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John Panting (1940–1974) was an English-based New Zealand sculptor.
History
Panting was born in Palmerston North and attended Palmerston North Boys' High School. In 1962 he graduated with honours from the University of Canterbury School of Fine Arts where he was taught by Tom Taylor and Eric Doudney among others. The following year he was awarded a three-year Government arts grant to train overseas and traveled to the UK.
Teaching career
Panting was accepted into the Royal College of Art in 1964 where he studied alongside fellow New Zealander Stephen Furlonger. They both appear in a photograph by Lord Snowdon in the book about the British art scene, Private View. After graduating in 1966, Panting and Furlonger shared a studio space and ran a small basement gallery while Panting was asked to stay on as a lecturer in sculpture. In 1967 he began teaching at the Central School of Art and Design in London (now known as Central Saint Martins) and spent time in 1969 as a visiting lecturer at both Auckland and Christchurch University art schools. The New Zealand sculptor Neil Dawson remembers Panting's visit to the Canterbury University Art School as, 'just extraordinary...a human link with ideas that ranged the whole of the twentieth century but who also had a tangible link into Britain with Caro - a contemporary link with the Constructivists and Minimalists.' In 1972 Lund Humphries published Panting's book Sculpture in glass-fibre which was the first study of the use of polyester resin and glass-fibre in the production of sculpture. The same year he was appointed Head of the Sculpture at the Central School of Art and Design.
Panting died in a motor cycle accident near his studio in 1974.
Selected exhibitions
Panting was exhibited by both dealer galleries and art museums through his short career. In 1972 he was selected for the major exhibition British Sculptors '72, curated by Bryan Kneale and shown at the Royal Academy. Here Panting was placed alongside leading artists of the time such as Kenneth Armitage, Barry Flanagan, Philip King and Eduardo Luigi Paolozzi. In a review the writer and curator John Wood described the exhibition as ‘groundbreaking’ Also in 1972 in New Zealand, the Manawatu Art Gallery organised the exhibition John Panting that was the subject of a nation-wide tour. Two years later he was included in Six New Zealand Artists which was first exhibited at New Zealand House in London. and then toured public galleries in New Zealand.
In 1975, a year after his death, the Serpentine Galleries mounted the survey exhibition John Panting 1940–74 with a catalogue published by the Arts Council of Great Britain. The exhibition was toured around New Zealand by the Arts Councils of Great Britain 1976–1977.
Panting was reintroduced to the public in 2005 by the Poussin Gallery established by the British painter Robin Greenwood in London. In 2013 the Poussin Gallery worked with Victoria University of Wellington's Adam Art Gallery and the British curator Sam Cornish to develop the exhibition John Panting Spatial Constructions.
A full list of Panting’s exhibitions is available in the publication John Panting: a Record of Structure.
Collections
Panting's work is held in the permanent collection of the Tate Museum, Te Papa Tongarewa/Museum of New Zealand, Auckland Art Gallery, and the British Arts Council Collection.
Further reading
Sam Cornish Essay for 2013 Adam Art Gallery exhibition John Panting Spatial Constructions
Jennifer Hay, John Panting: New Zealand's New Generation Sculptor New Zealand Journal of Art History Vol 25, 2004
References
New Zealand sculptors
20th-century New Zealand artists
1940 births
1974 deaths
People from Palmerston North
People educated at Palmerston North Boys' High School |
The 1949–50 Maltese First Division was the 35th season of top-tier football in Malta. It was contested by 8 teams, and Floriana F.C. won the championship.
League standings
Results
References
Malta - List of final tables (RSSSF)
Maltese Premier League seasons
Malta
Premier |
Instituto Potosino de Investigación Científica y Tecnológica, A.C. (IPICyT, and in English: San Luis Potosí Institute of Scientific Research and Technology) is one of 26 Public Research Centers in Mexico, funded by CONACyT. It was founded on Nov. 24, 2000.
It is divided into five academic departments: Nanoscience and Materials, Control and Dynamical Systems, Environmental Science, Applied Geosciences and Molecular Biology.
It also houses the Centro Nacional de Supercómputo de los Centros CONACyT (National Supercomputing Center for CONACyT).
References
Education in Mexico
Public universities and colleges in Mexico
Universities and colleges in San Luis Potosí |
Zoran Stevanovic may refer to:
Zoran Stevanović journalist, television producer and executive
Zoran Stevanović (basketball) (born 1970), Serbian basketball player |
Rosa Nissán Rovero (known as Rosa Nissán; born June 15, 1939) is a Mexican writer of Sephardic origin. She is the author of the novel Novia que te vea (1992), which was made into a movie. She received the Ariel León Dultzin Award, from the Association of Israeli Journalists and Writers in Mexico, in 1994.
Biography
Rosa Nissán Rovero was born in Mexico City on June 15, 1939. She studied journalism at the Women's University of Mexico.
In 1992, she published her first novel Novia que te vea. It was made into a film, produced by Instituto Mexicano de Cinematografía and directed by , with a script co-written by Nissan and Hugo Hiriart. The novel addresses the issue of cultural integration of Jewish communities in Mexico and questions the traditional role of Jewish women, as well as the customs and traditions of the Sephardic community.
In 1997, she published a chronicle of her trip to Israel in (The Promised Lands). Two years later, her second novel was published, Hisho que te nazca, a continuation of Novia que te vea, and that same year, some short stories were also published in No sólo para dormir es la noche (Not only to sleep is the night), where she brings together a collection of stories in which the problems of partner and loneliness are determining factors.
From 2000 to 2002, she gave various workshops on fictionalized autobiography in the Casa del Lago Juan José Arreola, at the University of the Cloister of Sor Juana. and the Casa del Refugio.
Selected works
Novia que te vea, 1992, Planeta.
Hisho que te nazca, 2006, Planeta.
Las tierras prometidas, 1997, Plaza & Janés.
No solo para dormir es la noche, 1999, Patria.
Los viajes de mi cuerpo, 1999, Planeta.
Me viene un modo de tristeza
References
1939 births
Living people
Writers from Mexico City
20th-century Mexican novelists
20th-century Mexican women writers
Mexican women novelists |
Takako Katō may refer to:
Takako Katō (actress) (born 1970), Japanese actress and singer
Takako Katō (basketball) (born 1971), Japanese basketball player |
```html
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<html xmlns="path_to_url"
xmlns:h="path_to_url"
xmlns:c="path_to_url">
<h:head>
<title>DataTable tag Example</title>
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<h3>Mobile Details</h3>
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cellspacing="1" cellpadding="1">
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</h:dataTable>
</h:form>
</h:body>
</html>
``` |
Atlético Monte Azul, commonly referred to as Monte Azul, is a professional association football club based in Monte Azul Paulista, São Paulo, Brazil. The team competes in Campeonato Paulista Série A2, the second tier of the São Paulo state football league. The stadium, Estádio Otacília Patrício Arroyo, is located at 33, Rua Monteiro Lobato.
History
Atlético Monte Azul were founded on April 28, 1920, by several people, including José Cione, who suggested the name Monte Azul. In the late 1940s, the club professionalized their football department, and joined the Campeonato Paulista in 1950. The club won the Campeonato Paulista Segunda Divisão in 2004. Monte Azul won the Campeonato Paulista Série A2 in 2009, after beating Rio Branco in the final. thus being promoted to compete in the 2010 Campeonato Paulista.
Stadium
Monte Azul play their home games at Estádio do Atlético Monte Azul, commonly known as AMA. The stadium has a maximum capacity of 11,109 people.
Current squad (selected)
Out on loan
Achievements
Campeonato Paulista Série A2:
Winners (1): 2009
Campeonato Paulista Segunda Divisão:
Winners (2): 1994, 2004
References
External links
Official website
Association football clubs established in 1920
Football clubs in São Paulo (state)
1920 establishments in Brazil |
MaXXXine is an upcoming American slasher film written and directed by Ti West. It is the third and final installment of the X trilogy, following X and Pearl. The film stars Mia Goth, who reprises her role as Maxine (and also serves as producer), alongside Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Lily Collins, Halsey, Giancarlo Esposito, and Kevin Bacon. In the film, as the only survivor of a massacre, Maxine sets out for fame and success in 1980s Los Angeles.
MaXXXine is scheduled to be released in the United States by A24.
Premise
After being the only survivor of events of a massacre, Maxine moves to Los Angeles in the early 1980s to pursue her dreams of becoming a famous actress.
Cast
Mia Goth as Maxine
Elizabeth Debicki as a film director
Moses Sumney
Michelle Monaghan as an LAPD detective
Bobby Cannavale as an LAPD detective
Lily Collins
Halsey
Giancarlo Esposito as an agent for the adult film industry, and Z-list film actors
Kevin Bacon as a private investigator
Production
Development
After the Midnight Madness showing of Pearl at the 2022 Toronto International Film Festival, Ti West announced development for a third movie, titled MaXXXine. Following the announcement, the filmmaker released a teaser clip for the film. West wrote the script and will direct the film as well, with Mia Goth reprising her role as Maxine from the first film. In April 2023, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Lily Collins, Halsey, Giancarlo Esposito and Kevin Bacon joined the cast. The film was produced by Little Lamb and Mad Solar.
Filming
Principal photography began on April 11, 2023 to May 24, 2023. Filming took seven weeks, taking place on location in Los Angeles.
Marketing
On September 13, 2022, a teaser trailer announcing a sequel to X, titled MaXXXine, was released shortly following the premiere of Pearl at the 2022 Toronto International Film Festival. It featured the 1983 synth-pop song "Obsession" by Animotion. Scott Wampler of Fangoria was delighted by the surprise announcement and called the teaser "Pitch-perfect, hall of fame-level".
On May 1, 2023, a first-look image of Goth and Halsey in costume as their respective characters was shared on A24's and the film's social media accounts. They were captioned: "The life she deserves", referencing the personal mantra spoken throughout X by Maxine. Glenn Rowley of Billboard noted Goth's dramatic costume shift from her "Little House on the Prairie-esque look" to a "tousled blonde mane and iridescent green windbreaker".
Release
MaXXXine is currently slated for an unannounced date. A24 will serve as distributing company, in addition to their production role.
Notes
References
External links
2020s slasher films
A24 (company) films
American sequel films
American slasher films
Films directed by Ti West
Films set in 1985
Upcoming films
Mad Solar productions
Films shot in Los Angeles
Films with screenplays by Ti West |
One and All: The Best of Cherish the Ladies, an album by Cherish the Ladies, was released in 1998 on the Green Linnet label.
Track listing
"The Cat Rambles to the Child's Saucepan/Maire O'Keefe/Harry Bradshaw's" – 3:20
"The Cameronian Set: Tha M'Intinn Raoir/Duke of Gordon/The Cameronian/Lady of the House" – 5:26
"The Green Cottage Polka/Jer O'Connell's/Tom's Tavern" – 3:06
"Broken Wings" – 5:16
"Declan's Waltz/Waltz Duhamel" – 3:28
"A Neansaí Mhíle Grá" – 5:30
"Highway to Kilkenny/The Boys of Portaferry/The Abbey Reel/Ashmaleen House" – 3:38
"Three Weeks We Were Wed" – 3:04
"O'Keefe's/The Shepherd's Lamb/Johnny O'Leary's" – 3:31
"Green Grow the Rushes Oh" – 4:48
"Jessica's Polka/Tear the Calico/I Have No Money" – 4:08
"The Back Door" – 4:23
"Crowley's Reels/Tom Ward's Downfall" – 3:17
"My Own Native Land" – 4:00
"Joe Ryan's Barn Dance Set: The New Broom/Joe Ryan's Barn Dance/St. Ruth's Bush/The Penny Candle" – 5:32
References
Cherish the Ladies albums
1998 compilation albums |
Carter Mark Jenkins (born September 4, 1991) is an American actor. He is best known for his roles in the films Aliens in the Attic (2009), Valentine's Day (2010), and Struck by Lightning (2012) and After, film series. On television, Jenkins was part of the main cast of Surface (2005–06), Viva Laughlin (2007), and Famous in Love (2017–2018).
Early life
Jenkins was born in Tampa, Florida to Mary and Eric Jenkins, and was raised in Carrollwood, Florida, where he attended Independent Day School. His family later moved to Sherman Oaks, Los Angeles. He has an older brother, Renneker Jenkins, who is also an actor, and an older sister, Tiffany. Like his character in Keeping Up with the Steins, Jenkins was raised Jewish, and attended Hebrew school.
Career
Jenkins began performing in community theatre, and then on local and national commercials. He played lead roles in the television series Surface (2005–06) and Viva Laughlin (2007), and guest starred in episodes of CSI: Miami, House, CSI: NY, Without a Trace, The Bernie Mac Show, and Unfabulous. He has also starred in feature films such as Bad News Bears and Keeping Up with the Steins, and starred in the television film Life Is Ruff.
In 2009, Jenkins appeared in the film Aliens in the Attic, playing the lead role Tom Pearson. In 2010, he appeared in the romantic-comedy Valentine's Day, playing Alex Franklin, the boyfriend of Emma Roberts' character. Jenkins had a supporting role in the 2012 coming-of-age comedy-drama Struck by Lightning, which starred Chris Colfer, who also wrote the screenplay. In 2015, Jenkins portrayed one of the main roles in the supernatural thriller film Nightlight. He starred as Rainer Devon on Freeform's Famous in Love from 2017 to 2018. In 2020, he joined the cast of the After film franchise.
Filmography
Film
Television
Podcasts
References
External links
Carter Jenkins' fashion shoot in The Block. Issue 20 - Fame
1991 births
21st-century American male actors
American male child actors
American male film actors
American male television actors
Jewish American male actors
Living people
Male actors from Los Angeles
Male actors from Tampa, Florida
21st-century American Jews |
George Maxwell (1804–1880) was an English botanist.
George Maxwell may also refer to:
George C. Maxwell (1771–1816), American politician
George Maxwell (Australian politician) (1859–1935), Australian politician
George Maxwell (colonial administrator) (1871–1959), Chief Secretary of the Federated Malay States
George Ritchie Maxwell (1857–1902), Canadian Presbyterian minister and politician
George Hebard Maxwell, American attorney and lobbyist for water reclamation and irrigation
See also
George Maxwell Richards (1931–2018), president of Trinidad and Tobago
George Clerk-Maxwell (1715–1784), Scottish landowner |
```python
#
# Permission is hereby granted, free of charge, to any person obtaining a
# copy of this software and associated documentation files (the
# "Software"), to deal in the Software without restriction, including
# without limitation the rights to use, copy, modify, merge, publish, dis-
# tribute, sublicense, and/or sell copies of the Software, and to permit
# persons to whom the Software is furnished to do so, subject to the fol-
# lowing conditions:
#
# The above copyright notice and this permission notice shall be included
# in all copies or substantial portions of the Software.
#
# THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS
# OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABIL-
# ITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT
# SHALL THE AUTHOR BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
# WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
# OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS
# IN THE SOFTWARE.
from boto.exception import BotoServerError
from boto.mws.response import ResponseFactory
class ResponseErrorFactory(ResponseFactory):
def __call__(self, status, reason, body=None):
server = BotoServerError(status, reason, body=body)
supplied = self.find_element(server.error_code, '', ResponseError)
print(supplied.__name__)
return supplied(status, reason, body=body)
class ResponseError(BotoServerError):
"""
Undefined response error.
"""
retry = False
def __repr__(self):
return '{0.__name__}({1.reason}: "{1.message}")' \
.format(self.__class__, self)
def __str__(self):
doc = self.__doc__ and self.__doc__.strip() + "\n" or ''
return '{1.__name__}: {0.reason} {2}\n{3}' \
'{0.message}'.format(self, self.__class__,
self.retry and '(Retriable)' or '', doc)
class RetriableResponseError(ResponseError):
retry = True
class InvalidParameterValue(ResponseError):
"""
One or more parameter values in the request is invalid.
"""
class InvalidParameter(ResponseError):
"""
One or more parameters in the request is invalid.
"""
class InvalidAddress(ResponseError):
"""
Invalid address.
"""
``` |
Kaltrina Neziri is a Kosovar model and beauty pageant titleholder who was crowned as Miss Kosova Earth 2014 and competed in Miss Earth 2015.
Pageantry
Miss Kosova 2014
Kaltrina won the title of Miss Earth Kosova 2014 and becomes Donika Emini's successor.
Miss Earth 2015
By winning Miss Earth Kosovo, Kaltrina will represent Kosovo at Miss Earth 2015 pageant. However, she is unplaced on that pageant.
References
External links
Official Miss Kosovo website
Miss Earth Official Website
Kosovan beauty pageant winners
Kosovo Albanians
Living people
Miss Earth 2015 contestants
People from Pristina
Year of birth missing (living people) |
Infinite Challenge (; abbreviated as ) is a South Korean television entertainment program, distributed and syndicated by MBC, that ran from 2005 to 2018.
As of January 2013, it had the largest market share for its timeslot; with between 13 and 17 percent of Korean television viewers watching Infinite Challenge every Saturday night. making it the most-watched free-to-air television program on Saturday evenings, and the most viewed non-drama program in South Korea every week (excluding special sporting events, since November 2006, with the exception of January 2009, April and May 2010).
"Infinite Challenge" began airing in 2005 and ended with 563 episodes on March 31, 2018. Infinite Challenge was also listed on the longest variety show. Since 2009, it lasts for roughly 75 minutes, excluding ten minutes of advertising. Episodes are also frequently rerun on several Korean cable broadcasting channels. Since February 19, 2011 (episode 237), the program has been aired in high-definition. Infinite Challenge has been called "the nation's variety show" and "Korea's real first variety" for having been successful for over ten years.
In March 2018, it was announced that, following the departure of lead producer Kim Tae-ho, all current members have stepped down from the show, bringing the program to an end. The last episode was aired on March 31, 2018, but the program continued for 3 more weeks with a recap special looking back at the program over the years.
Contents
Infinite Challenge is recognized as the first "Real-Variety" show in Korean television history. The program is largely unscripted, filmed in almost-secrecy and followed a similar format of challenge-based reality television programs. The challenges are often absurd or impossible to achieve, so the program takes on the satirical comedy aspect of a variety show rather than a standard reality or competition program. In earlier episodes, the show's six hosts and staff would continuously proclaim that, in order to achieve its comedic purposes, the program had to be "3-D": Dirty, Dangerous, and Difficult. It gives people fun to try things that seem impossible.
Recurring segments
These segments were featured in multiple episodes over the years due to their popularity.
"Infinite News" – a parody on news broadcast in which most of the reported stories happened to some or all of the cast members. Those stories revolve around their personal life and tend to balance between facts and the comedic side of them.
"Infinite Company" – an unscripted skit that parodied on the lives of office employees, similar to The Office. Initially, the skit was a reproduction of the late comedian Kim Hyung-gon work, called President, President, Our President, portraying a situational comedy around a board of directors of a company before it was changed to be about a group of employees in a small department.
"Ha & Su" – an unscripted situational comedy around the petty quarrels between Jeong Jun-ha and Park Myeong-su, where the latter is aggressive and hot-tempered while the former is timid and simple-minded. In 2011, they were awarded a "Best Couple" award for their performance.
"Jimotmi" – it stands for 지켜주지 못해서 미안해 (jikyeojuji motaeseo mianhae), which means "Sorry I could not look out for you" In this segment, the members play hidden-camera pranks on each other to see how they react to certain contrived situations.
"Introducing My Ugly Friends Festival" – A segment where the members invited their acquaintances which they considered visually unappealing. Afterwards, the members organize a party where they celebrate with various games.
"Saturday, Saturday's, I Am A Singer" – Suggested by Park Myeoung-Su and Jeong Jun-ha where the program arranges a stage where old artists were given chances to return and perform their hit songs. Sechs Kies and H.O.T. were able to reunite and came out of retirement through this segment.
"Please, be..." – a segment which was introduced to instill common principles to all of the members. '"Please, come early"' forces the members to be punctual during filming day as the staff will not inform them when they would film the segment. '"Please, be friendly"', featuring Haha and Jeong Hyeong-don, were created to encourage both members to be more comfortable around each other.
"Ah-Ha" – a Korean word game in which one member says a word, and the next person must then say that word backwards. Members who failed or made mistakes would be hit over the head. This segment premiered in the 2nd season (Infinite Challenge – The Master of Quiz) and was played occasionally in following seasons.
"One-flash Telepathy" – after hearing a word which was given from the production booth, each member presented a gesture that would best represent that word. A round is cleared if all six members perform the same gesture and punishments were given when they failed. The original alleged purpose of this segment was to unite the minds of the members; however, they have yet to succeed. Voice narration for this segment was provided by Na Gyeong-eun, an announcer and Yoo Jae-suk's wife.
Television Advertisements – throughout the episodes, the hosts create some satirical Korean television advertisements.
