic point of view are compiled in a program corrections, studied, they are discarded? In short that opens a lot of random posibiliades that controls a computer. The result in my opinion is something syncopated and the image quality of the communion of my nephew.If the intention of the filmmaker is show us that man is a worm for the man when working, much better told this in the Smoking Room, Glengarry Glen Ross or the method.As well as enthusiasts of breaking waves, dancing in the dark, Dogville, the idiots, Europe or other good works of the dogma 95 as Mifune, celebration... abstain, this is more expendable. Although if you're a Platypus or Scandinavian, it entusiasmará you. I do that I have argued with passion these works to those who say that deprive film of artifice is an involution as silly as the choice of some of giving birth without epidural, this time I'll shut up. |
2,005 | archivos_extraidos/MCE-Corpus-main/Dataset/2935 | José A. Peig | Los duelistas | 3 | 5 | muchocine | Do perhaps the biggest problem of this film - and will be for this reason that fails to be at the height of the great - is the purported connection between professional, intimate and loving life of the protagonist with his? afterlife? perpetual confrontation with the character played by Harvey Keitel. | In film the verisimilitude of the narrated history often sustained in the knowledge that the Viewer may have the motivations which animate characters and situations. This directorial debut of Ridley Scott, often proclaimed as the best work of its author, it is tempting to fall into an easy criticism rationale on the fact that the conflict held in the footage between the two male protagonists is not accompanied by explicit elements inherent in the same. Or that we know that Keith Carradine and Harvey Keitel spend life challenging violent duel but we don't know to what comes so much history, as the riot it initial it triggers the dangerous cycle of violence, for the average viewer, it is hardly relevant. With this argument, therefore, could throw away a product that aims to sustain one greater offense.Now well, and to be fair, should not be forgotten that this is a film in which the implicit theme (the need to rid of the offense through the defeat of contrast in a combat sword and blood) is the only raison d ' être of the same, according to the initial sign that gives home to history, and, therefore, require something more explicit would be like asking del olmo pears. And all this makes "The Duelists" in a perhaps much more strange film than it seems at first glance, revealing that after the camera had a filmmaker's most unique within the blockbusters of the past two decades. "The duellists" is not a history of simple malice and revenge in perpetual quest, is a vital, unhealthy, obsessive process, but that relates to the need for the liberation of the two main characters, victims of an honor code strongly rooted in the era and in the military context of Napoleonic Europe. We do not need to know why so much barbarism, verisimilitude is given in the "spirit of the age", and that Scott is very explicit by creating sequences of bitter violence, as repeated duels to sword, or death, the freezing and the solitude of the troops in the ice of Russia and murky. Visually, the film is a magnificent showcase of "pictures" of the time; costumes, landscapes, forceful setting and introduction in this social context, with an excellent use of chromatic resources, brightness and the decoration.Perhaps the biggest problem of this film - and will be for this reason that fails to be at the height of the great - is the purported connection between professional, intimate and loving life of the protagonist with his "other life" of perpetual confrontation with the character played by Harvey Keitel quite crude, and the consequent deprivation caused by the obsessive ballast. As I said before, the confrontation between the two meets a need of Liberation through the "cleaning of the honour".The connection between the two areas is hinted in the montage of the duel on horseback in parallel with images of professional, intimate and loving life of the protagonist, but not emphasized enough that internal conflict of the character to achieve the proper emotional intensity - and the dramatic meaning of the periplus of duels - which will lead us towards the climax due in the last minutes of the film. The film, therefore, peca of low intensity in the crucial moments and the tone of the general drama, above all in this splendid end reflecting the successful liberation pardoning the life of the adversary: in this crucial Act of consciousness, both fighters reach freedom and a new State of being, beautifully represented in the final sequence, with a look at (the Keitel) covering a large and beautiful landscape (which comes to mean that freedom)(, the emergence of new horizons), although do not know for sure if everything has ended or you are thinking about restarting the duels. A magnificent open end, despite the aforementioned absence of an emotional factor that raise the intensity of the whole, avoiding a certain aftertaste of coldness of feeling that a good story deserved higher dose of emotion.In sum, a good movie, although we must not sobrevalorarla because it is not certainly the best film Ridley Scott, taking into account that there is "Alien". |
2,006 | archivos_extraidos/MCE-Corpus-main/Dataset/1566 | Ramón Balcells | Paris je t'aime | 4 | 5 | muchocine | A varied film made with taste and sensitivity (or bad taste, for the great in everything else, less here, Christopher Doyle) and with some superb performances. | Are beautiful, charming, sad, poignant? And what you can expect from these directors? Well, a varied film made with taste and sensitivity (or bad taste, for the great in everything else, less here, Christopher Doyle) and with some superb performances. Highlight names, both directors and actors, such as Coen, Binnoche, Coixet, Payne, Portman, Nolte, Rowlands, Suwa, Gazzara, Coixet, Salles, Tykwer, Schmitz (perhaps his short is the best along with the Depardieau and Payne), Castellito, Chomet (fucking mimes!), Sandino Moreno, etc. Although their respective shorts have fascinated me, there are others that have disappointed me somewhat, such as those of Alfonso Cuarón, that despite being a simple short, it has its charms, not just take the trick, and Olivier Assayas, that could be explained much more with the story of Maggie Gylenhaal. These two I have appointed is not that they are bad, but that simply do not have drawn me the attention especially. But there is, in "Paris, je t? aime", the worst film I have seen in my life: of Christopher Doyle, an incredibly pathetic Barbet Schroeder and a storyline that sorry. Moreover, there are stories that do not say fu or fa, but do not bother (Conversely, enrich intelligently the film), as the of LaGravanese (with Bob Hoskins and Fanny Ardant), Gus Van Sant (to me, personally, thought me, his short, pretty tough, although many people in the film you loved), Wes Creaven (another controversial)(, but certainly a formidable performances, both Mortimer, Sewell and Paye (Alexander) - as Oscar Wilde!-), Bruno Podalydès (the first and friendly short), Vicenzo Natali (original, Yes, but lacks strength, lacks it the spark Coen) and Gurinder Chadha (Yes, it is nice, but a tad typical).In conjutno, the film presents a formidable Assembly (without the names of the directors before the start of each short!) and a structure ordered by most original neighborhoods. The music is beautiful (tuned to the song at the end!). Well, as you can see, to criticize this movie needed nominate performers and directors, because but we left with little. I recommend it to all those who you want to see something new, original, intelligent, varied, irregular (although very little), beautiful and sad.Small masterpieces are those of Joel and Ethan Coen, Tom Twyker, Alexander Payne, Gerard Dépardieau and Oliver Schmitz. Good shorts and more than kind belong to Isabel Coixet, Walter Salles and Daniela Thomas, Sylvain Chomet, and Nobuhiro Suwa. The shorts that complement the film include Gurinder Chadha, Wes Craven, Alfonso Cuarón, Gus Van Sant, Richard LaGravense, Bruno Podalydès and Vincenzo Natali. The shorts that, definitely, sobran: Porte de Choisy (of the unforgivable Christopher Doyle) and Quartier des enfants rouges (of Olivier Assayas).By the way, don't miss the end where several of the shorts intersect with the song La même histoire de Fund. How big are all! |
2,007 | archivos_extraidos/MCE-Corpus-main/Dataset/64 | Caty | Cuatro hermanos | 3 | 5 | muchocine | History of solid and infinitely more complex than it seems at first | During much of "Four brothers", I had the constant feeling that history passed in the 1970s, and it was only when I saw a digital camera emerge in a scene when I realized my error. For this reason, I am sure that my confusion was not accidental, filmmaker John Singleton obviously rather strove to encircle his film of a strong 70s atmosphere, from the soundtrack and the direction full of zooms of the era to the styling of the personajes.y also have the argument that baby stories of vengeance so common in films of the time mainly to the way in which the characters coexist with their angerHere there is no place for piety and for political correctness.Full of wrath for the murder of her adoptive mother, four brothers of the title do not trust in the efficiency of the police and decide to punish the killers on their own. In this sense, the screenplay written by David Eliott and Paul Lovett succeeds fully, allowing the viewer perceived that the protagonists (anti-heroes by definition) are so dangerous and cruel as the criminals pursued. Even so, these four men apparently so cold have a strong bond between them, link is not just a question of coexistence, but of true brotherly love.In addition, Singleton uses quite some time during the first part to illustrate the relationship between them, limiting simply establish the dynamics of this strange family. It is a risky decision, because somehow it interrupts the narrative flow, but it is absolutely correct in my opinion, since all the emotionally charged characters transmitted to the Viewer is thanks to these moments.In this same way, the script exceeds the expectations of the genre, showing how a story solid and infinitely more complex than it seems at first. Not to mention ever of his characters (even from the side) the writers are important functions for all people involved in the plot, which makes it more coherent and satisfactory from a structural point of view.And what is more admirable: none of the protagonists suffer one of these "transformations" artificial so common in the productions of Hollywood, where many characters become "good" overnight overnight. Elliott and Lovett characters know and respect them, although these are not exemplary citizens. With the rage of having to deal with the death of his mother, they do not show no mercy on its path toward revenge, coming to kill some of his enemies even though they are unarmed and finding defenceless. But they know live with his way of being: when Jeremiah, the only one of the four who seems to have a life more normal, argues that his mother "would be the first to forgive his killers", one of his brothers immediately responds "not everyone can be holy". There is another of the merits of history: the dialogues are, mostly, very well written.Exploring the potential of the script with talent, John Singleton directs with security action sequences, deserves a special mention a car chase that occurs during a storm of snow at night (today, make good sequences of persecution and shootings is very difficult, because we have seen almost everything in the seventh art). Apart from this, Singleton gets some very acceptable performances of the cast, emphasizing above all the of Mark Wahlberg's, although Tyrese Wilson (that escape the stereotype of beanpole gross and create a character that he knows think) and Tenerence Howard (as Lieutenant Green, which creates a very good dramatic moment during the entire fabric) you are not far behind. |
2,008 | archivos_extraidos/MCE-Corpus-main/Dataset/3838 | Iñaki Bilbao | Escuela de pringaos | 2 | 5 | muchocine | Nice but pretty mediocre comedy, which could have become higher. | Acceptable comedy that is neither good, nor much less, but elite generally.The truth is that, while maintaining many of the constant negative of the Yankee comedy in the recent past (last too), is made with taste, not much imagination, but it is effective in learning the smile and sometimes the laughter of the audience.It is quite irregular, starting well and continuing on this path, during just over half an hour. However, little by little the movie stagnates, being his comical somewhat leaden seal, repetitive and quite chorra (in my opinion, and not wanting to offend, eye!).Scenes are already pretty views in other movies of the same hair, where join gags, achieved little, with the pure romantic comedy that does too much grace, not to be at times as the fun party of doubles tennis, (frame 1) quite humorous despite the fact that it is not original. But the truth is that it makes laugh of the lindoEn the part end, if with the exception of his tontísimo epilogue in charge of a comedy actor uncredited in the film, the pace again to upload, and attended a few scenes well solved technically, with an excellent Assembly and a soundtrack that recalls the best films of intrigue and action.But ultimately, is not very beyond this film, although it is nice as a whole and pleasant view, despite its simplicity.Billy Bob Thornton and John Heder do well and are credible in their roles, as well as secondary, as the director Todd Louiso. |
2,009 | archivos_extraidos/MCE-Corpus-main/Dataset/3761 | Carlos Giacomelli Puig | Bee movie | 4 | 5 | muchocine | Extremely entertaining, with clear-cut characters and more hilarious situations. A divertimento ensured, aimed more at higher than children. | Barry B. Benson is a bee concerned about their future. The idea of honey every day for the rest of his life without any rest terrifies him, so decides to risk and leave their hive inside to see the world outside before being forced to deal with the inevitable. In his particular crossing, it manages to keep healthy and except thanks to Vanessa, a human who saves a terrible death by crushing. Barry feels suddenly attracted to her, and would give whatever thank you gesture, but to do so it should break the first law of the hive: is strictly forbidden to speak with humans. Difficult task asking him to the new proposal for Dreamworks. After seven years of exploitation of the flagship of the producer, it begins to already notable signs of exhaustion. Therefore, Simon j. Smith and Steve Hickner, directors of "Bee Movie", had to demonstrate that there is life most of the blatant green OGRE. To do so, that certainly had an important ACE up the sleeve, as it is Jerry Seinfeld in the tasks of screenwriter and dubber. While the end result still does not get too close to the level of Pixar productions, the truth is that they have far exceeded the goal, creating a film (and a character) that nothing has to envy to the trilogy of "Shrek". The main difference between bee and OGRE is that the creators of "Bee Movie" is not limited to offer us a succession of gags based on making fun of other films. Here they build a script around the characters and the situation in which do, and the jokes are interwoven in dialogues and actions of the same, resulting in very little forced. So much so, that even the (few) jokes that referred to the references of the viewer work perfectly. Although much of the success of these perhaps lies in that it focused on characters or less obvious programs which could fear (no there is not a single nod to the scenes with stop-motion of "Matrix", I would say that for the first time in the history of the Dreamworks). It is worth as an example the characterization that make an actor Ray Liotta is unusual. But what makes a different film of "Bee Movie" is what counts. Because what begins as another substitute of "Monsters, S.A.", that is, two co-workers in a parallel world to the humans, with a single company in which all the bees work (includes too similar scenes even visually, as the arrival to work by car by the two main characters), little by little is distancing himself and acquiring its own personality, creating a real mountain of little foreseeable events ending with crashes of through beginning of a grain of sand such as the output of their hive bee (indeed that its top also can remember quite "Buscando a Nemo", now that I think). In addition, throughout the central part of "Bee Movie" belongs to legal genre, something in total contrast with the cinema of child Court that will achieve more entertain adult, tired public because that these films are limited only to parody scenes from other films. And as mentioned above, Barry is charismatic, dynamic and is very well defined. It is be somewhat stereotyped, but never come to bother with your mordientes comments, strokes his actor gives him and they get that the bee is truly hilarious. Everything would seem to indicate that we are discussing short film animation, or the victory of Dreamworks Pixar. Sadly, it is not the case. Because where "Bee Movie" innova not an iota is in your background. Despite the originality of situations (bees talking with men, judges and courts, companies of honey with clear references - this time Yes - to the human hives of "Matrix", Ray Liotta and Sting.), the film follows a path as predictable as his watered-down end, what causes you to lose many integers on numerous occasions. Thus, to the minimum that the bee does no good la manga no comments of their own, or that there is no any other plot twist, rhythm get stuck, and the film becomes something melosa because it concentrates too much on a script that is not always at the height. Even so, is a film very entertaining, with clear-cut (and well bent) characters and more hilarious situations. A divertimento ensured, aimed more at greater than children (which will become bored by not having too many action scenes visual spectacular), and beautiful invoice. This should be the correct way forward of the producer, which however remained committed to resort to the goose that lays golden eggs and has already announced the fourth part of "Shrek". 7.5/10 |
2,010 | archivos_extraidos/MCE-Corpus-main/Dataset/2728 | José A. Peig | Caótica Ana | 3 | 5 | muchocine | Medem does not intend to go to another port that which finally arrives, which is already an achievement, and his film, in short, is an exercise in style of content and an essay rather than a conventional work. | In tribute to his sister, Julio Medem tells this story about a young Bohemian artist who suffers an experiential process, in the narrative level, while it is true that admittedly the allegorical intention which is the true raison d ' être of the product. The final significance is closer to the capricious construction of an archetype of femininity, related to the myth of the female soul that rises from the ashes produced by human violence. There is no shortage nor the totemic elements, in this case birds, in an account of a marked turn indigenist.The art, the philosophical pretensions, sex, the intellectual and vital undefined post-modern generations as well as the feeling of lacking a point of reference from which identify the purpose of a life, or the nonsense of their own, the varied elements configured keys of a film that moves between the purpose of being an x-ray of a female soul, and in its more abstract manifestation, the progressive birth of Anne's totemic and heroic. What is curious, in any case, are the ingredients chosen by Medem to characterize his girl, which are the least interesting thing about the film that they are part of the ideology of the author (or honored sister) and reveals certain Mannerist tics which deplete fairly discourse, as we shall see.Above all, it is clear that Medem builds a proper structure to represent a progression from the girl who lives in a cave with his father, passing by their emancipation in Bohemian circles of Madrid, knowledge of frustrated love, travel by boat to New York, and its final ripening for a whole process of chaotic existence. The transformation of Ana is given by a confluence of factors that rallan towards popular beliefs of the thought "new age", such as reincarnation, hypnosis and the return of the Mother goddess. The search for female purity contrasts with a passage from representation performance in which the protagonist loose a rant about women as element that perverted the creation and the ascent to God.Through hypnosis, Ana reveals the experiences of different women at different times, all of them belonging to the indigenous area, as well as the nexus between her and her lover Sahrawi. All these elements are those of the counterculture jipi and other anti-establishment movements, and that Medem subordinate the speech with a fairly irregular, effective result in some passages due to coherence and development of the above reasons, but sometimes drift in an inevitable simplifications.See the peak of the narrative, when the rebel diosa-heroína-is faced with a very hateful, American Tycoon he because it supports the conflagration in Iraq (do?!), a Lord of war painted with a "buenista" speech that causes blushed for a typical simplifications of the politically correct: "even the bad guys have something good in your interior". We then see the own protagonist deposit feces on the face of the Lord of war, a kind of revenge and ridicule of the rival through the delirium in the most violent and Resolutive passage. Finally, the misfortunes of the world are not arranged in this way, but according to Medem, that was the most beautiful of paying tribute to his sister. You will see.Final images, in which we see Anne walking the streets of New York after his feat of integration and its totemic power maximum expression as fémina which brings together the pain of other women in other times and places, with that smile of mischievous satisfaction, expresses the idea of an innocence lost time back at sea in Ibiza and in the cave of the abandoned father with sobrietyto become cynical and rebellious goddess. It is a product of society, or what society deserves it.Overall, is a very personal and interesting proposal with a very careful staging and a display which emphasizes the dreamy, sensual sensations in perfect coherence with a speech that calls for things like the dream, delirium, parapsychology, elements that sometimes seem stuck with a shoehorn but functionally valid if we look at the final result, its coherence. Medem does not intend to go to another port that which finally arrives, which is already an achievement, and his film, in short, is an exercise in style of content and an essay rather than a conventional work. You may like more or less (who writes this recognizes that the film has been boring at times), but regardless of tastes, the correctness and clarity of ideas is evident in its resolution overlapped with the beginning. |
2,011 | archivos_extraidos/MCE-Corpus-main/Dataset/3162 | Tony Astonish | La promesa | 2 | 5 | muchocine | "The promise" is a pretentious you want to cover too many topics and proposal which abandons the simple beauty of its predecessors to embark in the digital world | Having seen films such as "Hero", "House of flying daggers" or "The curse of the Golden Flower", one expects to enter a magical world when he attends a new Chinese epic adventure. "However, the new bid director Chen Kaige and the team that shot"Dragon and Tiger"left me with a bitter taste in the mouth.""The promise" it mixes the fantasy of a fairy tale, with the epic of Eastern battles and the romanticism of the rose novel, but precisely the error of treating all these issues together has resulted in a confusing and history too convoluted, closing at the end of absurd form some of the raised plots.The beauty of his aesthetic loses much of its charm by the abuse of digital effects, causing laughter in several combat scenes. Incompressible is that in the XXI century is put aside important details (such as the arms of the protagonists) for digital technology. Even the soundtrack weakens in some scenes of the film, as for example when come to large orchestrations in intimate moments of the film.The only thing that saves the film from a total disaster are the good definition of the four main characters, confronted by love and ambition, notably great interpretation of the actor Jang Dong-Kun, and, of course, the rojiblanco colorful which highlights all the time.In short, "The promise" is a pretentious proposal you want to cover too many topics and abandons the simple beauty of its predecessors to embark on the digital world. |
2,012 | archivos_extraidos/MCE-Corpus-main/Dataset/504 | Jose Contreras | La increíble historia de Caperucita Roja | 3 | 5 | muchocine | It is told with the intention of finding a happy ending for a rather bloodthirsty tale. And you can congratulate the authors on two turns to whether to do so. | After you open the animation film to provocation, Disney though moderate, with Shrek, the psychological depth, or the colegueo modern animations, it seems that cartoons public is already prepared to make another leap, and penetrate the secrets of kaleidoscopic cinema, the legacy of Citizen Kane, Rashomon or captives of the evil. When Nicky Croak police inspector arrives at the scene of the crime, he discovers that Riding Hood, Wolf, Grandma and the lumberjack have four very different versions of the same story.Cory Edwards does not reach the end of making contradictory versions of the four protagonists, does not require the Viewer to guess who of them lies. Nor get to ask the tarantiniano exercise change of sympathy with each version. It adapts the story by Perrault to the times with the omnipresence of the media and some tribute to mission impossible and forced Matrix. Also leaves behind their bobo sexual background. It is told with the intention of finding a happy ending for a rather bloodthirsty tale. And you can congratulate the authors on two turns to whether to do so. |
2,013 | archivos_extraidos/MCE-Corpus-main/Dataset/610 | Emilio Calvo de Mora | Pret a porter | 2 | 5 | muchocine | Robert Altman in Pret a porter does not make film: makes a movie where they leave Sophia Loren, Julia Roberts, Kim Basinger, Marcello Mastroianni, Tim Robbins or Stephen Rea and a heavenly cohort of weight mannequins look palmito. | Now that the Devil Wears prada announced in the bus stops, with his homicidal heel, with its clean claim perfect beauty, I again see Pret a porter, the tape of Robert Altman that looks distantly over the fashion world portrayed in the picture of Meryl Streep as (forgive the redundancy) fashion.I really not dazzled in his day and the review last night remachó the little lair that fills my memory to this film. Very true that Robert Altman is a director of height has given very notable films, Mash, three women, the game of Hollywood, Cookie's fortune and, above all, Vidas cruzadas, but here has patinated in excess, although it has surrounded the cream of the world of the gateway and has portrayed with vigour and with some excellence of style their hustling and their meanhis power and glory. What is Pret a porter is script. You don't see anywhere, and that is a huge SIN for a film. It is a huge Sin a simple conversation of neighbors in a ladder without script. The script is the meat that makes that the skeleton does not fall to the ground. The script, the film narrative, is the reference absolute. One can find portentous frames, a sublime picture, a few interpretations that rozen perfection, but if there is nothing attention is losing, and then we are not witnessing a round film but more or less well bonded images consenting that they can, in certain circumstances, be appointed with the generic name of Cine.Robert Altman, Pret a porter, does not (then) film: makes a movie where they leave Sophia Loren, Julia Roberts, Kim Basinger, Marcello Mastroianni, Tim Robbins and Stephen Rea and a heavenly cohort of weight mannequins look Palm and rub shoulders with flashy players. Underneath this costume so recently, there are huge gaps: are so great that some overlap others and form one larger holes so much footage during what we see is a wasteland, a wasteland, a lunar landscape in which a director with absolute competence and well-deserved prestige salda with verve accounts we are unfamiliar with the world of fashion. In the end, you trivialize, it ningunea, so hence it towards the limits of the foolish.Pret a porter is amoral and is acid because something has to be or because the talent behind should be evident in some feature distinctly intellectual. Choral poetry of Vidas cruzadas (Short cuts in its English original) desmembra in Pret a porter in a few rhymes of drunkenness that four friends with some literary background make up to entertain the way back home. Everything in Vidas cruzadas knew to fresh air, very interesting novelty, Pret a porter is boredom. You may not entertain a tape where nothing happens or where very little happens: what happens in addition interest relatively.He would have liked to Altman film flow by the police course that principia the scene in which dies the steward of fashion in Paris and Mastroianni, stunned character, attends, but obvious all the police film material and extends, with violence almost, in the field of comedy abrasive and bubbly, giving way to a Vertigo of banalities that does not fill the appetite of the friendly Viewerunless it has lately seen short film or except that it is a voracious eater of sophisticated, hollow and notable artifacts.The American Syd Field, recognized among the authors of manuals of screenwriting, authority establishes rules for his writing: each page of a script equals one minute of projection on screen. I can not imagine that Pret a porter had 130 pages in your script. Or much less. There are some dazzling, that Yes: this home where Altman teaches us a blowout showcase incredible brands and high fashion, but we are not in Paris or nice. It is Moscow. Robert Altman, elderly, complainant, with that look of old bad milk that still cela treasures, talent and ingenuity as to fall in love with new generations and deserve the applause of those who already had him in esteem did in the key, slipped: he portrayed a world difiícilmente retratable, despite the flashes, flashes are your daily subscription.I imagine a Blake Edwards in his good time aboard this custom. 80 Pages of script, i.e., or hour and a half of film, would suffice but to me it is that Blake Edwards I like a lot and I see more incisive, much less heterodox that Altman, concerned in excess of not content to many to satisfy a lot a few. The Loyalists. Doran le that the pill. I doré le in Vidas cruzadas. And that argument had three hours of pages. |
2,014 | archivos_extraidos/MCE-Corpus-main/Dataset/2183 | Patri | Un Final Made In Hollywood | 3 | 5 | muchocine | It is not a great movie, and sometimes boring, but leave a good taste for the hilarious comedic moments. | Woody returns to perform one of his comedies, in his style, as always, it is not a great film, and in some moments bored, but leaves a good taste for the moments of hilarious comedy, fostered by the performance of Allen, although it does always the same character not tired, moreover, already showed us a few years after that it is a great filmmaker seriously with the magnificent Match Point. Do in this film Allen charge against Hollywood producers, actors, agents? all are victims of his acid humor, something that is appreciated because the brightest Woody Allen is found in those moments of acidity that we enjoyed in many of his films. The parallelism between the reality and the fiction is evident, for example, the setting of the protagonist by the foreign directors of photography, something that also happens to Woody Allen. The fact that hires his girlfriend as an actress even though it is very bad acting, as it was the case with Mia Farrow?In this way, not only attacking the entire film industry in general, but also portrays himself as a director and as a person. Perhaps in this film are missing more ingenious dialogues which characterize his other films, so at various times the film decays and this makes an irregular film, although it is always advisable to see a Woody Allen film, because either of the worst of his filmography or the best, we will always find great moments and dialogs that are worthwhile. |
2,015 | archivos_extraidos/MCE-Corpus-main/Dataset/1594 | Rafa Ferrer | Alfie | 2 | 5 | muchocine | A film that kids spend a good time and the girls while they enjoy the presence of Law they will look at your partner with certain side of "bad grapes". | From that I have not seen the original film, although I do not know why this drew me enough attention (perhaps by the attractive presence of Marisa Tomei and Susan Sarandon, in addition to Law, of course), and while in some moments I've had quite some complicity with "Alfie" know that the Femina can feel insultadas in his egotism and his nose. As a "Alfie" would be female version? Although eventually it ends up being a "Hunter hunted" the film promises more fun and more depth than just finally giving and although proceedings are sober and well undertaken, especially that of Jude Law, the film seems a guide tourist of NY (city by very cinematic Excellence).By the way, Sienna Miller, the new couple of Law, previously married to Sadie Frost (which has his name tattooed)!This very but very good!Finally, a film with which the boys spend a good time and the girls while they enjoy the presence of Law they will look at your partner with certain side of "bad grapes". |