Calendar-making Project – the members created a series of unique calendars and donated all profits from these sales to charity. This project has succeeded every seasons.
National events
Some of the segments of Infinite Challenge also grew and become a national event where it also actively involved the audiences as well.
2008 Host-in-Chief Elections – after a humorous request by Park Myeong-su to have a new leader in 2008, all Infinite Challenge members and staff held a vote for a new 'host-in-chief' on December 31, 2007, at the nation's own natural gas field near Ulsan. Prior to the election, each member created campaign pledges to encourage voters to vote for them. All entertainment managers, coordinators, MBC staff and the members voted at the South gate of the MBC Headquarters and the votes were counted on the morning of New Year's Day. Afterwards, Park Myeong-su was declared the new host-in-chief, but evidence showed him of tampering the voting box. The new host-in-chief was given 3 weeks to prove his leadership skills. However, after poor performances for 3 whole weeks, Park Myeong-su announced at an Infinite Challenge press conference that he would step down and wait for the new election to take place. In the aftermath, Yoo Jae-suk was appointed as interim host-in-chief on February 2, 2008. The second host-in-chief election was held on February 4, 2008, at the MBC Dream Center in Ilsan and Yoo Jae-suk won the majority of the votes and was once again reinstated as the host-in-chief.
WM7 – the "Wrestling Muhan 7" project is an attempt by the members to perform at a professional wrestling event. From July 2009, the members started training by inviting Sonstar, junior-professional wrestler and the drummer of Cherry Filter, as their coach and Park Myeong-su as their club leader. After numerous injuries, including a concussion suffered by Jeong Hyeong-don, setbacks and delays, the members finally put on a performance in front of a live audience on August 19, 2010, at Jangchung Gymnasium. It was broadcast over 11 episodes and MBC also released a DVD edition of this challenge, featuring several unaired segments, stories and the full uncut performance.
2014 Decision – the show held another host-in-chief election in 2014 where the show elected a host-in-chief with 10 years tenure. A nationwide election was held, which also promoted the citizen's participation on South Korea's 2014 local elections. Similarly, the members created campaign pledges to attract viewers to vote for them in the preliminary internet polls. The second internet poll was held after the special's first episode was aired. In the aftermath of the second poll, Haha and Jeong Jun-ha decided to support Jeong Hyeong-don while Park Myeong-su forfeited to support Yoo Jae-suk. About 50,000 people, including the members of Infinite Challenge, cast their votes on May 22, 2014, on the polling stations at ten major cities on South Korea (Seoul, Incheon, Daejeon, Daegu, Ulsan, Gwangju, Busan, Jeju, Chuncheon, and Jeonju). Another 34,000 people cast their votes earlier on the preliminary voting on May 17–18, 2014. Internet voting also held at the same time of actual poll for the people who were not able to cast their votes on the polling stations and 363,047 people participated on it. Combining the live polls and the internet votes, Yoo Jae-suk won the election by defeating Noh Hong-chul with 45,310 marginal votes or 8.29% of the combined votes.
Infinite Challenge Song Festival – started in 2007, the members randomly collaborate with real musicians in order to compete for the "Infinite Challenge Song Festival" that is held every two years.
History
"Infinite Challenge," which aired its first broadcast on May 6, 2006, is Korea's first real variety program. With the success of the program, other broadcasters have also produced real variety programs. The advantage of Real Variety was to ensure that even a popular celebrity who had been recognized as a special person was no different from an ordinary person.
Season 1
The title of Season 1 was Rash Challenge (무모한 도전). Led by Yoo Jae-suk, six or more Korean entertainers (with Noh Hong-chul and Jeong Hyeong-don as a regular members) tried to complete a 'sporting' mission in an outdoor studio, which was based on a viewer's suggestion submitted through the show's homepage. Some of the absurd challenges included racing in a foot-powered swan-shaped paddle boat against a motor boat, playing a tennis match against Maria Sharapova, appearing live on stage at a public fashion show, and playing football against Thierry Henry. A large part of the humor comes from the fact that the cast is generally not well-suited to the challenges they attempt. This program can be compared to the filmed-in-studio Wetten, dass..? of Germany, as the program mainly focuses on the process and progress of the challenges, rather than focusing on the accomplishment of a mission. This format lasted only from April 23, 2005, to October 22, 2005. Despite having a strong following, its average ratings were very low (roughly 5 percent). Due to its sports-related theme, reruns of Season 1 and sports-related episodes of Season 4 (i.e. WM7) episodes are frequently aired on MBC Sportsplus, MBC's satellite and cable network for sports-casting.
Season 2 and 3
From October 29, 2005, to April 30, 2006, Season 2 was titled Excessive Challenge (무리한 도전). For the first few episodes, the program was fairly similar to the first season. However, because the cast members wanted to redefine their characters, they decided to change the whole program concept, calling it Infinite Challenge - Master of Quiz in the third season. Since then, six hosts (with Yoo Jae-suk as 'host-in-chief') played a Korean-letter game called 'Ah-ha' (see below); competed in their knowledge and mental power; participated in on-line popularity polls about specific themes; and explored other comic features. Although the average ratings were low, the unity and dynamics of the members significantly improved. A panelist from Season 1, Park Myeong-su, came back as a co-host, and Haha and Jeong Jun-ha also became co-hosts of the program.
Season 4
On May 6, 2006, the fourth and final season (format) of the program that now simply known as Infinite Challenge (무한도전), went on air. Special coverage of 2006 World Cup Germany was featured for the entire month of June 2006, along with some 'Ah-ha' specials (with Shinhwa, for example) at the beginning of each episode. However, on July 8, 2006, the program took its memorable first step as the first 'Real-Variety' television program in Korean television history, with the airing of a segment called 'Please, come early': The six members were asked to come to the recording session on time or experience some form of punishment (일찍 와주길 바래, a part of the 'Please, be...' series see below), combining elements of both Reality TV and Variety programming, including comic characters from each of the Infinite Challenge members, see 'hosts'). Thereafter, the program has created challenges with regard to anything related to real life (excluding some critical issues such as religions and sexual preferences), in outdoor studios, with little use of acting or heavily based plotting. Since December 2, 2006, the program has received the highest ratings of prime-time lineups for Saturday evening.
In January 2012, the program took a 6-month hiatus due to a labor strike conducted by MBC's reporters and producers. During this period, new episodes were not produced and MBC, instead, aired reruns of previous episodes. In November 2015, Infinite Challenge arranged special exhibition and expo titled "Infinite Challenge Expo", in KINTEX. The program took a 7-week hiatus from broadcast in early 2017, which Kim Tae-ho, the main PD, signified as a period to normalize the production process which has been shortened considerably where the production team had less time and always rushed to meet the deadline. The PD also reveals that the program still continues their regular shooting schedules while being off the air.
The program took another 10-week hiatus from September 9, 2017, due to a labor strike by MBC's reporters and producers. During the strike, new episodes were not aired and reruns of previous episodes were broadcast. The strike ended on November 13, and Infinite Challenge returned to regular broadcasting on November 25. In March 2018, the program came to an end marked by the departure of Kim Tae-ho, the lead producer, which was followed by the members. However, after the last episode was aired, the program returned for 3 more weeks where it aired recap specials that pays tribute to the achievements of the program called "13 Years of Saturdays".
Hosts
Timeline
Former
Occasional appearances
There are a number of people who both individually work for this program and irregularly appear with Infinite Challenge members (hosts). They are frequently referred to as 'the 8th member' (제8의 멤버).
Awards and nominations
Guests
International
Korean
Numerous Korean celebrities have appeared on the show due to its popularity. Many of the guests have some relationships with the co-hosts of the show, including:
Actors
Cha Seung-won
Cha Tae-hyun
Gong Hyung-jin
Bong Tae-gyu
Choi Ji-woo
Jo In-sung
Lee Na-young
Song Joong-ki
Jin Goo
Jang Keun-suk
Joo Sang-wook
Kim Min-kyo
Kim Seul-gi
Go Kyung-pyo
Kim Sun-ah
Yoon Son-ha
Kim Min-jun
Kim Su-ro
Kim Tae-hee
Kim Soo-hyun
Ko Chang-seok
Lee Young-ae
Kim Hye-sung
Jung Il-woo
Han Hye-jin
Lee Yo-won
Han Ji-min
Lee Seo-jin
Han Sang-jin
Lee Jong-soo
Jeon Won-joo
Jung Si-ah
Yoon Sang-hyun
Choi Cheol-ho
Oh Ji-ho
Kwon Oh-joong
Jung Joon-ho
Jang Seo-hee
Kim Bum
Julien Kang
Lee Tae-sung
Kim Ji-hoon
Park Bo-young
Park Shin-hye
Park Bo-gum
So Ji-sub
Shin Se-kyung
Lee Dong-wook
Kim Hee-ae
Son Ye-jin
Kim Hye-soo
Lee Je-hoon
Jung Woo-sung
Hwang Jung-min
Joo Ji-hoon
Choi Min-yong
Bae Jung-nam
Comedians, Entertainers
Ji Sang-ryeol
Lee Yoon-suk
Kim Hyun-chul
Kim Je-dong
Shin Bong-sun
Song Eun-i
Kim Shin-young
Baek Bo-ram
Kim Kyung-jin
Park Hwi-soon
Ahn Young-mi
Byun Ki-soo
Kim Mi-hwa
Kim Young-chul
Lee Guk-joo
Kim Jong-min
Moon Se-yoon
Yoo Byung-jae
Musicians
Lee Jung
Cool
Kim Sung-soo
Yoo Chae-young
Bae Seul-ki
Hyukoh
Girls' Generation
Jessica
Sunny
Seohyun
Turbo
Kim Jong-kook
Kim Jung-nam
Lee Hyo-ri
Brown Eyed Girls
Narsha
Lee Seung-chul
Joo Young-hoon
Lee Soo-young
B1A4
Baro
Shinhwa
SS501
Tony An
Sung Si-kyung
Jewelry
Park Jung-ah
Seo In-young
Hwangbo
MC Mong
Lee Min-woo
Bbaek Ga
Wheesung
Uhm Jung-hwa
Son Dam-bi
After School
Lizzy
Lee Jung-hyun
Tiger JK / Yoon Mi-rae
No Brain
YB
Lee Sung-jin
Son Ho-young
2PM
Junho
Jaebeom
Kara
Seungyeon
Jiyoung
S.E.S.
Bada
Shoo
Epik High
Eun Ji-won
Park Hyun-bin
K.Will
MBLAQ
Lee Joon
Sangchu
One Two
CNBLUE
Sistar
Secret
4minute
Orange Caramel
SHINee
Kangta
Super Junior
Donghae
Siwon
f(x)
IU
GFriend
Big Bang
Jung Jae-hyung
Lee Juck
Sweet Sorrow
10cm
Psy
Leessang
Gary
2AM
Jinwoon
Jo Kwon
Park Bom
Defconn
All Lies Band
Go Young-wook
BoA
G-Dragon
Kiha & the Faces
Infinite
Kim C
ZE:A
Hyungsik
Siwan
Kim Bum-soo
John Park
So Chan-whee
Jo Sung-mo
Kim Hyun-jung
Kim Gun-mo
Cool
Jinusean
Park Jin-young
Zico
Sechs Kies
Dok2
BewhY
Gaeko
EXO
Winner
Mino
Jinwoo
DinDin
Lee Hi
Mad Clown
Kim Jong-wan
Crush
H.O.T
Sports/athletes
Lee Yong-dae / Lee Hyo-jung
Kim Yeon-ah, international figure skater
South Korea women's national handball team
Choi Hyun-mi, WBA Women's Featherweight Champion
Son Yeon-jae, South Korean rhythmic gymnast
Lee Sung-yong, Korean Professional Baseball Batter
Lee Sang-hwa, South Korean long track speed skater
Others
Ahn Hye-kyung, broadcaster
Na Kyung-eun, broadcaster, Yoo Jae-Suk's wife
Choi Moon-soon, then-CEO of MBC
Ohm Ki-young, then-CEO of MBC
Lee Sang-bong, fashion designer
Park Kyung-chu, broadcaster
Huh Young-man, famed comics artist and writer
Hong Jin-kyung, model and a CEO of food venture company
Lee Hye-jung, chef
Yang Ji-hoon, chef
Myung Hyun-ji, chef
Kang Seung-hyun, model
Choi Dan-bi, lawyer
Jang Jin-young, lawyer
Jang Yoon-joo, model (Moderator of 2011 Calendar-making project)
Bae Hyun-jin, broadcaster
Hallmark
Purported foreshadowing of actual events
Infinity Challenge is famous for predicting jokes before some events occurred in real life, like The Simpsons. Several episodes predicted the drama Squid Game. Another episode, "Manager Jeong", Haha bought a book called American Prometheus, and about 2 months later, he wrote a book review for the book, but the contents were messy, so he made the members laugh. In 2023, twelve years later, Christopher Nolan made the film Oppenheimer based on that book, Haha became the South Korean public relations ambassador for that movie. Other examples purported as Infinity Challenge predicting the future include the Brexit, Among Us, Hangout with Yoo, Koo Jun-yup and Barbie Hsu's marriage, and Kim Shin-young's Korea Sings MC selected.
The reason why this makes a lot of prophecy is that this program itself is a format in which different special features with different themes were planned every time, and even though it has been several years since the show ended, it enjoys greater popularity than active programs, and there are overflowing sources that are discovered.
Ratings
The show in popular culture
During the 12th episode (aired on August 16, 2007) of MBC's Monday-night variety programme 'Jippijiggi'(지피지기), comedian Park Su-hong urged Noh Hong-chul, Jeong Hyeong-don, and Ha Ha (members of Infinite Challenge) to create a new comic-variety program called 'Yuhan Dojeon'(유한도전, 有限挑戰, Finite Challenge). However, this was a joke when he attended this program as a guest.
MBC Drama, MBC's Drama and Entertainment channel on Skylife and Cable TV, has decided to launch a brand-new comic variety show called Infinite Girls (무한걸스), the female edition of Infinite Challenge. Six Korean entertainers including Song Eun-i, Shin Bong-sun, Kim Shin-young, Hwangbo, Baek Bo-ram and Jung Ga-eun serve as the co-hosts of this program. Previous hosts who have already left the show include Ahn Hye-kyung (안혜경, who is former Haha's girlfriend), Kim Hyun-sook (김현숙), Bin-woo (빈우), Kim Ga-yeon and Jung Shi-ah. It aired on September 23, 2007, as a pilot (special) program for Hangawi holidays. Since October 15, 2007, This format went a regular-scheduled programme at the MBC every1, MBC's Cable and Satellite network for comedy and variety shows, eventually.
On December 27, 2007, the SERI, a well-known economic research institute of South Korea, picked this program as the 6th most-influential product and service of the year 2007, due to its strong public popularity and its own productive characters.
Infinite Challenge is often mentioned on other similar programs, when guests asking if the staff of the show in question copied the idea for a segment from Infinite Challenge.
In the first quarter of 2008, the Global Marketing Department of MBC reported that MBC had attempted to sell the format of Infinite Challenge to a European agency in Sweden. This was the first time in Korean television history that such a deal had been made. However, the contract was not finalized, as there were too many characters on the program for the Swedish company to reproduce. Even so, rights to the show were eventually sold to Air France and Qatar Airways' in-flight broadcast.
The creators of Infinite Challenge filmed an advertisement about Bibimbap which has been shown in Times Square since November 26, 2010. Due to this involvement, the Ministry for Food, Agriculture, Forestry and Fisheries had been put up a Plaque of Honour, to acknowledge MuDo's dedication.
In 2011, Infinite Challenge held the West Coast Highway Music Festival. At this festival 7 teams participated and everyone got a trophy.
The show is also famous for its loyal fans, especially from the youth demographic. Despite the show's hiatus of 22 weeks due to MBC's Union Labor Strike in 2012, the show was able to keep its strong popularity with television audiences. It was acclaimed as "the most favorite program in South Korea" numerous times.
Members of Infinite Challenge cast (Yoo Jae-suk, Park Myeong-su, Jeong Jun-ha, Jeong Hyeong-don, Noh Hong-chul, Haha, Gil) are featured on "Gentleman" music video by Psy.
International
On June 30, 2015, the rights to air the show was sold to one of the big channels in China; “CCTV-1” proving Infinite Challenge’s rise in popularity as a Korean Variety Show Program. The Chinese version of the show started airing in China on December 6, 2015.
Before the export publication rights to China, the program was already popular throughout Asia. People of the world watched this program by YouTube and the highest hit is 3,202,248 (Infinite Challenge Yeongdong Expressway Song Festival, Hwangtaeji's "Mapsosa".)
The program went to Japan, China, Thailand, America, Africa, Germany, etc. for filming. Many international celebrities participated in one of the episodes.
In April 2013, a British TV program called The Greatest Shows on Earth came to Korea to showcase Korean TV, and visited Infinite Challenge on set. The episode aired on Channel 4 on July 8, 2013. While visiting the recording session for Infinite Challenge, presenter Daisy Donovan also went in front of the cameras and guested a sketch segment which was shown on both shows.
Plagiarism
It has been alleged that the show was copied without permission by a Chinese variety program called Go Fighting.
According to production company MBC: "Currently in China, multiple broadcasting and production companies are saying they are personally producing 'Infinite Challenge' or a similar program, causing a disturbance in the market and damaging MBC Contents' image. From hereon, excepting the broadcasting of 'Infinite Challenge' on CCTV1, we will take firm legal action against any behavior that has nothing to do with MBC while making people confused and misunderstand [that program] as MBC's 'Infinite Challenge."
Notes
References
External links
2005 South Korean television series debuts
2018 South Korean television series endings
Korean-language television shows
MBC TV original programming
South Korean variety television shows |
Michael Baisden (born June 26, 1963) the former host of The Michael Baisden Show. The show was syndicated by Baisden Media Group in partnership with SupeRadio and AURN (American Urban Radio Networks). The show airs weekday afternoons. The show was previously syndicated by Cumulus Media and was heard in over 78 media markets nationwide with over 8 million listeners daily. His media career began when he left his job driving trains in Chicago to self-publish Never Satisfied, and began touring the country selling books out of the trunk of his car.
Baisden is a NY Times best-selling author with over 2 million books in print, hosted two national television shows, and has produced three films.
Producer and filmmaker
Baisden has produced: two national stage plays (based on Baisden's novels); Love Lust & Lies, an award-winning documentary dealing with relationships and sexuality based on the perspectives of people of color; two seminar tapes, Relationship Seminar and Men Have Issues Too; and a web-based community portal. In 2011 Baisden produced, wrote, and directed the documentary Do Women Know What They Want?
Motivational speaker
Baisden has toured the US as a motivational speaker with his Love, Lust & Lies Relationship Seminar Series. As well as numerous national Baisden Live Tours, he has also produced international Island Jam events in Jamaica.
Radio career
Baisden got his start in radio as an unpaid afternoon drive-time host for 98.7 KISS FM in New York City, taking the station rating from number nine to number one in the time slot. The show debuted nationally in 2005.
Baisden's show recently returned to national radio in January 2017. The flagship station for the show was WALR-FM (Kiss 104.1 FM) in Atlanta, Georgia once the show was returned to national radio, but on November 27 of the same year, WALR-FM revamped its line-up and started producing local shows therefore getting rid of all syndicated shows.
Baisden After Dark
In 2007-08, Baisden hosted and co-produced Baisden After Dark, a late-night television talk show series on TV One. The show featured comedian George Willborn and musician Morris Day, who conducted the house band.
Social activism and community leadership
On September 20, 2007, Baisden spearheaded the Jena Six March in Jena, Louisiana. In January 2008, he endorsed Barack Obama for president of the United States.
Michael Baisden Foundation
The Michael Baisden Foundation is a non-profit organization formed to promote literacy and to provide mentors for at-risk youths.
The Michael Baisden Foundation's various projects include:
Jena Six March
Free Clinics
One Million Mentors National Campaign to Save Our Kids
Gospel for Teens / Mama Foundation Auditions - Honorary Judge
Partnership with Black and Missing Foundation
Mentoring Brothers partnership with Big Brothers Big Sisters & Black Fraternities
Appearances
6th Annual Jazz in the Gardens - Host
Soul Train Awards - Presenter
Heart and Soul Magazine Awards - Presenter
CNN's Black in America, 2008
39th Annual NAACP Image Awards - Presenter
Awards
Dr. Martin Luther King Jr. Keepers of the Dream Award
Key to the City, Shreveport, LA
Key to the City, Alexandria, LA
Key to the City, Dallas, TX
Key to the City Florence, AL
Key to the City Patterson, LA
Mayor's Key - Columbia, SC
The NCNW Savannah Youth Section 2010 Mir Award - Savannah, GA
Key to the City - Columbus, GA
Columbus, Georgia Proclamation - Friday, March 12, 2010 "Michael Baisden 'One Million Mentors' Day"
City of Mobile, Alabama Proclamation - Wednesday, March 10, 2010 as "Michael Baisden Day"
Black Achievers Determined to be Different (BADD) Certificate of Membership - "The BADD Men Brotherhood"
Honorary Mayor-President of the city of Baton Rouge, Parish of East Baton Rouge - February 25, 2010
Honorary Citizen of the City of Florence, Alabama
Key to the City - Florence, LA
Key to the City - Mobile, AL
Key to the City - Tampa, FL
Key to the City - Morgan City, LA
Key to the City - Lafayette City, LA
Key to the City - Monroe, LA
Key to the City - Baton Rouge, LA
I Make the Difference Award
City of Orlando, FL Proclamation - "March 4, 2010 as 'One Million Mentor's Campaign to Save Our Kids' Day"
Congratulations and Commendation from State Rep. Herbert B. Dixon - Louisiana House of Representatives
Key to the City, St. Mary Parish - Louisiana
Mentoring Brothers In Action Inspiration Award Presented by Big Brothers Big Sisters and Max Miller, Big Brothers Big Sisters Co-Chief Executive Officer
BooksRaise Your Hand If You Have Issues (2014)Maintenance Man II (2012)The Maintenance Man Collectors Edition (2012)Do Men Know What They Want? (2011)God's Gift to Women (2003)Men Cry In The Dark (1999)Never Satisfied How & Why Men Cheat'' (1997)
References
External links
African American Literature Book Club
www.minglecity.com Mingle City
20th-century American dramatists and playwrights
African-American atheists
American atheists
African-American radio personalities
American motivational speakers
American talk radio hosts
Chicago Vocational High School alumni
Writers from Chicago
1963 births
Living people
Westwood One
20th-century African-American writers
21st-century African-American people |
Sean Andrews can refer to:
Sean Andrews (cricketer, born 1973), South African cricketer
Sean Andrews (cricketer, born 1978), South African cricketer
Sean Andrews (EastEnders), fictional character on BBC soap opera EastEnders |
Griffith William Hughes (22 February 1861 - 27 September 1941) was a Welsh accountant and musician.
Hughes was the son of Ann and Griffith Hughes, born in the North Wales village Cefn Mawr, Denbighshire. In his early years, he took part in musical classes managed by J.O. Jones, Pen-y-cae and Edward Hughes. Hughes attended his local primary school and soon went on to attend Ruabon grammar school before working as a clerk in the office of the Wynnstay Colliery Company. Soon after, he would become the conductor of both Cefn Mawr choral society, which consisted of around 100 voices, and the male voice choir in 1889. Simultaneously, Hughes was a precentor at Capel Mawr, Rhosllannerchrugog, for a short while. G.W.Hughes studied the Tonic Sol-fa System before gaining a degree in this subject, it was then in 1900 in which he was elected to the Council of the Tonic Sol-fa College. Before moving to Prestatyn in 1926 upon his retirement, G.W.Hughes was chosen to be a stipendiary precentor at Princes Road Welsh Capel Mawr Chapel, Liverpool, in 1911. G.W.Hughes fashioned many anthems, hymns and tunes, he also directed Cymanfaoedd Cymru, and in 1929, after his retirement, succeeded in becoming one of the editors of Llyfr Emynau a Thonau y Methodistiaid Calfinaidd a Wesleaidd. Hughes died on the 27th of September 1941, aged 80, and was buried in the Cemetery in Prestatyn.
References
19th-century Welsh musicians
20th-century Welsh musicians
British accountants
1861 births
1941 deaths |
John "Jack" McGargill (c. 1859–4 July 1937) was a coach for the Football Club for 23 seasons between 1886–1908. During his coaching career he guided to four SAFA premierships and the 1890 Championship of Australia.
Port Adelaide head trainer
McGargill was involved at the Port Adelaide Football Club for 45 years. He was head trainer of the club, effectively the head coach, from 1886 until 1908.
In 1926 Frank Coffey writing for the Sport (Adelaide) said of Jack McGargill "What a wonderful man is Mr. J. McGargill, head trainer of the Port Adelaide football team, a position he first occupied over 40 years ago. When I first met Jack he was massaging such men as Aleck and Ken McKenzie, Percy Gardiner. Otto LeStage, "Tick" Phillips, George
Earle and other famous magenta jersey wearers in 1895. He had nothing like the present day facilities such as trestles, lockers, laundry or punching and pinching the muscles into dough, but he turned out just as good sound athletes or even better than they do to-day. One would invariably see the same twenty finish the last match of the season as they saw in the first game, which goes to show that although the game is faster to day it is also much rougher. Jack is always popular with the players, who have always been ever ready to take advantage of his good advice. Good luck to Jack and may he see many more years' service for the club he loves so well."
References
Year of birth missing
1937 deaths
Port Adelaide Football Club (SANFL) coaches
Australian rules footballers from South Australia |
The following is a list of public housing estates in Chai Wan and Siu Sai Wan, Hong Kong, including Home Ownership Scheme (HOS), Private Sector Participation Scheme (PSPS), Sandwich Class Housing Scheme (SCHS), Flat-for-Sale Scheme (FFSS), and Tenants Purchase Scheme (TPS) estates.
History
Overview
Cheerful Garden
Cheerful Garden () is a Home Ownership Scheme and Private Sector Participation Scheme court on the reclaimed land at the north of Siu Sai Wan Road, Siu Sai Wan. It has 5 blocks built in 1995, jointly developed by the Hong Kong Housing Authority and Chevalier Group.
Cheerful Garden is in Primary One Admission (POA) School Net 16. Within the school net are multiple aided schools (operated independently but funded with government money) and two government schools: Shau Kei Wan Government Primary School and Aldrich Bay Government Primary School.
Houses
Dip Tsui Court
Dip Tsui Court () is a Green Form Subsidised Home Ownership Scheme (GFSHOS) court in Chai Wan Road, Chai Wan and the first GFSHOS court on Hong Kong Island. Formerly the site of Block 13 of the old Chai Wan Estate, the court has 1 block comprising 828 flats with sellable areas of 187 to 320 square feet at prices between HK$980,000 and HK$2.07 million. The estimated material date of Dip Tsui Court will be 31 August 2022. Average selling price is HK$6,100 per square feet, by applying a discount of 51 per cent from the assessed market value. It is expected to commerce in 2022.
House
Fullview Garden
Fullview Garden () is a Home Ownership Scheme court and Private Sector Participation Scheme court at the south of Siu Sai Wan Road, Siu Sai Wan. Formerly the site of intelligence gathering centre established by British Armed Force until the 1980s, the court has 11 blocks built in 1993 and 1994, jointly developed by the Hong Kong Housing Authority and Chevalier Group.
Houses
Fung Wah Estate and King Tsui Court
Fung Wah Estate () is a mixed public/TPS estate on a hill in southwest Chai Wan. It consists of 2 residential blocks completed in 1991. Another HOS court, King Tsui Court (), is also located in the estate. In 2000, some of the rental flats were sold to tenants through Tenants Purchase Scheme Phase 3.
Houses
Greenwood Terrace
Greenwood Terrace () is a Home Ownership Scheme and Private Sector Participation Scheme court in Chai Wan, with close proximity to MTR Chai Wan station. It was jointly developed by Hong Kong Housing Authority and New World Development. It consists of 7 residential blocks completed in 1985 and is one of the largest estates in Chai Wan.
Houses
Hang Tsui Court
Hang Tsui Court () is a Home Ownership Scheme court on the reclaimed land in Chai Wan, near Chai Wan Park, Yue Wan Estate, Tsui Wan Estate and Tsui Lok Estate. It has 2 blocks built in 1997.
Houses
Harmony Garden
Harmony Garden () is a Home Ownership Scheme and Private Sector Participation Scheme court on the reclaimed land along Siu Sai Wan Road, Siu Sai Wan. It has 8 blocks built in 1997, jointly developed by the Hong Kong Housing Authority and Chevalier Group.
Houses
Hing Man Estate
Hing Man Estate () is a public housing estate in Chai Wan, located at the north of Hing Wah Estate. It consists of 3 Cruciform-typed blocks completed in 1982.
Houses
Hing Wah Estate
Hing Wah Estate () is a public housing estate in Chai Wan, near MTR Chai Wan station.
The estate comprises 10 residential buildings. The 7 "Old Slab" blocks belong to Hing Wah (I) Estate () completed in 1976, while the 3 "Harmony 1" buildings belong to Hing Wah (II) Estate () completed in 1999 and 2000.
Background
Hing Wah (I) Estate was a resettlement estate which had 3 resettlement blocks completed in 1971. 7 more "Old Slab" blocks were completed in 1976, which formed Hing Wah (II) Estate. The 3 resettlement blocks in Hing Wah (I) Estate were demolished in 1995, replaced by two rental blocks in 1999 and one HOS block in 2000 respectively. However, the government decided to change an HOS block from sale to rental finally, and renamed it from "Hing Tsui Court" to "Hing Tsui House".
Houses
Hiu Tsui Court
Hiu Tsui Court () is a Home Ownership Scheme court in at the south of Siu Sai Wan Road in Siu Sai Wan, near Siu Sai Wan Estate. Formerly the site of intelligence gathering centre established by British Armed Force until the 1980s. It has two blocks built in 1990.
Hui Tsui Court is in Primary One Admission (POA) School Net 16. Within the school net are multiple aided schools (operated independently but funded with government money) and two government schools: Shau Kei Wan Government Primary School and Aldrich Bay Government Primary School.
Houses
Kai Tsui Court
Kai Tsui Court () is a Home Ownership Scheme court in at the south of Siu Sai Wan Road in Siu Sai Wan, near Siu Sai Wan Estate. Formerly the site of intelligence gathering centre established by British Armed Force until the 1980s, the court has two blocks built in 1993.
Kai Tsui is in Primary One Admission (POA) School Net 16. Within the school net are multiple aided schools (operated independently but funded with government money) and two government schools: Shau Kei Wan Government Primary School and Aldrich Bay Government Primary School.
Houses
Lok Hin Terrace
Lok Hin Terrace () is a Home Ownership Scheme and Private Sector Participation Scheme court in Chai Wan, located within a short walk to the MTR Chai Wan station. Formerly the site of Block 1 to 8 of old Chai Wan Estate, the court comprises five residential blocks of 31 storeys each, providing a total of 1,550 units.
Houses
Neptune Terrace
Neptune Terrace () is a Home Ownership Scheme and Private Sector Participation Scheme court in Chai Wan, with a few distance to MTR Chai Wan station and Greenwood Terrace. It was jointly developed by Hong Kong Housing Authority and New World Development.
Houses
Shan Tsui Court
Shan Tsui Court () is a Home Ownership Scheme court in Chai Wan, near Hing Man Estate. It has 4 blocks built in 1981 and it is one of the earliest HOS courts in Hong Kong.
Houses
Siu Sai Wan Estate
Siu Sai Wan Estate () is the only public housing estate in Siu Sai Wan, Chai Wan. Formerly the site of intelligence gathering centre established by British Armed Force until the 1980s, the estate has 12 residential buildings completed in 1990 and 1993 respectively.
Siu Sai Wan Estate is in Primary One Admission (POA) School Net 16. Within the school net are multiple aided schools (operated independently but funded with government money) and two government schools: Shau Kei Wan Government Primary School and Aldrich Bay Government Primary School.
Houses
Tsui Lok Estate
Tsui Lok Estate () is a public housing estate in Chai Wan, located near Chai Wan Park, Yue Wan Estate and Tsui Wan Estate. Built on the former site of Yue Wan Temporary Housing Area () on reclaimed land in Chai Wan, the estate consists of only 1 residential block built in 1999.
Houses
Tsui Wan Estate
Tsui Wan Estate () is a mixed public/TPS estate in Chai Wan, located near Chai Wan Park, Yue Wan Estate and Tsui Lok Estate. Built on the reclaimed land in Chai Wan, the estate consists of 4 residential blocks built in 1988. In 1999, some of the flats were sold to tenants through Tenants Purchase Scheme Phase 2.
Houses
Walton Estate
Walton Estate () is a Home Ownership Scheme and Private Sector Participation Scheme court in Chai Wan, near MTR Chai Wan station. Built on the reclaimed land, the estate has 4 blocks built in 1982 and is one of the oldest HOS courts in Hong Kong.
Houses
Wah Ha Estate
Wah Ha Estate () is a public housing estate in Chai Wan, just adjacent to Chai Wan station. It is a 187-flat single block which was converted from former Chai Wan Factory Estate built in 1959. It was completed in 2016.
Wan Tsui Estate, Yan Tsui Court and Yuet Chui Court
Wan Tsui Estate () is a public estate located at a part of former Chai Wan Estate and opposite to Chai Wan station. It now has 11 residential buildings completed between 1979 and 2001.
Yan Tsui Court () and Yuet Chui Court () are the Home Ownership Scheme courts in Chai Wan, next to Wan Tsui Estate. They have 2 blocks (built in 1983) and 1 block (built in 1999) respectively.
Background
Wan Tsui Estate was formed between the late 1970s and early 1980s by the redevelopment of Chai Wan Estate and the assignment of Block 16 to 22 of Chai Wan Estate to Wan Tsui Estate. Also, Block 21 and Block 22 of Chai Wan Estate were redecorated and renamed to On Tsui House and Ning Tsui House, but they were finally demolished in 1996.
Houses
Wan Tsui Estate
Yan Tsui Court
Yuet Chui Court
Yee Tsui Court
Yee Tsui Court () is a Home Ownership Scheme court on the reclaimed land in Chai Wan, near Chai Wan Sports Centre. It has 3 blocks built in 1981, and it is one of the earliest HOS courts in Hong Kong.
Houses
Yue Wan Estate
Yue Wan Estate () is a public estate located near Chai Wan Park, Tsui Wan Estate and Tsui Lok Estate. Built on the reclaimed land in Chai Wan, the estate consists of 4 residential blocks, which were developed in 2 phases and built in 1977 and 1978 respectively.
Houses
Chai Wan Estate
Chai Wan Estate () is a public estate near Chai Wan Road. It had a total of 27 residential blocks before demolition.
Background
Chai Wan Estate was a resettlement estate and had a total of 27 residential blocks. It has started redevelopment since the 1970s, and all residential blocks were demolished between 1975 and 2001. Wan Tsui Estate, Lok Hin Terrace, Chai Wan Municipal Services Building and several schools were constructed in the site of former Chai Wan Estate. But Block 21 and 22 were reserved and redecorated to be a part of Wan Chui Estate until they were demolished in 1996.
The site of the former Blocks 14 and 15 was redeveloped in 2010. The new two-block estate carries on the name "Chai Wan Estate".
Houses
Lin Tsui Estate
Located next to Lin Shing Road and Wan Tsui Estate, Chai Wan, Lin Tsui Estate (Chinese: 連翠邨) is a single-block public estate inaugurated on 12 July 2018. The only building, Lin Tsui House, is 36-story high and located above a 3-story platform, with 8 flats on each floor.
References
Chai Wan
Siu Sai Wan |
John Taylor was a United States Representative from South Carolina. His birth date is unknown. Taylor was a member of the South Carolina House of Representatives, 1802–1805. He was elected as a Republican to the Fourteenth Congress (March 4, 1815 – March 3, 1817) but was an unsuccessful candidate for reelection to the Fifteenth Congress in 1816 and for election to the Seventeenth Congress in 1820. His death date is unknown.
He married Mary Margaret Smith, the daughter of South Carolina Senator William Smith. Their daughter, Mary Margaret Smith Taylor, married journalist and planter Meredith Calhoun.
References
Democratic-Republican Party members of the United States House of Representatives from South Carolina |
Ermengarde (also Hermengarde, Ermengarda, Irmengarde, Irainsanda, Eimildis) (– after 20 September 1057) was a medieval noblewoman. Through her first marriage, to Rotbold II, Count of Provence, she was countess of Provence, and from 1011 to 1032 Ermengarde was the last queen of independent Burgundy by virtue of her second marriage to Rudolf III of Burgundy.
Life
Ermengarde's origins are obscure, and the identity of her relatives is unknown. Several scholars have, however, suggested that Ermengarde was related to Humbert I of Savoy. In the nineteenth century, several scholars hypothesised that Ermengarde's first husband was Manasses, count of Savoy, with whom she had a son, Humbert of Savoy. Laurent Ripart, by contrast, suggests that Ermengarde may have been the sister of Humbert of Savoy, who was part of the entourage of Rudolf III of Burgundy. Alternatively, François Demotz argues that Ermengarde was a member of the Sigiboldides (or Siboldi) dynasty, who were also part of Rudolf III's entourage.
Countess of Provence
Ermengarde married Rotbald II of Provence before 1002, when they made a donation to Montmajour Abbey. The couple is mentioned in the Carta liberalis in 1005. Also in 1005, they were present for the election of the new abbot at the Abbey of St Victor, Marseille, alongside Adelaide-Blanche of Anjou and her sons William III Taillefer, Count of Toulouse, and William II, Count of Provence.
With Rotbald, Ermengarde had two sons and a daughter:
Hugh, bishop of Lausanne (r. 1018–1037).
William III of Provence
Emma, who married William III Taillefer, Count of Toulouse, and thus brought the margravial title in Provence to the House of Rouergue.
Queen of Burgundy
After Rotbald's death (d. before 1011), Ermengarde married again. Her second husband, whom she married in 1011, was Rudolf III of Burgundy. Ermengarde and Rudolf were married until his death in 1032, but they had no children together.
On 24 April 1011 Rudolf issued two diplomas granting Ermengarde extensive property, including the town of Vienne, the royal castle of Pipet, the counties of Vienne and Sermorens, and all his possessions between Vienne and Lake Constance, as her dower.
In August 1011, Ermengarde intervened in Rudolf's diploma, granting Henry, bishop of Lausanne, rights over the county of Vaud.
The couple issued one diploma together, a donation to the monastery of Cluny in 1019. and Ermengarde intervened in many of Rudolf's other acts, including donations to the monastery of Saint-Martin de Savigny, and the Abbey of St. Maurice, Agaunum.
Acting independently, Ermengarde made a donation to Cluny for the sake of Rudolf's soul, and endowed the monastery of Saint-Martin de Savigny in 1031.
Succession of Burgundy
At Strasbourg in 1016, Rudolf III did homage to Emperor Henry II. At the same time, Ermengarde entrusted her sons Hugh and William to Henry II's care. Henry called Hugh and William his "beloved vassals (dilectus sibi militibus), and granted them the fiefs of Otto-William, Count of Burgundy, who had rebelled against Henry.
After Rudolf's death in September 1032, Ermengarde and her son Hugh arranged for the transfer of the crown of Burgundy and the Holy Lance to Emperor Conrad II. In January 1033, Ermengarde, and her advocate (and possible relative) Humbert of Savoy, and others, do homage to Conrad II at Zurich. The actions of Ermengarde and Humbert of Savoy ensured the permanent bond between Burgundy and Germany.
Notes
References
Paul Lullin and Charles le Fort, eds., Régeste Genevois ou répertoire chronologique et analytique des documents imprimés relatifs à l'histoire de la ville et du diocèse de Genève avant l'année 1312 (Geneva, 1866).
Léon Menabrea, De la marche des études historiques en Savoie et en Piémont, depuis le xive siècle jusqu'à nos jours, et des développements dont ces études sont encore susceptibles (Puthod, 1839).
Joseph Dessaix, La Savoie historique, pittoresque, statistique et biographique (Slatkine, 1854; rpt. 1994).
Laurent Ripart, Les fondements idéologiques du pouvoir des comtes de la maison de Savoie (de la fin du Xe siècle au début du XIIIe siècle (unpublished PhD thesis, Université de Nice, 1999).
Laurent Ripart, 'Le diocèse de Belley comme foyer de la principauté savoyarde,' Le Bugey, 102 (2015), 51-64.
Francois Demotz, 'Aux origines des Humbertiens: les Rodolphiens et le royaume de Bourgogne,' in Aux origines des Humbertiens: les Rodolphiens et le royaume de Bourgogne (Ripaille, 2003), pp. 26–43.
Francois Demotz, L'An 888. Le Royaume de Bourgogne. Une puissance européenne au bord du Léman (Lausanne, 2012).
Eliana Magnani, 'Monastères et aristocratie en Provence - milieu Xe - début XIIe siècle,' Vita Regularis. Ordnungen und Deutungen religiosen Leben im Mittelalter
Martin de Framond, 'La succession des comtes de Toulouse autour de l'an mil (940-1030): reconsidérations,' Annales du Midi: revue archéologique, historique et philologique de la France méridionale vol. 105 no. 204 (1993).
Georges de Manteyer, Les chartes du pays d'Avignon (439-1040) (Mâcon, 1914).
Georges de Manteyer, La Provence du premier au douzième siècle : études d'histoire et de géographie politique, Volume 1 (Picard, 1908),
Joseph Berge, Les erreurs de l'Histoire. Origines rectifiées des Maisons Féodales (Menton, 1952).