2,016 | archivos_extraidos/MCE-Corpus-main/Dataset/4185 | Rafa Ferrer | Sweeney Todd | 4 | 5 | muchocine | Not lost in nonsense, and from the first minute as we dabble in flour, translating the arrival of Todd to the mundane landscape London, under Tower Bridge. The best of 2008, with difference. | For all those who I usually read well know and know my passion towards Tim Burton, is why I could not (or known) hold the time remaining until its premiere in Spain (February 15) to see this MUSICAL film, one of the most famous musicals of Broadway, Sung almost in its entirety (little dialogue spoken there)(to tell the truth) and that, once again, starring Johnny Depp, along with Helena Boham Carter, Alan Rickman, Timothy Spall and Sacha Baron Cohen, in his first dramatic role, and is that Baron Cohen only have seen him do comedy. Note that Burton dreamed for years with the realization of this film and it shows, it shows in what has taken all care to make the Ribbon round from levels that separate the Ribbon entirely on an exercise fully theatrical, until the actors, even the effects and makeup, everything perfect, perhaps, the only negative note I see, and from there in that incapie over and over again that it is a MUSICAL is sometimes arriving tired so long singing by actors, is missing a little more dialogue, and is that both "Chicago" as "The fantásma of the Opera" or even "The producers" were partly spoken and partly Sung.The actors, all, without sin excepción exception are impressive, from Depp, who sings really well, until Alan Rickman, who takes to boot, but too it (bridging the gap) quite well, I leave aside to Timothy Spall, which frankly has much to learn to power "a little" sing good, given that his character everytime he opens his mouth it shows that theirs is not singing.Saving this and knowing in advance, are forgiven everything to the film, that it is not lost in nonsense, and from the first minute already us gets into flour, translating the arrival of Todd and the mundane landscape London, under Tower Bridge, or the final moments in the House of Todd.De best of 2008 with difference, hopefully uncle Oscar is good with Burton. |
2,017 | archivos_extraidos/MCE-Corpus-main/Dataset/1524 | Daniel Galindo | 3º colder | 4 | 5 | muchocine | Interesting exercise posed from a minimalist approach, the choice about what is most important, love or be loved. | Interesting exercise posed from a minimalist approach, the choice about what is most important, love or be loved.Until the action progresses we feel a bit lost and one, which has already experienced it, recommended that be swayed. Only thus you will enjoy to the maximum of this curious and attractive display of intimate film.Almost everything is disconcerting: its inception, on a lonely Beach in the Basque country, grasping a possible ending or a home, but far from seem a predictable story this German film is presented as a peculiar composition for several reasons: do not get many Germanic productions, has signs of sociological experiment to introduce an element strange (but not both) in a "quiet" routine and gestures and urban landscapes prevail in a reality of few words.If I had to search similarities with other titles we recurriríamos the consequences of love Italian and Uruguayan Whisky, although more for the atmosphere than by sentimental polygons that form. Got something that is President and conveys a sense that invites you to think in the lucky star and they are sea, undressed the Iberian accent and colder, in particular "3 degrees less", making case of his translation into Castilian.One of its greatest wealth - and has many that we will leave you to discover - can be found in performers, able to sustain eyes in close-up: the camera seems to extract the deepest feelings. The ground where operate does not seem hostile but strange, which dispenses with unnecessary; for example look at the city that seems deserted and exclusive for the puppet outlined and manipulated by the still unreleased film in our country.Be honest and seeing the devouring desire of the Billboard, the future of tape is cold as its title. A pity, because that is made with feeling, containment and correction, qualities that overlook too many filmmakers to reinforce in the halls, obviously with the unconditional support of the public. |
2,018 | archivos_extraidos/MCE-Corpus-main/Dataset/707 | Caruco | Las partículas elementales | 2 | 5 | muchocine | It cannot escape the long shadow of this novel of worship which serves as a source. It has eliminated many issues complicated treat or move in images; and it has sweetened the end. | Why not are we capable of being happy? Perhaps why not can meet all our desires, sometimes even contradictory. And in a world where we are exposed to the constant bombardment of stimuli, new products and experiences that "desire".The novel by Michel Houellebecq, become a bestseller, and an author already so loved and hated in France, pondered about it, on the morality of Western civilisation, sex, racism, and much more, in his work. All a punch straight to the stomach, difficult to digest, and practically inadaptable to the big screen.For this reason, "Elementary particles", directed by the German Oskar Roehler, cannot escape the lengthened shadow of this novel of worship which serves as a source. It has eliminated many issues complicated treat or move in images; and it has sweetened the end. This has made him swallow criticism (negative) readers of Houellebecq.En his pursuit of "reasoned knowledge" to put order to the chaos, it is Michael (Christian Ulmer), a scientist who tries to find "indivisible" and "impresindible" of existence. For your profession, and being a cold mind sumergida formulas and theories, sacrificed her love of children, Annabelle (Franka Potente), who will return to find with the passage of the years.The reverse of the coin is his half-brother, Bruno (Mortiz Bleibtreu), Professor of literature fully immersed in the crisis of the 40: "unique developments I have left to live are the enfernedades!". Do not "want" to his wife nor has developed its vocation of father.On the contrary, Bruno does have developed to maximize their sexual stimuli, continues with its practical onanistas, and never ceases to put face of enbobado before the details of the young and numerous female presences around him. Not hidden its racist tendencies, which will be translated in a book project where insults blacks ("one of the dominant sexual races"), led by the bitterness of his frustration.As aggravating, the past of Bruno is conditioned by different traumas, as the Oedipus complex for his mother, Jane (Nina Hoss), one? neohippie? that he chose to live in freedom without worrying about their children. On the particular trip to find if same, stops include a psychiatric centre as a nudist camp. But their destiny, if you make something, it seems madness.And trying to decipher the irrational equations of love and sex, Bruno, such as contrast and example, and Michael, as a biologist, will be precursors of a do progress? inspired by the utopian novel "Brave new world" by Aldous Huxley, which would bring us a "rational" society where love and sex have been indoles by cloning and artificial reproduction. Eliminating the evil we have the remedy. As well as these worrisome chemical and biological reactions of human relationships, but excitement and pleasure produce trouble and other more severe pathologies.This is, of course, a part of the irony of the novel conveys Oskar Roehler who however prefers to lead his film to a ground more recognizable and bearable for the audience as it is conventional melodrama, focusing on two love stories.It contains a correct narrative, as this sequence of the attempted seduction of Bruno to one of his students. And holds very good performances of Moritz Bleibtreu, which is able to keep a few first flat full of pain, distress and solitude; and Martina Gedeck as Christiane, the nymphomaniac who knows in the camp nudist and destined to become, so to speak, the love of his life for Bruno. And although its protagonists succeed in "happiness", it is probably not as her would have "liked". And this leaves us with one of those frozen smiles. |
2,019 | archivos_extraidos/MCE-Corpus-main/Dataset/4233 | Bruji | El Gran Combate | 3 | 5 | muchocine | A song of infatuation by North American indigenous community. | Around 1860, some three hundred cheyenne Indians are forced to live on a reservation in Oklahoma that are dying of hunger. Deceived by a Commission of the Congress of the United States, - which ignored their demands and their most basic needs-, the leaders of the tribe decided to return to his true home, to their homeland in the grasslands, located over two thousand kilometers. The American Cavalry will not hesitate to pursue them and give them capture, but the noble Indian people never give up without a fight. Autumn Cheyenne (real title of the great match) could be defined as a song of infatuation by the American indigenous community, embodied in a beautiful poem that narrates the pain of the Indian people, persecuted until the extermination by the insatiable greed of the "white man". Not only stripped them of their territories, they were also forced to leave their natural environment and practiced with them a shameful policy of ethnic cleansing; clearly doomed in this film. It is, therefore, an atypical Western, (remember that in films such the good are always those of the Seventh Cavalry, which save their chaste maidens from the clutches of the Indian savages that start scalps), in which the admiration of Ford by the culture of these peoples succeeds in creating a film beautiful, chilling in many of his scenes, with the creation of images of an unusual beauty on the screen; and - as all runnings of the acclaimed director - it does not exempt any anecdote that release their folly by the perfection. On this occasion, we have received that in a famous sequence in which Richard Widmark (the protagonist) with other civilians expected output of an authority of a House of postas full Monument Valley, Ford forced them to stay standing up more than three hours, to the Sun, until the shadows of their bodies reached the length as, in his view, it was appropriate. With this film, more November director of the history of cinema, would show his detractors that was quite uncertain rumors that circulated around his person, which accused him of racist. Indeed, John Ford and Raoul Walsh were the only Directors of film hosted by the Navajo Indians in their own tribe, in appreciation of the work that both played to dignify the role of Indians in American history. In the navajo language, the Ford name was "Natani Nez", which means "the high Warrior"; and Walsh, "Etsua already apenta", much more beautiful and descriptive than the previous one, which means "The Eagle of the sky in the morning". With this work of author, farewell of the great filmmaker of the western world, many viewers will recall the famous dancing with Wolves Kevin Costner; a good film (undoubtedly good), but that no one should settle knowing the existence of the great battle. |
2,020 | archivos_extraidos/MCE-Corpus-main/Dataset/865 | Pablo López | Brokeback mountain | 2 | 5 | muchocine | This is a western, nor this is come out of the closet. It is, on occasion, quite effects, but he delves into aspects that do not develop the main plot. | Today has played to go to the cinema to see the new work of the irregular Ang Lee. Waiting with eagerness to this film, and much more after the Golden Globes, but has not been as much as expected. I note that this comment contains spoilers for the film, so that has not seen you not to read, or read it at your own risk.Many awards, mentions and nominations preceded the name of 'Brokeback Mountain', which I took to get huge expectations on what promised to be the movie of the year. As well, come the day, and once outside the room say that the film I liked enough (not is if for the quality of the film itself, or because my subconscious tells me that you have to like me), but that has several aspects that do not make it a round film and, much less, to my sanityan Oscar.La film history, that he intended to show as 'a history of gay Cowboys' is, on occasion, some effects, but delves into aspects that do not develop the main plot (the love between them), but in a few sub-plots which aim to enrich a plot that is not at all developed and it is almost non-existent, so at the end left a movie something lame and implausible with what was intended to be the proposal as risky of Hollywood.Los actors are correctitos, in the absence of a good original version to throw me in the face, have to say that neither Heath Ledger's nomination, nor his wife in fiction, the repellent Michelle Williams 'Dawson grows', is not worthy of it, while it is the emerging talent of Jake Gyllenhaal which stands out above the others giving an interpretation very very believable (also has there 'Jarhead')(, which earned him many points), I bet because by this guy for possible nomination to the Oscar.El other elements of the film are nothing out of the ordinary that can highlight, while the music of Gustavo Santaolalla comes in handy to the story, the picture of Rodrigo Prieto is quite normal (landscapes are in the show off, but this guy has passed) and the direction of Ang Lee is quite normal, with some scenes that are really nice, that Yes. Finally, technically discretita.Anyway, the film does not all eggs in one basket, could be much more incendiary, but prefers to be diplomatic, discretita. Even so, and as I said a bit before you write this: this is a western, nor this is come out of the closet. But I liked, albeit with limitations. |
2,021 | archivos_extraidos/MCE-Corpus-main/Dataset/354 | Jesus Lens | El próximo Oriente | 5 | 5 | muchocine | One of the comedies most intelligent and fresh of recent times, with a cast of actors as unknown as wonderful and one of those scripts, exemplary and anthological, bringing memories of the great mess of Hollywood comedies. | I have a tremendous bitch with that expression, "tolerance", referring to immigrants. Being better than intolerance, of course, I do not think that be tolerant with foreigners and with people of another color and another race is sufficient. Tolerance means bear, admit and hold that they exist, but nothing more. Means leave them paragraphs, do not mix with them, draw a dividing line that separates us. We here and there, you quietecitos and annoy.However, there is a neighbourhood in Madrid, Lavapiés, which has taken a step that goes far beyond tolerance, as the great Fernando Colomo tells us in her delicious, refreshing, utopian, carefree and happy film "The Near East."Now that the Billboard is dying, with only Pirates of the Caribbean, all that we endure in August in the cities and support all those returning from vacation we go in droves to enjoy one of the most intelligent and fresh comedies of recent times, with a cast of such unknown actors as wonderful and one of those scriptsexemplary and anthological, they bring memories of the great mess of the classic Hollywood comedies.Two brothers. Cain and Abel. One is handsome, posh and trápala. She has left her lover blangladeshí pregnant and puts land of through, with his wife and daughters. The other is a pringao book. A clumsy and inept gordito with a heart so big that did not fit you on the chest. He will assume the role that his brother has fled by legs and consigned completely to the ins and outs of Islamic, traditional and conservative family of the Bangladeshi immigrants trying to survive in Madrid of the 21st century.With laughter, jokes, gags, replicas and contraréplicas to everyone more ingenious, chaotic and hilarious, Colomo speaks of themes as topical as the clash of civilizations, racism and xenophobia, happy tolerance, the exploitation of the poor, the fear of loneliness and immigration. And does so with a joy and a desparpajo showing that, to talk about the major issues affecting humanity, it is not imperative the get serious and solemn."The main characters are luxury, secondary, with the meat to the front, unpayable and actors who give life are up to colossal calling the script with a full of nuances and expressive interpretations.""Near East" is a film which claims, above all, the joy of living. One of those movies that you reconcile with the best cinema vindictive, critical and teller of the social reality of a country, but shot from humor, intelligence, wisdom, and experience by Fernando Colomo, a rare bird in the Spanish movie scene: this rolling what you want, that there are the stories that you want to and that makes it as you want.Dear Fernando, after laughing hinged jaw with "Near East" only have one thing to say: at your feet, master. |
2,022 | archivos_extraidos/MCE-Corpus-main/Dataset/2029 | José A. Peig | Piratas del Caribe 2 | 3 | 5 | muchocine | An irregular film, designed to be a bridge to the next episode, and this is a setback that condemns the project to be a mere transition without greater bellows. | It is something that happens in most major productions of cinema of evasion, and here we like to stress it often: create a universe to screen mode or mirror in which the viewer can see reflected, that these fantasy worlds are an idealised projection of our own experience of reality. I.e., that the heroes that live in these fantastic worlds are a reflection of the best that we could become, or what we are, but materialized in the sphere of the idyllic, taking advantage of the playful game of adventure. Evil can be represented in many ways and can point to various obscure aspects of the human condition or the society in which we live. Whether Sauron (the Lord of the rings) or Darth Vader (Star Wars), are equally archetypal representations that we refer to our psyche and our real world. a world in which things are never so simple. We said that "The curse of the Black Pearl" is one of these living spaces for fantasy, both by the brilliant visual embodiment the right configuration of characters and history, creating an atmosphere of myth, legend Buccaneer which justified itself by the own rules implicit in its texture. In dead man's chest, we have a clear attempt to expand that universe with new characters and plot stunts although on this occasion the lush imagery in the design, art direction and intentional shantytowns surrounding to the history and iconography of evil prevail. Unfortunately, in this case it does not reach the right balance between resources plastic and narrative strength, dramatic tones and bufonesco spirit that animates it from its original purpose. Or, in short, you cannot find a point which reconciles the pure evasion drawn with firm and credible hand - always laudable - striving to be original. It is not easy to face the criticism of this second installment of the Pirates of the Caribbean trilogy (trilogy or series?). For their successes in the design and creation of atmospheres and the effort to create a story that goes beyond the predictable "hard" stolen to the classics of the genre (especially Indiana Jones and Star Wars classic trilogy), it's a very strange and fascinating film as failed and disjointed. History: the argument still stressing about historical events that mark the development of the present, and along these lines, the cava history deeper in the expansion of the universe pirate and introduces us to the King of the seas, captain David Jones, a sort of demon who administers and controls the flow of objects and the souls of the pirates. In fact, Jones played the role of the God of this universe configured in the two films filmed and released to date. The design and characterization of the crew of the Flying Dutchman has a power of fascination that connects with old myths of literature and cinema, as Captain Nemo, Dracula, John Silver or Darth Vader himself. That David Jones to mid-way between cruelty and melancholy (the scene in which he is playing the organ with desperate, unforgettable Fury), this ghostly ship which is found in the depths of the sea and that rises to the surface as if from a sea monster is involved. an evocative and sinister atmosphere that surrounds an enigmatic character: he only we know that it controls all the flow of pirate life on the seas, but we cannot say that he is the villain of the piece. Her love blue eyes, in contrast to the cruelty displayed at other times, configured the best romantic representation of what it is and has always been a fascinating profile of the pirate: free, solo, and in this case, a prisoner of his own love story, anchored in the past. and a pulsating heart hidden in a chest. Anyone possessing the casket, will take control of the Sea (will be owner, therefore, of the world created in the film representation). Love and power are part of a continuum of relationships, causes and effects. The lyricism and Poetics on the personality of David Jones and his chest are one of the best advantages of the tape, original, playing with the icons and the theme of the genre with a clear intention already seek something that almost no one remembers and up we think a cursilada: beauty. Yes, beauty. The noble attempt to provide the circus of absurdities and Visual effects of an romántica-onírica epic. It succeeds only halfway, but there it is. David Jones is not the villain of the piece, in the context and intent of the work. Let us not forget that "Pirates of the Caribbean" is an exaltation humorous by the idealized figure of the pirate, the closure of the previous delivery was a tribute to that profile uprooted and immoral. Thus, if in this saga pirates - all without exception - are the "good guys", the bad is to be found in an antagonistic profile, and this profile is Lord Beckett, spokesman representative of the law and the new illustrated order of 18th century (following the game to the pseudo historical pamphlet), which, at any given time, said something very important: that someone like Jack Sparrow has no place in this new order that no region of the world will be free control and the influence of the modern power. And attention to the huge clock that adorns the bottom of the level, which contrasts the mechanistic laws disorganized life of the pirate. Upcoming new times, and not there is place for pirates. Beckett pursues the extinction of the pirates, so need the heart of David Jones "King of the seas". Jack Sparrow need chest to save his own skin because of the old debts, Will Turner to free his father and Commodore to recover the lost prestige. In short, David Jones, as Dios-Demonio of the seas, is the center of a plot too main in wanting to give turns to the same and to create questions that serve as a bridge to the third installment, so the narrative too often becomes thick, but simple stretches unnecessarily and the result is a quite inferior to "The curse of the Black Pearl" product. The poetic personality, attributes, characters and the history of David Jones as profile agglutinating of love, the cruelty, pain and power, multiple evocations profile perfectly vertebrate with the set, because he is the center of gravity (the reason) around which revolve the exploits of the protagonists, this poetic is the aspect-as we pointed out previously-depths of the filmwhich it gives beauty and epic force, and it is also the most unnoticed aspect for most of the public, but you'll gain understanding with future revisions, as David Jones has the flavor of a classic, adding to the list headed by Sparrow in this extravagant saga in charismatic characters. Johny Deep repeats the same ambiguous, extravagant and buffoonish interpretation so good result gave in the previous installment. But if something was disappointed the tape, is non-existent progression from a scheme that is already given. That is, that if you do a sequel or continuation in which you return on the same characters, you must add them to legitimize new dimension, artistically speaking, the existence of the sequel and so allow a progressive character to the saga (eye to the canon of teachers: "the Empire strikes back", perfect example of innovative sequel, with characters that move towards psychological fields just outlined in its predecessor). Sparrow does the same thing that in the previous, the same gestures, the same antics, same situations, same resolution in extreme situation. There is no progression: the nobility arose at the last moment, when he decides to return to the Black Pearl to help his friends. Here it seems that the writers want to highlight their morale over the anarchy, but at that point, as we say, neither surprised nor adds nothing new. Elizabeth Swann, ditto; the maid of blue blood which, at the last moment, becomes a genuine pirate. Orlando Bloom, in classic plan, emulating Errol Flyn, but the poor have less expressiveness that one table. He is the greater burden that has been dragging the saga of pirates. And since a Prism more generally, it should be noted the irregularity as a whole of a film which first and foremost want to be film show. The problem comes when a production of this type you want to add a darker, as in this sequel to Pirates of the Caribbean. The truth is that it is not easy to combine and combine the playful spirit of adventure disneyana that worked so well in "The curse of the Black Pearl" - despite their sinister dyes - with a Baroque style that frames a story that, from now on, longer wants to take too seriously itself. The first delivery was a funny legend of ghosts that flowed in equilibrium with itself, here is an often disproportionate Cirque who tries to live with poetic and far-reaching claims. It is not only a tale of ghosts, is an epic about the struggle for control of the sea, love and hatred, the anarchy of the pirate universe against the enlightened order which Beckett intends to impose. That mixture between circus and dramatic epic ends not curdle the desired effect: Entertainment from beginning to end in a spirit of epic the eternal theme of the struggle for power. The writers complicated life wanting to introduce and explain too much, raise too many enigmas, submitting to too many characters. Result?. You have already said: the narration is not smooth but thick, and "The curse of the Black Pearl" was almost continuous entertainment, here the fluidity and freshness go to catch-up. When Sparrow or David Jones will disappear from the scene, the film loses many points. So there can be a great entertainment without an appropriate structure that expose the history clearly. The plot and the history of "Dead man's chest" are more than interesting, even has implied a genuine poetic (attention to the heart of metal that Jones keeps together with the body of their sorrows, or the compass that indicates the path of the wishes or the ghostly silhouette of a female dress that feeds the superstition of the Buccaneers) but can be quite confusing and unbalanced in its submission. On occasions one poetic, funny and sinister, others show a circus grotesque and excessive, "Dead man's chest" is an uneven film, designed to be a bridge to the next episode, and that's a setback that condemns the project to be a mere transition without greater bellows. Which does not mean that the tape has the sufficient - evocative by the rightness of his characterization - elements so, returning to the thread of the home, the pirate universe of Verbinski and Bruckheimer copper life of its own once more with style and ability to suggestion. |
2,023 | archivos_extraidos/MCE-Corpus-main/Dataset/3418 | Rafa Ferrer | Stars Wars III La venganza de los Sith | 4 | 5 | muchocine | Without a doubt it is one of those tapes that will be part of one way or another in the history of the current cinema... | I've already seen and I am sure that now I chewed, Digest her and then surely be able to meditate her coldly, insofar as all the Star Wars films!I was delighted!Made quite some time that I was not excited in the cinema (have jumped me the tears on a couple of occasions) and probably next as my beloved "Return of the Jedi" the second film that I most enjoyed all that make up the series.The film starts very slowly and even at the beginning can become "more of the same" as in the first half hour I was quite confused by what was happening on screen (recommended seeing her in a room with THX Sound) but, however, as he was moving the plot I felt much more satisfied with what a priori thought that it would be the end result of the same (as órdago).I was delighted to find I landscapes (Alderaan) and characters (Chewie) recalled that previous tapes as well as some that he knew of "Clone Wars", the animated series Star Wars.He read a couple of reviews that the highlights were played by Hayden Christensen (and think that at the beginning it chirriaba me in his role as Anakin) and Ian McDiarmid (Palpatine - Darth Sidious) and are not devoid of reason, there are perhaps including a series of complicity which does not appear between Obi-Wan and Anakin, even though this tried (to remember the words of Obi Wan "if it stays still bursts" that has started some that another smile in the stalls)."The revenge of the Sith" is a film that manages to unite all that we have seen in prequels them earlier with these episodes with true vintage flavor that most remember in our memory as part of our very personal childhood; If it is true, it seems that Luca$ has bothered to listen to or read (forums, mailing lists) to the fans of the saga, answered thousands of questions that all we have ever wondered about the saga and however we had never seen on screen (and see that the so-called "expanded universe" is wide).Again, the excellent score by John Williams masterfully accompanies each and every one of the moments of the film, since the subjects already known by all fans to make at times we put the meat of Gallina.Tal time, and as a negative note, I will put the absolute excess of special effects, since said Ewan McGregor nor it is good for the players (that act before the Croma Key) is not good for the spectators, because although it is a science fiction movie in which we know that 90% of what you will see is not real, remains credibility to real little that if there is on the tape.Without a doubt it is one of those tapes that will be part of one way or another in the history of the current cinema. |
2,024 | archivos_extraidos/MCE-Corpus-main/Dataset/2656 | Berto | 28 semanas después | 3 | 5 | muchocine | It isn't any bombing, or anything you like, doesn't have no cache high actor, but even so it is not bad film, leave it in that is an acceptable movie and quite entertaining. | The film that I am going to criticism today is of Terror and is entitled 28 weeks later. The argument trafficking that a severe virus attacks Britain, the virus in question is transmitted by direct contact and transforms the wearer into a kind of zombie bloodthirsty Cannibal (is not really a zombie because technically not dead, but for me are zombies). As result of this virus, the vast majority of the population is exterminated (transformed into zombies), the few survivors remaining, congregate them in a security zone, in quarantine in some neighborhood of London, protected by tight security around the perimeter, this is possible thanks to the army American that it is responsible for protecting survivors and begin reconstruction in a moment in which the virus seems off.The protagonists of the story are part of a family, and events occur in the following way, the children of the marriage, were traveling, the father manages to escape from the attack of the infected leaving women behind and giving the dead. When the children return from the trip and join life decide to circumvent the security measures and go to their old house in search of a picture of his mother, when they arrive at his house discovers that his mother still alive, later discovers that while he is immune to the virus, it takes him inside, so that what they have done is put a "Trojan horse" in the area of protection, from there you can already imagine, infects the husband and breaks the security. Did I not tell you more of the plot, or what happens because fate? the film has no grace. Rather than London could be called Racoon City because reminded me much Resident EvilLa film isn't any bombing, or anything you like, doesn't have no cache high actor, but still isn't bad film, leave it in that is an acceptable movie and quite entertaining, if you have not seen and not see anything in the film to draw you attention toThis film is a good option. |
2,025 | archivos_extraidos/MCE-Corpus-main/Dataset/4220 | Francisco Bellón | Savage Grace | 1 | 5 | muchocine | Savage Grace is nothing more than a sensational melodrama of tiny quality that exploits the curiosity of the public, Avid of the great families of high society scandals. | There are families whose lives seem drawn from the imagination of some writer melodramas or clamoring, but as reads the well-known phrase, reality always surpasses fiction. And as often happens, there is always some avid producer exploit the morbid curiosity of the human being, and decides to undertake a project to tell the story.And here we have Savage Grace, which tells some of the facts that happened to a family of American high society between the 1950s and 1970s. United States seems to be a legendary family saga, almost of legend, and the circumstances the truth is that they are not for less. But in that film, stays in a tabloid, twisted and gruesome, story that only seeks to awaken the curiosity in the audience. All the elements are forced to give even more sense of cheap soap opera, with some scenes that could have been devised by the pseudo programs writers as here is tomato. Tom Kalinse is passed both thread the film becomes pathetically funny for those viewers who still have the courage and the fortitude to take everything to banter. The sequence of the airport is simply the most stuffed who have been in a supposedly serious film in some time, and just look at the expression of Elena Anaya, who is thinking about who would send her to embark on such nonsense. Something like this also should think Unax Ugalde, Belén Rueda and Simón Andreu, although their roles are merely witnesses. Julianne Moore has the excuse that the character was a chocolate, and that in the right circumstances, it could have been Oscarizable.Savage Grace is nothing more than a sensational melodrama of tiny quality that exploits the curiosity of the public, Avid of the great families of high society scandals. It is a film that does not offer any incentive for the unpleasant task of viewing your ninety minutes made eternal. |
2,026 | archivos_extraidos/MCE-Corpus-main/Dataset/4343 | Emilio Martín Luna | Adiós pequeña, adiós | 4 | 5 | muchocine | It has a good pace, though he suffered ups and downs in the middle of the footage, perhaps the final moralina, do doubt some, to my it made me think, and I liked the end.Very well written and directed this directorial debut of Don Ben, who has earned my respect. | BEN AFFLECK.decir Ben Affleck i.e. lousy actor, bad movies, Golden Lion in Venice by Hollywoodland.donde portraying a failed actor. There are many cases of actors that are passed to the other side of the camera with greater or lesser success. By fortune, and incredibly, Ben Affleck as director in his first film, meets and meets considerably. You have good taste good Affeck when it comes to telling a story, I am very sure who has drunk of the great directors of recent times, and Mystic River liked and muchó, because it has some coincidences and winks to the work of Clint Eastwood. Affleck seeks the classicism in the narration of a controversial and topical, good plans and taking advantage of a quick script and investigating in the main characters.He has a large cast, headed by his brother Casey, at first, his character is cold and little credible, as it progresses the footage work is convincing and we feel empathy towards him. It has been a great year for Casey Affleck, rewarded with a nomination for best secondary in the Oscars. Accompany the classics Ed Harris and Morgan Freeman, that fill the screen and give strength to the film. In the women's section are Amy Ryan, also nominated for her role as mother, even when mother. And Michelle Monaghan as girlfriend of the protagonist, which meets in screen.The film has a good rhythm, although he suffered ups and downs in the middle of the footage, perhaps the final moralina, do doubt some, to my it made me think, and I really liked this ending. Solid performances, very well directed and written this directorial debut of Don Ben, who has earned my respect. |
2,027 | archivos_extraidos/MCE-Corpus-main/Dataset/1486 | Berto | Noche en el museo | 2 | 5 | muchocine | Typical infantil-familiar film of Christmas, a little awkward-parent, which will have to win the affection of his son showing you that it is responsible and hardworking. | We at beginning of year and we have already the first megataquillazo with us. Night at the Museum, here in Spain had relatively large success of public, nor can be compared with the smash hit that has taken in the US, where its collection has exceeded $ 200 million, making it the first big Blockbuster of the year. I must also say that there it premiered in full Christmas holidays, what the boost definitely, and do not understand how Spain and the rest of sites not her they premiered also on those dates, because almost of insurance fund-raising would be even twice which they have achieved. Let us not deceive ourselves, night at the Museum is a child movie, with all the topicazos children and aimed at a public which is not demanding and conforms to (almost) anything. Runs the roost Shawn Levy, a director has behind him, attentive to the impressive curriculum: honeymooners, twelve at home and finally the unclassifiable horror which is the Pink Panther. It is clear that once would have to accept with some movie that interested minimally to the public, and is on this occasion that he has achieved. With such tremendous box office already has secured a second part of the film (totally unnecessary), besides the fact that his name is associated with large projects that previously had blocked, as it is neither more nor less than the address (although I'm hoping that it is going to destroy) an adaptation of Flash to the big screen (my God!).In the film that we are discussing, is the typical infantil-familiar film of Christmas, a little awkward-parent, which will have to win the affection of his son showing you that it is responsible and worker coming to work at the Museum of yore, which by a curse what at the Museum comes to life at night. By in the Middle, some bad middling, try to dock the Museum, but well, I not tell more because if the movie cannot lose the already little grace which of Yes account.The script, as the map of the world before the discovery of America by Columbus, without any surprise, with a superesperadísimo finish, but that the smaller the House is going to love, is what this film stands out in a few more than efficient special effects. So, during the footage, we will find ourselves hovering around in the corridors of the Museum from a Tyranosaurus Rex, until lions and monkeys, passing by a figure of Easter Island and even Genghis Khan quite come to least, the truth.The absolute protagonist, Ben Stiller, actor bad ever there, but do not know how manages to always join in some box office pitch like this before us. His performance in the same tone that always, same face, many exaggerated grimaces, and nothing more. I believe that we will never see this picking up an Oscar. accompany Stiller Carla Gugino, the only thing salvageable from the film, and although plays a fairly small, it correct as it is his tone in all his performances. Also appear there, Mickey Rooney and Dick Van Dyke, seems to me more like homage to with something else, but hey, even with Stiller showing be a lot better than him as actors, even at their age.Two others who did not lose the mess are Robin Williams, portraying a cardboard Teddy Roosevelt, and as it could not be less, the almost official boyfriend of Stiller, Owen Wilson, passing it big making cowboy in the West, without little interpretation highlight.Ultimately, an entertaining film that will love to the mas peques (little'uns) of the House and to all those who still retain the child being inside, but horrorizara to the rest of the people that can go despistada thinking that he is going to see something more than what you can see in the trailer. |
2,028 | archivos_extraidos/MCE-Corpus-main/Dataset/3710 | Tito Chinchan | Charlie y la fábrica de Chocolate | 5 | 5 | muchocine | more applause. | Applause please. Thanks a lot.The film is about a child of those that do not exist in an imaginary world with an amazing script. This child lives with his parents and four grandparents in a House any pillar or wall remain vertical. Willy Wonka is the owner of largest Chocolatier Empire in the world, where manufactures the best chocolates that exist. But it takes years without leaving the factory and has, apparently, no worker therein. One day, a mysterious posters announced that it will open its factory for five children who find a ticket gold in the interior of a Wonka candy bar... and come about very little gentlemen, and rivers of chocolate, cocoa palaces, magic lifts, incredible events and impossible characters; and more stuff that I've loved.Tim Burton has made plagiarism. Have you got the dreams that we all have and has put them on a film. I have no words, and look that is rare, to describe what I just saw. It may seem exaggerated, that probably, but for many years he enjoyed not taaaaaanto with a film. Everything I loved, absolutely everything. I laughed, I cried, I am excited, I have suffered. I have lived, and I have not bored in no time. Increible.TODO in this film is care to detail. Characters have faces full of expressiveness, clearly indicating what its role. The sets are amazing, mixing digital effects with the purest papier-mache. The scenes are implausible and at the same time perfectly credible, safe to we have dreamed them. The color, impressive, care until the last point of light. The dialogues, embroidered by hand, Word for Word, are perfect. Each word is where it should be. And the musical scenes, watching I usually them hate, are great. The scene of technological child is completely out of the film and at the same time fits to perfection. EU Nice, my mother. Already takes me to go buy the DVD with the version of collector, that my child is going to say that the Remove of the times that I think the see.In short, more applause.Essential. He was going to say that I want a squirrel, but almost that not. And a Lunga Upa, safe or heard. I've eaten half box of Belgian chocolates, this must see it with chocolate, not with the shit that the popcorn which cracks the lips and give them heartburn. |
2,029 | archivos_extraidos/MCE-Corpus-main/Dataset/1809 | Francisco Bellón | Pudor | 3 | 5 | muchocine | Modesty rightly portrays the problems of incommunicado detention faced by society today and fear to express the feelings. | If there is something that characterises the Festival de Málaga, in addition to the obvious, it is its great commitment to new filmmakers, as each year exceeds the number of works that are in the festival. And things you have the cinema, it is increasingly common to see players behind the scenes (some with more success than others): last year was Carlos Iglesias, the previous year was Federico Luppi, a couple of years ago was Jordi Mollá? Now, Tristán Ulloa add to that list, that modesty is his directorial debut, not to mention his brother David Ulloa (filmmaker tanning in television), with which he has co-directed the film.Modesty is a story that speaks of the isolation many families live, whose members, despite living together, are in the most absolute solitude. A family consisting of a man who knows that he will die soon (Nancho Novo), a woman who receives anonymous erotic (Elvira Mínguez), a teenager with the doubts which leads to the age (Natalia Rodriguez), an old man that love gives you a second chance (Celso Bugallo) and a child who sees ghosts (Marcos Rúiz). Modesty portrays rightly problems of incommunicado detention faced by society today and fear to express feelings, even to the beings dear and close. Despite the turn taking some of the stories at any time the film falls into sentimentality cheap. It's a very intimate film, shot with great modesty and respect for the characters and their emotions. One of the few buts can put you the film is in some moments of the dramatic knot pace lapses, and the story is slightly thick. At all times, the film conveys a great feeling of verisimilitude and proximity, with a few characters very well built, with which people can identify. Much of the merit of the credibility of the whole her deserve their actors, very well directed by Tristán Ulloa, which highlights a splendid Nancho Novo (calling loudly a nomination on the Goya), in one of his best performances to date. |
2,030 | archivos_extraidos/MCE-Corpus-main/Dataset/4006 | Bruji | Expiación: Más Alla de la Pasión | 3 | 5 | muchocine | Playing to be Stanley Kubrick, Joe Wright discusses a tragedy in three acts with the pulse of the big. | The technical showcasing breaks the formalism in the narrative structure of a tape devoid of soul which, however, has good elements to enrapture. Joe Wright discusses a tragedy in three acts with the pulse of the big. This way to traverse the corridors. the frantic persecution of the protagonists with fair depth of field and the minimal camera movement, the elevation of the target to the category of character, that unmistakable "lateral travelling", levels sequence taken at ground level. Who remind me? Joe Wright, film director born in the 1970s, has been unfairly compared to James Ivory, perhaps by the successful completion of his directorial debut, pride and prejudice. But even in a story by Jane Austen, Wright knew away from the slowness and the solemnity (which were never synonymous with depth) inherent to the Filmography of Ivory, print a new, accurate, pace in line with the belief that feelings are universal and, therefore, atemporales, with the purpose of getting this kind of stories to a greater number of viewers; as Ang Lee propose for sense and sensibility. On this occasion, which is his second film, a project that takes over after being rejected by director Richard Eyre, is can continue appreciating his huge talent after the cameras, to discover a series of technical aspects of particular relevance, which did not appear in his first job, and come you to one of the big. It would not be unreasonable thinking that this challenge, undoubtedly important for his career, wanted to be addressed taking as a reference to the greatest novels of all time adapter, to Stanley Kubrick. Moreover, I would ensure that the incomparable style of the master floats in the environment since the conception of the script. Although it does not appear in the opening credits, the director works with screenwriter until exhaustion, getting disestablishment the story into images of the written word (Lolita). The presentation of the characters and the treatment given to these, glimpse of the most absolute of the drifts, while history is shown with the greater asepsis as possible, without symptoms of sympathy with none of the protagonists to make the viewer which draw their own conclusions (determinant in the universe Kubrick, who never wanted to give an explanation of his Odyssey in space). The three flashbacks in the first narrative Act, virtually imperceptible and close in time, manage to analyze the same fact from different points of view (perfect heist), to be wisely introduced through objects on which becomes repair. A technique that brings the good movie fan memory make immemorial times, which would have achieved its maximum expression in the timetable for written on the wind of Douglas Sirk. If we add to these inclinations technical virus identified in the beginning of this article, came to the conclusion that it is difficult and dangerous play to be Stanley Kubrick. The master, considered a mechanism of watchmaking, never lacked or left over a single element in the final exhibition of his works. A success that Wright, in this film, can not boast. Atonement is, basically, an amalgam of images and sounds, in which raw material on the narrative technique. The excessive obsession with the MIME of every detail gets exalt parties at the expense at all, leaving the feeling of a fund perfectly colored in a unfinished silhouette which never comes to perceive. A blow that works during the first few minutes, and that soon seems insufficient to come to fruition. Thus, in the third narrative space, when it gets to be profiled, hackneyed plot based on the passage to the India of David Lane weighs too to pay attention. Against the abuse of scenes that contribute nothing to the plot or contribute to the progress of the action (remember the maze of flashbacks of the second time that only allow the showcasing of the filmmaker), will yearn those others that would have given perspective of their interpersonal relationships, objective fundamental development of the literary original and the thoughts of the characters. Without embargo, the coldness with which presents the facts, no involvement of the filmmaker in the story, originating a lack of empathy in the course of the events, which make it a precocious story to feed the senses, without reaching the heart. With this approach, is paid the ground makes prosper various aspects technical, deserving of the highest accolades. The impressive artistic direction recreates the atmosphere of luxury and apparent serenity that is breathed in the mansion of the Tallis with the same accuracy that collects the desolation of London in World War II, or the devastation that offers impressive level sequence in circular from the French of Dunkirk in 1940 Beach (actually filmed in British territory)until the present time. A few major changes which are also collected by the excellent soundtrack, in many moments mixed with the insistent typing of a typewriter, or the acceptable picture of the director of the hours, which gives their C's with a piece of vase deposited at the bottom of a source. A deplorable image of that mythical that Nestor Almendros got an oscar in days of heaven. Within the cast, we have what is, without doubt, Keira Knightley the best performance so far, the miracle that makes think to those who don't believe in it that something must have water, apart from hydrogen, when they bless. Also, stresses the excellent performance of Saoirse Ronan, teenage actress, and is worthy of regrettable inexpressiveness male bet, James McAvoy, responsible, in many moments of overwhelming lack of chemistry in the purported romance. All of which leads us to believe that many will be nominations appeals on Atonement, and badly should be things by Hollywood so that, finally, it is considered the film of the year. |
2,031 | archivos_extraidos/MCE-Corpus-main/Dataset/1539 | Mala Besta | El grito 2 | 2 | 5 | muchocine | A mechanical scares movie, recommended to all those who have already seen and liked. | The villains in horror movies and much scare have always had a brand, an object, a sound that makes them distinctive, and announces his presence when it suits. Freddy had his glove of long nails, dragged by the most annoying places: blackboards, crystals, the guts of Johnny Depp. Jason had his hockey and Leatherface mask another mask more in keeping with its name. "The bad"Scream 2"to frighten their victims appears that he grabs a bottle of soda, because his appearances are announced with a sound that I swear that me reminds me a burp of terrifying have no much, less, clear, that he has eaten in a Mexican."The cry 2 "belongs to one of the last great franchises in the world of cinema. Great because it appears to extend without end. So in short, and without adding books, comics and other derivatives paper that cleaned, there are out there, two Japanese films, "The curse" and "The curse 2" which in turn have their American versions, "The scream" and, by the same director of the original, but without sharing more than the characters and rancid special effects. And for 2008, the third part of the American branch of the saga, which "Scream 2" threatens to an end (that I might add, rather than an end seems a trailer). All deliveries more or less share the lightness of the history, and this is not less. Of course, that in this case, rather than lengthen it to base of repeating over and over again, the same scares get fill the 100 minutes multiplied by three.The film details the lives of Karen (Sarah Michelle Gellar) and her sister Aubrey (Amber Tamblyn), who has gone to fetch her to Japan after the terrifying events of the first part. On the other hand we have Allison (Arielle Kebbel), Miyuki (Misako Uno) and Vanessa (Teresa Palmer) that do not have anything else better to do that go the House cursed to spend the time and finally specifics to Trish (Jennifer Beals), that thirty seconds of projection you a.6 a sartenazo in the head to her husband (Christopher Cousins) and then eats some fried eggs. Obviously, all frames are related among themselves and with the previous installments, as we shown hastily at the end, with a thousand cuts, flashback, flashforward, Flash Gordon and others. The rest of the time are quite waterproof among themselves, and could well have turned into three manageable chapters of a series, rather than a film that is made longer to the viewer that the characters; Finally and after half of them died at half footage.Each of these chapters is arguably quite poor, with characters who more than anything else are there so that the viewer has something to entertain between scares. In addition, perhaps the saturation of similar films, but "Scream 2" has moments that seem completely copied from "Ringu", or similar. The largest contribution of this installment to the series appears to be that it deepens something in the origin of the curse that feeds all the films, incidentally, is like an episode of "MacGuiver" or "The A team"; We all know what will make the characters and how going to end all, the only question is how and when encerrarán them at a hardware store.Visually it maintains the style of the series; While the years pass and increasing the budget, is still that the fearsome vengeful Ghost is the son of director in pajamas, while it is true that it has moments desasosegantes, they lose a little in the large number of intentions to scare coup Orchestra and screeching noise, that end up tired.The interpretations are quite routine, inherent in this type of film. Lot of career, far cry, much hiperventilarse. Highlights about the other Matthew Knight, who plays the son of Jennifer Beals, and that day make a biopic of Gary Oldman could well interpret it.Finally, a mechanical film scares, recommended for all those already they have seen and liked him. |
2,032 | archivos_extraidos/MCE-Corpus-main/Dataset/1528 | Vsancha | Bosque de sombras | 3 | 5 | muchocine | Interesting exercise film whose greatest sin is obvious references to which does not stand in the comparison of a script full of shadows. | The interesting thing about the film in Spain industry comes mostly from the world of the short, where you can find interesting, original and risky, works thanks largely to the same format. Mismamente tonight two of them fighting for the Oscar and would not be unreasonable tomorrow see open the news one of them lifting the coveted statuette. They are several authors who have made the leap to the film and with good results, already saw him last year with Sánchez Arévalo and his Azuloscurocasinegro one of the most acclaimed national films by criticism and the public. And soon we will have the much-anticipated works of Nacho Vigalondo; "The Cronocrimenes". Recently it has come to us, with quite some delay in distribution, "Bosque de sombras", opera prima of an SUV in the world of the film, Koldo Serra and was presented at the previous festival of San Sebastian. it is perceived from the outset, this is a tape full of filmic influences, smells like cinema of the 1970s and moves away from the prototype of cinema that is lately. From the opening credits to the "Grupo Salvaje" until their development much reminiscent of films such as "Deliverance" or "Straw dogs", influences that the author always has recognized, until his band sound with the great Leonard Cohen.Resulta rather than surprising to see an actor of the stature and experience of Gary Oldman in a draft of a first-time unknown to the general publichis performance as well as sharing the whole is more than correct and they do that their roles are credible. The direction of Koldo laudable and exemplary narrative pulse. Very good photography, but his big problem is history itself, the "leitmotiv" that moves the characters themselves (some of them poorly developed) and that they trigger the exaggerated maelstrom of violence doesn't work, is lost easily and hard you to find due to the approach of situations too forced. The outcome of the film is quite failed because it reaches a point that doesn't know how to give the final thrust.Koldo Serra was clear what I wanted to do in his first feature film, wanted to translate his cinematic influences in this tale of incommunicado detention and violence entitled "Forest of shadows" where there are too many shadows in a widely dispersed script. We welcome various proposals in the Spanish film and is first and foremost a film entertaining and recommended but failed in its definition. What if it becomes clear after seeing her is that we have a filmmaker with a future for a while. |
2,033 | archivos_extraidos/MCE-Corpus-main/Dataset/2983 | Tito Chinchan | El imperio de los sentidos | 2 | 5 | muchocine | Want to see a Japanese throwing an egg from your vagina? At a Japanese with black penis? A classic of the dramatic erotic film that appear Oriental in balls? If you have responded that not at three, does not recommend it. Although the scene of the egg by itself is worth. | It had prepared a beautiful intro, with a mishmash of prose that you would have delighted the Visual, as well as enriching you culturally. But that Chinchan Tito with demon aspect has defeated the wings, so let's talk about the original title. I direis that is coincidence, there is no malice, but is that the film is called "Not whole Ai". How that there is no cumshots? If you are all the time dale you hit! Muahahahahaha, fine English humor.The film is a Japanese prostitute who falls in love with the owner of a House of teas. Things are going well at the start, all-day sex non-stop giving, but she begins to become obsessive compulsive (as well as possessed of a uterine fury of biblical proportions) what becoming the relationship a self-destruction that ends badly, as it was venir.13 passes that had to do when they presented at the Cannes film festival. One you had leave hairs in the hands, given that I doubt they were to see the film itself. The theme is to see the two Japanese due all the footage, sprinkled with plenty of sequences rocambolescas and graciosísimas. I am convinced that the tráfago over the years has been with her, given that my book 1001 movies you must see says that we must see it. And I've done case.In short, wanna see a Japanese throwing an egg from your vagina? At a Japanese with black penis? A classic of the dramatic erotic film that appear Oriental in balls? If you have responded that not at three, does not recommend it. Although the scene of the egg by itself is worth.Besitos.P.D: what we could laugh my half Zucchini and I, my mother. |
2,034 | archivos_extraidos/MCE-Corpus-main/Dataset/359 | Bloody Will | La joven del agua | 4 | 5 | muchocine | To Shyamalan not it fails him never an original idea, and always comes with something new. Get that very few cineastan achieved, and is that viewers expect from impatient way each one of his films. | M. Night Shyamalan achieved what very few cineastan achieved, and is that viewers expect from impatient way each one of his films. They like more or less, but its screening is mandatory for those who like well structured film.To Shyamalan not it fails him never an original idea, and always comes with something new. In the sixth sense it left us speechless all this way no one saw coming, a milestone in the history of cinema. The protected defrauded many by deviate from the path of terror and setting up a history of good and evil with a rather anticlimactic ending. With signals he returned to a semi-terror with shadows in the roofs and footprints behind doors. No one expected that the Martians appearing, and that cabreó more people. The forest was a hoax for many who, seeing the trailer, went to see a history of horror with monsters and found something deeper and more mundane.The problem is there. If you're going to see cheese, because the announcement teaches cheese give you meat in the film fuck much. The trailer for young water sells a history of horror with ruthless monsters and however we have a fantastic, child and romantic tale with its good and its bad, but a story in short. Who is nears to the cinema to see another thing will be throwing pests.This speech serves to understand why this film has failed with the public. Shyamalan is her has played several times and some may be weary of so many flourishes to tell a story. If above it confuses the staff in progress, Word of mouth can be relentless. The reason for the machaque of critique I can understand that to some extent. He is needed to view this movie go with good clean mind movies, forgetting who is headed and what went before. Putting you in time in history will leave the room with the feeling that have told you the story before sleeping with a masterly staging. If you fail, you can say that the water young is the greatest mental straw until the date of a so-called egomaníaco M. Night Shyamalan. It's clear. I am the first, but I'm not so obtuse as to not understand that you can have seconds to lots.Cleveland (Giamatti) is wrong - everything from a residential one night discovers a mysterious young woman (Dallas Howard) exit of the communal pool. This young man is a narf, creature out of an old fairy tale, and has to return to his world, dodging a monster that lurks. To return to where it belongs, you will need the help of Cleveland and other tenants of the complex, which will have to be stripped of their prejudices to accept the role in the fantasy world of the narf.Paul Giamatti maintains that stereotype of insecure man and tragic past which is so typical of Shyamalan, giving more deferential than the usual Willis or Gibson tone. His performance is impeccable in the meantime chaos, and her scene in the sofa, behaving like a kid of five years to know more of the story where it leaves the narf, is perhaps the best summary of what the film itself, a story emerged from the mind of a child. What seems more incredible is that a normal person questioned so little the fantastic origin of an aunt out of a swimming pool. I guess that digest it in several days to stop the pace of the film, but it collides a bit.The counterpoint is given by Bryce Dallas Howard, which is not to have too many lines despite being present in the footage. Their role is quiet but extremely expressive. He already went well in the Woods, and I cannot imagine what would have been in the hands of another actress. Meets the aim of ample form. Sufficient, but in the negative sense, is the decision of the director of becoming an actor. In other film out in the form of cameo. Here is a fairly major role, and only leads me to believe that he has wanted to reserve role unnecessarily. Makes me have suspicion to his character without knowing very well how explain it, and is without a doubt the worst speaking interpretations among all the cast that makes up the residential where it appears the young protagonist.The young of the water is a film where each and every one of the characters must find its place in the salvation of the narf operation, but also in the world. So many comings and turns can be confusing, but the pieces fit in the end. It is aesthetically impressive. Visually it has no comparison with anything that we have seen this year. But will also be misunderstood among a large segment of the public. It is as if Shyamalan needed urgent way giving all his films a transcendental Fund that overwhelms who has no desire to many complications. This is Shyamalan but the error is in turn into blockbusters with stratospheric pretensions of box office over movies that are primarily personal bets.If creiste that the forest was a joke, with the young of the water will end up in life with this director. Others continue to impatient before each release of a director, that with the threat of being misunderstood by industry, can end up taking turn to their way of conceiving the film, and would be a pity, because even a few we like to tell stories, which is very different to a succession of events. |