D. Schwennicke, Europäische Stammtafeln: Stammtafeln zur Geschichte der Europäischen Staaten, Neue Folge, vol. II (Marburg, 1984).
Christian Sorrel, Histoire de la Savoie en images (2006).
Charles William Previte-Orton, The Early History of the House of Savoy, 1000-1233 (Cambridge, 1912).
Queens consort of Burgundy
Countesses of Provence
11th-century women from the Holy Roman Empire
990s births
11th-century deaths
Remarried royal consorts |
```xml
// *** WARNING: this file was generated by test. ***
// *** Do not edit by hand unless you're certain you know what you are doing! ***
// Export sub-modules:
import * as tree from "./tree";
export {
tree,
};
export const CloudAuditOptionsLogName = {
/**
* Default. Should not be used.
*/
UnspecifiedLogName: "UNSPECIFIED_LOG_NAME",
/**
* Corresponds to "cloudaudit.googleapis.com/activity"
*/
AdminActivity: "ADMIN_ACTIVITY",
/**
* Corresponds to "cloudaudit.googleapis.com/data_access"
*/
DataAccess: "DATA_ACCESS",
/**
* What if triple quotes """ are used in the description
*/
Synthetic: "SYNTHETIC",
} as const;
/**
* The log_name to populate in the Cloud Audit Record. This is added to regress pulumi/pulumi issue #7913
*/
export type CloudAuditOptionsLogName = (typeof CloudAuditOptionsLogName)[keyof typeof CloudAuditOptionsLogName];
export const ContainerBrightness = {
ZeroPointOne: 0.1,
One: 1,
} as const;
export type ContainerBrightness = (typeof ContainerBrightness)[keyof typeof ContainerBrightness];
export const ContainerColor = {
Red: "red",
Blue: "blue",
Yellow: "yellow",
} as const;
/**
* plant container colors
*/
export type ContainerColor = (typeof ContainerColor)[keyof typeof ContainerColor];
export const ContainerSize = {
FourInch: 4,
SixInch: 6,
/**
* @deprecated Eight inch pots are no longer supported.
*/
EightInch: 8,
} as const;
/**
* plant container sizes
*/
export type ContainerSize = (typeof ContainerSize)[keyof typeof ContainerSize];
``` |
Pachomius I (), (? – 1513) was Ecumenical Patriarch of Constantinople from 1503 to 1513, except for a short period in 1504.
Life
Before his election as Patriarch of Constantinople, Pachomius was Metropolitan of Zichna. When Patriarch Joachim I was deposed in 1502, the rulers of Wallachia, quite influential on the affairs of the Church of Constantinople, sponsored the election of the old Nephon II, who refused. Thus they transferred their support to Pachomius, who was elected in early 1503. His first reign lasted only about one year, because in early 1504 Joachim I returned to the throne after a payment of 3500 gold pieces to the Sultan.
Joachim died shortly later during a travel in Wallachia and so in autumn 1504 Pachomius, always supported by the rulers of Wallachia, returned to the throne. The second reign of Pachomius lasted about nine years, a long period in comparison with the reigns of the patriarchs in the 15th century.
The main issue during Pachomius' patriarchate was the case of the Cretan scholar Arsenius Apostolius. In 1506 the Roman Curia appointed Arsenius as Eastern Rite bishop of Monemvasia, at that time part of the overseas domains of the Venetian Republic. Arsenius declared himself in communion both with the Patriarch of Constantinople and with the Catholic Church. This position was untenable for the Church of Constantinople and Pachomius invited Arsenius to abdicate. The issue went on for more than two years until June 1509 when Pachomius excommunicated Arsenius, who retired to Venice.
During the last year of his patriarchate, Pachomius visited Wallachia and Moldavia. On the way back, already in Selymbria, Pachomius was poisoned by Theodolus, a monk at his service. Pachomius died immediately, in early 1513.
Notes
External links
Historia politica et patriarchica Constantinopoleos, Cap XV: P. Pachomius, (trans. Martin Crusius, 1584) Primary source.
16th-century Eastern Orthodox bishops
16th-century Ecumenical Patriarchs of Constantinople
Assassinated religious leaders
Deaths by poisoning
15th-century births
1513 deaths
16th-century Greek people
16th-century assassinated people |
The men's basketball tournament at the 2015 SEA Games was held in Kallang, Singapore at the OCBC Arena Hall 1 from 9 to 15 June.
made their international debut, after being accepted to FIBA in 2013.
The defended its gold medal for the tenth straight time.
The official detailed schedule for the tournament was announced on 30 April 2015.
Draw
The draw was held on 30 April 2015 at the OCBC Arena Hall 1 during the 2015 SEABA Championship. First seed were grouped with , and . Second seed and third seed were grouped with , and . The groups were determined via the teams' performance in the 2013 games; the only teams that did not participate in 2013, and , were put to a draw. Singapore coach Neo Beng Siang was satisfied with the draw, pointing out that they avoided the Philippines and Malaysia until the knockout round.
Team rosters
At the start of tournament, all nine participating countries had up to 12 players on their rosters.
Competition format
The preliminary round will be composed of two groups of either four or five teams each. Each team will play the teams within their group. The top two teams per group will advance to the knockout round. The other teams qualify to the classification round.
Classification round:
5th place: Third place teams play for fifth place.
7th place: Fourth place teams play for seventh place.
8th place: Fifth place team in Group B play for ninth place against the loser of the seventh place match.
The knockout round is a single-elimination tournament, with a consolation game for the semifinals losers. In the knockout round, the winner of the third place game wins the bronze medal; the loser in the final is awarded the silver medal, while the winner wins the gold medal.
Results
All times are Singapore Standard Time (UTC+8)
Preliminary round
Group A
The Philippines won all three preliminary round games, including a 105-point victory against debutants Timor-Leste. The game between Indonesia and Malaysia determined the other semifinalist from this group, a game where Indonesia came from behind to win handily.
Group B
Singapore won all four games to top the group, including the game against Thailand where Singapore closed out the third quarter with a 5–0 run to seal the win. The game determined which team will top the group. Cambodia, Vietnam and Myanmar were all eliminated from contention.
Classification round
7th place match
5th–6th place match
8th–9th place match
Knockout round
Semifinals
The Thais opened the semifinals against the Philippines with an 11-point lead at halftime, the first time in the tournament that the Filipinos found themselves trailing at that point. Almond Vosotros scored on several three-pointers to help the Philippines trim the deficit. Kiefer Ravena scored on a three-point shot of his own with 16.5 seconds remaining in the game to advance to the gold medal game.
In their semifinal, Mario Wuysang led indonesia to a 12-point lead at halftime. The Singaporeans were frustrated by poor shooting. At the start of the third quarter, Indonesia lead increased to 19 points. However, Desmond Oh was taken out of the game due to a suspected concussion, and Singapore never had a fourth quarter run that saw Indonesia winning the game to face the Philippines for the gold medal.
Bronze medal match
In the bronze medal game, the game started with both teams deadlocked after the first period. Thailand outscored the hosts in the second quarter to lead by six at the half. Singapore caught up with the Thais tying the game anew early in the fourth quarter at 41-all. The teams traded baskets, but Singapore converted several free-throws to seize a 5-point lead. Singapore maintained the lead until the end of the game to win the bronze medal.
Gold medal match
Earlier in the tournament, the Philippines defeated Indonesia 81–52. The Filipinos started the game with a 7-point lead in the first quarter, and controlled the game until Indonesia had a 9–1 run midway through the fourth quarter to cut the lead to three. Ravena scored on a dunk to restore the five-point lead, and Mark Belo converted a couple of free-throws late in the fourth quarter to win the country's 29th gold medal in 2015 games, and the 17th gold medal out of 18 men's basketball tournaments.
Final standings
See also
Women's tournament
References
Men
2014–15 in Philippine basketball
2014–15 in Malaysian basketball
2014–15 in Indonesian basketball
2014–15 in Thai basketball
2014–15 in Singaporean basketball
2014–15 in Vietnamese basketball
2015 in Burmese sport
2015 in Cambodian sport
2015 in East Timorese sport |
Virginia's elections of 1869 occurred during the post-American Civil War Reconstruction Era and included African-American candidates and so-called "carpetbaggers", politicians from the North, often former Union Army officers, who ran in elections in southern states then under the authority of the Federal government and U.S. Army. The election included the 1869 Virginia gubernatorial election held on July 6, 1869, to elect the governor of Virginia. Gilbert Carlton Walker was elected as a "True Republican" defeating H. H. Wells, who was running as a "Radical Republican." Walker switched his party affiliation to Democratic in 1870.
Elections results brought 21 African Americans to office in the Virginia House of Delegates and six to the Virginia State Senate. Thomas Bayne was a party leader among the African-American group, although he lost the election when a White Republican ran against him in the same election, splitting the vote and allowing a Democrat to win.
Gubernatorial election results
References
1869
Virginia
gubernatorial
July 1869 events |
Hunyadfalva is a small village in Jász-Nagykun-Szolnok county, in the Northern Great Plain region of central Hungary.
Geography
It covers an area of .
Population
It has a population of 230 people (2002).
Populated places in Jász-Nagykun-Szolnok County |
University of the Holy Land is a Christian university in Jerusalem.
History
The University was founded in 1986 by Dr. Stephen J. Pfann and Dr. Claire Pfann, who are known for their archaeological work on the Dead Sea Scrolls. Claire Pfann is a leading expert in biblical archeology and expert on early Christianity at the University of the Holy Land in Jerusalem, where she lives.
References
External links
1986 establishments in Israel
Christian universities and colleges in Israel
Education in Jerusalem
Universities and colleges in Jerusalem |
```python
`Dictionary` - standard mapping type
`Dictionary` view objects
Your own Python `calendar`
When `range` comes in handy
Best way to implement a simple `queue`
``` |
```java
Common mistake on switch statements
Metadata: creating a user-defined file attribute
Detect or prevent integer overflow
Do not perform bitwise and arithmetic operations on the same data
Limit Accessibility of `Fields`
``` |
The Amsterdam-based foundation for International Research on Working Children (IREWOC) was established in 1992 in order to generate more research on child labour. It has developed into a professional organization which is closely in touch both with the academic world and with development practitioners. IREWOC looks at the issue of child labour from the perspective of child rights and with a focus on the socio-cultural and economic environment.
It seeks to understand the reasons, based on economic necessity, why many children work, and takes a strong position in favour of abolition while making a distinction between (light forms of) child work and child labour.
The IREWOC research staff has conducted worldwide anthropological research on various aspects related to child labour. Major projects that have been concluded are on Working Children and Agency, Child Labour Unions, Child Labour Migration and Deprived Children and Education. The focus presently is on the worst forms of child labour. Intensive research is going on in a dozen of countries across the developing world. Research is conducted with the policy implications in view (https://web.archive.org/web/20070929021731/http://www.childlabour.net/docs/GIEPublicatie.pdf)
The IREWOC director, Dr. G.K. Lieten, is the professor of Child Labour Studies at the University of Amsterdam and at the International Institute of Social History. His inaugural address deals with the historical, sociological and ideological aspects of child labour.
External links
Official website
Child labour-related organizations
Organizations established in 1992 |
```go
//go:build filament && windows
// +build filament,windows
/*
* path_to_url
* All Rights Reserved.
*
*
* path_to_url
*
* Unless required by applicable law or agreed to in writing, software
* WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
*/
package cpython
/*
#include "api.h"
*/
import "C"
import "unsafe"
// PyUnicodeFromString creates the Python Unicode object from the Go string.
func PyUnicodeFromString(s string) *PyObject {
u := C.CString(s)
defer C.free(unsafe.Pointer(u))
return &PyObject{rawptr: C.PyUnicode_FromString(u)}
}
``` |
Joseph Lawson (1881–1964) was a British trainer of racehorses. Lawson rose from a position on the staff at Alec Taylor Jr.'s stable to become one of the most successful British trainers of the mid 20th century. He trained the winners of twelve British Classic Races and was British flat racing Champion Trainer on two occasions.
Background
Joseph Lawson was born in 1881 at Boldon Gint, near Marsden, County Durham. He worked as a farm labourer before beginning a career in horse racing.
Early career
Lawson began his career as an apprentice jockey to his local trainer Thomas Barrasford at Marsden Hall. He began riding in races in 1897, but his career as a jockey was brief one, as his rising weight made him uncompetitive. He moved to Wiltshire where he joined the staff at the stables of Alec Taylor Jr. at Manton. Lawson eventually took on the role travelling head lad, meaning that he was responsible for the condition and welfare of horses at race meetings when Taylor himself could not be present. He was later designated assistant trainer and when Taylor retired in 1927, Lawson took over as the trainer at Manton.
Training career
Lawson inherited the patronage of several leading owners from Taylor and attracted several others. In his second full season of training he sent out Lord Astor's filly Pennycomequick to win the Epsom Oaks. Two years later, Lawson's stable won £93,899 in prize money, setting a record which stood for 26 years and giving him his first trainers' championship. His biggest winners that season were the Ascot Gold Cup winner Trimdon and the champion two-year-old Orwell. Lawson's success continued through the 1930s, with his other major winners including Pay Up (2000 Guineas), Rhodes Scholar (Eclipse Stakes), Exhibitionnist and Galatea. The successes of Pay Up and Rhodes Scholar in 1936 gave Lawson his second trainers' title.
During the Second World War, Lawson's team was strengthened by the arrival of the horses owned by Lord Glanely, who closed down his private stable at the outbreak of hostilities. Lawson's wartime winners included the 2000 Guineas winners Kingsway and Court Martial and Glanely's filly Dancing Time, which won the 1000 Guineas in 1941.
In 1945, Lawson left Manton after being advised by doctors that he needed to "restrict his activities". Instead of retiring however, he relocated to Newmarket at the age of 66, where he took over the running of the Carlburg stable in 1947. Seven years later, Lawson recorded the most important victory of his training career when Never Say Die won the 1954 Epsom Derby.
Retirement
Lawson retired from training in 1957 and lived at Newmarket until his death in 1964.
References
1881 births
1964 deaths
British racehorse trainers |
```java
/*
* or more contributor license agreements. See the NOTICE file
* distributed with this work for additional information
* regarding copyright ownership. The ASF licenses this file
*
* path_to_url
*
* Unless required by applicable law or agreed to in writing,
* "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY
* specific language governing permissions and limitations
*/
package org.apache.pulsar.broker;
/**
* Enum with different policies do apply when brokers are loosing session with metadata service.
*/
public enum MetadataSessionExpiredPolicy {
reconnect,
shutdown,
}
``` |
The Jebel Ali refinery was constructed from 1996 to 1999. It is located in Dubai and operated by the Emirates National Oil Co. (ENOC), which is owned by the Government of Dubai. It is a 120 kbpd gas condensate refinery, and processes mainly condensate or light crude oil. These inputs are processed to various products, including LPG, naphtha, jet fuel, diesel fuel and fuel oil. The plant consists of two 60 kbit/s condensate distillation units (often referred to as condensate splitters) and five merox sweetening units.
An upgrade - costing $850 million (US) - was implemented in 2010 for the production of reformat and low-sulfur naphtha through installation of a reformer and a hydrotreater. In 2014, a contract for a new upgrade project was awarded to KBR. The upgrade will lead to the production of Euro V grade products.
See also
Oil refinery
Petroleum
List of oil refineries
External links
Refinery history and details
Oil refineries in the United Arab Emirates |
Civilization: The Card Game is a card game designed by Civilization IV lead designer Soren Johnson, based on Civilization IV. It was developed in 2006 by Firaxis Games, as a bonus in the Sid Meier's Civilization Chronicles boxed set (a collection of every Civilization series game up to that point), and is not available independently.
Overview
Civilization: The Card Game simulates the rise of empires as in the computer game Civilization. Players will collect resources, obtain plots of land, construct Buildings and Wonders, discover Technologies, and fight each other on their way to victory. The game ends when the final Technology is bought. The player with the most Victory Points (one each per Wonder, Technology, and Population) is declared the Winner, with tiebreakers found in number of technologies, and then number of populations acquired, and then the number of Wonders.
Gameplay
Card Types
Plot Cards provide the basis for the game's economy. The cards each show a symbol ("Coin" for commerce, "Hammer" for production, and "Wheat" for food) and a number. Each turn, players will get the yield specified on each card plus bonuses for population cards on that plot. Players begin with four plot cards, but additional plot cards can be purchased for 15 resources (any combination of the three resources totaling 15) for the fifth plot, and then increasing by an additional 5 resources thereafter. (The sixth plot costs 20, seventh 25, and so on). Each plot may hold one "building" card (i.e. Library, Forge, Pyramids) unless the player has the Engineering technology or three Population Cards on that plot, in which case it can hold two Buildings. At any given time, there should be three plot cards shown face up that are available for purchase.
Resource Cards are used to purchase things in game. Food is used to purchase new population cards, Hammers are for purchasing buildings and wonders, and Commerce (coins) are for purchasing new technologies. Any resource combination may be used to purchase new plots of land. Resources may be traded with the bank at a 3:1 ratio. Resources are also found on cards drawn from the play deck, and are used in the same manner as regular resource cards.
Population Cards represent the population of a player's empire. Each population card is worth one victory point. Population cards are assigned to individual plots and remain there until either the end of the game or until they are stolen away in combat. Each population card is purchased at an escalating price relative to the plot it's for. A plot with no population cards may add a population card for 6 food, a second for 8, a third for 10, and so on. There are no rules about evenly distributing populations and it is entirely possible to put all populations onto the same card.
When plot resource yields are calculated, each population card provides one additional resource of a type that the plot could produce. Thus, a plot with three population that produces 1 Food and 1 Hammer will produce an additional combination of Food and Hammers totaling to three. (2 Foods & 1 Hammer, 3 Foods, etc.). Having three or more populations on a plot also allows the plot to hold two buildings.
Technology Cards
Technology Cards each count as one victory point and provide bonuses or additional functionalities that are exclusive to the player that purchased the Technology. Engineering, for example, allows a player to place two buildings on every plot regardless of the number of population cards on it. Mining allows a one-time bonus of one production per plot.
Military Cards
Military Cards are drawn from the deck and are only used to either attack another player during the Combat step, or in response to another player attacking you during their Combat step. They are kept hidden in a player's hand any other time. Each Military Card shows a specific type of unit found in the computer game, and specifies its traits. Some units (Archers, Spearmen, Axemen) can defend, and others (Chariot, Swordsmen, Spearment, Axemen) can attack. Each card also specifies details about how it can participate in combat.
Building Cards
Building cards are drawn from the deck and reflects a building found in the computer game. Each card has a purchase price that is paid in Hammers, and also an "effect" that happens once the building is purchased and placed on a plot of land. A Granary, for example, causes its plot to produce twice its base production of food. Other buildings, such as Libraries or Monasteries will grant the controller Culture points and/or reduce the cost of purchasing Technology cards. Buildings and Wonders are limited to one (total) per plot of land unless that plot has either 3 or more population or the player controls the Engineering technology. Buildings can be destroyed in combat by Swordsmen and Axemen. When destroyed, a building returns to its controller's hand and must be re-purchased to build it again.
Wonder Cards
Wonder cards are drawn from the deck and reflect the wonders found in the computer game. Wonders are worth one victory point each. Like buildings, each wonder has a purchase price that is paid in Hammers, and an "effect" that happens once the Wonder is placed on a plot of land. Wonders cannot be destroyed by an opponent.
Game Concepts
Victory Points are used for determining the winner of the game when the last technology is purchased. Victory points are granted one at a time by each population card, Wonder, and Technology owned and active. They are denoted by a light blue circle with a crown icon and a numeral "1" superimposed.
Culture is determined for each player by totaling up any technologies, wonders, and buildings they have that grant culture. Culture is denoted by a purple musical note symbol and a number specifying how many "culture points" it is worth. A player with the highest culture that is also greater than 2 receives the "Highest culture" status. "Highest Culture" lets a player draw and discard one additional card during their draw step.
Happiness is determined in a similar fashion to culture, but with yellow "happy face" icons instead of musical notes. Having the highest happiness score of all players (minimum 2) grants the "Highest Happiness" status, which reduces that players technology and building AND Wonder cost by 1.
Game Setup
All cards should be separated into their respective groups and shuffled. Resource cards should be sorted and set aside, along with population cards.
Plot Cards
Beginning with the player to the left of the dealer, each player is dealt two Plot cards, face-up, randomly from the Plot card deck. Once those plots are dealt out, the dealer places a number of plot cards, one per player, in the middle of the play area face up. Beginning with the player to the left of the dealer, each player "drafts" one of the face up plots. Another set of plot cards are placed face-up on the table and this time the dealer drafts first and proceeds back in the opposite direction, with the player seated to the left of the Dealer receiving the last plot.