2,035 | archivos_extraidos/MCE-Corpus-main/Dataset/1940 | Berto | Sunshine | 3 | 5 | muchocine | Good bet of science fiction, quite interesting and entertaining, that without being a great film fulfills its mission, and although to see it always left with the question of in that could have been converted into the hands of a different director, not disappoint to stalwarts of this kind of movies. | Danny Boyle is a fairly irregular director throughout his career has tested different genres and has had mixed luck both critics and audiences with his films. He started strong with Trainspotting more afternoon was followed by films like A different story, La Playa, that excessive video clip for showcasing DiCaprio that should not be considered a film and then the very interesting 28 days later, twist back to the mythical films of zombies in the 1980s, that my personally I liked a lot, and millions, atypical family history and also has good detail. After all this embarks on a movie of science fiction in which a hypothetical future Sun this extinguishing is. The land, plunged into an ice age decides to send a first spacecraft toward the Sun with a nuclear charge to see if they can return to reactivate it. After 7 years without news of the first ship, sent a second with another nuclear charge and their last hopes in order to revitalize it and avoiding the annihilation of the human species.This point of departure, so stark original serves Boyle to tell a quite sober and entertaining film and although it's a science fiction more than the style of Deep Impact film, contains certain elements that make you stand out from the film more current popcorn maker. There are some sorpresilla when the second ship crew are the first, which reminded me greatly horizon end, film also ships in deep space, but with a distinctly psychological horror. That's why that begins as a science film fiction, pure and simple, to then gradually go moving by fears of a single crew and carried behind the future of all mankind and to be found with many more problems than people had thought at the beginning. Obviously, if everything was perfect, the film would end the half an hour to start, so the problems do not take to arrive, flavouring with a little mystery associated with the first spacecraft launched seven years ago and that gradually becomes the leitmotif of the film, leaving a bit of the main crew mission side.The characters, to be a movie of his style, are quite worked well, and little by little will be making us insight into the motivations and fears of each one of them. Not removed are the typical archetypal characters, with the typical scientist dedicated to the mission, the hormonado handles to find the success of the mission above all things, or typical captain that manages to get along with the entire crew and get the best out of each one, but no this is an innovative film, not going to win any nomination for the Oscarsits mission is to entertain and more than meets its mission. Much of this is by the actors, pretty good in their roles, including Cillian Murphy, Chris Evans, actors on which rests the entire weight of the film.In short a good bet for science fiction, quite interesting and entertaining, that without being a great film fulfills its mission, and although to see it always left with the question of in that could have been converted into the hands of a different director, not disappoint to stalwarts of this kind of movies. |
2,036 | archivos_extraidos/MCE-Corpus-main/Dataset/1405 | Jeremy Fox | Apocalypto | 5 | 5 | muchocine | A thrilling movie that will keep viewers stuck in the seat until the end of the function. | Temporarily abandoned his career as an actor, Mel Gibson has become one of the most interesting today and one of the most independent directors: he put the money and do what they want. Why his films, especially the last two, are as personal and risky.Be an actor as famous as he brings with it a dangerous burden: a movie directed by Mel Gibson demands of the viewer an important lack of prejudice. Prejudice, based on the other hand, almost all in its alleged ideology (as if the ideology affected the quality of the film). My recommendation to all, is forget who is behind the cameras and enjoy the visual spectacle that supposes "Apocalypto".I will not go to tell you the synopsis of the film, it suffices to know that it is an adventure set in pre-Columbian America, but yes I would like to clarify some aspects for which the film has been attacked.Gibson has always presented his film as a Ribbon of adventures, not as a historical treatise on the Mayan culture. Who wants to see her in that way that forget the matter. Despite this, yes there are aspects that are well reflected. The Mayans, indeed, had extensive knowledge of astronomy, as I could be watching the movie, in a sequence that can remind "A Connecticut Yankee in King Arthur's Court". Moreover, despite what has been said in many ways, the Yucatecan Maya is not a dead language; It is still spoken today by more than 800,000 people.Returning to the film I must say that it's perfect for Gibson, which is no coincidence, not in vain, he is co-author of the wonderful script with Farhad Safinia. A script full of excitement and adventure in which allow even the luxury to a humorous and ironic nod to the Viewer. One of them has become one of the most discussed moments of the film: a final joke of mister Gibson who took me totally by surprise.His movies, as I say very visual and physical, is ideal to put us squarely in the vital adventure of the protagonist and to make us feel as ours a story that is, ultimately, about feelings very basic and elementary: survival, fear, family, love?Some of what almost nobody will speak when you comment this film, are impressive performances of the cast. The actors are so well that no one is going to give importance because they interpret with such realism to the Mayans of the era who people think watching authentic Mayan rather than people of the 21st century. The problem would be highlighting one of the players above others, that doesn't confirm that Gibson is a wonderful director of actors (remember to Maia Morgenstern in "The passion of the Christ" yet I am thrilled).There will be people who complains of shocking violence that runs throughout the film and which, to tell the truth, the director recreates in some moments. But I think that such violence is so justified by history that counts, its use becomes something natural and perfectly understandable.If I have to say what I least liked the film, would argue that the entry into the city is a bit long for more and can tire a tad. But it is the only downturn in pace of a hectic movie that will keep viewers stuck in the seat until the end of the function.I ardo in desire to know which will be the next challenge for the director Gibson. I know sure is, the day of the premiere, I'll be in the front row to see it.Moonfleet.es rating: 9 out of 10. |
2,037 | archivos_extraidos/MCE-Corpus-main/Dataset/2147 | Rafa Ferrer | Operación Stormbreaker | 2 | 5 | muchocine | Another tape more than court youth action once again left in one of so many. Best of the tape without a doubt are precious London exterior... | Again throw book and before comment on the tape that brings us, I like to do a little reminder of a film in 1991 and directed by William Dear, under the title of "Junior agent" was a comedy for the absolute showcasing rising star (Richard Grieco who knows where walk now?), and that somehow reminds me of a little film of which I will speak now.I've been a long season reading network things about this movie, the first that was to perform on the character created by Anthony Horowitz (will be the first and the last, because the tape has been a failure at the box office), a species of J.K.Rowling of Juvenile literature (this time set in the action and not the magic of Potter), and where, after an unusual opening credits, which relates somehow to Alex Rider with a sort of James Bond youth; impossible on the other hand not compare them, US launches a simple argument where Ewan Mcgregor makes a small (but intense) role, and Alicia Silverstone returns roaring; This girl since that was "Fatgirl" (I say) "Batgirl" never again became namely her film, also featured Billy Nighy (here without makeup) and Andy "Gollum" Serkis, this takes the makeup that does the other.Curious its duration, and is that, if the tape lasted most of the hour and a half of rigour, kids (remember that you can not go to another sector of the population), they would end up hating the film, and is that some action scenes are so extremely loggerhead and child that one cannot more than laugh with amazement of this nonsense, and I understand that when you see a tape of these characteristics made leaving the brain at home, but some things rallan absurdity.When I I have been documenting told in some websites, which had to be something more scratching the surface of the tape to see beyond the original premise, sorry to contradict this, if we scratch more, do not see anything (sad, but real).Best of the tape without a doubt are precious London exterior, and it is that, as I was in September, I have love of London and all its city represents. |
2,038 | archivos_extraidos/MCE-Corpus-main/Dataset/1984 | Emilio Calvo de Mora | El gigante de hierro | 4 | 5 | muchocine | Best animation film for the whole family. That is much? Lol It is the truth. And it should be scheduled usually in schools. I've done it on my behalf on several occasions. | The spirit of classic animation, the profiled by Disney and now exploited sensibly by Dreamworks or Pixar, often falling into clichés that encourage the infant public's imagination, but despistan wishful adult (other, not talk) and force you to reconsider its natural vocation as cartoon Viewer. The iron giant flees from these commercial stunts, lacks musical numbers, obvious sentimental side, does not include animals that talk. Doesn't even have to Sting and Elton John on the central issue that will occupy a few minutes at the next Oscars in Hollywood. Therefore, by not appear animated film, I saw the iron giant. And I discovered a much more intelligent script works for adult of recognized signature and contrasting aparententemente dramatic pulse. The story told is the story of all the world's children: of dreams made reality, the fantasy that takes a piece of reality, without denying her, without supplanting his evidence. The story of the boy who discovers in the forest near his home to the iron giant (a bloating E.T.) was not originally written for the times in which the film is set (the cold war, the fear of Russian invasion, terror to the paranormal, the belief that beings from another world may at any time to sit down with us and eat our lunch). Is based on a child text written by Ted Hughes at the end of the sixties to comfort their children by the death of his mother, recounts the friendship between the child and the robot in the placid English countryside, but Brad Bird (then famous for the Incredibles) change in a hallucination produced by the unprovable imminence of the Red armies and poso pulp of B series of film of summer that illustrated the porous imagination of all those kids who now have 50 years.Taken directly from the comic, drawn with MIME, mirror of the Sci-Fi of the time, alien to the clichés of the formal art of Walt Disney, the iron giant is a tale for children explains the greater wrong that are weapons. A metaphor pretty and playful, is also plastically beautiful on the anti-Communist psychosis of an entire people, the American, who was educated to hold the breath to the stirring beat of the patriotic anthem to the flag of the stars and bars. People that took several decades to understand that the enemy is at home, although now the thing ande bundled and the ceremony of terror does not write the Soviet enemy but Arab fundamentalism. This will also produce a film less as this tone in the not too distant future. The story is written much better last battle. Don't want his story is permeated too much hatred which always promotes today, everyday, the hectic pace of news and the insane complicity of the television cameras, which recorded the infamy of a soldier devastated by a bomb at the time that stored in its bovine morbid and resounding carnality of a miss in an empty throne. And at the end, it is not thing of gutting the more than commendable feelings that drive the plot, everything is resolved in mansa, tiny, necessary happiness after the debacle. And I imagine, cinema, gets standing to applause because the language of tenderness is universal and here is superbly unspoken. A masterpiece of animation. |
2,039 | archivos_extraidos/MCE-Corpus-main/Dataset/3881 | Heitor Pan | Basil, el ratón superdetective | 3 | 5 | muchocine | The role of this movie was no more than entertain, without obvious moralizing, what this film get completely in the style of an episode of?DuckTales?. | Not everything will be brainy, emotional, dramatic and bombastic film well, okay, usually because it is not. I admit that my child spirit leads me very often by the outrageous and bonachona adventure or most bizarre terror. So true to my universe, this weekend has fallen one of Disney's old ones, of the juvenile and also that I had not seen. Arrepachingados on the couch we have got ourselves into the body "Basil, the Beverly Hills COP mouse".They were other times. Normally, one film less than the factory of dreams like this, had come out directly to the DVD market, with much less careful, a sonrojante script and treatment probably devised by Lords of suit and tie that had already forgotten how it is that of dream. But back in 1986, when the adventures of Basil of Baker Street detective came to light, everything was much easier to Disney.Su hegemony was unquestionable and there was still some artist or writer with enthusiasm by doing things right. Things would not take to change and the brightest brains of the House would end up migrating to new companies, but all that was to come.For this occasion, Ron Clements, writer and director of "The Little Mermaid" or the great "Aladdin" (one of my favorite long), adapting the child novel by Paul Galdone, which relates the adventures of a mouse who lives just below the famous English detective Sherlock Holmes, living a parallel life species.It will be a ratoncilla who has lost his father, kidnapped by a vile bat with pata de palo. So, aided by doctor Dawson, a surgeon just arrived in the city, you will find the shrewd Basil, which will end up teaming up. But the bat is not the mastermind of the abduction of the mouse, it is hidden behind the evil Professor Ratigan, archenemy of Basil, with a sinister plan to govern all the mice of Inglaterra.Como said at the beginning, other times, without such puritanical correction, where good dibus smoking pipe (sacrilege!) were, the bad is loaded characters unceremoniously (double sacrilege!) and the role of a movie was no more than entertain, without obvious moralizing, what this film get completely in the style of an episode of "DuckTales". Once to disconnect the critical eye and enjoy simple and straightforward adventure.It is obviously not comparable to the big blockbusters of Disney but much better than some by-products appearing in theaters today and which equate to the kids at the intellectual level of an earthworm, see "espantatiburones" or the infumable "Ratonpolis", I got no end of see.So, Disney weekend that did not end here. Our limit for good feelings and excess sugar is unfathomable and just Sunday desiring to make our good deed of the month or placing us in the Castores.En youth the next criticism, more adventures pseudo-animadas of good feelings. Can you resist it? |
2,040 | archivos_extraidos/MCE-Corpus-main/Dataset/1281 | Verolindapechocha | El truco final (The Prestige) | 5 | 5 | muchocine | n Yes the movie is as a great act of magic, where only the final will reveal us its own "prestige". If they have not seen it, see it, is very good. After all, the real Wizard of the story seems to be Nolan. | A few hours ago saw The Prestige (2006), translated to Spanish as El Gran trick or the Final trick. I saw on the recommendation of several editors of EBC, which is why I am surprised that this is the first review of the film in this blog (chiquita).I loved it. The performances were spectacular and the theme for me is exciting: the back of the curtain of acts of magic.I guess try to summarize the story without falling into the spoiler is quite difficult, so I will only say that you it's the battle of two young wizards by taking revenge on the other, to be the best, amaze the world with impossible trick. These magicians are Robert Angier (Hugh Jackman) "El Gran Dalton" VS Alfred Borden "The master" (Christian Bale).Two characters will be his accomplices throughout their careers: the designer/engineer tricks, Cutter (Michael Caine) and the beautiful Assistant Olivia (Scarlett Johansson).The film depicts a world of illusion, secrets, rivalry and obsession, where you cannot trust really nobody, except yourself. And only oneself can be sacrificed himself. Do if you don't understand this last line you will have to go see the movie and only then charged sentido.¿Por what the original title of the film? The Prestige or reputation. The explanation is that any act of magic consists of three parts: 1. the promise (a subject teaches). 2. The change (the object disappears). 3. The Prestige (the object reappears) and only then the wizard receives the homage of the applause. Without the prestige, the trick is worthless.The film itself is as a great act of magic, where only the final will reveal us its own "prestige". Large part of the perpetual suspense throughout the film is the work of non-linear editing in time.The director of this film (and screenwriter along with his brother Jonathan) is Christopher Nolan, who previously had worked with the duo Christian Bale and Michael Caine, leading them in Batman Begins (2005). However, the great trick does rather remind us another very good film from Nolan – Memento (2000) where the game of time back-forward is also essential. If they have not seen it, see it, is very good. After all, the real Wizard of the story seems to be Nolan. |
2,041 | archivos_extraidos/MCE-Corpus-main/Dataset/3031 | Emilio Calvo de Mora | Guardianes del día | 2 | 5 | muchocine | Excessive, boring, lengthy, unnecessary exercise exhibitionist with the single mission of paving for its mediocre director, the way for the conquest of Hollywood. | With an apocalyptic fireworks of vampires and evil people live a few producers with bundles fat of banknotes in the briefcases and desire to emulate the technological expertise and the commercial success of the sons of Hollywood fragua guardians of the day, second - feel - part of another story between magic and how embarrassing that a couple of years ago dropped the dolby surround of the cinemas of the world and then stayed on the shelves of the video shops for the greater glory of the ametrallado teen public of strong emotions and scenes of very expensive and high-voltage. There are (threaten) a third party: something as well as guardians of the twilight. I did not see the first attack and I lost the second, that comes to tell us the issue of light and darkness. Nothing to Bram Stoker knew not, for not going further back. It is the almost immediate certainty that the costly and devastating visual apparatus is going to cut - sever is a more useful verb - all narrative interest. In fact, the film leaves see forward when we are already blinded enough by the devastating machinery of special effects: the Ferrari - was a Ferrari? -climbing a building that all gas, more than amazed us, produces us a hilarious effect because it does not (simply) is beside the point. To me made me think in those unnecessary nudes that encabritaban to the staff in the very kitsch payroll of casposas tapes of our glorious transition, but not us away from the track for more.The anthologies between good and bad battles have given to film glorious pages. If the breath that ignites them of epic comes from the literature the outcome usually, except for incompetence of director or budget, dignified poverty, how much less. Nothing disturbs here: everything can be seen with a neutral interest. The Moscow inhabited by supernatural creatures, this contemporary Moscow which could have been an incentive for the Western Viewer, leads to boredom: everything is superficial, devoid of any memorable trait. The bad guys are as flat as the good guys, and that Manichaeism impostado Russian film with pretensions yanks the marvelous display of software (are talking about this since that I started this review) adds nothing new. The American friend is still ready friend: Russian is a flattering type, which has grown by the side of a film that programmed too much violence and too frivolous about violence. Neither his name I could remember to write this review.Guardians of the day satura, that is, saturated as few films of this genre so gratifying for the large majors and the public of low demands and money to burn in strong experiences. More or less strong. Over time, this chronicler of their vices is doing most. Notes it with more evidence in these fantasmadas vampire, these formidable invoice videocliperos outbursts but non-existent interest. It is now when one in the unfathomable ways of random thought: perhaps - I say perhaps - destiny wanted that I miss (so to speak) two hour and some of my time in this medio-bodrio so can compensate me tonight with some jewel of the film. I do not know: I am thinking of Nosferatu in Murnau, long step fear (of truth) is not to watch a movie. I will report on the outcome. |
2,042 | archivos_extraidos/MCE-Corpus-main/Dataset/3472 | José A. Peig | Leones por Corderos | 3 | 5 | muchocine | Superfluous and harmless, but is a perfect synthesis of narrative about the political and social concerns that shake our present, and a perfect use of mounting that can correlate thoughts and situations in various social fields. | It is an ideological film which deals with the current war seizure, the valuation is made (always to the light) will be subject to currents of opinion easily identifiable coup of politicos topics bored while they asquean to the movie buff concerned about craft and intellectual honesty of the filmmaker. Those of the no to the war talk she sympathetically disguised (where less hypocritical or in a so-called wisdom on the truths of the conflict between civilizaciones-intereses strategic macro, blah blah blah.), on the other side may sharpen the knife and clean the field of ingenuidades pseudoprogres until you see the light at the end of the long roadthat demands us a price to pay (as if it didn't.). So, not us we empantanemos with mental diarrhea and go to ours. Robert Redford, who is a person and not a God who knows the solution to all conflicts in the world, directs a film motivated by good intentions. While it is true that at the ideological level it does much more than the mere exposure of some common places, at least manages to his speech (perfectly structured and developed, on the other hand) to be as sober as full of sincerity. A sincerity, say, manifests itself - and becomes palpable - in "good feelings" to introduce a sensitive element to the contradiction; the University young (Andrew Garfield), with whose face in close-up and pensive look on television begins and concludes the film narrative. This character will also mean the same conscience of the character played by the same Robert Redford, faced the difficult role played by new generations.We have a brief and simple speech, but he manages to accommodate concerns of different signs with enough consistency and ease, allowing the filmmaker tell his "truth" without excessive disrespect to contrary trends. Draw the concern of the citizen aware of the hypocrisy of the American ruling class without involving close our eyes to the visible problems in the society. It is better to try to move the world with individual initiatives that sink into apathy. But, of course, beyond the strong wording (and well constructed which is the relationship between the teacher and the student), Redford gets carried away by the mannerisms to lead a disturbing anything.Profiden Tom Cruise smile has never been so appropriate to embody falsity, since neither he nor the same Viewer can believe his role. What is a defect becomes an efficient interpretive attribute, without ceasing to be crude. Perhaps because Cruise is a lousy actor, or for the reason behind it, the truth is that it seems a profile designed to tell the viewer that this guy does not believe the Jets said. Meryl Streep contrasts a sensible journalism that strives to glimpse his truth, discovering how the press has given and has become an instrument of power media. And finally, the plane that closes the speech leaves the doors open. Appears on the TV news of strategic change and in parallel an idea that remains floating in the image, emphasizing the undefined and ambiguous tone. What note you will put?. The note is the human evaluation that a teacher can make his student, whose intellectual dignity shall be measured in accordance with overcome the sense of helplessness to a world ruled by politicians with dubious intentions. The human potential is there and can rise above the chaos.Superfluous and harmless, but is a perfect synthesis of narrative about the political and social concerns that shake our present, and a perfect use of mounting that can correlate thoughts and situations in various social fields. |
2,043 | archivos_extraidos/MCE-Corpus-main/Dataset/3961 | Ramón Balcells | Mr Magorium y su tienda mágica | 2 | 5 | muchocine | May it seem a clever story with deep message included, but it is nothing more than a rather boring one final hour cuentecillo really endless. So heavy and redundant as its title. | Anyone who says that this is better than the wonderful Charlie and the chocolate factory is is wrong. May it seem a clever story with deep message included, but it is nothing more than a rather boring one final hour cuentecillo really endless. So heavy and redundant as its title, Mr. Magorium and his store magic (about redundant comes by its original title, Mr. Magorium Wonder Emporium's), manages that as it progresses (with an unbearable pace) us we away over her and finish feel a void interest. Dustin Hoffman as mad crazy owner of the store is great (probably the most notable of the tape), and his girlfriend Natalie Portman quite correct, although no consigo believe me its role. No doubt, the cast is clearly altered by Jason Bateman, an actor without charisma that only has a good scene in the entire film, and its role is really untapped.It lacks the magic of the film of Burton, fails to be what at first looked like and two or three sequences well carried out and a fun player are not enough. This film what really lacks is a good director, and Zach Helm (stranger than fiction writer of the wonderful) was not the most suitable for this. Continue writing. |
2,044 | archivos_extraidos/MCE-Corpus-main/Dataset/415 | Caty | La joven del agua | 3 | 5 | muchocine | Do it may not be his best tape, but in these times, where the biggest hits of the year are increasingly less movies? personality?, is up a break. | It is curious as many directors or writers used the film to project their fears, their insecurities, until your wishes more intimate. Do Woody Allen explores their neuro as anyone, Peter Jackson makes films that the has always wanted to see made its way into the big screen? M.Night Shyamalan, in "The girl in the water" is, in my opinion, of the fear to grow. Criticism in general has been relentless with it, the first commercial "failure" of his career, it will be his first film in invoice less than what it cost. But Shyamalan only defends how the knows: is the fault of everyone within the. A gigantic ego can be up good: Stanley Kubrick, for example, said that it was quite difficult to bear in the shooting, but as Kirk Douglas said: "He is a bastard?" "but a magnificent bastard", but in this case the film, in my opinion, has problems. Several. It is one thing to write a fairy tale, another is to tell a story using nothing narrative appropriately to fairy tales: the problem is not to make an adaptation, good or bad, the problem is that it is an adaptation. The director here has a practically written history, where images, on many occasions, even redundant. Unlike other of their películas(incluyendo_a_"El_protegido",_la_cinta_que_menos_me_gusta_de_toda_su_obra"), I see no consistency in the essential idea of the film.By other side and fortunately, the director continues showing us that even has that capacity that characterizes him to create good characters. Get the shy janitor of a building, Cleveland Heep(el_siempre_genial_Paul_Giamatti), transform into a hero. The visual, elegant style and discreto(teniendo_en_cuenta_los_cánones_más_de_moda) of Shyamalan, transform it into a true knight errant; as well as the character of Bryce Dallas Howard, new musa of the director, which fits quite well.Unfortunately, at the end and after, the ego gets in the middle of everything. Shyamalan urgently needs a competent producer to have as a friend, someone who listen you to and respect their opinion. Although for me is a director with a boundless talent, which not is as manages me to catch everytime it launches a film that has "something" that makes it different from all the others, is a really bad actor, and his presence in the movies increasingly becomes greater. Of illustrious helper becomes co-star with enough weight in the history.In short, "The girl in the water" may not be your best tape, but in these times, where the greatest successes of the year are increasingly less "personality" films, is until a break... Let us hope again that Director that we dreamed many shaped so fresh in directing in his new film.PD.-New trailer, as happened in the poorly translated "the forest" is totally misleading. As always, distributors, her trying to sell as the umpteenth part of "The sixth sense"? If you oyerais the times that the question "Is of fear, truth?" me has been made, you quedaríais really ballpark. |
2,045 | archivos_extraidos/MCE-Corpus-main/Dataset/619 | Elena Suárez | El laberinto del fauno | 4 | 5 | muchocine | Within a so deplorable, the magic will be the vehicle of salvation to a fantastic world where truth has not only a road. | Not all Spanish films have to be equal, and films like this show. To begin, it is fantasy film good, with some excellent special effects and a strong argument. To continue, the structure of the script unfolds according to history and, therefore, we do not have the feeling that we are missing data or, on the contrary, we left over. Both the picture and sound are exquisítamente developed, nothing has been randomly and in addition, the work of actors follows the same quality film, highlighting the work of Sergi López. just as it did in "The Devil's backbone", Guillermo del Toro transports us to the cruel and dark world of the Spanish civil war (in this case, the post-war) to show us a bleak scenariowhere the powerful abused systematically on weaker indivuos. Within a so deplorable, the magic will be the vehicle of salvation to a fantastic world where truth has not only a path and is devoid of prejudices.And precisely, prejudice has sinned the director that the end result would have been much better if he had not insisted both on the issue of the cruel Falangist and we had more delighted with Ophelia and his incredible world. I believe that this is the biggest mistake of the movie it will mislead the public, which will be mostly manipulated by a promotional campaign quite away from the final product.Said Guillermo del Toro, at the press conference which took place a day after the presentation of his film in Madrid, that even today in Spain there was a deep divide in two and I would like to ask him if he does not consider this kind of argument to fuel even more wound and, therefore, the Division.Finally, warn of extreme violence in some scenes that made me withdraw the look of the screen, although I admit that I am rather sensitive and prefer not to get me to tolerate torture, albeit a few incredible special effects (unusual in national productions) product. |
2,046 | archivos_extraidos/MCE-Corpus-main/Dataset/3500 | Rafa Delgado | Supersalidos | 3 | 5 | muchocine | What about new old? Nothing, and much. The plot is very overused in this "genre", but the script (written by the same as the Nice "Virgin at 40") is cachondísimo. | It is not easy to convince someone that watch a movie like Superbad cannot be bad. More than anything because it's a film about teenagers, and clear, the prejudices many people to the movies about teenagers yearn for in life, for the moment, only desvirgar, are very strong. Myself I have. But among so much shit you can find mini IA as it is one called those University revelries, starring Luke Wilson and Will Ferrell, or even the first American Pie, which is not bad. And now, Superbad (Superbad), which has more or less the same as always, but in a rather peculiar way.The premise is very clear: in one of his last nights as university students, friends and misfits Evan (Michael Cera) and Seth (Jonah Hill) will experience a legendary Odyssey throughout an afternoon in which will try to buy drinks for a party. in which they planned, to the less Seth, wet that you and I know, for the first time, before going to the University what's new old? Nothing, and much. The plot is very overused in this "genre", but the script (written by the same as the Nice Virgin at 40) is cachondísimo. There are phrases or hilarious gags almost every minute, some good and even very good, and others something malillos, but oh, how you laugh. In addition, cast, except perhaps the girls, they interpret to perfection their roles, highlighting above all trio sobre protagonist (Evan, Seth and a piece of Misfit who calls McLovin - see photo-, the best of the film). And despite comic that becomes, has some component bittersweet and nostalgic about adolescence and the value of the fairly strong friendship, that it is noted especially in the final quarter, and that left me me Recalling billion things about that time during the rest of the day, putting me blandorro as a tontorrón.The major drawbacks are that, in some conversations, both sex saturated; and stretches far enough too (did we really have to leave both clowns policemen function?). In addition, the address is nothing another Thursday.But hey, fun and entertaining, without more. |
2,047 | archivos_extraidos/MCE-Corpus-main/Dataset/892 | José A. Peig | El ilusionista | 3 | 5 | muchocine | Under its infuriating plain film keeps a too intelligent approach to an invoice so obvious in appearance. It is the typical film which tends to mislead many critics. | The magician profession fascinates by the image of the impossible made possible with an austere stage game, some small gestures loaded with symbolism and the rest gets the ingenuity and the illusion of the stunned tier is left drag in an equally playful credulity.The case of "The illusionist", is curious because what it does is interfere the structure and tone of the story in a line of naïve credulity, because the truth is that level argument not supported too, but the public--the public watching the big screen - wants to think that the wonderful illusions created by Einsenheim have something of realityin the last redoubt of reality is a space for the supernatural, whether for philosophical reasons or justify aversions or political phobias.Simplicity is the word that defines this film honest to the core. It only seeks to entertain, would shudder to a pablum, and therefore it matters little little plot consistency. It is a tale of cot for children to hear him next to a fire or before going to sleep without another objective that the amaze with very little sense of reality and with little sense of how fabulous. Claims are null and void, and likewise the idea on which it is based goes direct to the point: intrigue and sentimental story about a magician executed with obvious, with characters whose reactions are subjected to a mechanical, equal development that was happening in the other folletín of time that we have seen recently, "Goya's ghosts", only that here does not matter because it is the very essence of minimalist and austere tale both in the construction and treatment of their external structure in its contents, which justifies its obviousness. (said abruptly, does not lack that little Red Riding Hood is a complex character for his role as Captivate and pleases the listener).The story has an appealing simplicity, and this is its best asset. The realization is fluid and follows a logic focused on fair and necessary. The story culminates with a stimulating re-reading of the narrated. At the end, effectively, the illusion is ratified as part of reality, only is not the reality that although viewers most wanted, revealing is the film in its more hidden nature: a love story illusion that comes out winner using the illusion.So, ojito, because under its infuriating plain film holds an approach too intelligent for one it invoice so obvious in appearance. It is the typical film which tends to mislead many critics. |
2,048 | archivos_extraidos/MCE-Corpus-main/Dataset/717 | José Córdoba | Infiltrados | 5 | 5 | muchocine | Catch from the first minute, it flows like no, with a direction and mounting vigorous and effective, fleeing downtime and unnecessary scenes. Martin once again shows that nowadays you can see good movies in Hollywood. | Lately I am getting tired of reading the mantra that creativity in Hollywood, there is running out multitude of sequels and remakes, etc. The trouble is that many times this comes from the feathers of the most famous critics of the country, who seems to be that they do not remember that practically since its inception film has nourished second parts and remakes. To cite only a few examples: King Kong met several sequels, including the son of Kong, as well as Frankenstein and many others. Ben Hur of Wyler and the ten commandments of De Mille, are two remakes of films of the silent era. And would continue because examples there are thousands. Not worth the remake Asian movies Hollywood-style, because in the early days of talkies also made similar things, and shoot the same movie with other actors to sell in other markets in their language. What the current situation is not anything new.Also I noticed one thing, is that the same people that Miss the remakes pests silent their reasoning if they are signed by directors of their liking, such as Martin Scorsese. All this comes in the wake of infiltrators, the new film by American director. It is a remake of the Asian film internationally known as Infernal Affairs, thing indicated in all the criticisms and comments, often stating things like that surely the remake is superior to the original, without having seen the latter. I can not make such a statement because I have not been able to enjoy this film, well actually is a trilogy, but I can say one thing and the Scorsese film is an excellent film, one of the best I've seen this year, if not the best.The story of two infiltrated the mafia and the Boston police, catches from the first minute, due to his devilish pace. The movie flows as any in a long time, with a direction and mounting vigorous and effective, fleeing downtime and unnecessary scenes and that despite a duration close to two hours and a half.The cast also magnificent both the protagonists and secondary. Special mention for Jack Nicholson to even become threads and histrionic as always gives us with an indelible scene that shows all your Oceanside experience cameras. It is the scene in which accuses the character played by Di Caprio to the topo of the police. In addition the Scorsese wise, who had lost to the film cause for several years, known stay in second place in that scene giving Court both Jack and di Caprio, very well maintained by the type.The script maintains interest throughout the film, the characters are well drawn, and side including, understand their feelings, their motivations, not being redundant or sobreexplicativo, an evil of many American thrillers. Perhaps the plot of the love triangle is a little blurred, but I guessed that it is because many scenes have fallen in the editing room, along with the high sexual burden of the character of Nicholson, which finally is more intuida than shown. As usual in Scorsese music in the film is dominated by pre-existing songs, some well known, giving little pitch for the original score of Howard Shore, on the other hand, nor knows to find the tone and is even annoying in some scenes, something that was already happening in his score for the previous film, the Aviator. just saying Gangsters and Scorsese would be enough to make everyone run en masse to see the film. If that isn't enough, then I would add strong leadership, a precise script and actors in State of grace. This film returns to prove that nowadays you can see good cinema in Hollywood, even being a remake. |
2,049 | archivos_extraidos/MCE-Corpus-main/Dataset/114 | Tito Chinchan | Destino final 3 | 1 | 5 | muchocine | Go to the cinema to see this deserves that they return it the entry | Buf, that fear of poster, with all the of the roller coaster dead and with face to give scare. Wow, that bad feeling. Although if he had made any a clown nose would have been more appropriate for the film that concerns us.The film is about a group of students who finish high school (or that they have twenty or so and try to pretend that they do not reach the age of majority) and are preparing for the graduation party. Before the meeting, decide to go a sub-group to the amusement park to ride a tremendous roller coaster. When they are mounted in it, a girl has a premonition and sees that all are going to die. He rides a mess of noses and get that several of his friends fall of the Ferris wheel. Moments later, all those who fell not die to derail the trolley. From here, the death seeks tirelessly (and with lots of imagination) restitution to the audacity to snatch his cold hands to these sinful souls. You sound argument?Well, the first took his grace. The second, come, okay, we accept ship as aquatic animal. Damn, but the third is infumable. Lodges within the genus "Is laughable, is of fear or is a bullshit?", which on the other hand is a genus with great titles today. The actors are pathetic, salvandose the two coming out in balls for that than a nude always glad to view. The deaths are a laugh, which are both absurd and gimmicky (grips black is graciosísima). And the argument is too linear. Furthermore, as you know that going the sheath, you wonder for anything at any time.In short, a milestone of a kilo with which you can take the afternoon with the chums at home (when it comes out on DVD) while you inflais pizzas and beers a hungover day of Sunday. Go to the cinema to see this deserves that they return it the entry. |
2,050 | archivos_extraidos/MCE-Corpus-main/Dataset/3530 | Sandra Ríos | Apocalypto | 3 | 5 | muchocine | Expect a Hollywood movie with a character “ anthropological and documentary ”, is to my unwise and other pretentious. | Good movie it!. Directed by the actor, director and producer Mel Gibson tells us a small piece of life of the legendary Mayan culture. If no more than assume the theme chosen by Gibson on this occasion; This film is missing in their pockets many points in its favour, narrate and be a thousandth part of everyday Mayan life is something quite interesting. However, Mel Gibson as you would with his other film the passion of the Christ, in Apocalypto are very well chosen every one of her scenes and displayed with such passion, that delves into what each character should reflect: his anguish, their fear, their pain. and visually described in a fascinating way. So much so, that the film without long parliaments and a simple argument, through the images surrounds us in its history.This is already a feature of Gibson movies and that is why they are so pleasant to go see on giant screen. Apocalypto is thus a movie that moves you, keeps you expectant throughout his life; as well, generate you a duality by showing us a "dark side" of that culture, with great fame and importance for humanity for his great contributions; as the calendar and as advanced concepts in such complex subjects as astronomy, mathematics, physics, etc., that is, perhaps, a bit difficult to understand even more today, full of "civilization". I.e. once more Gibson generates controversy. The controversy is there, and you want to tell us the other face of the Maya. In fact, this film has been accused of racist and little faithful to reality. You are Mexico and Guatemala course, where there are still descendants of this culture, views have not been different and many voices have been heard in this regard. They accuse it of being a violent, extremely barbaric and racist film that puts the image of the Spanish colonists by end of the culture, making them see as saviours of the same.In this regard, I think that their perceptions are exaggerated. We forget that this is a "Hollywood" film, that what is intended is usually show the spectacular nature of the film and where you cannot get and carry the public Viewer. Expect a Hollywood movie with "anthropological and documentary", is for my a bit "silly" and pretentious. Truth or not, exaggerated or not, this is a movie that made the imagination of Gibson and is a sample of good movies, and of course, the type of film that fills the box office. |
2,051 | archivos_extraidos/MCE-Corpus-main/Dataset/236 | Tito Chinchan | El código Da Vinci | 2 | 5 | muchocine | Roll wrapped in an aura of absurd controversy | That mess there is in the current film. The other day we see magneto there fighting with Wolverine and company and it is that it is no longer evil now to become a historian. And looking for the Holy Grail, no less. This man is amazing, that desire to live that has. At least removed layer that so cumbersome that Lucia, it is appreciated. Incidentally, the subtle poster, covering him la boquita to the Mona Lisa (who say that mona was mono). I like the poster.The film is a type who is killed in the Louvre Museum by an albino monk. As he not only died, but decides to write a message with his own blood so they discover the murderer, it reaches the scene Robert Langdon. A Mr historian who like decrypting secret and similar codes. So that helped with the granddaughter of the historian and persecuted by the French police, and the albino monk begins the search for the Holy Grail. It does not look bad.Well, before anything, read the book before seeing a movie does say in all cases "was better the book". Which as you may know. As film not liked much. It seems very hasty, with very fast sequences and stoppages play too long. It explains much about history, but does not end fit. In the end we go to movies to entertain us, not to learn. The action scenes are many and are not good. The plot is something incredible, given that the Holy Grail was hidden and within two hours of centuries and film media the Lord this finds, taking the colors turn to the Opus and the French police. And all as wanting to tell us that this is feasible. It is not very credible, not. In addition, Tom Hanks not killing me, so I'm going to deceive you.In short, suavecita film for a silly evening of these heat you aplatana and entering you take refuge in the film. Good NAP can take, of course. |
2,052 | archivos_extraidos/MCE-Corpus-main/Dataset/543 | Kiko de España | Palindromos | 3 | 5 | muchocine | A small disappointment of a director who must and surely that will make you, fill us the life with their dirty stories of sinners, rejected, marginalized and "different". It is not the great Solondz film, but can be seen | Palindromes is not the great Solondz film, but can be seen. "In fact, it is light years of"Welcome to the doll's House"or"Happiness", and not so far from"Things that don't forget", where the suspicion over the horizon.""Palindromes" is the least round work of its director, but this does not prevent a couple of good times 100% Solondz.En this "story", we witness the journey undertaken by Aviva, character with a multitude of faces, (the only known is that of Jennifer JasonLeigh), a twelve year old girl who runs away from his home to feel misunderstood. And it is that you want to become pregnant. The journey of Aviva (hence about palindromes: Word or phrase that reads just as left to right, than from right to left, as Ana) leaves in its infancy which undertook the prota of the dreamlike "Big fish", with references to "Stop the monsters" and a Jet humor (this musical performance) marks of the House, with their respective deaths and their respective violationsit of course.Faces forgotten, as Ellen Barkin or Richard Masur hold the pull, although they appear and disappear without warning, among a lot of amateur actors. In summary, a small disappointment of a director who must and surely that will make it, fill us with life with his dirty stories of sinners, he rejected, marginalized and "different" in as he filled it before. A sentence: "it is not yet a baby, is like a tumor". 5. |
2,053 | archivos_extraidos/MCE-Corpus-main/Dataset/1507 | Rafa Ferrer | Manuale D'Amore 2 | 2 | 5 | muchocine | This time, it has little to do with love, except for the history of the Gay couple. Sequel to without being more of the same, is the same but without more... | "Manuale d'amore" was a nice and original Italian romantic comedy, where with love as a thread of the plot, actors (all unknown) we took their land; This film was one success both in Italy outside of the land of calcium, so was more than normal a sequel, the problem, is that you lose the freshness of the previous and this time, to have actors known (in addition to some of the previous ones which also repeated in this) loses the credibility of the previous and the freshness, and attempts to loop the loop.This time, has little to do with love, except for the history of the Gay couple, the rest carried more sex (manuale d' sex it could have called the tape perfectly), and the comedy of entanglement, which translate what in the first movie were parts of love, and the heartbreak.On the other hand there to highlight both the beautiful and sensual Monica Bellucci, a sexual for many and our Spanish Elsa Pataki myth, another sexual myth both uninterrupted on screen although they said not a Word, the rest of the actors I stay with the splendid Carlo Verdone which already repeated the first delivery and also "relay" Sergio Rubini, who in the first delivery was the best of the film.Finally, a sequel without being more of the same, is the same but without more. |
2,054 | archivos_extraidos/MCE-Corpus-main/Dataset/4234 | Bruji | El Juez de la Horca | 2 | 5 | muchocine | A peculiar remake of "The stranger" of William Wyler, based on an approach unknown in his time. | Any classic film lover knows that the path of John Huston as director (he was a prestigious screenwriter and actor) was governed by the principle more absolute of irregularity. So much so that, without prior notice or apparent motivation, along with authentic masterpieces, - said nobody like him managed to rub the perfection to direct a film-, we find true bungling, worthy of an eternal mediocre beginner. Personally, I have always believed that this extremist trend was only another sample which showed his unquestionable genius, not exempt from certain excentricismo. It is easy to see how turned on projects that managed to inspire you and make you grow professionally, and how - with the same roundness-, only confined to sign other works that failed to draw your attention, either because they were custom or because, even as own creation, ceased to be interested. To honor the great filmmaker in this special, the safest bet would be doing so with the comment of a film which belonged to the first category, which admit no discussion about its quality. However, I thought interesting to address the only film of Huston that not can be kind in any of the two previous sections, simply because it is "something else", the exception to this rule that characterized his filmography. To begin with, "The judge de la Horca" even is has been able to catalog its gender. It is known that it is a kind of remake of William Wyler's the stranger, in which Walter Brennan made the role of the judge; and that, on this occasion, he plays Paul Newman. But it is also known that it is not one remake of any, but a highly personal work that part a little common originality, for a totally unknown at the time approach. In reality, is not a western per se, but rather a picaresque story about a man who manages to become judge, jury and executioner, only law (very often, arbitrary) of a territory without it. Talking about the judge Roy Bean (which, apparently, was a historical figure), haunted by a famous actress of the time, the exciting Lily Langtry, who briefly appears, played by Ava Gadner. The argument is structured in two distinct parts. The first one, bursting with sympathy, is characterized by the good mood that has prevailed between the characters, for the showcasing of Newman. In the second part, - less bright but more interesting than the first-, emphasizes the narrative of the supporting actor Nead Beatty, and a bizarre revenge starring Jacqueline Bisset, in which the humor disappears. Thus, in a field that does not ends be western, which can not be comedy, and never in his mind be a drama; Huston is beginning to move with some discomfort, that makes that this film does not reach the mastery of others of this era such as the Mackintosh man, the Kremlin letter or the great man who would be King; but that, due to the perfection of many of their scenes, nor fell into the bag of appalling mediocrity in which are blood Sabia, Fat City or the Phobia.Lo, the hanging judge... is something else. A very interesting experiment that lovers must be judged; and whose viewing is a wise choice. |
2,055 | archivos_extraidos/MCE-Corpus-main/Dataset/1903 | Iñaki Bilbao | El hombre que mató a Liberty Valance (The Man who shot Liberty Valance) | 5 | 5 | muchocine | Intelligent dialogues, sturdy performances, perfect direction, screenplay sublime, beautiful music. A masterpiece. | "A Senator has a journalist all the truth on the legendary outlaw Liberty Valance and how he, a young newly graduated in law, came to the Wild West with unwavering ideals of Justice".A masterpiece. However I must admit that the first time I saw her I felt disappointed. I should have around 15 years. My father, when it was very child her had told me, but only for the part of action, shooting and fighting. To see her I felt flooded because it was not obviously as I had been told, was much deeper. A few years ago I went to see a film forum in my neighborhood, and I was ecstatic. What beautiful intelligent dialogues, sturdy performances, perfect direction, screenplay sublime, beautiful music.!! In short, a masterpiece which speaks of love, friendship, justice, law, truth and legend. Sublime. |
2,056 | archivos_extraidos/MCE-Corpus-main/Dataset/2986 | Francisco Bellón | Salir Pitando | 1 | 5 | muchocine | Leave fpm is a comedy without grace or spark that is masked as a tribute to one of the situations more comic has given the football in recent decades. | The cinema has always sought stories to tell in the sport, successes, failures, or simply draw a series of potentially comical situations. Most sitters sports on the big screen casually are those who have a greater number of fans in United States. On the contrary, football has been with the dubious honour of being a sport that cannot be a good movie.Perhaps so, but yes can be good films of everything that surrounds the world of football, and if he is not enough to be attentive to the soccer news. One of the more memorable moments is the famous phrase of "not fuck me with, Rafa", phrase that has gone down in history as "Rafa not fuck me with". With the idea of emulate this scene is born out Pitando, a comedy which aims to exploit the comical of one of the groups most despised of the sport: the arbitral establishment. The big question remaining one after seeing leave Pitando is how Álvaro Fernández Armero has been able to waste such humorous potential to finish telling a story anodyne and vulgar. Football and the arbitration claim has been the greater commercial asset of the tape, but is nothing more than a mere excuse to develop a bad comedy of mess in which the main protagonist is a love triangle. The script there is where catch it, and instead of being bundled the blanket to the head and have thrown down the road of absurd and surreal, it passes through a myriad of platitudes and tired situations. Few situations that could have given more than itself are poorly conducted and worse resolute. Actors comply with his work, which already has much merit due to the infamous characters and dialogue that they have fallen in luck.Leave fpm is a comedy without grace or spark that is masked as a tribute to one of the situations more comic has given the football in recent decades. But the sport King is nothing more than a mere excuse, and is that the film would have been just as with any other profession. |
2,057 | archivos_extraidos/MCE-Corpus-main/Dataset/3094 | Francisco Bellón | Promesas del este | 4 | 5 | muchocine | In Eastern promises, David Cronemberg demonstrates that it is in full form, portraying violence in a raw and stark way | Since its early years, the cinema has always felt a great fascination towards organized crime and everything that revolves to its around. There is nothing like banning something that a person or group of people begin to provide such property or these services illegally. And these are the stories that interest you to the movies, but all are eclipsed by the more famous Chicago boss. But, why when speaking of the mafia in the film always it is related to the italo-American Mafia?David Cronemberg premiered two years ago A story of violence, film in which analysed the psychological causes of violent outbursts. It was history, forgive the repetition, of a mobster attempting to lead a life of crime, among ordinary people. However, in Eastern promises is the way opposite, is a normal person, Anna (Naomi Watts) which is involved unwittingly in the goings of a powerful family of the Russian mafia. On this occasion, Cronemberg made a portrait of the hierarchy, power struggles and personal conflicts that occur in the interior of a Mafia family. It also shows a stark and stark, violence as already announced the brutal initial scene, that will leave impressed the spectator by its hardness and savagery. With a great visual power, Cronemberg you enter with pulse firm in the bowels of the history, and once arrived at that point, only you can limit yourself to observe the mastery of a filmmaker as David Cronemberg. Viggo Mortensen made which is probably their best performance on the big screen, that it consists of brilliantly disturbing and enigmatic Nikolai.En promises of the East, David Cronemberg demonstrates that it is in full form, depicting the violence of a raw and stark way. It is a fascinating story, and certainly one of the best films so far 2007. |
2,058 | archivos_extraidos/MCE-Corpus-main/Dataset/3951 | Carlos Giacomelli Puig | Viaje a Darjeeling | 4 | 5 | muchocine | The particular universe of Anderson might be a delight for palates accustomed (and prepared) to him, but terribly irritating for which they are not (or do not want to be). To me me ha encantado. | Wes Anderson returns with "The Darjeeling Limited", a touching fable about the reunion and the second chances starring Owen Wilson, Adrien Brody, and Jason Schwartzman, and set in the fascinating landscapes of India.Tras the death of his father, three brothers embark on a peculiar journey in order to reunite after a too long estrangement. The plan, proposed by the biggest of them (Wilson), is embarking on the title track to the film and train that runs from end to end the India. As it was to be expected, as many years away and skepticism by the younger before such bizarre plan give cause for irritation, tension and secretive, causing numerous disputes even physical. Much must change things so that the spiritual journey begins to bear fruit.With "Journey to Darjeeling" Anderson once again demonstrates his skills as a director/artist, making a succession of spectacular scenes (exquisite travelings tracking the characters aboard the train) which blend with a stunning photograph of colorful design to the sound of a simply perfect soundtrack.In addition, the performance of the trio protagonist is credible and delivered, thanks mainly to the work of Wilson and Schwartzman.Por if it were little, the film opens with the short film "Hotel Chevalier" (famous for being one of the most downloaded videos of the past months due to Natlie Portman nude), beautiful prologue presents one of the protagonists brothers and contrasts in his grey hue with the warm Indian landscape which gives step.Thus it seems therefore that we are facing a real masterpiece, but like what happens with the Filmography of the director, this film does not support half measures: he loves or hates it.Again being the main engine of the proposal, the particular universe of Anderson might be a delight for palates accustomed (and prepared) to him, but terribly irritating for which they are not (or do not want to be). Conscientiously deshumanizados and seemingly distant characters, banalizadas situations, and abrupt clashes between comedy and drama are just some of the examples that characterize the world seems to nest the head of the director and that in "Journey to Darjeeling" make an appearance at all times.In fact, just accept them and get to play with them to surrender inevitably to an emotional plot and beautiful message, full of hilarious jokes that they do not seek the laugh but yes a constant smile, and also presented with an impressive formal elegance. The characters are adorable, and fail to become quickly welcomed by the Viewer.It can accuse him, that Yes, a notable downturn in pace towards the final section of the film, in which begin to entangle a conclusion after another leading the Viewer to true selflessness and detachment.But go, to me I loved. |
2,059 | archivos_extraidos/MCE-Corpus-main/Dataset/2794 | Rafa Ferrer | Crash | 4 | 5 | muchocine | An exceptional cast, a trace of interwoven stories linked by one or several links of Union that you hit in the stomach, they form this unique spectacle. | Talked to me not long ago from this film, rather then saw the trailer thanks to another blog that I've been "Oracle goer" and my opinion cannot be more satisfactory visionada once this. "Crash" is a different, as real tape as life itself and on more than one occasion leaving the viewer with their mouths open wide (as she was my case).An exceptional cast, Sandra Bullock (nothing to do with his romantic comedies), Don Cheadle, Matt Dillon, Thandie Newton, Ryan Phillippe, Brendan Fraser, Jennifer Esposito all trace interwoven stories together (in the purest style "Pulp Fiction") which, at separate first and end with one or more links of Union pounded heavily in stomach that, from a window screenyou view this unique spectacle, real, in the vast majority of cases.A film that honestly, it is worthwhile to take a look. |
2,060 | archivos_extraidos/MCE-Corpus-main/Dataset/1325 | Iñigo | El aficionado (amator) | 5 | 5 | muchocine | How far can a camera get? You have the permission moral filming everything that your lens can be seen? | One of the first films of fiction that addressed the genius Kieslowski. During all the footage you can see its special approach to film, still a very different work and less aesthetics and poetic than what would be later. It is a simple structure, but his reason is quite complex and can lead to various ramblings. It is not surprising that for many, in a first viewing, be something difficult to follow and experience a slow development which does not leave guess what Management intends to take or what tries to explain us. And is that most of Kieslowski films have their ultimate meaning once finished. At the same time that you start to raise the film, reflect deeply on it and attach it to the real life is when get to understand the way the director wanted to draw. Despite the above-mentioned difficulty, "The fan" is probably the most direct work of Kieslowski. Some dialogs were written between the director and Jerzy Stuhr, actor of the film (Filip). And the result was a film of clear autobiographical character. Kieslowski turn the camera towards his own person, is something that all fans know. Always makes it a very subtle form, so that the viewer itself can investigate, since initially not noticing it. Never shows, simply whispers. Each and every one of his works speak of portions of his personality, and in a comprehensive manner, all look the same direction: the freedom and love. Drawn both in various ways, but always as a backdrop. And "Amator" is no exception. On the contrary. The protagonist us gets on the skin of a filmmaker in his first steps, with its virtues and defects, its facilities and difficulties. Obviously, although never openly recognize it (never spoke of his own person), all footage refers to their complicated early, their moral fears and confrontation of ethical principles that always referred at the time of filming. In many interviews he claimed that usually fell him wanting to leave his films without ending, it could not shoot real tears of the actors, who was unable to portray their suffering (paradoxically - a word that is repeated in the work and person of the Polish director-, did it better than anyone) that regarded this as an attack on the intimate life of people, and that their moral principles were on a tightrope on numerous occasions. And this is something true in a social and political framework such as the Poland of the time. Censorship and communism could be used against persons filmed any question in films and documentaries. Communism spoke of freedom, but free will was nothing more than a lie. A utopia. The fact that the Polish director previously shot documentary foreshadowed the reason for many of their moral constraints and internal struggles. For this reason, Kieslowski always posed the difficulty of filming, the right to exercise as a kind of God to translate the reality in his works. How far can we get our morals? Can we record something that can be used against the people? Can we shoot a real death? No should we let people die without that inner peace is downgraded?Thus, the film is about the vicissitudes of a person which starts with a camera only to shoot your baby, to take its own micro-mundo and hide it in your family. Not that the world sees. But it will gradually immersing in the world of the filmmaker, shooting documentaries, recording movies. And its moral and human principles are called into question. When it comes to show the public their concerns to life real main problems arise. How far can you go shooting?The film is ideal for filmmakers "amateurs", in order to understand the complexity of filming and to apply certain techniques, not just mechanics a bit, but also human. The axis of "El fan" could live together as regards the power of a camera. Its power to display, but also its inevitable to destroy. So the film will masterfully developed, starting with the innocence of a beginner and continuing with his shyness and doubts, all this resulting in destruction and loss of everything that loves. It is as if the camera subyugara everything that concerns the character's real life, as if the lens has the power, through fiction, alter reality, to damage. Therefore, it moves in special way the way that Filip loses his family, his work, and one of his friends. Because of him? Of them? From the camera? This only will you discover when turn the lens to itself. Then you will understand everything filmed, his work starts and ends in his own person. It means that decisions should not be taken lightly, that the cruelty and humanism must live together in each and every one of our relations. The world fades away to her around, but then, in the solitude of his loss, may know that the sole owner of his life must be himself. He is only responsible for its own acts, never of outsiders. Freedom always present in the work of Kieslowski. In this work, in addition to merge the pessimism of knowledge and the optimism of the desire, we can observe that Polish director boasts their new political and social ideologies. Censorship is present on several occasions throughout the footage with the co-worker of Filip, with her daughter, surrounding him in his everyday life. The co-worker is the ideal example of ethical and moral film doubt. Use as a means to a person, to move, or simply show the reality as it is, portraying the life of a person with difficulties. But then not you are using?It is obvious to anyone listening speaking to Kieslowski, many times you hurt filming scraps of reality through the camera, he considered it too dangerous and powerful environment. I could not decide on the realities of such persons, flatly stated that he had no such right. In addition, as I said, all of that could be used against people who was in charge of the project or simply appeared in it. The opening scene in which the Hawk attacking a defenseless bird is a clear example of the concerns of Kieslowski in those times (of which in subsequent years renegaría). He is a clear metaphor (remember the nightmare of Irka) which reflects the struggle between that has the power and those who are below, the fight between the carrier of the camera (a kind of power that allows to play with the filmed) and the characters of that reality are filmed. Characters who, like the bird, can be damaged by this filming. The eternal struggle between the individual (the director) and collective (real-life). Always present in the film moral struggle. In this fraught with social and political context of censorship, his documentaries did rather than rummaging in a wound that it considered very deep inside (affected him personally to an extent that made change radically the way they express themselves publicly). And, on more than one occasion, the eternal question of "who really belongs the film" assails us (something that also happens in the present, no mistake). Who has the ultimate decision on final details of the film? It is clear that that invests the money (when there is no other way to obtain it), commercially, had the last word (in the case which concerns us at least). And more in such a situation, which again emerge feeling appearing in more films of Kieslowski that we are puppets that we pendemos of a thread. But this thread can be moved by our will. There, in the end, is something that is yours, owned by Filip: their own learning, the knowledge that he is only responsible for what record when he appears in that environment. With regard to the technical level of the film, the cast large unknown that scratch at high level. Especially Jerzy Stuhr, who already appeared in different recordings of Kieslowski as "The Calm" or "Decalogue". It is admirable how Kieslowski makes so much with so few resources, with an absolutely aseptic projection, no effects or shock of any kind. A clear visual limitation, but is at a segundísimo level and not the result of the work more expensive for nothing. It lacks the visual magic of "The double life of Veronica" or the "Three colors" trilogy, but it is entirely logical because of its budget. "Camera Buff" was the film that launched Kieslowski to success (very relative and limited in space, by then), and despite the shortcomings already commented, enabled you progress in the cinematographic field and research in the human soul, in deepest feelings, already by a precocious, musical and poetic aesthetic. In short, a work very interesting to get fully into morality and ideology of a filmmaker. Maybe it is difficult to savor in its fullness in a first viewing, but if we make forced reflection that it deserves, we will arrive to participate in its depth. It may be the only point against the same, it is a type of film that you don't enjoy the first time, because you do not know exactly in which direction we want to take Kieslowski. Fact does not assert, for nothing, that is the most complex film of the late Polish director. The legacy of Kieslowski is something cinema appreciates and needs (especially to remind us that the era in which burst was one of the poorest for which has become the seventh art) and that, in its style, anyone can recover. For many, it is the masterpiece of the so-called movement in Poland as "cinema of moral concern", of which Kieslowski was one of its fundamental banners, along with the initiatory film covering the criticism that concerns us. The Viewer is which has the last word and be granted (or not) meaning to the film, as in ethical pedantry or forklift reflection. There is no other carrier of the camera other than that of our own lens. |