With plots distributed, three more plots are dealt face up but this time set aside. Three technology cards are now dealt face up and set aside, next to the land plots. These are all available for purchase during each player's turn. As each one is purchased, it should be replaced so that there are always three of each available. If there are less than three of either type remaining, then display the remaining cards of that type.
Population
Each player receives one free population card, to be placed on a plot of their own choosing.
Initial Hands
Beginning with the player to the left of the dealer, that player draws 6 cards from the play deck. The next player draws 7, the third player (if present) draws 8, and the fourth player (if present) draws 9. All players, in that same order, then immediately discard 2 of the cards drawn. Play begins with the player to the left of the Dealer.
Turn Sequence
Collect Resource Cards
The current player first collects the yield shown on each of his plot cards. If there are any modifiers from buildings or technologies, those are collected. If the player has any populations on his cards, he may take one additional resource per population. The additional resource must be of a type produced by that plot. If there are multiple populations on one plot, the player may mix and match the bonus resources provided by populations provided that the total bonus equals the number of populations and that the resources are that which the plot can yield.
Purchasing
The current player may play buildings or wonders from their hand by paying the cost in hammers, minus any modifiers they may have due to technologies, happiness or wonders. The player may also choose to purchase a face up technology, additional population, or an additional plot of land.
Population: The player selects which plot they wish to add a population to. The cost for a new population is calculated as: 6 + 2P where "P" is the number of populations currently on that plot.
Plots of Land: The player first counts the number of plots they currently possess, and cost is determined by: 15 + 5(P - 4) where "P" is the number of plots they currently have.
Technology, Buildings, Wonders: Calculated by taking the base cost found on each individual card, and subtracting any bonuses from buildings, technologies, wonders, or "Highest Happiness".
Combat
The current player may optionally engage in combat with adjacent players. The attacking player may attack either adjacent player, or both, by sending at least one attacking unit at each defending player. Combat proceeds like this (Current player is called "Attacker". Players being attacked are referred to collectively as "Defenders". Players not being attacked do not participate in combat.):
Attacker declares which units are attacking (played from hand) and designates one defender for each attacker. A defender may be attacked by some or all of the units, and units do not need to be evenly distributed across defenders.
Resolve Walls:
If the Attacker is attacking with a catapult, and the defending player possesses city walls, the City Walls are destroyed (returned to the player's hand) and the catapult is discarded. This does not apply to the Great Wall. This may be repeated if the defender possesses more than one City Walls and the Attacker attacked with more than one catapult.
If any City Walls remain or a defender has the Great Wall in play, that defender chooses one attacking unit "per City Walls they still have in play" and that unit is "bounced" back to the attackers hand for the duration of the attacker's turn. Repeat this for each City Walls and/or Great Wall that the defender has. City Walls remain in play even after "bouncing" an attacking unit.
Beginning with the first defender to the attacker's left, each defender plays any defending units from their hand. All defense assignments must be legal (i.e. Swordsman cannot defend at all, and Spearmen cannot defend against anything other than Chariots). The defender may choose not to defend the attackers and accept the full brunt of the attack -- players are not required to defend. Players may not play more defenders than necessary, nor may they defend for other players.
Once all defenders have played their defending units (if any), all attacking units that are blocked by defending units, as well as the defending units themselves, are all discarded from combat to the discard pile.
If there are any remaining attackers, follow the instructions on the card to determine the damage. Some units steal population, others destroy buildings. In either case, it is the defender's choice how the damage is applied. (i.e. they choose which population is stolen and which building is destroyed, if any) Destroyed building are returned to the defender's hand, stolen populations are given to the attacker. The attacker determines on which plot the new populations are placed. If an attacking unit has abilities that cannot be executed (such as "Destroy a Building" against a player with no buildings remaining) the unit performs what it can and ignores any impossible instructions.
After combat, all units that participated in combat are now discarded to the discard pile.
Draw and Discard
The player declares the end of their turn, draws 4 cards from the Play Deck and adds them to their hand. Then, they review their hand in its entirety and discard two cards from it to the discard pile. The Astronomy technology allows an additional card to be drawn. Highest Culture allows an additional card to be drawn, at the cost of also discarding an additional card.
Discrepancies and unclear rules
Some of the cards or rules are unclear about their implementation, and currently no rules errata exists and no word is available from Soren Johnson, Firaxis, or 2k Games that any errata is forthcoming.
Writing and Code of Laws
Cards such as Writing (Steal one random card from opponent's hand) and Code of Laws (Steal three resources from an opponent) make no provisions about when they can be played. It can be assumed that it's only OK to do these things during a player's own turn, but the rules are not explicit in this either way.
References
External links
Card games introduced in 2006
Dedicated deck card games
Card game |
```yaml
---
io:
devise:
confirmations:
confirmed: Tua konto konfirmesas.
send_instructions: Tu recevos instrucioni por konfirmar tua konto pos kelka minuti.
send_paranoid_instructions: Se tua retpost-adreso existas en nia datumbazo, tu balde revecos retpost-mesajo, qua kontenas la instrucioni por konfirmar tua konto.
failure:
already_authenticated: Tu ya esas enirinta.
inactive: Tua konto ankore ne konfirmesas.
invalid: Nejusta %{authentication_keys}.
last_attempt: Tu ankore povas probar unfoye ante ke tua konto esos extingita.
locked: Tua konto esas extingita.
not_found_in_database: Nejusta %{authentication_keys}.
pending: Vua konti ankore kontrolesas.
timeout: Vua kunsido expiris. Voluntez rienirar por avancar.
unauthenticated: Tu devas enirar o membreskar por durar.
unconfirmed: Tu devas konfirmar tua konto por durar.
mailer:
confirmation_instructions:
action: Verifikez retpostadreso
action_with_app: Konfirmez e retrovenez a %{app}
explanation: Vu kreis konto che %{host} per ca retpostadreso. Vu povas facile aktivigar lu. Se vu ne agis lu, ignorez ca retposto.
explanation_when_pending: Vu aplikis por ganar invito a %{host} per ca retpostkonto. Pos vu konfirmas vua retpostkonto, ni kontrolos vua apliko. Vu povas enirar por chanjar vua detali o efacar vua konto, ma vu ne povas acesar maxim de funcioni til vua konto aprobesas. Se vua apliko refuzesas, vua informi efacesos, do plusa ago ne bezonesos de vu. Se vu ne agis lu, ignorez ca retposto.
extra_html: Anke videz <a href="%{terms_path}">reguli di la servilo</a> e <a href="%{policy_path}">nia servokondicioni</a>.
subject: Instrucioni por konfirmar %{instance}
title: Verifikez retpostadreso
email_changed:
explanation: 'Retpostadreso di vua konto chanjesas a:'
extra: Se vu ne chanjesis vua retpostadreso, nulu posible acesis vua konto. Chanjez vua pasvorto quik o kontaktez serviladministratero se vu ne povas enirar vua konto.
subject: 'Mastodon: Retpostadreso chanjesis'
title: Nova retpostadreso
password_change:
explanation: La pasvorto di vua konto chanjesis.
extra: Se vu ne chanjesis vua pasvorto, nulu posible acesis vua konto. Chanjez vua pasvorto quik o kontaktez serviladministratero se vu ne povas enirar vua konto.
subject: Tua pasvorto chanjesis senprobleme.
title: Pasvorto chanjesis
reconfirmation_instructions:
explanation: Konfirmez la nova adreso por chanjar vua retpostadreso.
extra: Se ca chanjo ne komencesis da vu, ignorez ca retposto. La retpostadreso por konto di Mastodon ne chanjesos til vu acesas la supera ligilo.
subject: 'Mastodon: Konfirmez retpostadreso por %{instance}'
title: Verifikez retpostadreso
reset_password_instructions:
action: Chanjez pasvorto
explanation: Vu demandis nova pasvorto por vua konto.
extra: Se vu ne demandas co, ignorez ca retposto. Vua pasvorto ne chanjesas til vu acesas la supera ligilo e kreas novo.
subject: Instrucioni por chanjar la pasvorto
title: Richanjo di pasvorto
two_factor_disabled:
subject: 'Mastodon: 2-faktorverifiko deaktivigesis'
title: 2FA deaktivigesis
two_factor_enabled:
subject: 'Mastodon: 2-faktorverifiko aktivigesis'
title: 2FA aktivigesis
two_factor_recovery_codes_changed:
explanation: Antea rigankodexi devalidesis e novo facesis.
subject: 'Mastodon: 2-faktorrigankodexi rifacesis'
title: 2FA-rigankodexi chanjesis
unlock_instructions:
subject: Instructioni por riacendar la konto
webauthn_credential:
added:
explanation: Ca sekurklefo insertesis a vua konto
subject: 'Mastodon: Nova sekurklefo'
title: Nova sekurklefo insertesis
deleted:
explanation: Ca sekurklefo efacesis de vua konto
subject: 'Mastodon: Sekurklefo efacesis'
title: 1 de vua sekurklefi efacesis
webauthn_disabled:
subject: 'Mastodon: Verifiko per sekurklefi deaktivigesis'
title: Sekurklefi deaktivigesis
webauthn_enabled:
subject: 'Mastodon: Sekurklefverifiko aktivigesis'
title: Sekurklefi aktivigesis
omniauth_callbacks:
failure: 'Ni ne povis autentikigar tu per %{kind}: ''%{reason}''.'
success: Autentikigita senprobleme per %{kind}.
passwords:
no_token: Tu ne povas irar a ta pagino per altra voyo kam retpost-mesajo por chanjar pasvorto. Se tu venas de tala retpost-mesajo, kontrolez ke tu uzis la tota URL.
send_instructions: Tu recevos retpost-mesajo kun instrucioni por chanjar tua pasvorto pos kelka minuti.
send_paranoid_instructions: Se tua retpost-adreso existas en nia datumbazo, tu recevos ligilo por chanjar tua pasvorto per retpost-mesajo.
updated: Vua konto sucese chanjesis. Vu nun eniras.
updated_not_active: Tua pasvorto redaktesis senprobleme.
registrations:
destroyed: Til! Tua konto efacesis senprobleme. Ni esperas rividar tu balde.
signed_up: Bonveno! Tu membreskis senprobleme.
signed_up_but_inactive: Tu bone membreskis, ma tu ankore ne povas enirar pro ke tua konto ne konfirmesis.
signed_up_but_locked: Tu bone membreskis, ma tu ne povas enirar pro ke tua konto extingesis.
signed_up_but_pending: Mesajo kun konfirmoligilo sendesis a vua retpostadreso. Pos vu kliktas la ligilo, ni kontrolos vua apliko. Vu notifikesos se ol aprobesas.
signed_up_but_unconfirmed: Retpost-mesajo kun tua ligilo por konfirmar tua konto sendesis a tua retpost-adreso. Voluntez uzar ta ligilo por konfirmar tua konto.
update_needs_confirmation: Tu vone aktualigis tua konto, ma ni bezonas kontrolar tua nova retpost-adreso. Voluntez kontrolar tua retpost-mesaji ed uzar la ligilo por konfirmar tua nova retpost-adreso.
updated: Tua konto aktualigesis senprobleme.
sessions:
already_signed_out: Ekirinta.
signed_in: Enirinta.
signed_out: Ekirinta.
unlocks:
send_instructions: Tu recevos retpost-mesajo kun instrucioni por riacendar tua konto pos kelka minuti.
send_paranoid_instructions: Se tua retpost-adreso existas en nia datumbazo, tu recevos ligilo por riacendar tua konto per retpost-meajo.
unlocked: Vua konto desklefagesis senprobleme. Voluntez enirar por avancar.
errors:
messages:
already_confirmed: ja konfirmesis, voluntez probar enirar
confirmation_period_expired: devas konfirmesar en %{period}, voluntez iterar
expired: expiris, voluntez repetar
not_found: ne trovesis
not_locked: ne extingesis
not_saved:
one: '1 eroro impedis a ta %{resource} konservesar:'
other: "%{count} erori impedis a ta %{resource} konservesar:"
``` |
```java
/*
* DO NOT ALTER OR REMOVE COPYRIGHT NOTICES OR THIS FILE HEADER.
*
*
* Subject to the condition set forth below, permission is hereby granted to any
* person obtaining a copy of this software, associated documentation and/or
* data (collectively the "Software"), free of charge and under any and all
* copyright rights in the Software, and any and all patent rights owned or
* freely licensable by each licensor hereunder covering either (i) the
* unmodified Software as contributed to or provided by such licensor, or (ii)
* the Larger Works (as defined below), to deal in both
*
* (a) the Software, and
*
* (b) any piece of software and/or hardware listed in the lrgrwrks.txt file if
* one is included with the Software each a "Larger Work" to which the Software
* is contributed by such licensors),
*
* without restriction, including without limitation the rights to copy, create
* derivative works of, display, perform, and distribute the Software and make,
* use, sell, offer for sale, import, export, have made, and have sold the
* Software and the Larger Work(s), and to sublicense the foregoing rights on
* either these or other terms.
*
* This license is subject to the following condition:
*
* The above copyright notice and either this complete permission notice or at a
* minimum a reference to the UPL must be included in all copies or substantial
* portions of the Software.
*
* THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
* IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
* FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
* AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
* LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
* OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
* SOFTWARE.
*/
package com.oracle.truffle.api;
import com.oracle.truffle.api.nodes.DirectCallNode;
import com.oracle.truffle.api.nodes.EncapsulatingNodeReference;
import com.oracle.truffle.api.nodes.IndirectCallNode;
import com.oracle.truffle.api.nodes.Node;
import com.oracle.truffle.api.nodes.RootNode;
/**
* Represents the target of a call. Call targets are created automatically from a {@link RootNode}
* by calling {@link RootNode#getCallTarget()}.
* <p>
* A call target allows the runtime to employ a compilation heuristic to trigger partial evaluation
* of the underlying {@link RootNode}, typically in the background. Additionally, calling a call
* target builds a guest language level {@link TruffleStackTrace stack trace} which can be inspected
* using {@link TruffleRuntime#iterateFrames(com.oracle.truffle.api.frame.FrameInstanceVisitor)} or
* {@link TruffleStackTrace#getStackTrace(Throwable)}.
* <p>
* Do not subclass {@link CallTarget} directly, as this interface is likely to become sealed in the
* future.
*
* @see RootNode
* @see DirectCallNode
* @see IndirectCallNode
* @since 0.8 or earlier
*/
public interface CallTarget {
/**
* Calls the encapsulated root node with the given arguments and returns the result.
* <p>
* By calling this method, the call location is looked up using
* {@link EncapsulatingNodeReference}. Use {@link #call(Node, Object...)} if the call location
* is already known.
* <p>
* Calling this method in partially evaluated code will allow it to get inlined if the receiver
* (this) is a {@link CompilerDirectives#isPartialEvaluationConstant(Object) pe-constant}. Call
* site {@link RootNode#isCloningAllowed() cloning} is only supported if a
* {@link DirectCallNode} is used instead.
*
* @param arguments The arguments passed to the call, as an object array.
* @return The result of the call.
* @see #call(Node, Object...)
* @since 0.8 or earlier
*/
Object call(Object... arguments);
/**
* Calls the encapsulated root node with an explicit call location and arguments, and returns
* the result.
* <p>
* This method should be preferred over {@link #call(Object...)} if the current location is
* known, as it avoids looking up the current location from a thread-local.
* <p>
*
* @param location A {@link Node} that identifies the location of this call. The location may be
* <code>null</code> if no location is available.
* @param arguments The arguments passed to the call, as an object array.
* @return The result of the call.
* @see #call(Object...)
* @since 24.1
*/
default Object call(Node location, Object... arguments) {
throw CompilerDirectives.shouldNotReachHere("callDirect not supported for this runtime");
}
}
``` |
"Fully Alive" is a song by American band Flyleaf. In November 2006, it was released as the second single from their debut album Flyleaf (2005). It is the third song of the band to have a music video which features the radio-edit instead of the album version.
Background
After the joint venture of A&M records and Octone Records, the debut album Flyleaf contains the radio-edit version of the song, replacing the album version. For unknown reasons, the music video features the radio edit instead of the album version. The radio-edit contains a variation of the guitar solo heard in the album version along with extra lyrics.
Track listing
Charts
References
2006 singles
Flyleaf (band) songs
2005 songs
Song recordings produced by Howard Benson
A&M Octone Records singles |
Vorstius or Vorst is a Dutch and German surname. Notable people with the surname include:
Aelius Everhardus Vorstius (1565-1624) Dutch physician, botanist and professor at Leiden University
Conrad Vorstius (1569–1622) German-Dutch heterodox Remonstrant theologian, and professor of theology at Leiden University.
Adolph Vorstius (1597–1663) Dutch physician and botanist, son of Aelius Everhardus
German-language surnames |
This is a list of Ukrainian football transfers summer 2018. Only clubs in 2018–19 Ukrainian Premier League are included.
Ukrainian Premier League
Arsenal Kyiv
In:
Out:
Chornomorets Odesa
In:
Out:
Desna Chernihiv
In:
Out:
Dynamo Kyiv
In:
Out:
Karpaty Lviv
In:
Out:
Lviv
In:
Out:
Mariupol
In:
Out:
Oleksandriya
In:
Out:
Olimpik Donetsk
In:
Out:
Shakhtar Donetsk
In:
Out:
Vorskla Poltava
In:
Out:
Zorya Luhansk
In:
Out:
References
Ukraine
Transfers
2018 |
The Mountain Goats discography includes a number of cassette-only releases from the 1990s, starting with Taboo VI: The Homecoming, the band's first release in 1991. The following is a list of cassette-only releases by the band.
Taboo VI: The Homecoming
While working as a psychiatric nurse in Southern California, the Mountain Goats frontman John Darnielle purchased a Panasonic boom box from Circuit City and began writing and recording, as well as playing small venues. After completing the album, Darnielle dispersed Taboo VI to his friends; one of which ended up in the hands of Dennis Callaci. It was then released by Callaci under his label Shrimper in 1992. Darnielle had no idea anyone except for his friends would hear Taboo VI: The Homecoming.
John Darnielle had this to say of the cassette:
"When I wrote and recorded Taboo VI, I had no idea that anyone outside
of a few friends would ever hear it; neither did I hope that anyone
outside of those friends would ever express any interest in it. A
couple of the things on it (Going to Alaska, Eleven Bands, Solomon
Revisited, the Hank Williams song) are things I'd stand by if pressed,
though I wish I'd've known how to sing better back when they were
recorded.
While I completely understand the collector's urge, I would
offer the following caveat to anyone trying to hunt down Taboo VI: it's
not what you think it is. Its successor, the Hound Chronicles, represented
an abrupt and total change in direction, and is the stylistic starting
point for all that followed. While I can't and wouldn't disown Taboo VI,
I'd like to offer this note of caution to those who like the later stuff
and are trying to get their hands on my first efforts: you probably won't
like it much, and if you pay an inflated price for it, you'll probably
feel cheated. Having said that, if you still feel inclined to hunt it
down, I do hope that you enjoy it on its own meager terms. It means
well and didn't want to hurt anyone.
Except for maybe that one guy.
I hate that guy."
Track listing.
The Hound Chronicles
The Hound Chronicles is the second cassette-only release of the Mountain Goats, released in 1992 on the Shrimper Records label. All songs are written by John Darnielle, except "Keep It on Your Mind" by Hank Williams. It was reissued on CD and as a digital download alongside Hot Garden Stomp on July 26, 2012. The song "Going to Kansas" was re-recorded for their 1996 album Nothing for Juice.
Transmissions to Horace
Transmissions to Horace is the third cassette-only release by The Mountain Goats, released in 1993. Each tape features a different cover. The cassette in its entirety appeared in 1999 as part of Bitter Melon Farm, which was re-released in 2002.
In 2013, it was revealed that additional songs were included in certain copies of the cassette. These songs are early recordings by The Extra Glenns, John Darnielle's other band, some of which possibly predate the recordings of Taboo VI: The Homecoming.
Hot Garden Stomp
Hot Garden Stomp is a 1993 cassette-only release by The Mountain Goats. All songs by John Darnielle except "Tell Me on a Sunday", written by Andrew Lloyd Webber. It was reissued on CD and as a digital download alongside The Hound Chronicles on July 26, 2012.
Taking the Dative
Taking The Dative is the fifth cassette-only release by The Mountain Goats, released by Car in Car Disco Records in 1994. The cassette in its entirety appeared on their compilation Ghana, which was released in 1999. According to John Darnielle, there is a bonus track on as few as one copy of the cassette, titled "8 to 20 on a Weapons Charge".
Yam, the King of Crops
Yam, the King of Crops is the sixth cassette-only release by the Mountain Goats, released in 1994. It was the last cassette released by the band until 2011, when they released All Survivors Pack as a preorder bonus for All Eternals Deck. It appears in its entirety on the Protein Source of the Future...Now! compilation CD.
The title and lyrics of the song "Two Thousand Seasons" come from the 1973 novel by Ghanaian writer Ayi Kwei Armah.
References
External links
Complete lyrics to Taboo VI: The Homecoming
Complete lyrics to The Hound Chronicles
Complete lyrics to Hot Garden Stomp
The Mountain Goats albums
Lists of albums by artist |
; ; HWV 17), commonly known as , is a dramma per musica (opera seria) in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas.
The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC.
Composition history
Giulio Cesare in Egitto was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzuna shine beyond all criticism – has been put on. The house was just as full at the seventh performance as at the first.
Handel revived the opera (with various changes) three times during his lifetime: in 1725, 1730, and 1732.
The roles of Cesare and Cleopatra were originally sung by the castrato Senesino and the famous soprano Francesca Cuzzoni respectively. Handel composed eight arias and two recitatives accompagnati for each singer, thus making full use of their vocal capabilities. Curio and Nireno were not allotted any arias in the original version, only singing in recitatives, although they take part in the first and final choruses. However, Handel composed an aria for Nireno for a later revival in 1730.
Although a caricature, the contemporary engraving of Senesino on the left, Francesca Cuzzoni and castrato Gaetano Berenstadt on the right, provides valuable information about the visual aspect of the original performances of Handel operas. The illustration is probably of a scene from Handel's Flavio, presented by the Royal Academy of Music in 1723, although it has sometimes been identified as a scene from Giulio Cesare. The elongated bodies of the castrati tower over Cuzzoni, who was described by Horace Walpole as "short and squat". The set is architectural and generic, not a specific locale, and the costumes for the men are also generic, with some inspiration from ancient Roman military attire; breastplates, armoured skirts and leg armour, combined with plumes on the headdresses. Such costumes were worn by the leading men in Handel operas whether the setting was ancient Rome or Gothic Europe. Cuzzoni, in contrast, wears a contemporary gown such as might have been suitable for presentation at court, with a dwarf to serve as her train-bearer.
Roles
For the first performances in 1724 Giulio Cesare was scored for 4 horns, 2 oboes, 2 alto recorders, 2 bassoons, transverse flute, first, second and third violins, violas, cello, viola da gamba, harp, theorbo and basso continuo
Synopsis
Place: Egypt
Time: 48–47 B.C.
As with most of his other operas, Handel made several revisions to the score of Giulio Cesare for revivals, adding new arias and cutting others. The listing of arias in this synopsis applies to the original 1724 version.
Abridged plot
Cesare, in pursuit of his enemy Pompeo, has followed him to Egypt. Pompeo's wife Cornelia pleads with Cesare to spare her husband. He is about to grant her plea, when the Egyptians led by their boy king Tolomeo bring him the head of Pompeo. Cornelia and Pompeo's son Sesto vow to avenge his death. Tolomeo's sister Cleopatra desires to depose her brother in order to become the sole ruler of Egypt. She joins Cornelia and Sesto in their plans for vengeance and entreats Cesare to aid her. Following her overtures, Cesare falls in love with Cleopatra. Her brother attempts to assassinate Cesare, but he escapes. It is reported to Cleopatra that Cesare has drowned while in flight. She is taken captive by her brother. Cesare, who has escaped drowning, enters to free his beloved. Tolomeo is slain by Sesto, because he forced himself upon Cornelia against her will. Cesare makes Cleopatra Queen of Egypt and returns to Rome.
Act 1
After the overture, the entire cast, except Giulio Cesare, gathers on stage for the opening chorus, a victory song which compares Cesare to Hercules. (Chorus: Viva, viva il nostro Alcide). Giulio Cesare and his victorious troops arrive on the banks of the River Nile after defeating Pompeo's forces. (Aria: Presti omai l'Egizia terra). Pompeo's second wife, Cornelia, begs for mercy for her husband's life. Cesare agrees, but on the condition that Pompeo must see him in person. Achilla, the leader of the Egyptian army, presents Cesare with a casket containing Pompeo's head. It is a token of support from Tolomeo, the co-ruler of Egypt (together with Cleopatra, his sister). Cornelia faints, and Cesare is furious about Tolomeo's cruelty. (Aria: Empio, dirò, tu sei). Cesare's assistant, Curio, offers to avenge Cornelia, hoping that she will fall for him and marry him. Cornelia rejects the offer in grief, saying that another death would not relieve her pain. (Aria: Priva, son d'ogni conforto). Sesto, son of Cornelia and Pompeo, swears to take revenge for his father's death. (Aria: Svegliatevi nel core). Cleopatra decides to use her charm to seduce Cesare. (Aria: Non disperar, chi sà?) Achilla brings the news to Tolomeo that Cesare was furious over the murder of Pompeo. Tolomeo swears to kill Cesare to protect his rule of the kingdom. (Aria: L'empio, sleale, indegno). Cleopatra (in disguise) goes to meet Cesare in his camp hoping that he will support her as the queen of Egypt. Cesare is amazed by her beauty. (Aria: Non è si vago e bello). Nireno notes that the seduction was successful. (Aria: Tutto può donna vezzosa). Meanwhile, Cornelia continues to mourn the loss of her husband. (Arioso: Nel tuo seno, amico sasso). Cornelia prepares to kill Tolomeo to avenge Pompeo's death, but is stopped by Sesto, who promises to do it instead. Cesare, Cornelia and Sesto go to the Egyptian palace to meet Tolomeo. (Aria: Cara speme, questo core). Cleopatra now believes that as she has turned Cesare, Cornelia and Sesto against Tolomeo successfully, the scales are tipped in her favour. (Aria: Tu la mia stella sei). Cesare meets Tolomeo, who offers him a room in the royal apartments, though Cesare tells Curio that he expects Tolomeo to betray him. (Aria: Va tacito e nascosto). Tolomeo is fascinated by Cornelia's beauty but has promised Achilla that he could have her. (Aria: Tu sei il cor di questo core). Sesto attempts to challenge Tolomeo, but is unsuccessful. When Cornelia rejects Achilla, he orders the soldiers to arrest Sesto. (Duet: Son nata a lagrimar).
Act 2
In Cleopatra's palace, while in disguise as "Lidia", she uses her charms to seduce Cesare. (Aria: V'adoro, pupille). She sings praises of Cupid's darts and Cesare is delighted. Cesare is smitten with Cleopatra, and Nireno tells Cesare that "Lidia" is waiting for him. (Aria: Se in fiorito ameno prato). In Tolomeo's palace, Cornelia laments her fate. (Arioso: Deh piangete, oh mesti lumi). Achilla pleads with Cornelia to accept him, but she rejects him. (Aria: Se a me non sei crudele) When he leaves, Tolomeo also tries to win her, but is also rejected. (Aria: Sì spietata, il tuo rigore). Thinking that there is no hope, Cornelia tries to take her own life, but is stopped by Sesto, who is escorted by Nireno. Nireno reveals the bad news that Tolomeo has given orders for Cornelia to be sent to his harem. However, Nireno also comes up with a plan to sneak Sesto into the harem together with Cornelia, so Sesto can kill Tolomeo when he is alone and unarmed. (Aria: Cessa omai di sospirare). Sesto enters the garden of the palace, wishing to fight Tolomeo for killing his father. (Aria: L'angue offeso mai riposa). Meanwhile, Cleopatra waits for Cesare to arrive in her palace. (Aria: Venere bella). Still smitten with her, Cesare arrives in Cleopatra's palace. However, Curio suddenly bursts in and warns Cesare that he has been betrayed, and enemies are approaching Cesare's chambers and chanting "Death to Cesare". Cleopatra reveals her identity and after hearing the enemies heading for them, asks Cesare to flee, but he decides to fight. (Aria: Al lampo dell'armi). (Chorus: Morà, Cesare morà). Cleopatra, having fallen in love with Cesare, begs the gods to bless him. (Aria: Se pietà di me non senti). In Tolomeo's palace, Tolomeo prepares to enter his harem. (Arioso: Belle dee di questo core). As Tolomeo tries to seduce Cornelia, Sesto rushes in to kill Tolomeo, but is stopped by Achilla. Achilla announces that Cesare (in the attempt to run from soldiers) has jumped from the palace window and died. Achilla asks again for Cornelia's hand in marriage but is turned down by Tolomeo. Furious, Achilla leaves. Sesto feels devastated and attempts to kill himself but is prevented from doing so by his mother; he repeats his vow to kill Tolomeo. (Aria: L'aure che spira).
Act 3
Furious at Tolomeo for being ungrateful to him despite his loyalty, Achilla plans to defect to Cleopatra's side (Aria: Dal fulgor di questa spada), but Tolomeo stabs him before he does. As battle rings out between Tolomeo's and Cleopatra's armies, Tolomeo celebrates his apparent victory against Cleopatra (Aria: Domerò la tua fierezza). Cleopatra laments losing both the battle and Cesare (Aria: Piangerò la sorte mia). However, Cesare is not dead: he survived his leap and is roaming the desert in search of his troops (Aria: Aure, deh, per pietà). While looking for Tolomeo, Sesto finds the wounded, nearly dead Achilla, who hands Sesto a seal authorizing him to command his armies. Cesare appears and demands the seal, promising that he will either save both Cornelia and Cleopatra or die (Aria: Quel torrente, che cade dal monte). With Cesare alive and Achilla dead, Sesto's spirits lift, and he vows to fight on (Aria: La giustizia ha già sull'arco). Cesare continues on to Cleopatra's camp, where a lamenting Cleopatra is overjoyed to see him. (Aria: Da tempeste il legno infranto).
In the palace, Sesto finds Tolomeo trying to rape Cornelia and kills him. Having successfully avenged Pompeo, Cornelia and Sesto celebrate Tolomeo's death. (Aria: Non ha più che temere). The victorious Cesare and Cleopatra enter Alexandria, and Cesare proclaims Cleopatra to be queen of Egypt and promises his support to her and her country. They declare their love for each other (Duet: Caro! Bella! Più amabile beltà). Cesare then proclaims Egypt's liberation from tyranny, and wishes for the glory of Rome to spread far and wide. For the final chorus, the entire cast (including the dead Achilla and Tolomeo) gathers on stage to celebrate the power of love and the triumph of good over evil (Chorus: Ritorni omai nel nostro core).
Musical description
Structure
The listing of musical numbers follows the nineteenth century edition of Friedrich Chrysander.
Overture
Act 1
Scene 1
1. Coro – Viva il nostro Alcide
2. Aria (Cesare) – Presti omai l'egizia terra
Scene 3
3. Aria (Cesare) – Empio, dirò, tu sei, togliti
Scene 4
4. Aria (Cornelia) – Priva son d'ogni conforto, e pur speme
5. Aria (Sesto) – Svegliatevi nel core, furie d'un alma offesa
Scene 5
6. Aria (Cleopatra) – Non disperar; chi sa? se al regno
Scene 6
7. Aria (Tolomeo) – L'empio, sleale, indegno
Scene 7
8. Recitativo accompagnato (Cesare) – Alma del gran Pompeo
9. Aria (Cesare) – Non è sì vago e bello il fior nel prato
10. Aria (Cleopatra) – Tutto può donna vezzosa
Scene 8, Part 1
11. Arioso (Cornelia) – Nel tuo seno, amico sasso
12. Aria (Sesto) – Cara speme, questo core tu cominci a lusingar
13. Aria (Cleopatra) – Tu la mia stella sei
Scene 9
14. Aria (Cesare) – Va tacito e nascosto
Scene 11
15. Aria (Achilla) – Tu sei il cor di questo core
16. Duetto (Cornelia, Sesto) – Son nata a lagrimar
Act 2
Scene 2
17. Sinfonia e recitativo (Cesare, Nireno) – Taci / Cieli
18. Sinfonia e recitativo (Cesare) – Giulio, che miri
19. Aria (Cleopatra) – V'adoro pupille
20. Aria (Cesare) – Se in fiorito ameno prato
Scene 3
21. Arioso (Cornelia) – Deh piangete, oh mesti lumi
Scene 4
22. Aria (Achilla) – Se a me non sei crudele
23. Aria (Tolomeo) – Sì spietata, il tuo rigore sveglia
Scene 6
24. Aria (Cornelia) – Cessa omai di sospirare!
25. Aria (Sesto) – L'angue offeso mai riposa
Scene 7
26. Aria (Cleopatra) – Venere bella, per un instante
Scene 8
27. Aria e Coro (Cesare) – Al lampo dell'armi / Morrà, Cesare, morrà
28. Recitativo accompagnato (Cleopatra) – Che sento? Oh Dio!
29. Aria (Cleopatra) – Se pietà di me non senti
Scene 9
30. Arioso (Tolomeo) – Belle dee di questo core
Scene 11
31. Aria (Sesto) – L'aure che spira tiranno e fiero
Act 3
Scene 1
32. Aria (Achilla) – Dal fulgor di questa spada
Scene 2
33. Sinfonia
34. Aria (Tolomeo) – Domerò la tua fierezza
Scene 3
35. Aria (Cleopatra) – Piangerò la sorte mia
Scene 4
36. Recitativo accompagnato e Aria (Cesare) – Dall'ondoso periglio / Aure, deh, per pietà spirate
Scene 5
37. Aria (Cesare) – Quel torrente, che cade dal monte
Scene 6
38. Aria (Sesto) – La giustizia ha già sull'arco
Scene 7
39. Recitativo accompagnato (Cleopatra) – Voi, che mie fide ancelle
40. Aria (Cleopatra) – Da tempeste il legno infranto
Scene 9
41. Aria (Cornelia) – Non ha più che temere quest'alma
Scene 10
42. Sinfonia / La Marche
43. Duetto (Cleopatra, Cesare) – Caro! – Bella! – Più amabile beltà
44. Coro – Ritorni omai nel nostro core
45. Aria (Nireno) - Chi Perde un Momento. (act 2 appendix)
Characterisation of roles
The roles of Cesare and Cleopatra, sung by the castrato Senesino and famous soprano Francesca Cuzzoni respectively, and which encompass eight arias and two recitatives accompagnati each, make full use of the vocal capabilities of the singers. Cornelia and Sesto are more static characters because they are completely taken by their primary emotions, she with pain because of her husband's death and constantly constrained to defend herself from the advances of Achilla and Tolomeo, and he consumed by vengeance for his father's death.
Cleopatra, on the other hand, is a multifaceted character: she uses at first her womanly wiles to seduce Cesare and gain the throne of Egypt, and then becomes totally engaged in the love affair with Cesare. She has great arias of immense dramatic intensity Se pietà di me non senti (II, 8) and Piangerò la sorte mia (III, 3). Her sensual character is described magnificently in the aria V'adoro, pupille, in which Cleopatra, in the guise of Lidia, appears to Cesare surrounded by the Muses of Parnassus (II, 2). This number calls for two orchestras: one is a small group to play behind the scene with strings with sordino, oboe, tiorba, harp, bassoons and viola da gamba concertante.
Curio and Nireno do not get any arias in the original version, only singing recitatives, though they take part in the first and final choruses. However, Handel composed an aria for Nireno for a later revival in 1730.
Instrumentation
The opera is scored for transverse flute, two alto recorders, two oboes, two bassoons, four horns, viola da gamba, harp, theorbo, strings and continuo. The basic orchestra consists of oboes, strings and continuo. The horns, divided into four parts, are used in the opening and closing choruses. Other obbligato instruments are used to add orchestral colour to individual arias: a hunting horn for Cesare's aria "Va tacito"; divided alto recorders for the central largo section of Sesto's "Svegliativi nel core"; solo concertato violin and divided bassoons in Cesare's aria "Se in fierto"; alto recorders in unison for Cornelia's aria "Cesa omai"; a solo violin for Cleopatra's aria "Venere bella"; sustained bassoons in unison for Cleopatra's aria "Se pieta"; transverse flute, first violins and obbligato cello for Cleopatra's aria "Piangero"; divided strings for Cesare's arioso-aria "Aure de per pieta". The final chorus for full orchestra with divided horns has a central interlude in the minor key with a duet for Cesare and Cleopatra accompanied only by oboes and continuo. It is preceded by another duet for Cesare and Cleopatra and an orchestral march with obbligato trumpet (not in the autograph manuscript and not always performed).
The most elaborate and ravishing orchestration occurs at the beginning of act 2 in Cleopatra's aria "V'adoro, pupille" sung in the guise of Lidia to seduce Cesare. On stage there is a tableau of the Temple of Virtue, below Mount Parnassus with a second orchestra or "symphony" of nine instruments played by the muses, with muted strings in the pit. The celestial instruments—oboes, bassoons, viola da gamba, harp, theorbo and strings—are first heard off-stage in a sinfonia behind the scene in what Cesare takes to be the "music of the spheres", before the tableau is revealed on-stage as the music burgeons, with rich arpeggios in the harp, double stopping on the viola da gamba and strumming on the theorbo.
Performance history and reception
Eighteenth century
England
For Handel's previous London operas, the scores and selected arias had been made available to the public by the printer and publisher John Walsh. These had proved to be popular and were an extra source of income. Even when printed copies of Handel's works were unavailable, Handel—through the offices of his assistant Christopher Smith on Dean Street—would authorise copies to be made in answer to requests from musical societies that wished to mount performances. In the case of Giulio Cesare, following the positive public response to the performances, Handel decided to use the printers Cluer and Creake in order to produce pocket-sized vocal scores and songbooks in high quality copper engravings, a time-consuming process. Cluer and Creake produced a first official edition of the vocal score in July 1724. In May 1724, however, an unauthorised edition had appeared printed by Daniel Wright, advertised as being available in "Musick Shops": Wright, probably acting on behalf of Walsh, had printed the score using a quicker but inferior stamping process on pewter: as a softer metal than copper, pewter could be stamped without raising its temperature.
Later in 1724, several arias or "favourite songs" from the opera were included in the second of two pocket songbooks, "A Pocket Companion for Gentlemen and Ladies", printed by Cluer and Creake and edited by Richard Neale. The texts were provided in Italian mostly with English translations by Carey, so that the arias could be sung, played on the harpsichord or, in a transposed version, on the transverse flute. The arias included were: Non e si bello e vago ("With thee is ev'ry pleasure beyond expressing");Non ha piu che temere ("My life my only treasure"); Cara speme ("Cruel creature"); Spera ne ingannai; La speranza all alma mia ("Hopes beguiling, pleasures smiling"); Chi perde un momento ("While Celia is flying"); Venere bella ("Gazing on my idol"); Se pieta di me non senti ("Welcome death, oh end my sorrow"); V'adoro pupille ("Lamenting, complaining"); and Non disperar ("Oh what a fool was I"). Again the rival publisher and printer produced The favourite songs in the opera of Julius Caesar and a sequel in 1724. Some of these songs in the Pocket Companion reappeared in Peter Prelleur's "The Modern Musick-Master", an instructional manual published in 1730 for those learning singing, harpsichord, oboe, flute or violin.
In 1784, during the centenary commemoration of Handel in Westminster Abbey and the London Pantheon, the second of five concerts, held on 27 May in the Pantheon, contained two numbers for Cesare sung by the castrato Pacchierotti—the hunting aria "Va tacito" and the accompanied recitative Alma del gran Pompeo. In his account of the performance, attended by George III, Charles Burney wrote of the aria:
Burney described the audience in the Pantheon as restless during the recitative (sung in Italian), remarking that the original opera house audience had been captivated by the dramatic music. He described it as "the finest piece of accompanied recitative, without symphonies, with which I am acquainted. The modulation is learned, and so uncommon, that there is hardly a chord that the ear expects; and yet the words are well expressed, and the phrases pathetic and pleasing."
This commemoration, mounted on a giant scale, proved so popular that it was repeated in succeeding years.
The dissemination of Handel's music from Giulio Cesare for domestic music-making continued when one of Handel's two arrangements of the overture for harpsichord–the less ornamented and polished of the two–was included in Walsh's second collection of Handel overtures published in 1727; the chorus with horns was included as a dance. The overture itself was performed separately in concerts, including in London in 1729 and Manchester in 1745. There were also a few concerts in the 1720s where some of the more popular arias were performed. In 1789, following the culmination of Handel Commemoration concerts, a further volume of songs was published in London entitled Handel's songs selected from his most celebrated operas: for the harpsichord, voice, hoboy, or German flute. Printed by H. Wright in Catherine Street off the Strand and without English translations, it contained the arias Va tacito, Da tempeste, Non desperar and Venere bella as well as the duet Caro, bella, piu amabile belta. Despite the popularity and dissemination of Handel's music, changes in taste resulted in Samuel Arnold staging a revival of Giulio Cesare in 1787 as a "pasticcio" constructed from the original opera and other operas by Handel. In the accompanying libretto Arnold stated, "The original, however, offering a great number of incongruities, both in the language and the conduct, several material alterations have been thought absolutely necessary, to give the piece a dramatic consistency, and to suit it to the refinement of a modern audience."