2,061 | archivos_extraidos/MCE-Corpus-main/Dataset/1847 | Enrique Colmena | La flauta mágica | 2 | 5 | muchocine | A film that certainly isn't at the height of Branagh's best because at times lost bellows and has a tendency teatralizante excess. | Kenneth Branagh appears to be catch the taste to musicals; his last work in this genre is this adaptation of "The magic flute", the Mozartian Opera to Irish filmmaker has covered, placing the action during a dream-like world war I with the irreconcilable enemies Sarastro and the Queen of the night playing with lovers, Tamino and Pamina, in a film that certainly isn't at the height of Branagh's best (we would be speaking of "Henry V")(, "Mary Shelley's Frankenstein" or "Hamlet"), since at times it loses bellows and has a tendency teatralizante excess; as we know, with Lars Von Trier and his diptych "Dogville" - "Manderley", the hiperteatralización can be very cinematic, but this is not the case. Doesn't this say that this innocent adaptation of "The magic flute" lacked interest: acentuamiento of humorous footnotes that relate with the "opera buffa", as the character of Papageno, gives freshness and lightness, and the child's story, almost the entire film tone, gives a feeling of dream, a vision of dozing certainly attractive appearance. But it is also true that the Branagh version may exceed in their quasi naïve perspective: we know that everything in this world is likely to be treated with humor, even war (Oh, the great Gila!), but the shown us here, which led for years the name of the great war, until Hitler endorsed him an ominous ordinalappears as a clean, cute uniforms colors conflagration, where the dead do not bleed, although they are shot; they do not burst, although made by shells, jump into the air; they barely chillan, even if they are injured in the heat of battle. Do is clear that it remains a mere landscape, not just devastated, which can take place the evidence of the four elements which have overcome the lovers consummate their love to save the world: how nice, if not for that is falling? |
2,062 | archivos_extraidos/MCE-Corpus-main/Dataset/3799 | Francisco Bellón | American Gangster | 4 | 5 | muchocine | And after all, American Gangster comes to be a mirror that reflects the vision cloudy and distorted the much vaunted American dream. | After the unholy Kingdom of heaven, and the sentimental A good year, get American Gangster, which for many is last chance for a Ridley Scott who has been stumbling for many years. Between, a new edition of Blade Runner, which you clearly seems short, at least for a few years.It must be said of American Gangster the themes promise, despite sound to something already known by the Viewer. It is not the first time that police corruption in a large city like New York in the 1970s, or the rise of drugs, nor even less the rise and fall of a gangster is portrayed on the big screen. But despite this, Ridley Scott manages to weave a plot full of emotion that catches the viewer completely and intense. The film moves at a good pace, Scott is not recreated in the narrative, and the best proof of this is that it is not heavy or dull despite its long footage. British filmmaker offers not only the portrait of a gangster full of charisma (exceptional Denzel Washington) and the police that pursues him (a no less brilliant Russell Crowe), they sample at the same time the seizures that they beat a whole country: poverty, misery, corruption, war-Viet Nam, a deep emerged disenchantment among the population, all this sprinkled by the rise in the sale of drugs.And after all, American Gangster comes to be a mirror that reflects the vision cloudy and distorted the much vaunted American dream. And it is the land of opportunity is also full of misery, and nothing grows best between the misery as crime and corruption. |
2,063 | archivos_extraidos/MCE-Corpus-main/Dataset/3667 | Francisco Bellón | Deseo, Peligro | 2 | 5 | muchocine | I would like to, danger is a film that peca of pretentious and bombastic, and despite her promotion, is not more than a vulgar, devoid of passion story and some emotion. | Ang Lee is a filmmaker who can be considered the antithesis of the prison, as every one of his movies is totally different from the previous. It is capable of doing a romantic drama of time, a film of action and martial arts, the film adaptation of a popular comic or the love story of two men in the deep America.With lust, caution, Ang Lee approached the film noir par excellence, but the environment of spies and war is only a framework for the Taiwanese filmmaker tell the story of the passion arising between an amateur spy and his alleged victim. Entering, desire, danger has to go, to be generous, at least three quarters of an hour, as its excessive length is a burden that the story never recovers. The first half of the film, whose only reason is the present the characters and show the environment of a China occupied by the Japanese during World War II troops, as presentation is too long. Ang Lee recreates with great parsimony in elements entirely unrelated to the plot, as each and every one of the games mahjong. However, this first part is convincing and intense than the second, which should theoretically be wake which more emotions up in the Viewer, as it is the bulk of the story. Unfortunately, the emotional core turns out to be a story that recalls something already seen on many occasions (go no further, in the same year, to the black book), predictable and that offers nothing new. Well, Yes, so promoted sexual encounters between the couple protagonist (whose interpretations are the best of the film), but sincerely resulting free since they do not provide specific weight to the development of the plot.I would like to, danger is a film that peca of pretentious and bombastic, and despite her promotion, is not more than a vulgar, lacking history of passion and emotion some and totally predictable. And if this outside little, its duration ends by exasperate anyone. |
2,064 | archivos_extraidos/MCE-Corpus-main/Dataset/226 | Daniel Galindo | Thumbsucker | 3 | 5 | muchocine | It allows you to leave the cinema with a smile, rather light by the drama that hides because, friends, grow and become adult is not an easy task | Between superheroes, serial killers and beings "romanticotes" who came across the Atlantic usually strain, very occasionally, a title branded "indie". This tends to be the most commonly used Word with a view to the promotion of Thumbsucker, as if this will be a sign of prestige. The use of the independent label sometimes gives result, otherwise coletillas as "the Sundance hit" or "the surprise of the Berlinale" are added. We must not be the things in their hands: the movie is not bad but not out of that select stronghold of titles that later we refer. It's a simple story about the very complex process of auto-búsqueda and reaffirmation in all stages of life, but with the addition of the batch of problems presented him a young man at the age of 17. A family environment that collapses and a child mania that will delight the psychologists, the sucking the finger, differ from the treatment of the history of similar titles in its conception and projection, as the recent e interesting something in common, with Natalie Portman, Peter Sarsgaard and Zach Braff, also in the direction and screenplay writing.Mike Mills also wrote the script from the novel by Walter Kim, but were not encouraged to star as did Braff. Focused on the more technical side although he did excitement in the realization, in all case ended contagious rhythm apprehended riding video-clips and commercials. Do the newcomer in the direction of long supported his low-budget film in very recognized names in the industry as Tilda Swinton (broken flowers, the Chronicles of Narnia), Vince Vaughn (wedding at wedding, Be cool), Benjamin Bratt (Traffic, the woodsman) and Vincent (d)?Onofrio (strange days, the fabulous life of the Altar Boys). We do not forget to Keanu Reaves, who has a brief intervention.As throughout history with alternative label, with careful soundtrack, actors and simple wrapper, Thumbsucker aims high, including the label of "did not expect such an impact". Remember a Beautiful girls although its characters are closest with everything for a dream, the roles of Matt Dillon, Nicole Kidman and Joaquin Phoenix, characters in their daily life are brought to the limit. Lou Taylor Pucci, silver bear for best actor in Berlin, has the gift of naturalness, with scary face and accepting the role of second which will soon give the surprise, a be poorly versed in the arts of communication that will change while approaching the end of this comedy different which allows you to leave the cinema with a smilerather light by the drama that hides because, friends, grow and become adult is not an easy task. |
2,065 | archivos_extraidos/MCE-Corpus-main/Dataset/3805 | Rafa Ferrer | El espía | 3 | 5 | muchocine | A tape of suspense that falls in resources provided and where actors carry the weight of the performance masterfully and arrive to convey to the viewer both their fears with their insecurities, like all lovers of the genre. | Themed Litvinenko seems a quite interesting Philo are found in the world of cinema, and that for a time this part had become a mere device used in television series (Alias is the first that comes to mind), but scrapped cinematograficamente by overused of the plot, well, used both that one day decided to stop using itI see that I mess and do not get to where you want to get.Billy Ray got put to the public in a pocket with his excellent "The price of truth" and makes it here, to get, that if, under the ballast, I go again of the "based on a true story" so much like film and usually give a touch of verisimilitude what has happened and what is displayed on screen.It is true that this film, as well as the aforementioned, those who carry the singer voice are actors, where an excellent (well, in capital letters) Michael Cooper, carries on his shoulders all the drama his character needs, and somehow you get to fully believe his character; It is true that, in my case it started with some advantage, given that he is an actor that I love.Didn't want to miss or Laura Linney, an actress who has left less more, starting as a typical secondary countless films ("The Truman Show" "Love Actually") to become a safe bet the film of our days, for complete quote Ryan Phillipe, an actor who has found a second youth (so to speak) thanks to the drama "Crash" and it seems that now is beginning to take seriously his talent, giving here the role with approved high, and it is that, although it is little expressive at some moment, it becomes credible his Eric O'Neill.In conclusion, and something that is usual in my, highlighting the excellent score of Mychael Danna which while it resembles other many soundtracks of the genus, has a mysterious air that I liked very much.Finally, a tape of suspense that falls in resources always and where actors carry the weight of the performance masterfully and arrive to convey to the viewer both their fears with their insecurities, like all lovers of the genre. |
2,066 | archivos_extraidos/MCE-Corpus-main/Dataset/1569 | Rafa Ferrer | La educación de las hadas | 4 | 5 | muchocine | Excellent Spanish film, which ends with a somewhat diffuse and little concise final | Very often I usually review a library near Lavapies, I do not know, is a small space, almost as if it was a friend's House, and there, between books and good music, not long ago I found the novel of "The education of a fairy" Ddier Van Cauwelaert, which Jose Luis Cuerda has made an adaptation, and which moreover rope makes a cameo appearance in one of the scenes.A tape, which is almost a fairy tale for adults, where Ricardo Darin makes a character that somehow reminds Roberto Begnini in "life is beautiful", trying to show him to the kid that life isn't as ugly as it appears, sweetening with fairies, Giants and desires.Lately it is difficult to watch movies where come children, that, as said a director whose name I do not now remember, it is complicated making movies "with children", put that these tend not to behave on screen as they would really out of it, this is the case of the kid co-star of the tape, and is that it for a long time (perhaps from Dakota Fanning) that it did not see a kid as repipiresabiado, repellent and stupid like the one that appears on the screen, go, rather than talk seems haranguing what says, and more that fall nice, one wishes to remove the shoe and give it a good beating of cheeks, by weighs.Can not forget me not of baby (great in his role do will return to delight us with another disk as the excellent "Pa out cobwebs"?), by the way, how much lost that girl without clothes, on the other hand is Irene Jacob, which is difficult to understand a Word when he opens his mouth, although curiously his "son" if he speaks the language of Cervantes.Tal time, what I least liked of this film that is round in his career is the finalso diffuse, so little concise, in which one can (or must) imagine what would like to to it occur. |
2,067 | archivos_extraidos/MCE-Corpus-main/Dataset/2331 | Albert Puyuelo | Last Days | 2 | 5 | muchocine | Last Days is nothing to explain something that would have been able to say in a short film. And would have been very nice, but an hour and a half watching Michael Pitt strolling is far too long to not ask yourself if you are kidding. | True fans of Nirvana may be happy with this movie, but it won't be the same with the young poperos who have only purchased merchandising on Kurt Cobain. In one of his songs, the artist read as follows: "I am so happy." I found my friends. "They are in my head?" and then continued "do and I'm not afraid, I turn on my candles, stunned, because I have found God?". There has been much of the new film by Gus Van Sant saying that it was not a biopic to use. And it is true, gender, but Last Days adapts perfectly the spirit of his famous protagonist. We have before us a small biography of the last days of a myth of the music. Even so, do not expect to find Nirvana songs or a review of its glorious moments.Last Days is the interpretation that Van Sant has made which led to the singer-songwriter to commit suicide. Following the narrative structure used in Elephant, history suggests the viewer looking at her in different ways. They are explained over and over again the same facts that change depending on how you look. The center of the story is a young boy named Blake, that emulates a Kurt Cobain that goes throughout the film spinning through gardens and forests, or sleeping in the first place that while Mumbles some unintelligible words. His solitude and his inner pain not understood from what Blake we can explain or teach, that is not much, if not through the secondary characters and their interrelation with the singer. The overall pace of the film is fairly constant, and too slow. The amount of information that gives us each sequence is minimal, and becomes a little difficult to follow the proposal. It is impossible to sympathize or hate a series of characters that do nothing. Gus Van Sant has innovated not formally respect to Elephant, and in Last Days is nothing to explain something that would have been able to say in a short film. And would have been very nice, but an hour and a half watching Michael Pitt strolling is far too long to not ask yourself if you are kidding. |
2,068 | archivos_extraidos/MCE-Corpus-main/Dataset/3662 | Javier Saz | Soy leyenda | 2 | 5 | muchocine | An entertaining tape action which adapted the famous story by Richard Matheson looking for fast-paced action and spectacular. | "I am Legend" ('I am leyend', 2007) of Francis Lawrence is an entertaining tape of action that surely copará the ranking of box-office in the upcoming dates.Francis Lawrence had debuted with the mediocre "Constantine" (2005), a Hollywood adaptation of the character created by Alan Moore on Swamp Thing. In his adaptation little remained of nihilism and roughness of its reference paper and opted to spectacular and grandiose leaving a failed and discreetly entertaining work.Now Lawrence adapts the famous story by Richard Matheson in the same way, looking for fast-paced action and spectacular. And within the range of current rompetaquillas meets its mission of entertain and have fun without thinking much. A product of these features nobody seeks the fidelity with the original work and here there although the end (excluding the epilogue) if guarda similarity to the original. "I am Legend" is enjoyed during its first hour of footage when it shows us the daily life of Robert Neville (Will Smith) in a deserted New York Cityonly accompanied by his dog and lapses in the flashbacks and interest in the last third of the footage. It is told with verve and even has some moment of suspense that is appreciated but basically is a vehicle for Will Smith in the likeness of "I robot" (2004, Alex Proyas), film correctly, with a visually solvent director, with scenes of masses (these flashbacks totally unnecessary), action, racing and shooting, which is what it is. We change robots Proyas film by infected humans (a cross between vampires and zombies), close to the videoclip aesthetics and already have made equation, success assured. Anyway he entertains and is short (thanks) and the digital effects Department has done a great job. |
2,069 | archivos_extraidos/MCE-Corpus-main/Dataset/2792 | Tito Chinchan | Los 4 Fantásticos y Silver Surfer | 3 | 5 | muchocine | Film about fantastic four which have to rid the world of a threat that it wants to destroy. Something better that the first delivery, but remains very directed to a too child audience to appeal to adults. | Whenever I see the poster of the fantastic these, I think would be my preferred superpower. The stone seems to me that not it cool me. Very handles but does not cool. The elastic is good to catch the beers from the fridge without having to move the sofa. Mola. The firearms cow poop, if my santa is angry if he sees a chinazo on the couch I can not imagine if you see that I have burned the whole couch at a fart. I'll be invisible, which in addition that I go in balls all day, I can fulfill all dreams of mind teen body of man with mustache.The film deals with a threat to destroy the Earth. He is not a missile or an asteroid, or Martian with horns, if not one thing that eats planets I as the cacahueses of the aperitif. To go preparing them, peeled them and removing the seeds to the planets, send first to Silver Surfer, surfer silver balls. So the fantastic 4, aided by one who should be the villain in the first and the army of fools, must save humanity. We deserve such aid or we must succumb?The pastelosa if a little Ribbon, with a wedding between superheroes as we want to show that they have feelings. The moments of action are quite nice, but you still with dialogue and lacking call. Thank God they have set aside certain jokes that were more than horrible, pathetic. And not to mention the army, which are to be given of kicks in the very cataplines from here until Saturno. Hey, poor Saturn, which is eaten the bug eats planets. A minute of silence for the ringed planet.In short, film about fantastic four which have to rid the world of a threat that it wants to destroy. Something better that the first delivery, but remains very directed to a public too infant for like the adultos.2 mine and one of my girl.Besitos.P.D: at the end of the film spotted the criticism with clarity and saw how anymore you 2 stars as my name is Chinchán. But came my medium Zucchini and I said has been very well, a Yes? Putting me in my role of man says, if honey, if. So we are going to put 3. |
2,070 | archivos_extraidos/MCE-Corpus-main/Dataset/2163 | Jose Contreras | Piratas del Caribe: En el Fin del Mundo | 4 | 5 | muchocine | ?The island of the Treasury? He sat the rules of the genre of pirates; Gore Verbinski has found his inspiration in the multiplication of the characters and the sides. | "The treasure island" set the rules of the genre of pirates. Jim Hawkins and his friends had the treasure, but John Silver and the pirates had the ship. Each had something I wanted to the other and they arranged themselves with a treatment. But it was a deal with pirates, and the pirates sometimes fulfil his word and sometimes do honor to his fame. The "Pirates of the Caribbean" by Gore Verbinski found his inspiration in the multiplication of the characters and the sides: the Royal Navy, Sparrow, the girl, the boy, Captain Barbossa, the Dutch Errante, and the exponential increase in treatment and cambalaches, which are countless.So we create incredible, i.e. that a pirate will respect their word, the film uses the legendary. The pirate has to fulfill his word because, otherwise, a curse will fall on him. Curses and the rules are rampant as fungi to drive an endless plot without the spectator fail.Jack Sparrow is the second engine of history. Their gestures harmless and amanerados, whose influence on Keira Knightley undermine the principle character of Keira Knightley, mean that we must not take it seriously. In a universe of covenants, he is the pill, in a drama of ideals, he is the selfish. He is also the captain without authority and the negotiator without power. And, however, it is the only one that gets away with. Participates in the complicated weaves - drive with many moves in advance, as a Kasparov in a chess game that changes of rules in each turn.The two protagonists fight marred by the absence of malice, and are tripping each other only on behalf of their parents. His final Union or his tragedy depend on the confidence that (every day more United in the solid business of celluloid) creators and public have in the triumph of eternal love, or proven disbelief that experience has taught them.Long executions of the principle that child that defies the scaffold with his song, the Lair of Sao Feng who composed a complete story in the style of the prologues of Indiana Jones, the multiplication of Jack Sparrows and crabs in the dream of the land of Davy Jones universe, the brotherhood of pirates, and that crazy swirl are exemplary of the battle end. I do not understand the obstinacy of the critics to defend his indifference towards one more than remarkable work. |
2,071 | archivos_extraidos/MCE-Corpus-main/Dataset/3863 | José A. Peig | Trainspotting | 3 | 5 | muchocine | In 1996 Danny Boyle offered this reflection and critique about the problems caused by the consumption of drugs, using a narrative that exposes the story with a balanced use of the comical and the bitter irony to your message to reach a broad spectrum of the public. | In 1996 Danny Boyle offered this reflection and criticism on problems of drug use and on the same society that induces the disorientation of the vulnerable minds, using a narrative that exposes the story using a balancing of the comical and the bitter irony to your message to reach a broad spectrum of the public. He gave the formula for impact to the viewers without crushing the meritorious expressive intention in a set that tends towards the simplification and the use of topics (this ultimately ends up being a lesser evil), with which we have a good exponent of cinema of social commitment akin to post-modern cultural expressions that serve reference for generations to which it is intended the product (the varied assortment of songs accompanying States of) (mood of the players plays a fundamental role as the attractive factor).Contributes little narrativamente, and altogether not goes far beyond being an aggregate of gags that structure the description of an underworld populated by beings trapped in a circle of emptiness: the image that opens the story (with the central character fleeing while the voiceover lists the material objects, which are the narcotic of the "welfare society") opposition to the closure (with the same character that ends his cycle evoking the parameters that define) ("good life"), built its essential meaning, in a message at all complacent for anyone: you're a druggie or you are a consumer of the "good life", the vacuum reaches you to the grave. Corrosive look at society, although this also entails a simplification, since that subject two lifestyles to a same proposition, which also results in a somewhat Mannerist idea. In any case, the dynamic and ribbed staging results in a merely descriptive exercise that exaggerates the profiles to be playful, employs the surrealist delirium with ease and builds his own universe without lapsing into unnecessary Bendy which invalidate the author's intention: talk to the society on drugs, not as an evil in itself, but as one piece of the fabric of things that enslave us and stripping the world of any meaning. |
2,072 | archivos_extraidos/MCE-Corpus-main/Dataset/2102 | JLO | Flores rotas | 5 | 5 | muchocine | Drama with touches of humor, its end is a delicacy that (with a cameo by one of the sons of Murray) which becomes the ideal as possible. | One late after some excellent reviews in this website, but the happy memory of this languid Jarmush film makes one have wanted to write a few lines.Slow, slow, take your time to tell us without hurry, loving life and the woes of Don Johnston, a defeated man of the long list of interpreted defeated men to the measure by a great Bill Murray. Lonely and loser, is the classic protagonist of any work of Jarmush.Desfilan former girlfriends, with its limitations but that next to the Don, seem to live in a full roller coaster. The female cast is exquisite, all good. Jarmush knows well where is the story heading and leads with a beautiful music (the soundtrack is exquisite), towards the disenchantment of a father in search of your hypothetical child, in a cold way Yes, but with the timming of film independent in its maximum expression.Drama with touches of humor, its end is a delicacy that (with a cameo by one of the sons of Murray) which becomes the ideal as possible. Punto y aparte for Bill Murray. So we see repeat almost the same character, a being of parco, melancholic, as lost as charming, in a kind of Buster Keaton revived. With minimal gestures, cansino, building his walk among the autistic and unreal, already Sofia Coppola caught his psyche in Lost in Translation (2003). Wes Anderson made us wanting to as Steve Zissou in the Life Aquatic (2004) and in an almost cameo in Los Tenenbaums.De the hand of Jim Jarmush in Coffee and cigarettes (2003) first and in this Broken Flowers (2005), where again amazed with a kind of heavy, never as icy and gray Murray. We love each other in all those films. |
2,073 | archivos_extraidos/MCE-Corpus-main/Dataset/956 | Tito Chinchan | Borat | 1 | 5 | muchocine | Never, I repeat never, I have seen more bad than this film. Jokes that makes seem me not funny while situations seem pathetic. | I don't like that a film needs a prior explanation to view it, or they will have to explain. It is like a book prologues, which only have to serve to thank and things like that, not to explain what it is. That already makes the book, which is the work you actually buy. As the same with movies. It cannot be that you will see one and do not know if it is a documentary, if they are actors, whether it is serious or if it is a farce.The film is about a journalist of Kazakhstan ranging to the U.S. to make a documentary about life in the country and thus to modernize their own. Travels with a big producer (and we assume that the camera was recorded, which does not leave) and companion of hardship. In his tour of the United States shows how people of the America deep to situations that he raises react. It seems that he tries to be a current portrait of the United States, from within.Never, I repeat never, I have seen more bad than this film. Jokes that makes seem me not funny while situations seem pathetic and embarrassed. The portrait that shows this kind of documentary can be very faithful which is happening on the first power, but what interest does outside its borders? And what is more, it should show as well? No, call this film seems very bold, with jokes of the sort that fucks (sexy show) to her sister or that has locked a brother delayed between bars while his sister teaches him the rabbit. Found it me even outrageous.In short, the worst "movie" I have ever seen. A total and absolute scam for the Viewer, where, without a warrant or concert trafficking to the limit "normal" situations. Vomit. |