France
In the summer of 1724, after the first run of Giulio Cesare had finished, the London cast gave a private concert performance in Paris at the residence of Pierre Crozat, retired royal treasurer and patron of the arts. Prior to the performance the Mercure de France had reported that Italians in the audience in London had rated the opera as a masterpiece. The trip, which lasted from July to September, had initially been planned for the previous year when, following similar favourable newspaper reports, fully staged performances of Ottone at the Paris Opera had been envisaged, with financial support from Louis XV. In the event, these plans were abandoned, and Ottone was also performed as a private concert. Senesino had fallen out with the company and Anastasia Robinson could not participate because of the complications in her private life, so a new female singer was brought in to fill the gaps they created, with Durastanti doubling some parts.
Germany
Within Handel's lifetime, the opera was also performed in Germany. In Braunschweig it was first performed in 1725 with revivals in 1727 and 1733. The opera was sung wholly in Italian using the 1724 London edition, but with some of Cornelia's arias altered. Ballets were also inserted for Egyptians at the end of act 1 and for eunuchs and concubines at the end of act 2.
In Hamburg, where Handel had himself been a violinist in the opera orchestra, the arias were sung in Italian but the recitatives were translated into German by the Englishman Thomas Lediard. He also designed the stage set. The score was modified and augmented by the musician J. G. Linike: he added orchestral accompaniments in some of the recitatives and introduced six ballet scenes, with one for Cleopatra's attendants during the Parnassus scene and a grand ballet before the final chorus. Unlike the Braunschweig performance and perhaps because Linike had recently been to London, not all the male roles were sung by tenors and basses: Cesare was sung by a castrato and Sesto by a soprano. The opera remained in the Hamburg repertoire until 1737, shortly before the demise of the failing company, although one performance in 1726 had an audience of only three and one performance in 1735 was cancelled for lack of an audience.
On 9 June 1727 Lediard devised a special performance in honour of the 68th birthday of George I which was repeated three times; the king unfortunately died two weeks after the event. The spectacle, entitled "The Joy and Happiness of the British Nation," involved a lengthy sung prologue with illuminations and an epilogue with fireworks ignited within the opera theatre. The entertainments were set to music by Georg Philipp Telemann with trumpets, horns and drums played from the galleries which contrasted with the flutes and violins that accompanied the Roman gods and nymphs on stage for the prologue. At the base of a large sculpture of George I, suitably attired singers portrayed Britain, Ireland, France, America and the House of Hanover. In the epilogue gods of water and wind were joined by personifications of the rivers Thames and Isis, with the backdrop changing from the dreaming spires of Oxford to the night sky over London with ships on the river. A "Martial Symphony" ended with the firing of 45 cannons heralding the firework display, after which all the windows and skylights in the theatre had to be opened to release the smoke.
Nineteenth century
The nineteenth century saw the publication by Breitkopf & Härtel of the complete works of Handel for the Händel-Gesellschaft with Friedrich Chrysander as editor. He produced a comprehensive full score in 1875, using all the available sources in London including those in the Royal Collection; Chrysander's volume gave all the variants in the different revivals. Like Handel's other works in the opera seria genre, however, there were no public performances of Giulio Cesare in the 19th century; opera seria had been supplanted by oratorios in the English language with large scale choral writing. By the early nineteenth century operas with librettos by Bussani or music by Handel had become obsolete; the opera Giulio Cesare in Egitto performed in the Teatro Argentina in Rome in 1821 was by Giovanni Pacini.
Of the fifty two songs from operas and oratorios in the "Royal Edition" selected by William Thomas Best in 1880, with English translations of the Italian texts by Maria X. Hayes, only three came from Giulio Cesare, all for Cleopatra: Piangerò la sorte mia ("Hope, no more this heart sustaining"); V'adoro, pupille, saette d'amore ("Ye dear eyes so tender"); and Da tempeste ("When by storms"). Chrysander's faithful rendition of Handel's original score was accompanied in 1878 by a seven volume compendium of opera and oratorio songs prepared for Breitkopf & Hārtel by Victorie Gervinus, widow of the Handel scholar Georg Gottfried Gervinus. The possible voice types—soprano, mezzo-soprano, alto, tenor, bass—are given for each aria or recitative. All the texts were in German with no reference to Italian or English; and in all the seven volumes there are only six numbers from Giulio Cesare: Alma del gran Pompeo (Vol. 1), Priva son d'ogni conforta (Vol.2), V'adoro pupille (Vol. 3), Svegliatevi nel core (Vol. 4), Nel tuo seno, amico sasso and Tutto può donna vezzosa (Vol. 5).
Twentieth century
Handel's operas were revived in the twentieth century by Oskar Hagen and other Handel enthusiasts in Göttingen, starting with Rodelinda in 1920 and Ottone in 1921. The first performance of Giulo Cesare was on 5 July 1922, with designs reminiscent of expressionist art, Bauhaus and silent film. Hagen's performing edition was significantly altered from Handel's score: it was translated into German, heavily edited and reorchestrated, with the male castrato roles transposed down for baritone, tenor or bass. As well as local singers for the chorus, the cast included Wilhelm Guttmann as Cesare, Thyra Hagen-Leisner as Cleopatra, Bruno Bergmann as Tolomeo, Eleanor Reynolds as Cornelia and G. A. Walter as Sesto. Hagen's vocal score was published by C. F. Peters and the version became popular throughout Germany, with performances in over 38 different localities within 5 years: Hans Knappertsbusch and Karl Böhm both conducted it in Munich in 1923; and it was also performed in neighbouring countries such as Austria (Vienna), Switzerland (Basel, Zürich, Bern), Denmark (Copenhagen) and Poland (Poznań).
The first American performance took place at the Smith College of Music in Northampton, Massachusetts, in 1927. The first British revival of a Handel opera was the staging of Giulio Cesare at the Scala Theatre in London in 1930, by the London Festival Opera Company, singing in English.
In 1966, the New York City Opera revived the then virtually unknown opera seria with Norman Treigle as Cesare and Beverly Sills as Cleopatra. Sills' performance in the production, and on the cast recording that followed, made her an international opera star.
The first uncut performance of modern times with the voices at correct pitch did not take place until 1977 at the Barber Institute of Fine Arts in Birmingham, England. It has subsequently proven to be by far the most popular of Handel's operas, with more than two hundred productions in many countries.
In modern productions, the title role, written for a castrato, is sung by a contralto, mezzo-soprano, or, more frequently in recent years, a countertenor. The roles of Tolomeo and Nireno are normally sung by countertenors. The role of Sesto, written for a soprano, is now usually sung by a mezzo-soprano.
The work is considered by many to be one of Handel's finest Italian operas, possibly even the best in the history of opera seria. It is admired for its superb vocal writing, its dramatic impact, and its deft orchestral arrangements.
Giulio Cesare is now regularly performed.
Recordings
Audio recordings
The discography below lists separately recordings with the title role of Cesare sung at the original pitch (as mezzo-soprano or counter-tenor) and those adopting the pre-historically informed performance practice of transposing the part down an octave to bass-baritone.
Cesare at original pitch
There is also a 1963 recording of highlights with Margreta Elkins (Cesare), Joan Sutherland (Cleopatra), Monica Sinclair (Tolomeo), Marilyn Horne (Cornelia), Richard Conrad (Sesto) and Richard Bonynge conducting the New Symphonic Orchestra of London on Decca (coupled with a complete performance of Alcina).
Cesare transposed
Video recordings
References
Notes
Sources
, "Towards an understanding of the opera seria"
Further reading
External links
Italian libretto
Aria Database – Giulio Cesare arias and operatic roles database
Score of Giulio Cesare (ed. Friedrich Chrysander, Leipzig 1875)
Operas by George Frideric Handel
Italian-language operas
Opera seria
1724 operas
Operas
Operas set in ancient Egypt
Depictions of Julius Caesar in opera
Depictions of Cleopatra in opera |
```java
package com.klinker.android.twitter_l.services;
import android.content.Context;
import android.net.TrafficStats;
import androidx.annotation.NonNull;
import androidx.work.Constraints;
import androidx.work.ExistingPeriodicWorkPolicy;
import androidx.work.NetworkType;
import androidx.work.PeriodicWorkRequest;
import androidx.work.WorkManager;
import androidx.work.Worker;
import androidx.work.WorkerParameters;
import com.klinker.android.twitter_l.data.App;
import com.klinker.android.twitter_l.services.background_refresh.ActivityRefreshService;
import com.klinker.android.twitter_l.services.background_refresh.DirectMessageRefreshService;
import com.klinker.android.twitter_l.services.background_refresh.ListRefreshService;
import com.klinker.android.twitter_l.services.background_refresh.MentionsRefreshService;
import com.klinker.android.twitter_l.services.background_refresh.TimelineRefreshService;
import com.klinker.android.twitter_l.settings.AppSettings;
import java.util.concurrent.TimeUnit;
public class DataCheckService extends Worker {
private final Context context;
public DataCheckService(
@NonNull Context context,
@NonNull WorkerParameters params) {
super(context, params);
this.context = context;
}
public static final String JOB_TAG = "data-check-service";
public static final int RESTART_INTERVAL = 15 * 60; // 15 mins
public static final long KB_IN_BYTES = 1024;
public static final long MB_IN_BYTES = KB_IN_BYTES * 1024;
public static void scheduleRefresh(Context context) {
PeriodicWorkRequest request =
new PeriodicWorkRequest.Builder(DataCheckService.class, RESTART_INTERVAL, TimeUnit.SECONDS)
.setConstraints(new Constraints.Builder()
.build())
.build();
WorkManager.getInstance(context)
.enqueueUniquePeriodicWork(JOB_TAG, ExistingPeriodicWorkPolicy.KEEP, request);
}
@NonNull
@Override
public Result doWork() {
int uid = context.getApplicationInfo().uid;
long oldMb = App.DATA_USED;
long sent = TrafficStats.getUidTxBytes(uid) / MB_IN_BYTES;
long received = TrafficStats.getUidRxBytes(uid) / MB_IN_BYTES;
long currentMb = sent + received;
App.DATA_USED = currentMb;
if (oldMb != 0 && (currentMb - oldMb) > 100) {
ActivityRefreshService.cancelRefresh(context);
DirectMessageRefreshService.cancelRefresh(context);
ListRefreshService.cancelRefresh(context);
MentionsRefreshService.cancelRefresh(context);
TimelineRefreshService.cancelRefresh(context);
android.os.Process.killProcess(android.os.Process.myPid());
}
return Result.success();
}
}
``` |
John Luther is the central character in TV series Luther.
John Luther may also refer to:
John Luther (MP) (c. 1739-86), Member of the Parliament of Great Britain for Essex
John Luther (basketball), member of 1923 NCAA Men's Basketball All-Americans
John Luther (captain) (died 1645), mariner in New England, family connection of Robert Abell
John Luther, an Indian film in Malayalam language.
See also
Jon L. Luther, American businessman |
The Nelson Range is a mountain range in the "Northern Mojave-Mono Lake region" of Inyo County, California, in Death Valley National Park.
Geography
The range is located on the western side of Death Valley, framing the west side of the Racetrack Playa with the Cottonwood Mountains to the east.
On the west of the Nelson Range is the Saline Valley, and the Panamint Range is to the south.
References
See also
Category: Mountain ranges of the Mojave Desert
Category: Protected areas of the Mojave Desert
Death Valley
Mountain ranges of Inyo County, California
Mountain ranges of the Mojave Desert
Protected areas of the Mojave Desert |
Let's Get Married is a 1937 American comedy film directed by Alfred E. Green and starring Ida Lupino, who plays the daughter of a political consultant, Joe Quinn (Walter Connolly). It was produced and distributed by Columbia Pictures. Lupino was loaned out from Paramount to make the film.
Cast
Ida Lupino as Paula Quinn
Walter Connolly as Joe Quinn
Ralph Bellamy as Kirk Duncan
Raymond Walburn as B. B. Harrington
Robert Allen as Charles
Nana Bryant as Mrs. Willoughby
Reginald Denny as George Willoughby
Edward McWade as Tom
Emmett Vogan as Dick
Will Morgan as Harry
Granville Bates as Hank Keith
References
Bibliography
Bubbeo, Daniel. The Women of Warner Brothers: The Lives and Careers of 15 Leading Ladies, with Filmographies for Each. McFarland, 2001.
Donati, William. Ida Lupino: A Biography. University Press of Kentucky, 2013.
External links
Turner Classic Movies page
1937 films
Columbia Pictures films
Films directed by Alfred E. Green
1937 comedy films
American comedy films
American black-and-white films
1930s American films
1930s English-language films
English-language comedy films |
```c
/* $OpenBSD: disksubr.c,v 1.2 2021/05/12 01:20:52 jsg Exp $ */
/*
* All rights reserved.
*
* Redistribution and use in source and binary forms, with or without
* modification, are permitted provided that the following conditions
* are met:
* 1. Redistributions of source code must retain the above copyright
* notice, this list of conditions and the following disclaimer.
* 2. Redistributions in binary form must reproduce the above copyright
* notice, this list of conditions and the following disclaimer in the
* documentation and/or other materials provided with the distribution.
* 3. Neither the name of the University nor the names of its contributors
* may be used to endorse or promote products derived from this software
* without specific prior written permission.
*
* THIS SOFTWARE IS PROVIDED BY THE REGENTS AND CONTRIBUTORS ``AS IS'' AND
* ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
* IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
* ARE DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE
* FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
* DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
* OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
* HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
* LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
* OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
* SUCH DAMAGE.
*/
#include <sys/param.h>
#include <sys/buf.h>
#include <sys/disklabel.h>
#include <sys/disk.h>
/*
* Attempt to read a disk label from a device
* using the indicated strategy routine.
* The label must be partly set up before this:
* secpercyl, secsize and anything required for a block i/o read
* operation in the driver's strategy/start routines
* must be filled in before calling us.
*
* If dos partition table requested, attempt to load it and
* find disklabel inside a DOS partition.
*
* We would like to check if each MBR has a valid DOSMBR_SIGNATURE, but
* we cannot because it doesn't always exist. So.. we assume the
* MBR is valid.
*/
int
readdisklabel(dev_t dev, void (*strat)(struct buf *),
struct disklabel *lp, int spoofonly)
{
struct buf *bp = NULL;
int error;
if ((error = initdisklabel(lp)))
goto done;
/* get a buffer and initialize it */
bp = geteblk(lp->d_secsize);
bp->b_dev = dev;
error = readdoslabel(bp, strat, lp, NULL, spoofonly);
if (error == 0)
goto done;
#if defined(CD9660)
error = iso_disklabelspoof(dev, strat, lp);
if (error == 0)
goto done;
#endif
#if defined(UDF)
error = udf_disklabelspoof(dev, strat, lp);
if (error == 0)
goto done;
#endif
done:
if (bp) {
bp->b_flags |= B_INVAL;
brelse(bp);
}
disk_change = 1;
return (error);
}
/*
* Write disk label back to device after modification.
*/
int
writedisklabel(dev_t dev, void (*strat)(struct buf *), struct disklabel *lp)
{
daddr_t partoff = -1;
int error = EIO;
int offset;
struct disklabel *dlp;
struct buf *bp = NULL;
/* get a buffer and initialize it */
bp = geteblk(lp->d_secsize);
bp->b_dev = dev;
if (readdoslabel(bp, strat, lp, &partoff, 1) != 0)
goto done;
/* Read it in, slap the new label in, and write it back out */
error = readdisksector(bp, strat, lp, DL_BLKTOSEC(lp, partoff +
DOS_LABELSECTOR));
if (error)
goto done;
offset = DL_BLKOFFSET(lp, partoff + DOS_LABELSECTOR);
dlp = (struct disklabel *)(bp->b_data + offset);
*dlp = *lp;
CLR(bp->b_flags, B_READ | B_WRITE | B_DONE);
SET(bp->b_flags, B_BUSY | B_WRITE | B_RAW);
(*strat)(bp);
error = biowait(bp);
done:
if (bp) {
bp->b_flags |= B_INVAL;
brelse(bp);
}
disk_change = 1;
return (error);
}
``` |
The Azad () was a Bengali-language daily newspaper published from 1936 to 1992. The Azad became Dhaka's first daily newspaper. The newspaper, while based in Dhaka, played an important role during the Bengali Language Movement for its advocacy of Bengali.
History
The newspaper was founded in Kolkata on 31 October 1936. The first editor of the daily was Maulana Mohammad Akram Khan. In its early days, the daily supported the Muslim League in both Bengal and Assam languages. In the 1940s, the editor was Mohammad Modabber; he published The Azad with his son. Mohammed Sadrul Anam Khan and Nazir Ahmed were also associated during that time. The daily regularly published Dhaka-based and regional news from reporter Khairul Kabir.
After the partition of India, The Azad was transferred to Dhaka on 19 October 1948. It became the first newspaper to move to Dhaka. Abul Kalam Shamsuddin was nominated editor at that time. Khairul Kabir acted as news editor. Mujibur Rahman Khan and Abu Jafar Shamsuddin worked in the editorial section. Soon afterward, the daily became the leading newspaper in East Pakistan.
Bengali Language Movement
The publication of The Azad was prohibited in 1949 when editorial content turned against the government, which responded by prohibiting advertisements in the paper. The Azad supported the Bengali Language Movement and defied the government's threats. When the killing of February 21 took place, The Azad released a special edition on 22 February. The editor of the newspaper, Abul Kalam Shamsuddin, who was also member of the Legislative Assembly, resigned from the assembly in protest.
Despite being a right wing newspaper which previously supported the Muslim League, it published week-long investigative reports on the incidents of February 21. However, after 1 March 1952 they succumbed to government pressure and could not remain impartial. During the autocratic regime of General Ayub Khan, the daily again stood up under the leadership of Akram Khan's youngest son, Mohammed Quamrul Anam Khan to protest against corruption and unjust rule. It also played an important role in the toppling of the Ayub Khan government and the Agartala Conspiracy Case.
Decline
The daily quickly lost its appeal after Maulana Mohammad Akram Khan died and ownership controversies arose. It lost readership from competition with Ittefaq which became increasingly popular. After the independence of Bangladesh, the daily lost government financial aid. Later, the daily was given to its legal owner and managing director, Mohammad Quamrul Anam Khan to be run under private administration. Due to lack of financial support and government policies, The Azad was shut down in 1990.
See also
List of newspapers in Bangladesh
References
1936 establishments in India
Defunct newspapers published in Bangladesh
Defunct newspapers published in India
Newspapers published in Kolkata
Newspapers established in 1936
Publications disestablished in 1990
Newspapers published in Dhaka
Bengali-language newspapers published in Bangladesh
Daily newspapers published in Bangladesh |
In the human brain, the entorhinal cortex appears as a longitudinal elevation anterior to the parahippocampal gyrus, with a corresponding internal furrow, the external rhinal sulcus (or rhinal fissure), separating it from the inferiolateral surface of the hemisphere close to the lamina terminalis. It is analogous to the collateral fissure found further caudally in the inferior part of the temporal lobe.
References
External links
http://www.sylvius.com/?s=248&i=str-208&l=1
Sulci (neuroanatomy) |
William Eyre may refer to:
William Eyre (died 1629), MP for Heytesbury and Wiltshire
William Eyre (leveller) (fl. 1634–1675), English Parliamentary army officer in the English Civil War and a Leveller
William Eyre of Neston (fl. 1642–1660), parliamentarian army officer and politician
William Eyre (lieutenant-colonel) (died 1765), Battle of Lake George, Battle of Carillon
Sir William Eyre (British Army officer) (1805–1859), general in the British Army
William Eyre (painter) (1891–1979), English landscape painter
Rev. William Leigh Williamson Eyre (1841–1914), English naturalist and mycologist
Willie Eyre (born 1978), baseball player
See also
Eyre (surname) |
Fusitriton retiolus is a species of large predatory sea snail, a marine gastropod mollusc in the family Cymatiidae.
Distribution
This species occurs in:
Australia
New Zealand.
References
Cymatiidae
Gastropods described in 1914 |
István Szőts (June 30, 1912 – November 6, 1998) was a Hungarian screenwriter and film director. He was born in Szentgyörgyválya (now Valea Sângeorgiului, Călan, Romania), and later moved with his father to Hungary. Szőts studied fine arts at the painting school of the two masters, Aba-Novák Vilmos and Iványi-Grünwald Béla. In 1939 he worked at Hunnia, where he was assistant to director Lajos Zilahy.
Activity
He is best known for his 1942 film People of the Mountains which won first prize at the Venice Biennale. Szőts became an assistant director in 1940, and in 1942 made his first feature film People of the Mountains. Although widely acclaimed by critics, it was disapproved of by Hungary's ruling wartime government and Szőts had trouble securing backing for his future projects. It wasn't until 1947 that he was able to make his second feature film Song of the Cornfields.