2,074 | archivos_extraidos/MCE-Corpus-main/Dataset/3893 | Ana Belén Pacheco | Viaje a Darjeeling | 2 | 5 | muchocine | The Hotel Chevalier short possibly the best of the tape. I make it clear that even the most assiduous followers will agree Darjeeling Limited is one of the worst films of Anderson to date. | I'm not a big fan of Wes Anderson, almost I could join the Group of opponents of the Texan filmmaker and wield against him the problems of its own idiosyncrasies and his indie-fanciful humor. But still aware of this and analyzing the film as knowing of its peculiar director and screenwriter must make it clear that until more assiduous fans they will agree that Darjeeling Limited is one of their worst films to date.Three brothers quite disturbed psychologically (and one of them even physically) embark on a unique journey for spiritual discovery. Actually the biggest of them has set them a trap so that they reencuentren with his mother who disappeared detained in a village lost in the India becoming a nun and that not even attended the burial of his father.Absurd humor of Anderson is not a mood of gags and jokes if not for situations and dialogues to the limit (sometimes even surpassing it). Thus the actors chose to give life to his brothers protagonists are also an example of this. Adrien Brody, Owen Wilson and Jason Schwartzman, to which more ramshackle and physically corrupt than the previous get at least one little bit of consistency sickening at all.Anderson does not resign because his fetish actors and in fact enjoy even allows the luxury of inviting to pass to the party to Bill Murray in a few early first and flat promising that quickly fade. In this display of gifts is also the projection of the short Hotel Chevalier, which is possibly best of the tape, a prelude on the story told in the film where the brother played by Jason Schwaetzman is reunited with his girlfriend (the same Natalie Portman naked which will happen the rest of the tape by phone spying) in a Parisian hotela highly successful short so it suggests reveals more than it really is, a kind of summary of the movie has plenty of ways to explore but wasted mercilessly finishing always in streets without exit. |
2,075 | archivos_extraidos/MCE-Corpus-main/Dataset/1869 | Alvaro Oliva | El número 23 | 3 | 5 | muchocine | It is presented as a remarkable film that part of a very interesting point, with good interpreters and dose of great film that will delight all lovers of suspense, thrillers and the great Jim Carrey. | The new film by Joel Schumacher irregular, a mixture of worlds (real and literary) presents us with very interesting way, in way that would elevate this film proposal, within the remarkable range of the director. Jim Carrey, an actor that I love, once again demonstrate that it not only has its comic vein, although this no longer absence after his excellent roles in "The Truman show", "Forget about me" or "The Majestic". "The number 23" embodies a dual character, that alternates its everyday life, with the Detective protagonist of the book which has begun to read, and which has a strange connection.Next to it, we find ourselves with Virginia Madsen, who already really dazzled us in "sideways" and "Candyman" (for the oblivious to the fantasy and horror), who plays the wife of Walter Sparrow (Carrey).Among the points to be highlighted is the photography. Matthew Libatique presents us two very different atmospheres for the real moments and narrated in the novel, giving the latter a comic aesthetic, than good we can remember to "Sin City".The script is quite complex, with certain moments that will make that the viewer will be delivered completely to the film, but then falls on an edulcoramiento own for everyone, with a moralina which could have been avoided, but that does have its charms, or that will satisfy at least a large part of the audience. The number 23 and chance, give a great game the screenwriter Fernley Phillip, with this figure, it forms a maze of mysteries and circumstances that bring headaches to the final Carrey.En, "The number 23" good is presented as a remarkable film that part of a very interesting point, with good interpreters and dose of great film that will delight all lovers of suspensethe thrillers and the great Jim Carrey. |
2,076 | archivos_extraidos/MCE-Corpus-main/Dataset/4065 | Bruji | La vida secreta de las palabras | 4 | 5 | muchocine | Not only by “ how account ”, also by “ what is decided to have ” and, above all, by “ what calla ”, “ the secret life of words ” is, without a doubt, one of the best films of the film Spanish. | "The stories are passed through me" is the phrase that Isabel Coixet summarizing "The secret life of words" in the 2005 Goya Awards ceremony. As beautiful as transcendental phrase which, alone, defines the work of a great writer who one day felt the need to put pictures to their stories. The phrase with which should remember this film and its creator; someone that never lived in my film feast. The students of Middle Europe danced "La Dolce Vita" by Ryan Parish with the sole concern of choosing the color of eye shadow that compatibilizara with a new bag. When we convencíamos that the red and the grey could form a perfect combination, we would open our textbooks to memorize that UN, successor to the S.D.N. of 1918, created after World War II, was signed by many countries, and its fundamental objective was to solve the various and possible future disagreements in a peaceful manner. Ultimately, it should intervene militarily to prevent new wars in the world.While we were still humming the "I like the dolce vita", the territories of the Balkan area, historically conflicting, were at war; something unthinkable for a Europe in which we had played live. During the following years, the fifteen players in the narration of Cora, - girls of our age, with our same aspirations and concerns-simply because of the chance of being born in a particular geographic area, would outline a smile to remember that bland Italian pop song, and would understand if that good intentions of international organizations were sufficient or, or that everything that you learn in the history books is strictly true. On the basis of this argument, any filmmaker - fairly acceptable - would find relatively easy to develop the rest of the plot, rolling in cities devastated by a war, like all, meaningless. However, how terribly difficult must be wanting to convey the same story by selecting as only allies a small stage, two characters and some support in which to write. -A small stage, which moves to an oil platform located in the middle of nowhere. The small footprint which is the lowercase extension reached the thoughts when you don't know look in another direction, when you fail to see beyond an insurmountable Ocean offered few alternatives to who "don't know swim", as admits one of the protagonists. Isolated and confusing place in the messy sea of their own minds, day and night plagued by waves likely to be listed, as they are the experiences and two beings tormented remorse. -Two characters. Hermeticism to the Extraversion. "The patient indiscreet" extraversion (Tim Robbins); that which rises in those who have the imperative need for everything that happens - or not - in their lives. It faced those who tend to the impossibility of silence their feelings, their feelings, and decide to express his perception of the facts to others, without foresee the consequences. The same relict of those who, in reality, the only thing that have always tried it is diverting attention to the true story who ever wanted to tell, which neither dare to mention. An episode of which the male protagonist only preserves a picture, a message that will not hear, the evocation of a book that should never give and a eternal question in the eyes: how you get to live with the past?.The secrecy of the "redhead" nurse (Sarah Polley), that will take care you for a few days. The position opposed to the excessive extraversion. The hermetic introversion that persists in those who nothing have, not because nothing have to say, but because they believe more enriching than words silence and listen, the best way to look to the future. The decision of those who can lower the volume of the world and know to ask to be left in peace. Same Hermeticism that he does not hesitate to speak clearly and openly come the time, and that, courageously, faced every pleasant or pernicious aspect of its past. She does not care to admit his incompetence to live reconciling present and preterite, when their own circunstancian advise that one way of doing so is "kill the time, before the time you kill you". Two characters. Hermeticism to the Extraversion. Two mechanisms of psychological defence of identical intensity, with the same goal, equally valid to survive. What you have, what you prefer silence, what we want that you rolled, which do not allow that you decode, what we want to pronounce, which deliberately omit, to relegate the Presidency over to oblivion, which sentenciamos to death in the thought; the essence that hinted at in the secret life that all hidden word. -A support in which to write. When the Director decides to tell this story with such limited resources, the only way that this "pass through it" and get reach the viewer in its purest form, is the soul of the characters to be used as single write support. It is not a matter of immaculate simplicity, it is a clear symptom of film masters, which is based on one of the external signs that characterize the unusual form of transmit of the Catalan filmmaker, and to confer on this work the adjective of "must have". It is this excellent "American touch" eavesdropping in this creation and that, of course, has nothing to do with the obvious fact of placing the story beyond our borders, request an international cast, and apellidar the characters with Anglo-Saxon names; but it arises from (especially present in women), innate ability, to delve into human hearts. Not only by how "it has", also by "what is decided have" and, above all, by "what is calla", "La life secret de las Palabras" is, without a doubt, one of the best films of the film Spanish. |
2,077 | archivos_extraidos/MCE-Corpus-main/Dataset/1581 | Caruco | La vida de los otros | 5 | 5 | muchocine | Sequences, characters and images impressive, always emerging of honesty, sobriety and passion contained in the proposal. | The always watchful eyes, ears sharpened to the fullest, the face of impenetrable emotions. Captain Gerd Wiesler (Ulrich Mühe) is one of the best agents of the 'Stasi', the secret police of the former German Democratic Republic. It has the foolproof method, precise questions and the time required to ensure that any suspicion of treason or dissent to the nation, if guilty, end confessing or chasing his friends.In this Germany of the East prior to the fall of the Berlin wall, all citizens are suspect and the spirit of Orwell is resurrected to become the coveted dream of mechanisms and the desire of a Government which wants to have everything under control, and its residents well guarded. With this nod, the debuting of thirty years, Florian Henckel von Donnersmarck begins his narration precisely in 1984, in a GDR which seems rather anchored in a decade earlier, the seventies, and definitely aposentada Summit in the work of Orwell. there, Wiesler, you alias HGW XX/7, it is a neat and effective official with his work, and one of the best among the more than 170 thousand agents of the Stasi who came to be. An expert in infiltrating his nose and ears in others lives, redecorate the houses with hidden cables and microphones, and doing the word privacy may not make sense.Under suspicion.But, in another of the great successes of the Henckel film, for better or for worse, these agents of the security of the State we are presented as mere professionals or bureaucrats, simply, making his work, without resorting to the easy to show violent topic or maníqueos.And, like them, or as the citizens of the GDR, the infallible Wiesler also has the factor human, full of errors, weaknesses and feelings. Like the artist who should monitor, George Dreyman (Sebastian Koch), an author of theatre who, by work and commissioned by the interested party Minister of shift (Thomas Thieme), becomes another potentially subversive "intellectual" and under surveillance.Dreyman, and have it in insurance, is guilty at least of two offences: for that revuelvan you the bowels in a State where the talent is pursued, and having as it loving an actress so desired, as anxious, Christina-Maria Sieland (Martina Gedeck).Talent without repression.The man who knew too much, or the need to take sides. Listen to too can sink neighbor, or perhaps also make us understand better. Wiesler as Dreyman, as this magnificent film, characters made retained feelings and about to emerge. The work of its performers, and the secondary, is perfect, as the of a prodigious Martina Gedeck ("elementary particles"), presence and so irresistible voluptiosidad as fragile and dangerous.There are also scripts and images impressive, always emerging of honesty, sobriety and passion contained the proposal as that look of surprise Weisler to check, although hundreds of times, has witnessed an informing which filled his soul from disappointment.Even you can see in these acronyms of "HGW XX/7" a nod to another Welles, Herbert George Welles, author of this "War of the worlds", in whose status as invaders and invaded, escudriñados of the virus which can lead to the collapse of a system, are the characters and elements from "The lives of others". In any case, reasons ample there is to make it one of the best films of recent years. |
2,078 | archivos_extraidos/MCE-Corpus-main/Dataset/1794 | Rafa Ferrer | Más extraño que la ficción | 4 | 5 | muchocine | Comedy mixed with tragedy, where us is overwhelmed, always in small doses, with the course of events, with the plot, which seems always predictable and that however it is not so much, and with a plot twist that leaves a sweet taste and a smile from ear to ear. | Today, me I have planted in front of the last tape of the off-road Marc Foster, a director, which, on the other hand, I start to remember James Mangold, that you can be a romantic comedy, a terrifying thriller, or biographical tape and all it will draw huge film benefits, Foster, who we met with "Monster Ball" (where Halle Berry caught an Oscar)then we accompany you in the pseudo-biopic of John Barry (the author of "Peter Pan") at "Finding Neverland", plasma us here debtor Charlie Kauffman film tape and it is that, dear friends, the parallels between this film and "Adaptation – the Orchid thief" is more than casual, and while in the excellent film that starred Nicolas Cage he deprived almost comedy, here, have a drama sweetened with some that another fun brushstroke.I was used to seeing Will Ferrell in other registers, perhaps, here, is approaching more character who already played in this misunderstood masterpiece that is "Melinda & Melinda", outside the film jester which often give life in their films; This story, developed in 2 threads, 2 perfectly differentiated areas, which end up merging into one, is perhaps one of the surprises, cinematically speaking, with which I have found in what he took of course 2007.Emma Thompson, a film star that I wonder, and is that I have a predilection for the British actress, as happens with Kenneth Branagh that I cannot help but feel admiration and a few small drops of healthy envy, to see a job and an interpretation so masterful even the eclectic Queen Latifaf appears excellent, cone, which I liked to Dustin Hoffman, who from "Rain Man" couldn't you so focused on a paper, and playing well so lavishly that Professor of literature, who tries to help the protagonist, he could not forget me by Linda Hunt, in a brief interpretationan actress that I have a singular affection, not because of his short stature, but because many of the films where spoke are close to the Olympus of my favourite film.Comedy mixed with tragedy, where us is overwhelmed, always in small doses, with the course of events, with the plot, which seems always predictable and that however it is not so much, and with a plot twist that leaves us a sweet taste and a smile from ear to ear to appear the final opening credits.In short, unpredictable exercise of film that I liked more than I could imagine. |
2,079 | archivos_extraidos/MCE-Corpus-main/Dataset/322 | Alvaro Oliva | Poseidon | 2 | 5 | muchocine | Unfortunately money has failed to create a good guided | Wolfgang Petersen dares with a remake, even though he says that only has been the initial idea of the 1972 film "the Poseidon Adventure". There is no doubt that one of the main attractions of this proposal are its special effects, and there is no doubt that with the same budgets, has been creating something exceptional. Unfortunately money has failed to create a good script, because although starts in attractive and force (five minutes already has impacted the tidal wave) hereinafter miss many things missing. But let's go little by little. In this concise home, Wolfgang has shortened the past of each character, getting to know as they are and of which foot limps each, which it makes them somewhat typical characters with several strokes.I have to say that I feel fondness by Kurt Russell (as has starred in several of my favorite films) and mandated role performs perfectly in this new adventure. Next to it we find Josh Lucas, Richard Dreyfuss and Emmy Rossum among the best-known, making some fairly normalitos interpretations, that the script does not give for more. There is a scene that recalls, well is calcada, to blockbuster Michael Bay Armageddon, but we are not going to gutting her.It should be a reference to the design of production and filming suffered, which recreate the bowels of the ship and shoot under such conditions is not easy, and although we are here to criticize and comment, we must not forget how difficult is to make believable situations and more if they are as difficult as these. Ultimately "Poseidón" is a good movie to spend the afternoon seized to the armchair, not suitable for claustrophobic and makes that we let us take on the adventures of this small group, which we are debating between life and death, during one hour and forty minutes. |
2,080 | archivos_extraidos/MCE-Corpus-main/Dataset/728 | Silvia | La casa del lago | 3 | 5 | muchocine | The most romantic will perhaps be people enjoy more of this story, which although it no longer predictable, is no exaggeration have handkerchiefs from paper to the side if it comes to overwhelm the emotion contained. | A man and a woman maintain correspondence, with the peculiarity that are separated in time by two years. He lives in the year 2004 and it in 2006, but thanks to a magic mailbox they can keep an epistolary relationship in real time. Both are (or become) alone in life and begin a relationship by letter as a result of having lived in the same House. The Lake House mailbox is as a nexus of Union between the two times, two times. Love distance will emerge between the couple but think that they will never manage to see. But the fact that live in different times will not be an impediment for can be found in some moments.As protagonists, the first work of the Argentine Alejandro Agresti has interpretations of Sandra Bullock and Keanu Reeves, the mythical pair of Speed which returns here to be so. The Lake House is the American remake of a film released in the year 2000 South (Il Mare) Korea. Hence the pace of the tape is so leisurely, and perhaps lower the tension of the film towards the middle.But to enjoy the film must be prejudice and logic on one side by the unreal of the situation. The film invites us to be ourselves for a moment and imagine a better life. Invites us to let us go by dreams, to not settle for a comfortable life when we can have another better.The protagonist, Kate Foster (Sandra Bullock), maintains a formal relationship that seems the ideal companion but are not satisfied with his life. Paradoxically, despite being separated in time, along with Alex (Keanu Reeves), Kate manages to enjoy a full love.The protagonist asks: what if you live a lifetime and nobody is waiting for you? The film teaches us that worth waiting for love, for a genuine love and presents the dilemma between giving up true love for a life with fewer complications or do everything to keep it. The eternal dilemma between resign or fight for true love, difficult to be.The story is pretty well built, the two times of the narrative are well intertwined and it seems justified the moments in which the couple manages to coincide in time due to chance or fate. Another noteworthy aspect is the careful photography of the film, the aesthetics of the images is impeccable. But perhaps the most romantic people enjoy more of this story, which although it no longer predictable, is no exaggeration have handkerchiefs from paper to the side if it comes to overwhelm the emotion contained. |
2,081 | archivos_extraidos/MCE-Corpus-main/Dataset/1195 | Rafa Ferrer | The guardian | 3 | 5 | muchocine | Film lover show starring Kevin Costner, Ashton Kutcher and the usual secondary television lately in all film Neal McDonough. Movie night popcorn and little else to eat... | Film lover show starring Kevin Costner, Ashton Kutcher and the usual secondary television lately in all the films, Neal McDonough, the argument baby plenty of films of the genre, and is easy to recognize in it part of "Top Gun", parts of "Officer and gentleman", and even things that remind us "Vigilantes from the beach", the "beaten" films are attractiveat the same time dramatically predictable in some moments of the same.Both Costner and Kutcher are correct, both in its aspect of teacher and student gifted, although I'm starting to sick of this kind of late in the Filmography of Costner, and it is to be the hero and the martyr begins to be commonplace in the Filmography of the author of "The bodyguard".I imagine that Andrew Davis (synonym of entertainment cinema), has made the film as a tribute to the coast guard and its divers, deserving of course; but cut and paste sections of other films, even at the risk of not always entertain is; mention apart from a dark picture where at times you have to guess rather than see what is displayed on screen.Last, and by no means least important, it did not want to end without highlighting the Trevor Rabin classic score more broadly speaking, where accompanying the film with a sound reminiscent of the epic film, manages at times to give the film a higher entity what it deserves.In short, film to eat popcorn and little else. |
2,082 | archivos_extraidos/MCE-Corpus-main/Dataset/1679 | Emilio Calvo de Mora | The river king | 2 | 5 | muchocine | Fu fa nor do or re or the or so neither my nor du or you have very clear here occurs the genuine existential uncertainty. Who don't I understand? It is the film leaves you Catatonic as a larva in a block exposed to the Sun's March on the roof of my house. I would now like to film to replenish me. Good. | This considerable nonsense covers the need we all consume pobretón film to distract us a little and to lift the look, get lost in domestic tribulations or leave serving to stretch the legs. If viewing occurs at home it is right time to exit to the terrace or go to the room of the computer if the cousin of Burgos has sent us this e-mail that we have been promised by sms where a powerpoint makes you stalks you laugh. This telefilm is the best that can be seen, but it is not a telefilm: it is a film with a veneer of seriousness and made for the screen is big, and that imposes a respect. Sometimes there are filmmakers (I think using the term correctly) go to pay respects and billed clunkers, or in this case, imperfections, grains in a clean skin, do not know, excessively straight lines when what we love is shortcuts.The king river is pleasant, formally correct, with some narrative pulse and its plot flows from less to more, with gentleness, apaciguadamente. There is no escenas-impacto. There is no sudden changes in script. There are no gruesomeness in other films to use. We could name ten films sister to this and that could spearhead this criticism. Yes: it is a reseña-comodín. The picks up one and applied to lots of tapes without fear to wander. So predictable and neutral is. It's empty. And that which did not attends supernatural solutions (although there is a hint of ghost species) or offers a Cartesian solution to the byways of his suspense. It is not a film that fill with enthusiasm and can even that certain public find attractive. It depends on what one calls when it comes to the movies. If you want to have a good time or take an exceptional time or simply leave hang out or amplify the time and convert it to the time, that is, the time The River King, that I do not know what is good, but I barrunto that something big. And I'm now going to the terrace to see if I forget or put you a post-it to my memory (faithful and accomplice) her preserve virus and improperly and can I, in the future, remember with affection, think: what good time spent watching The river king. Yes? |
2,083 | archivos_extraidos/MCE-Corpus-main/Dataset/2806 | Enrique Colmena | La Carta Esférica | 2 | 5 | muchocine | The fact that the fascinating history of the?Does Gloria Dei?, the Brig of the 18th century that blanket so precious treasure, left blur and hardly count runs not precisely in favour of the outcome of the film. | Imanol Uribe is not exactly the height of subtlety. Said it in the wake of his "Journey of Carol" and must be repeated now, in the light of this adaptation of the novel by Arturo Pérez-Reverte. It goes without saying that "The spherical letter" is not a bad film, although perhaps not the good movie that could have been extracted from the interesting work of the Cartagena academic. The book is powerful: Describes characters of some archetypal form, but with specific weight. The translation to the big screen by the Basque filmmaker isn't at that same height. The story is attractive: marino unemployed meets devastating female (in the best tradition of the vampires in the film, but updated) hooked you for a company perhaps impossible, with several moscardones, which more dangerous, lurking, although the main danger of the couple is so close: inside, specifically. But the praying mantis which should be the female character of Tangier far women perfidious, embaucadora, treacherous, calculator, Pérez-Reverte imagined. It has to do, of course, the own Aitana Sánchez-Gijón, that villain roles not you will mostly, but it is also the fault of the own Uribe, which never was a paragon of perfection in directing actors. Carmelo Gomez has got three quarters of the same: his Coy does not have the entity, the background, the sediment of his "alter ego" literary. Enrico Lo Verso is an unconvincing Palermo: not seen never the bad viciously kill or a fly, not the adventurer tanning in a thousand battles and with more bad grapes that the stepmother of snow white that describes the book. So things, "The spherical letter", in its film adaptation, it is be a neat product supported professionalism but without spark any personality, confirming that day that they talked about creativity at school, Uribe had Miss, perhaps with mumps? Does not this be a critical devastating, because there are products that deserve much more: there is here a correct design of production, a story not bored ever (is impossible in the stories of Pérez-Reverte, where to spend much, and almost always stimulants, or at least striking), a cute couple (although Gomez is starting to put fondón, and the poor Aitana Basque director makes fornicate as if instead of making love I was hitting with) (her lover) ridiculous resulting rather than erotic, beautiful coastal and underwater landscapes, the search for a hidden treasure, bad (something bogus), good (something carajotes) and mediopensionistas (it, hell and paradise in one body). However, the fact that the suggestive history of "Gloria Dei", the Brig of the 18th century that he blanket so precious treasure, make it blur and hardly count does not run precisely in favour of the outcome of the film. Incidentally that the journey of the Jesuit ship that he tried to avoid the expulsion of the company, at the hands of Carlos III, well deserves a film for herself. That itself, if possible, her head not Imanol Uribe? |
2,084 | archivos_extraidos/MCE-Corpus-main/Dataset/282 | Verolindapechocha | Superman returns | 3 | 5 | muchocine | This new version of Superman leaves airy | More than two decades have passed since the release of the classic Superman movies starring Christopher Reeve remembered (they were four, the first premiered in 1978 and the last in 1987). With regard to the current release of Superman Returns, the A & E channel has been passing these old movies, to which I could give them a miradita and appreciate better as time and technology has improved the story of Superman barbarically. It is others say that it was a dangerous bet, as Reeve lives in the heart of million viewers as the true Superman.Y however, I believe that this new version of Superman Returns get airy. To begin with, now yes it seems that Superman flies through the air and that is not an actor hung in front of a screen. JL already talked about other good space film effects, so I no stretch in them. Just say that they are made in an impeccable way.History does not vary much of what everyone already know about Superman. The man of steel has returned to Earth after five years of absence, which was to see with their own eyes the destruction of his home planet Krypton. He has now returned to continue saving the human world and try to win back his love of life, Louise Lane. A parallel between the story of Superman and the story of Christ could be, but in this respect you may draw your own conclusions when they see. It is quite obvious.The work of casting special recognition. The protagonist is very well chosen, looks like enough to Reeve for not missing him, and in any case is an improved version of the same. Brandon Routh is super, but super cute. Where was this? Because until now has been a guest on several known series of TV, but insurance we will be listening more than him in other films. In my view it is wood.Male audiences will also be very happy with the choice of the new Louise Lane, reckless reporter of The Daily Planet and Clark Kent work companion, this time performed by the young Kate Bosworth, a beautiful actress who is also becoming fashionable (gossip: is the current partner of Orlando Bloom).I also liked the inclusion of James Marsden as Richard, the new husband of Louise Lane, a good kind people, who took the panic of the disappearance of Superman by five years to take over the heart of Luisa. He also works in the newspaper. And I liked to see it because recently we saw in X-Men 3 as Scott-Cíclope, so you already have experience with these steps of the comic into a film. OK, OK, is also handsome.Another which is extremely charismatic is the lovely child of Jason, the son of Louise and Richard, which is called in real life Tristan Lake Leabu and has an air well Macaulay Culkin in his best seasons. This is his first feature film and well managed could have a good future in the world of cinema. But the best cast is without doubt, Kevin Spacey as the evil Lex Luthor with a flawless and Machiavellian actions.SuperwomanAhora, to what is the title of the post? It seems perfect Superman do incredible things and neither uncombed, surprisingly, is a super hero. What if I do not think is Luisita remove chochoca countless times and not come out with any scratch. For example, notice the scene where bounces tip to tip on a plane about to crash. Or worse, when on a boat fall you on the head a steel door, which Faints, but five minutes it is already well awake and without even a mild headache. Is that Superman caught him some super powers?Data interesanteNo know if noted in the credits that contained the late Marlon Brando in the same role to take films of two decades ago: Jor - El, the true father of Superman. How they did this? Simply with archive images.The músicaEs classical music but remastered, original creation of the always great John Williams, my real super hero, who is putting the musical sound to all my favorite movies since that I have consciousness.AtenciónPara 2009 is expected the sequel to Superman Returns by the same director Bryan Singer, who has in its curriculum the interesting X-Men 1 and 2. Singer wanted Christhopher Reeve appeared in this film making a cameo appearance, but he died before. Finally, the film is a tribute to Christopher and Dana Reeve, who is dedicated to (see credits). |
2,085 | archivos_extraidos/MCE-Corpus-main/Dataset/2796 | Alvaro Oliva | Planet Terror | 2 | 5 | muchocine | Rodríguez encandilará b and z to all lovers of movies but will somewhat puzzled to those closest to the current film, and will be loathed by the vast majority of most commercial viewers. | Robert Rodriguez is a director that I like, but in "Planet Terror" suffers from doing what pleases, commemorating all the films of series b and z that has grown, and of course, is is very fan or the new proposal from the director of "Sin City" becomes quite tasteless and boring moments.And I say this because what fails is the story. Zombies, beautiful girls, military, typical southerners touch Carpenter, Bruce Willis, Rose McCowan. they are sufficient to make it attractive to any movie, but if the argument is as simple as this, the result is something that does not reach you meet."Without a doubt, best of all is the false (not so false at the moment) trailer for"Machete", which is the only one that has survived the massacre made by separating the two films comprising"Grindhouse", and which included a large amount of fake trailers in between both films.""Planet Terror" has fun moments and they stand out clearly as the "ellipsis" which leaves us without knowing which is the past of El Wray, and the reason for his skill with weapons. It also has the value of rescue and count with legendary players such as Josh Brolin ("Thrashin", "The Goonies") or Michael Parks among others, but even so, this seems to me enough to equate this work with some of its earlier proposals. Ultimately, Rodríguez encandilará b and z to all lovers of movies but will leave somewhat puzzled to those closest to the current cinema, and it will be loathed by the vast majority of most commercial viewers. |
2,086 | archivos_extraidos/MCE-Corpus-main/Dataset/603 | Ivan R. Gonzalez | Jesucristo cazavampiros | 3 | 5 | muchocine | It is bad on purpose. It is a modest and casual film limited to successfully deliver on its promise of fun Disney. | A plague of vampires is stoking while sending with all the lesbians of a small town. The priests of the place cannot afford more time this massacre and decide to ask for help from Jesus to save the herd. After a first defeat, El Santo and Mary Magnum help the son of God in the sacred task to exterminate these creatures of darkness based on stakes and call.The fact that this film is the 2001 wake up not a few suspicions. It is not for less, in recent years all the "freak" seems to have become fashionable. Many have climbed on the bandwagon of "freak" and it has been used as an excuse to fill a little pockets at the expense of making fun of people. Fortunately, the movie before us is more a tribute to the demented El Santo films and similar to a simple opportunist illusion. The "film" (the quotes are not free) perfectly emulates every aspect of the ochenteras b series. Actors more bad that hitting a father, music sinte salchichera, lysergic script, low quality cameras. After an exercise of such care mimesis, it seems incredible that it has been filmed in 21st century.This Canadian production contains everything you can ask for a lover of dandruff: a hilarious story, unlikely situations, awkward kung-fu and shabby blood. In addition, permitted flirt with music on a couple of occasions, with rather sad results, the worst of the film. Even more unfortunate is the unfortunate decision to cut the hair to Jesus at the beginning of the story, throwing overboard the charism of the character. On the contrary, this fat version (more) of El Santo is a success leveling balance of the couple protagonist, a success as evidenced in the hilarious scene of the bar. Never mind the rough direction in a product like this; in fact, it is bad on purpose. It is a modest and casual film limited to successfully deliver on its promise of fun Disney. As a curiosity, it is said that Mel Gibson wept upon seeing her. I do not think that it is true (I doubt even that good Mel know the existence of this movie), but undeniably the sacrilegious nature of the gem. And we all know funny are the sacrilege. |
2,087 | archivos_extraidos/MCE-Corpus-main/Dataset/161 | Silvia | Volver | 4 | 5 | muchocine | Return is a return to the brighter past by Pedro Almodóvar | Return is a return to the brighter past by Pedro Almodóvar. A past in which the tragedy was mixed with the comic in a natural way and without stridency. In the new film by Almodovar, Penélope Cruz has reason to ask: "what I have done to deserve this?" (1984), great work from the November manchego director which bears many similarities with "Volver". As in the previous film, the death has become charged role in this new film as well as the figure of off-road women you should know to engage in embarrassing situations.Return is an immersion into the female of the peoples of Spain universe, a rural setting where human relations are deeper and become more important secrets and complicity with regard to interpretations, surprised a Penelope Cruz arriving moved on and we must not underestimate the quality of Blanca Portillo (very contained, unlike its role in 7 vidas) and Lola Dueñas. The character of Carmen Maura, on the other hand, provides the comic point in the film.But perhaps the greater success of Almodóvar in this film is part of the freshness and originality of his script, the accurate combination between the tragic and the comic, because the film Almodóvar intended to be a reflection of life, a life as anyone that intertwine the most harmful moments with others more comedians or even that they reach the absurd. |
2,088 | archivos_extraidos/MCE-Corpus-main/Dataset/2201 | Iñaki Bilbao | Memorias de Queens | 3 | 5 | muchocine | Great soundtrack, with beautiful and successful songs from the end of the eighty-one very well balanced interpretive cast, where everyone makes their work commendably. | "Dito Montiel is a writer of success that lives in California and has been very successful with his last novel"A guide to recognizing your saints,"semi-autobiographical." One day he receives the unexpected phone call from his mother, who lives in New York's Queens neighborhood, where Dito fled nineteen years ago. She tells him that her father is very ill and refuses to go to the hospital."Back to his old neighborhood, is recalling the events that made that very hastily leave from there".Very decent debut after the cameras of the writer Dito Montiel, who portrays semiauto-biographical form the last part of his youth in the neighborhood New York in Queens, specifically in the area mostly inhabited by Greek and Italian descendants.As mentioned the same credit, it isn't absolutely biographical, because some facts and figures are absolutely invented, as a very important character of his friend Mike, the Irish musical dreams. But merging this and that experience, that it lived in reality, constructs a mosaic of feelings and extremely interesting and painful realities.And does so in a way, I think, quite uneven. The form, the technique used, is not my complete taste, with a somewhat random montage and a formal compositions that denote some orginalidad, but that times distorts the narrative to make it somewhat difficult. And I think that it does so in a very personal way, Yes, but something free.However, importantly, this is what counts, is expressed with all harshness and sincerity, giving us know nothing complacent reality of some difficult years in a hostile environment, where will not stop to leave the protagonist suffered.Here, nor do I believe that I fully rolled the director, because some facts are not perfectly explained. For example, and this is fundamental for the understanding of the film, is not understood to one hundred percent the animosity of the protagonist towards his father, at least expressed as aggressively as he does. In its final part, alone in two master sequences between Dito and his father (magnificent Shia LaBoeuz and Chazz Palmintieri) is to live with intensity the misunderstanding and lack of communication between them. But before no, not expresses it clearly.Great soundtrack, with beautiful and successful songs from the end of the eighty-one very well balanced interpretive cast, where everyone makes their work commendably.Sometimes the young characters give the impression of being a little asshole, more than rebel or lacking in opportunities, but looking backwards in my own life, also lived in a working class district, although many miles of both physical and social distance of Queens, I recognize in some stupid behaviour. And if some not got them to perform I (on the route of the train) that I saw him do to any friend or acquaintance degenerate.In short, which is worth seeing, because although, I repeat, some facts are expressed somewhat arbitrarily, that at the end, in its last third arrives even thrill. Above all in the family scenes, in the confrontation between the protagonist and his father. Both want a lot but there is an insurmountable generational and cultural distance. This already I know him well I. So I have lived (although not in as dramatic form) and I've seen it on many occasions. |
2,089 | archivos_extraidos/MCE-Corpus-main/Dataset/3341 | Rafa Ferrer | Hasta que el cura nos separe | 2 | 5 | muchocine | The film revolves more before the pute which submits Robin Williams to the protagonists, and if any of the readers have passed by the process of organizing a wedding you identified sentireis... | Between my friends and acquaintances, it is normal to always end up talking about film, and is, as everyone knows my you aversions and fóbias towards this calling 7 th art, always me someone recommending me movies, many (the vast majority) take note of them and I am postponing them in a section called (next screenings), others, that is, left in a corner of oblivion and give thanks for the recommendation and little else, this tape, which, a priori had to be of the latter, at the end and through the intermediary of my wife (we know who sends in house.) ended up seeing her, surprisingly she ended up staying asleep and I, (also) surprisingly finished see without revolver me on the couch or to say that it was a sovereign idiocy is that believe me that in this type of film, on countless occasions I am that, or falls asleep, either with 10 min. footage of me enough to have an opinion reliably work either just removing the cable from the XBOX which connects to the Pc monitor and I hear background while I play some video game.And is that the film revolves more before the pute which submits Robin Williams to the protagonists, and if any of the readers have passed by the procedure of organizing a wedding you sentireis identified, although, on the other hand, the movie falls into the thousand and one situations seen previously. Mandy Moore as always, one notch in his revolver, Robin Williams sympathetic, histrionic and brutally funny, as well as the small accompanying him, another of the bombs of the film.In no time I say that the tape is a masterpiece, but not bad at least entertains and identifies "husbands consorts" we suffer this type of film. |
2,090 | archivos_extraidos/MCE-Corpus-main/Dataset/520 | Jose Contreras | Gracias por fumar | 2 | 5 | muchocine | It might be nice if you look from afar. Alternatively, if you grab with gloves. As an experiment on the way that cinema can manipulate us. | If the Sophists lifted the head it would pipe going to the cinema to see films such as "Thank you for smoking" or "Lord of war". Selling weapons to Batiste isn't bad, and manufacture a product that gives cancer either. To the public you can be convinced of anything if one can handle the rhetoric. "Anything you can say, or do, if that helps us pay our mortgage.""Thank you for smoking" can be nice if you look from afar. Alternatively, if you grab with gloves. As experiment on how the cinema can manipulate us serves to enter a perverse game and then go back to review where the trap was. At the end the spectator sympathizes with the seller of cigarettes and he gets Mania anti-tobacco Senator. The trap is not particularly subtle, Tobacconist, although it defends bad, is tolerant; the Senator supports a good cause with intransigence.As a spectator I do not stick to the speech but there is little excitement. It could be imitated "Knight without sword", but loses all the magic in the attempt. It could have been similar to "Champion" in the relationship father son, but there is no way to digest this cocktail with a protagonist so transgressive. |
2,091 | archivos_extraidos/MCE-Corpus-main/Dataset/3371 | Matías Cobo | Supersalidos | 4 | 5 | muchocine | A nostalgic review of a vital stage in which the daily concern revolved in lathe to her was eager to loss of virginity and the planning of the next party aimed at the Supreme end desvigador | Every time the American film debuts a Disney comedy with teens in heat only concerned by an existential binomial: sex and fun. They tend to 'throw' much easy cliché and comical situations more or less tired. Supersalidos, enmarcable being in this recurring subgenus offers something more. First, better built characters; Second, effective humor of fat but sifted stroke by fine irony and most lucid jokes; and third, some other truth about life transitions that separate the carefree adolescence of adult responsibility. All these additions of his screenplay with other recent similar proposals, she is joined by a successful cast headed by Jonah Hill and Michael Cera in the typical roles of a buddy movie, a musical selection full of classic setenteros and priceless pearls as the hilarious character of Fogell/Mcgrory (Christopher Mintz-Plasse).Essentially, the argument is a nostalgic review of a vital stage in which the daily concern revolved in lathe to her was eager to loss of virginity and the planning of the next party aimed at the Supreme end desvigador. He is also remembered fondly that friendship with that colleague of the soul with which shared war stories that encelado every day. Seth and Evan are these two colleagues who are a few weeks away from a transcendent change for both with the arrival of the University and the consequent separation of their destinations.Impending graduation is pressing them towards the goal and the Organization of a party to celebrate the end of course will offer to both the opportunity. Seth will play a trump card of essential element of the party to establish himself, together with his colleague and Fogell, the authentic outsider of the function, in the official suppliers of alcohol. That's where what appeared to be a relatively easy mission, thanks to the false Fogell adult passport, will become an odiseica adventure for the hat-trick of friends to arrive to the party with the 'revitalizing' liquid. To this plot will join of two policemen, in his revive their teenagers partying, added a point of chaladura to the film to lead to that nostalgic look to missed time partying immaturity. In the epilogue it will be clear that the closure of this stage often come by way of the domesticated life as a couple. Pera, until that point, should think the writers of Superbad: that removed us the danced. |
2,092 | archivos_extraidos/MCE-Corpus-main/Dataset/2889 | Enrique Colmena | Death Proof | 1 | 5 | muchocine | The segment tarantiniano is confusing, disjointed, repetitive. Because one thing is to do a tribute to the Z series of the 1970s film, and another ruedes as if you didn't no pajolera idea of what the Office of the Director. | The second segment of the "Grindhouse" project that comes after "Planet terror" confirms that we we have a nostalgic "revival" in the refocilamiento of their authors, but no, certainly the spectator. East "Death proof" that Quentin Tarantino has filmed with obvious pleasure for its part, but we fear that it has not had the same effect on the public. Man, you can understand that there is a number of people affected by the 70s syndrome USA, that, apart from encanijar the meninges, makes one view with elephant leg pants, look a head of curls impossible, eat burritos petty and drinking tequila as that baby a fanta. One to laugh with prefabricated cuts of the film, the way in which those tapes of prehistory, exhibited "ad nauseam" by infima cinemas were constantly spliced by the projectionist on duty can. Does Quentin, son, but at least give us a fairly decent history? Because it tells us the already not so "enfant terrible" (at least by age, which is already talludito) Yankee film continues to be a memez probably conceived on a trip I do not know if lysergic o after viewing one of Ed Wood, nonsense that tells the unlikely story of a former specialist who like crashing into deslenguadas girls and pulling to profanity, not by the fact to correct them (are we in 2007, to see who dares to correct someone?), but for the good pleasure of moving certain amount of his blood from one part to another of his body, physiological topped issue with certain deliquescent emissions (Yes, I know, is a circumlocution literally hell, but do not ask me to be more clear)(do, that this page also her read children?). But when to the idiot to fuer of sadistic the toebox of the shoe is displayed in the curved forms of three females of weapons take, the hard maybe already is not both? "Death proof", it is true, it is funny in his hubris and folly, as it was "Planet terror", while this being totally Martian had some unlikely rationale that amnesty. However, the segment tarantiniano is confusing, disjointed (and not by the courts of montage "ad hoc", which at times seems a homage to Godard's "To bout de souffle"), iterative, with so much persecution by car which terminates the dizzy Viewer, and is even desmañadamente shot. Because one thing is to do a tribute to the Z series of the 1970s film, and another ruedes as if you didn't no pajolera idea of what the Office of the Director. On the artistic cast, Kurt Russell strives to compose a character in hard for which does not need much: just you the coriaceous face that his many years have given him, aided by some retouching makeup Department. Among them I'll stick with the always wonderful Rosario Dawson, the rising star of Black actresses, which well suits this Mannerist update of the phenomenon "blaixplotation"; but which is eaten with potatoes to the rest of the cast is a new girl (not in the Office, but during the filming), the New Zealand Zoe Bell, from the hard ground of specialists, which is splendid, not only as an actress, but also as double itself; It is good having that be used to break the Randhir instead of others: when you get to do it to you, does not lack anyone you replace? |
2,093 | archivos_extraidos/MCE-Corpus-main/Dataset/559 | Emilio Calvo de Mora | Nueve vidas | 4 | 5 | muchocine | Nine short stories, nine entertainment on sophisticated voyeur, nine dramatic devices which, strictly film, are a poignant conciseness. | Nine short stories, nine entertainment on sophisticated voyeur, nine dramatic devices which, strictly film, are a poignant conciseness. Rodrigo García, son of Nobel García Márquez, explores the female world for the second time after things to say just by looking at her, and does so with the same narrative apero: not sophisticated discourse, just you a solvent casting (shocking, in some cases) and a few stories from absolute minimalism, but they play the chord of a spectator than ever, in any case, it is alien to the emotions that you are arriving, episode to episode, demoledoramente.Nine lives is a simple film because it does not require the monstrous cinema still brand Hollywood to which we are so accustomed. Cinema, say some, although authorship is very bombastic label which requires very carefully specify its scope. What is nine lives is cinema of quality, intimate, guilty film in a chapter of an artifice that hits us, but to forgive. The shots are direct, brutal planos-secuencia, camera arm, fleeing from the Assembly, which would alter the spirit of the film. Rodrigo García knows exactly what should be so what counts is not burdened by a hollow, dramatic, presentation away from the small print of the lives that are counted.Me excited the episode from the supermarket, where a plethoric Robin Wright Penn, never better exploited, attached to the seat, leaves us moved, altered in a deep substrate of our sensitivity, so demolished by various astracanadas and mauled by all sorts of films-blockbusters, understanding by those calling for shouting preferential placement in video shops to continue his glorious portfolio of income. Without forgetting to Glenn Close in the cemetery or a Kathy Bates with touches of comedy in his prison hospital.Prude García in this film of brevedades, tells in an interview fuck on the fly on the Internet that he love to deal with a long history. We hope therefore that it dealt with. We'll see if her it permeates the veracity of the first two. Life has its instructions for use: the film has among its many functions a fundamental explain these instructions, make them close, help us to live with them. Art added purists. |
2,094 | archivos_extraidos/MCE-Corpus-main/Dataset/1230 | Yojimbo | Brigada 49 | 2 | 5 | muchocine | Lacks passion film, be at the height of these heroes. Despite some jokes that there are kind and thrilling moments in the film, the film is boring. | There are many concepts of heroes in the film. The Supermen with costumes and real heroes uniforms without facemasks are or super-nombres. This is the case of firefighters.Their dedication and commitment is commendable, because his work is risking his life to save others and perform tasks, sometimes, in extreme danger. Why is always welcome "Guild" films such as these, which reflects everyday heroes with some proximity.Brigade 49 is a tribute film; much "deeper" than flares. Although both are fiction, the film by Jay Russell is "Biographical" and much more realistic than the Ron Howard, who is based in the Guild of firefighters but introduces a somewhat forced research plot but no less interesting.This film tells the trajectory of a Rookie Firefighter (Joaquin Phoenix) in the Brigade commanded by John Travolta. At his side, partners such as Robert Patrick, etc? a gang of dedicated fire fighters who risk their lives in fires and other disaster situations. The film focuses on an accident suffered by the character of Phoenix during a fire and tells their progress to professional and personal as a flashback.Despite some jokes that there are kind and thrilling moments in the film, the film is boring. Complies with the share of tribute and professional claim to a people with his work running more risks than the be dismissed, but lacks it passion film, be at the height of these heroes.Why the film continues to be entertaining decentillo but very bland. |
2,095 | archivos_extraidos/MCE-Corpus-main/Dataset/2593 | Francisco Bellón | Planet Terror | 5 | 5 | muchocine | Planet Terror is new delirium of one of the most personal Directors has given Hollywood industry in recent decades. That, to enjoy it entirely there to immerse in the fantastic world emerged from the prodigious imagination of Robert Rodriguez. | These are not good times to find something original and different in a film which in recent years has saturated us remakes, remakes, sequels, prequels you or any other term that defines a rampant lack of ideas. However, some filmmakers are fighting against it and continue to make proposed fresh and innovative, as Quentin Tarantino or Robert Rodriguez and his Grindhouse project. It must be admitted that it is the less ironic that a project emerged as a homage to a type of outdated film is one of the most innovative and original of the year proposals.The cinema of Robert Rodriguez, although at first glance it may seem otherwise is very personal, and since then does not support average, or you love or you hate. The argument of Planet Terror is nothing out of this world, is one of terror in which a strange group of people fighting for their survival against an army of zombies infected with a virus. What matters in Planet Terror is not telling the story but how the story. And it is that Rodriguez is a true master of storytelling, a filmmaker who masters perfectly the language and film tempo. The film is a frenzy delirious from beginning to end, and has some truly surreal moments that will cause multiple laughter in the audience. And it is that between all the blood, guts, desmembramientos, shots and explosions that contains the Ribbon hides a sense of subtly macabre humor. It is true that Rodriguez will goes hand in hand in some scenes, but all the geniuses have their excesses, and it knows in what occasion may move from the line and which not. But before all this, and to open mouth, the audience can enjoy with the madness of the fake trailer for Machete, which aims to Rodríguez become full-length movie.Planet Terror is new delirium of one of the most personal Directors has given Hollywood industry in recent decades. That, to enjoy it entirely there to immerse in the fantastic world emerged from the prodigious imagination of Robert Rodriguez. |
2,096 | archivos_extraidos/MCE-Corpus-main/Dataset/360 | Javier Moreno | United 93 | 5 | 5 | muchocine | United 93 is probably the best film of what it far this year. Do case to most of the criticism, take scarves just in case. | Five years after September 11. That fateful date, everyone could live, attend one of the greatest tragedies of recent history. Many analysts, journalists. They said that that day started the twenty-first century. Three aircraft crashed against terrorist targets, one not.Paul Greengrass, director of films such as Bloody Sunday or the Bourne Ultimatum decided to focus on that plane, that which according to investigations was shot down by a group of anonymous heroes who already knew the previous echos and not willing to be used as a means to cause more victims. Obviously their highest intention wasn't other than save lives, but they did not.We all know the echos, know what happened in that Flight 93, what interest is making a film on an echo of which we know his tragic end?.Pay homage to the victims of terrorism.United 93 is possibly the best tribute that can receive these people that fateful day died because a few bastards decided to start a crusade against the West. We could also take it as a tribute to the victims of terrorism in Spain or in any part of the world, because at the end and all, their only sin was belong to a society away from doctrines extremists.The first 45 minutes of the film, British director them used to situate ourselves prior to the axis of the tragedy that aims to show us. The first moments of that black day, with the impact of the two first aircraft (shown through radar and without using real images captured by CNN except in specific cases), the perplexity of the authorities, the chaos in the different airport control towers and military command occurs, a chaos narrated with camera on his shoulder, from a distance, without knowing who's who. We only have names, anonymous people of which we do not know his private life (as will happen when the director of focus on the plane in question). This distance allows put to us in situation, Paul Greengrass asks patience through these images, everything has to come, and filmmaker knows that he must show, but makes no sense do. With parsimony, unhurried, narrating on time each of the echos and showing us every anonymous hero more than firefighters, who that day flourished in the control towers. One that first detects the possibility of an abduction, Ben Slimey (giving life likewise) that took the decision to not allow any flight more in North American air space, Mayor James Foxx (also giving life likewise) did everything possible to achieve the presidential permission to shoot down the aircraft heading to Washington.En that moment we introduce in the planeIt is kidnapped. Again with camera to shoulder and testimonial music that passes unnoticed during almost all footage we dabble in situation, and surprisingly it makes us feel part of that small group of hostages, we are one more and we espeluznamos to what you see (especially the last 20 minutes). It is here where the emotions unleashed, passengers know what happened, they call their families to say goodbye and we us shuddering at what we see. Passengers revolt against the terrorists, and extolling us with them, we feel the need to open the head to one of those sons of bitches, we believe that there is hope that a happy ending is possible, we reached the cabin with them. and the screen cuts to black. We woke up and it was not a movie, but the recreation of a few real facts, and we are aware that there was no happy ending. Diving in the armchair, crestfallen, one suppressing tears them, others crying openly, we got up and we left the film sorry, without understanding because, without knowing that demons did.There is no policy in this pesudodocumental, there is no hatred, there is no bitterness, no patriotic posts, or an American flag in the foreground, no sign that makes Greengrass to opt for a detail or another, even humanizes the terrorists in what is perhaps the decision more controversy of the film (but which do not you be wanting to raison d ' être). Only people, human beings, victims of the injustice of which we are part. As I said earlier, the estrangement from which is narrated the film, away from apatizarnos, it allows us to be part of it, as each one of those anonymous people who perished that day, we are them and they are us.United 93 is a very emotional film without pretending to be him, United 93 is probably the best film of what it far this year. Do case to most of the criticism, take scarves just in case. |
2,097 | archivos_extraidos/MCE-Corpus-main/Dataset/2349 | Luna | Los climas | 3 | 5 | muchocine | "Climates" tells the story of a couple love and although the approach can be simple, this story hides others, as in life itself. Turkish cinema discover us their lights and their shadows. | The Cannes Festival awarded the prize of the international critics to this tape in 2006 and now glides on our bulletin board. "Climates" tells the story of a couple love and although the approach can be simple, this story hides others, as in life itself.The really interesting thing, at least for me, to see other cinemas (in this case is a Turkish film in co-production with France) is to discover other ways to count, other ways of seeing the reality that surrounds us and soak it in the film at 24 frames per second. In this case Nuri Bilge opts for a slow pace, long flat sequence without having to move the camera and compositions seeking to sow in the viewer a thing beyond what it is telling. It may seem that happens much in the film, but on the inside of the characters is happening a lot. It is often more important to mention that what you have.In around 100 planes (a film of the same length usually have almost three times more quantity of planes) director Nuri Bilge, relying on the strictest technical simplicity, perversely delves into the souls of the characters he portrays with his camera, to discover the psychological complexity human and discover that the reasons that cause us happiness and unhappiness are always the simplest.I would recommend this film to all lovers of the cinema, which will not give them fear trying new things and enjoy life at a leisurely pace, who are observers of their environment and the human condition. However those who enjoy speed, aesthetics and the rhythm music video, should refrain from seeing this movie, because they are not going to tune with the slow Cadence which from the outset prints the Director the film. |
2,098 | archivos_extraidos/MCE-Corpus-main/Dataset/3869 | Andrés Pons | The Descent | 4 | 5 | muchocine | It initially seems a tale of adventure that recalls the Deliverance female version becomes one of the most frightening experiences of cinema in recent years thanks to the talent of a director to follow. | Provided that you ask me; What horror film enjoyed more in the cinema? I don't think, the word THE DESCENT rapidly comes to my mind. NEIL MARSHALL already had an interesting release in the very clean DOG SOLDIERS which mixed action, humor, GORE with good results.In this his second film nor a drop of comedy guiding us to a pure terror and without concessions to the Viewer, with a script that for once left side topics to focus on well built characters.A great point in its favour is the splendid work of its female cast led by SHAUNA MCDONALD in the series SPOOKS and NATALIE MENDOZA also comes from television where highlights culebron HOTEL BABYLON. The Interior of the caves are really creepy aided by cold photography, music is effective to destroy nerves in that bloody carousel where the deterioration of human relationships is more important than the monsters cannibals resembling the GOLLUM from the Lord of the rings.It initially seems a tale of adventure that recalls the DELIVERANCE female version becomes one of the most frightening experiences of cinema in recent years thanks to the talent of a director to follow in its next release DOOMSDAY.That same year premiere the damn cave almost same issue but much worse development. |
2,099 | archivos_extraidos/MCE-Corpus-main/Dataset/1881 | Rafa Ferrer | Inside deep throat | 3 | 5 | muchocine | Displays us the reasons why Nixon was accused in the scandal?Watergate?. An interesting documentary, that has nothing to do with the movies of fat Moore. | It is difficult to speak of this documentary without feeling something of shame, and is that in American society (also in the in the 1970s) it was difficult to talk about film X and giving whether an industry that began to flourish, so the documentary, it tells the story of the film X most famous (and profitable) of the seventh art and its protagonists as well as its director, which appears on the screen as a "agüelo" tells war stories of how everything happened.Amazing some of the scenes in the film and as Damiano (the director of the film) complains that porn is no longer what it was, the films are now simple sexual acts without argument, before we did art <-says one of the moments of the film.Shows the reasons why Nixon was accused in the "Watergate" scandal by someone called "Deep throat", also tell us about how the films were done before X and of all the commotion this industry genre in the USA in the 70.En end, an interesting documentary, nothing has to do with the films of Laurel Moore. |
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