Selected filmography
People of the Mountains (1942)
Song of the Cornfields (1947)
Melyiket a kilenc közül? (1956)
References
Bibliography
Burns, Bryan. World Cinema: Hungary. Fairleigh Dickinson University Press, 1996.
Kindem, Gorham Anders. The International Movie Industry. SIU Press, 2000.
External links
1912 births
1998 deaths
People from Călan
Hungarian male screenwriters
Hungarian film directors
20th-century Hungarian screenwriters
Burials at Farkasréti Cemetery |
```shell
Broadcast messages across the system
Changing the `/tmp` cleanup frequency
Fixing `locale` issues in Debian systems
Monitor System Memory using `vmstat`
System uptime
``` |
Vladimir Binsol (1874 Lõhavere Parish (now Põhja-Sakala Parish), Kreis Fellin – ?) was an Estonian politician. He was a member of I Riigikogu, representing the Estonian Independent Socialist Workers' Party. He was a member of the assembly since 7 March 1922. He replaced Jakob Meerits.
References
1874 births
Year of death missing
People from Põhja-Sakala Parish
People from Kreis Fellin
Estonian Independent Socialist Workers' Party politicians
Members of the Riigikogu, 1920–1923 |
The Fisher Horizon is a family of Canadian two-seats-in-tandem, conventional landing gear, single-engined, high-wing monoplane kit aircraft designed for construction by amateur builders. The Horizon 1 was inspired by the Aeronca Champion and its later version, the Bellanca Citabria, while the Horizon 2 was inspired by the Cessna O-1 Bird Dog.
Fisher Flying Products was originally based in Edgeley, North Dakota, USA but the company is now located in Woodbridge, Ontario, Canada.
Development
The Horizon 1 was designed by Fisher Aircraft in the United States in 1990, with the Horizon 2 following the next year. Both were intended to comply with the US Experimental - Amateur-built category, although both types qualify as ultralight aircraft in some countries, such as Canada. They also qualify as US Experimental Light Sport Aircraft.
The construction of the Horizon is of wood, with the wings, tail and fuselage covered with doped aircraft fabric. The aircraft features "V" struts, jury struts and a modified GA (W)-2 airfoil. The Horizon's main landing gear uses bungee suspension. The company claims an amateur builder can complete either aircraft from the kit in 600 hours.
The specified engines for the Horizon include the or Limbach Flugmotoren Volkswagen air-cooled engine–based four-stroke or the Lycoming O-235.
Variants
Horizon 1
Two-seat tandem high-wing STOL aircraft with no rear window, flaps and swept tail. Standard empty weight is when equipped with a Limbach Flugmotoren engine and it has a gross weight of . Fifty-five examples flying by 2011.
Horizon 2
Two-seat tandem high-wing STOL aircraft with a rear window, slotted flaps and ailerons and rounded tail. Standard empty weight is when equipped with an Limbach Flugmotoren engine and it has a gross weight of . Forty examples flying by 2011.
Specifications
See also
References
External links
Horizon 1 official website
Horizon 2 official website
Photo of Horizon 1
Photo of Horizon 2
1990s Canadian ultralight aircraft
Light-sport aircraft
Aircraft first flown in 1990 |
Howard County Housing is the umbrella organization for the Howard County Department of Housing and Community Development and the Howard County Housing Commission. The Department is Howard County Government’s housing agency, and the Commission is a public housing authority and non-profit. Both have boards that meet monthly.
The Department administers various federal, state, and local funds that provide affordable housing and support for community development activities. Federal program examples are HUD's Community Development Block Grant and HOME Investment Partnerships Programs.
History
In 1963, the three-member board of county commissioners started a low-income housing program in Ellicott City by condemning properties in African American areas and rebuilding subsidized apartments. Better Consultants of Bryn Mawr, PA was hired to study if the county should bypass federal housing financing requirements and self-finance its housing program under its regulations.
Before becoming a dedicated department, Housing was handled by the position of Housing Administrator. Aaron J Roach filled the position until 1979 when he was indicted for using housing funds and crews for his residence. In 1990, the County formed the Howard County Housing and Community Development.
Commission properties
Established in 1991, the Commission administers 50 federally funded public housing units, between 1,000 and 1,200 federally funded housing choice vouchers, and owns over 1,200 affordable and market-rate rental units. The Commission is also a housing developer, acquiring, constructing and rehabilitating properties to expand affordable homeownership and rental opportunities in Howard County.
Development activities
Examples of the Commission’s development activities include:
Beechcrest Mobile Home Park - a mobile home park located in North Laurel, in substandard condition, was purchased to develop permanent supportive housing for the chronically homeless however, the project was moved to an alternate site as a result of community concerns. The residents of the Park are being offered other affordable housing options – rental and homeownership. There are currently no other plans for the Park at this time.
Burgess Mills Station – In 1965, Senator James A. Clark, Jr. promised the demolition of African American houses on Fels lane in Ellicott City and construction of the 94 unit Hill Top Housing unit if civil rights activist Roger Carter would call off demonstrations. Six acres of condemned land was repurchased by the county and combined with 16 acres purchased from Turf Valley developer Samuel M. Pistorio who failed to get FHA loans to build a proposed 220 unit low-income housing project. The community was redeveloped into a mixed-income, multi-generational 198-unit community of manor homes, apartment homes and townhouses with an underground parking garage. The community also includes Howard County's Department of Recreation & Parks new 45,000 square foot state-of-the-art Roger Carter Community Center; the Center replacing the former Roger Carter Recreation Center built from a segregated Ellicott City Schoolhouse. The Center features an indoor swimming pool, basketball court, exercise center, multi-purpose room, classrooms and climbing wall. This community is being developed in three phases; this is the first phase. Phase II of the redevelopment includes the demolition of a total of 60 aged apartments on the Ellicott Terrace parcel and the demolition of the existing Roger Carter Recreation Center, to be replaced with 75 units (60 on the Ellicott Terrace site and 15 on the former Roger Carter parcel). Phase III is still in the development stage.
Colts Crossing - formerly known as Alfa Pines Condominium Complex, this 24-townhome community in Ellicott City was acquired by the Commission and converted to public housing in 1990.
Columbia Landing – a 300-apartment home, mixed-income community built in 1981 and acquired by the Commission in 2008.
Ellicott Gardens – a 106-apartment home green and affordable multi-family community completed in 2009.
Ellicott Terrace – formerly owned by The Columbia Housing Corporation, this 60-unit apartment home tax credit community was acquired by the Commission in 2009 and is a part of the Burgess Mills Station redevelopment.
Monarch Mills – is the former location of the 100-unit apartment and townhome community formerly known as Guilford Gardens, was redeveloped into Monarch Mills, a 269-unit mixed-income, multi-generational, amenity-rich apartment home community.
Mormingside Park - a 60-unit apartment home mixed-income senior community. Property renovation was completed in 2012, including unit upgrades, common areas and systems.
Orchard Crossing – is an affordable 36-unit townhome community that borders on a community with a similar name owned by Arminger Management Orchard Crossing apartment homes.
Scattered Site – 65 affordable units – condominium, townhome & single family - located throughout the County – Columbia, Elkridge, Laurel and Savage.
Selborne House of Dorsey Hall – a 120-unit (48 funded by Howard County Housing) affordable senior community in Ellicott City.
Tiber Hudson- a 25-unit apartment home mixed-income senior community located in the Burgess Mill Station first phase area.
Affordable and mixed-income housing
Howard County Housing has also provided financial assistance for several other affordable and mixed-income housing projects, including Columbia Commons, Owen Brown Place, Parkview at Snowden River, Ellicott City Emerson, Port Capital Village and Patuxent Square. Howard County Housing continues its activity to expand affordable housing opportunities, sometimes with non-profit and private sector partners, and by using layered financing sources, including Howard County Government funding, Low-Income Housing Tax Credits, State of Maryland financing, and various federal and private financing sources. Howard County Housing’s portfolio includes units intentionally developed as the vanguard for the nation's affordable, green and mixed-income housing.
Rental assistance programs
Howard County Housing has a menu of rental assistance programs. The menu is as follows:
Housing Choice Voucher Program - Formerly known as the Section 8 Program, this program is funded and regulated by the U.S. Department of Housing and Urban Development, which allocates federal funds to public housing authorities to administer subsidy to low-income families via a housing voucher. The program assists low-income families, the elderly and the disabled in obtaining affordable, decent, safe and sanitary housing. Participating families choose their units (e.g. single-family, townhouses or apartments) and pay 30% of their adjusted gross income toward rent. The Housing Choice Voucher Program is a family’s vehicle to affordable housing options and access to housing that support self-sufficiency activities in areas such as education, employment and other community amenities.
Rental Allowance Program (RAP) - Funded and regulated by the Maryland Department of Housing and Community Development and provides grants to local governments to assist low-income families that are homeless or experiencing a housing emergency. Assistance is provided through fixed, short-term monthly rent subsidies and case management to help families achieve permanent, stable housing. Participating families find their units (e.g. rooms for rent, apartments, townhomes, single-family homes, or mobile homes) and pay the balance of the rent not covered by the flat rent subsidy.
Commission-Owned Rental Housing - This program offers units that are owned and regulated by Howard County Housing to provide affordable, decent, safe and sanitary housing opportunities for low-to-moderate income County residents. The family’s monthly rent payment varies and is based on the family's gross income, unit size and the current rent structure specified by the lease. Various unit types are available, including family and elderly multi-dwelling apartments, scattered site condominiums, townhomes, and single-family homes. NOTE: Some of these units are operated by professional management companies on behalf of Howard County Housing.
Public Housing - Funded and regulated by the U.S. Department of Housing and Urban Development, which allocates federal funds to public housing authorities that lease and manage affordable, decent, safe and sanitary units to low-income families, the elderly, and the disabled. Public housing units are often contained in multi-dwelling communities but also include scattered site single-family homes, townhouses, duplexes and condominiums.
Housing Opportunities for Persons with AIDS - To address housing needs for low-income persons living with HIV/AIDS and their families, the U.S. Department of Housing and Urban Development funds the Housing Opportunities for Persons with AIDS Program. The Program is the only federal program dedicated to addressing the housing needs of this population. Funds are distributed to states and cities by formula allocations and made available as part of the area's Consolidated Plan.
Moderate Income Housing Unit - The Moderate Income Housing Unit Program is an inclusionary zoning program that requires developers of new housing in certain zoning districts to rent a portion of the dwelling units built to households of moderate income. This program offers new rental homes at reduced rents to eligible families. Customers interested in Moderate Income Housing Unit rentals can complete an application at one of the participating communities throughout the year.
Homeless Subsidy Stability Program - A component of the newly created Coordinated System of Homeless Services and is a housing subsidy for residents that have exhausted all the services of local homeless prevention, housing stability, rapid re-housing and/or shelter programs, and continue to be unable to secure affordable, stable housing due to extreme and often multiple barriers to conventional, permanent housing. Howard County Executive Ken Ulman approved $150,000 to fund the Homeless Subsidy Stability Program, and the Howard County Department of Citizen Services partnered with the Howard County Housing Commission to administer the program. At present (2013), seven families have been deemed eligible and are in various aspects of the housing process.
Community development programs
Howard County, Maryland, is an entitlement jurisdiction. Thus, it has been approved by the Department of Housing and Urban Development to receive federal grant funds to affirmatively further fair housing through activities and projects that create, support or supplement affordable housing. The menu of community development programs are as follows:
Community Development Block Grant - The Community Development Block Grant program is flexible and provides communities with resources to address various unique community development needs. The program provides annual grants on a formula basis to entitled cities and counties to develop viable communities by providing decent housing and a suitable living environment and by expanding economic opportunities, principally for low- and moderate-income persons. The program is authorized under Title 1 of the Housing and Community Development Act of 1974, Public Law 93-383, as amended; 42 U.S.C.-5301 et seq. Beginning in 1974, the Community Development Block Grant program is one of the longest continuously run programs at the U.S. Department of Housing and Urban Development.
HOME - The largest Federal block grant to State and local governments designed exclusively to create affordable housing for low-income households. Communities often use program funds in partnership with local nonprofit groups to fund various activities that build, buy, and/or rehabilitate affordable housing for rent or homeownership or provide direct rental assistance to low-income people. HOME is authorized under Title II of the Cranston-Gonzalez National Affordable Housing Act, as amended. Program regulations are at 24 CFR Part 92.
Community education and outreach
Howard County Housing engages in community education and outreach by either solely hosting or partnering with other entities to host events such as its annual Come Home to Howard County Housing Fair, the annual Housing Matters Mini Fair, quarterly Moderate Income Housing Unit Buyers & Renters Workshop, monthly First Time Homebuyer Freddie Mac Education Workshop, the bi-annual Landlord-Tenant Essentials Workshop, the annual "Mortgage Late? Don’t Wait!" Foreclosure Workshop and other events on relevant topics. Howard County Housing also participates in community programs such as the Howard County Department of Citizen Services' 50+EXPO and other community events and meetings when requested.
Further organizational roles
Howard County Housing maintains an active role in local, state and nationwide industry organizations such as the Affordable Housing Advocates, the Columbia Downtown Housing Board, the Maryland Association of Counties, the Regional Fair Housing Group, the Maryland Association of Housing and Redevelopment Agencies, the Housing Association of Non-profit Developers, the National Association of Housing and Redevelopment Officials and the Opportunity Collaborative.
Additional Howard County Housing activities and programs include, but are not limited to, Shared Appreciation Homeownership, Shared Equity Homeownership, Lease-Purchase Program, the Neighborhood Conservation Initiative, the Emergency Services Grant, the American Dream Downpayment Initiative, the Community Legacy Program, Payment instead of Taxes (PILOT) and the Weatherization Program.
References
Howard County, Maryland |
Palle Mikkelborg (born 6 March 1941) is a Danish jazz trumpet player, composer, arranger and record producer.
He is self-taught on the trumpet, although he studied conducting at the Royal Music Conservatory in Copenhagen. He became a professional musician in 1960 and joined the Danish Radiojazzgruppen three years later. Mikkelborg became their leader in 1967 and retained that position until 1972. In addition, he was a member of the Radioens Big Band over a similar time frame. He played trumpet in both, but also wrote, arranged, and conducted both. Forming a jazz quintet with drummer, Alex Riel they performed at the Montreux Jazz Festival and Newport Jazz Festival (1968). He later led an octet, V8, in the 1970s, and another outfit, Entrance, from the mid-1970s until 1985. His composition were made for various ensembles, including extended pieces for larger outfits.
In 1984, he composed Aura, a tribute to Miles Davis.
Discography
As Leader
The Mysterious Corona (Debut, 1967)
Anything but Grey (Columbia, 1992)
Futopia (Columbia, 1993)
Song .... Tread Lightly (Columbia, 2000)
Voice of Silence: Homage to the Louisiana Museum of Modern Art (Stunt, 2013)
With Danish Radio Big Band
Brownsville Trolley Line (Sonet, 1970) as conductor – recorded in 1969
With Miles Davis
Aura (Columbia, 1989)
With Dexter Gordon
More Than You Know (SteepleChase, 1975)
The Other Side of Round Midnight (Blue Note, 1986)
With Philip Catherine
September Man (Atlantic, 1974)
With George Gruntz
Theatre (ECM, 1983)
With Gary Peacock
Guamba (ECM, 1987)
With Terje Rypdal
Waves (ECM, 1978)
Descendre (ECM, 1979)
Skywards (ECM, 1995)
Lux Aeterna (ECM, 2000)
Vossabrygg (ECM, 2003)
With Dino Saluzzi
Once Upon a Time - Far Away in the South (ECM, 1985)
With Edward Vesala
Satu (ECM, 1977)
With Thomas Clausen
Even Closer (ARTS, 2011)
With Jakob Bro
Returnings (ECM, 2018)
References
External links
1941 births
Experimental composers
Post-bop trumpeters
Danish jazz trumpeters
Danish jazz composers
Living people
Miles Davis
Danish session musicians
20th-century trumpeters
21st-century trumpeters
21st-century American composers
20th-century Danish musicians
21st-century Danish musicians
20th-century American composers
DR Big Band members
20th-century jazz composers
21st-century jazz composers |
The Mysterious Benedict Society is a quartet of children's books by Trenton Lee Stewart chronicling the adventures of four children, initially gathered together by the eccentric Mr. Benedict. The first children's novels written by Stewart, each of the first three books were published annually from 2007 to 2009, with the fourth installment following a decade later. A prequel novel detailing the backstory of Nicholas Benedict was released in 2012.
Series overview
The Mysterious Benedict Society
Four young children, who are each gifted in different areas, are bound by a common factor: they are either orphans or unwanted by their parents. The children become involved with the strange Nicholas Benedict and his guild of assistants who are trying to stop Benedict's twin, Ledroptha Curtain, from taking over the world via brainwashing. The children team up against the villain and his evil assistants, the Ten Men.
The Mysterious Benedict Society and the Perilous Journey
The Mysterious Benedict Society and the Prisoner's Dilemma
The Mysterious Benedict Society and the Riddle of Ages
The Extraordinary Education of Nicholas Benedict
Characters
Reynie Muldoon is the main character of the series; an average-looking but logical boy who is a natural leader of his friend group. The core four texts follow Reynie closely. Reynie is an orphan; Ms. Perumal serves as his teacher and tutor during his time in the orphanage, and later adopts him as her son. Mystic Inscho portrays Reynie in the television series adaptation.
George Washington is an extraordinarily smart boy with eidetic memory, meaning he can remember everything he sets his eyes on. Because of this, he is called "Sticky". Seth Carr portrays Sticky in the television series adaptation.
Kate Wetherall is an athletic and adventurous girl who never goes anywhere without her red bucket of tools, which she uses quite often. She is also able to determine any distance of any room. Emmy De Oliveira portrays Kate in the television series adaptation.
Constance Contraire is a young girl who is incredibly stubborn and can read people's minds and (later) send mental messages to people. Marta Kessler portrays Constance in the television series adaptation.
Television adaptation
Written by Matt Manfredi and Phil Hay, with Tony Hale cast as Mister Benedict and Mister Curtain, the series aired on Disney+ and Disney Channel, with the first of eight episodes premiering June 25, 2021. Additional cast members include Kristen Schaal as Number Two, MaameYaa Boafo as Rhonda Kazembe, Ryan Hurst as Milligan, Gia Sandhu as Ms. Perumal, Mystic Inscho as Reynie Muldoon, Seth Carr as Sticky Washington, Emmy DeOliveira as Kate Wetherall, and Marta Kessler as Constance Contraire. The series creators have suggested any subsequent season would mix elements from multiple novels, rather than adapt each book as its own season.
Reception
The series has sold over three million copies. Many critics praised the enigmatic plot and puzzles included in the storyline of The Mysterious Benedict Society; journalist Michele Norris, writing for NPR, said, "Almost everything inside this book is an enigma." Additionally, the ethical decisions and moral lessons contained within the book were praised. Kirkus Reviews said that the book was "rich in moral and ethical issues." In a starred review for The Mysterious Benedict Society and the Perilous Jounrey, School Library Journal described the book as "not just a rip-roaring adventure ... but also a warm and satisfying tale about friendship." Kirkus Reviews was less positive, saying that the book "may wear down less patient readers", citing the prose and needless elaborations in several areas. Horn Book Magazine disagreed, saying that "Stewart keeps interest high throughout". They especially praised the "first-rate brainteasers", with School Library Journal also commenting that it had "plenty of clever twists".
For The Mysterious Benedict Society and the Prisoner's Dilemma, Booklist stated "Displaying much of the charm of the first book, this would make a fitting end to the series, but the Society's legion of fans probably wouldn't say no to more." while the School Library Journal wrote "the story lacks the facile agility of its predecessors. On the other hand, the opening gambit is fresh and frightfully funny ... If this is the last Society installment, readers had better, as Reynie says, 'acquire a taste for the bittersweet.'" Kirkus Reviews called the book The Mysterious Benedict Society and the Riddle of Ages "Clever as ever—if slow off the mark—and positively laden with tics, quirks, and puns." The American Booksellers Association named Riddle of Ages one of their ABC Best Books for Young Readers in 2019.
References
Series of children's books
The Mysterious Benedict Society |
```kotlin
package catchup.app.data
import catchup.app.ui.about.ChangelogRepository
import catchup.app.ui.about.ChangelogRepositoryImpl
import catchup.di.AppScope
import catchup.di.FakeMode
import catchup.service.api.CatchUpItem
import com.squareup.anvil.annotations.ContributesBinding
import javax.inject.Inject
import kotlinx.collections.immutable.ImmutableList
import kotlinx.collections.immutable.toImmutableList
@ContributesBinding(AppScope::class, replaces = [ChangelogRepositoryImpl::class])
class StubChangelogRepository
@Inject
constructor(
@FakeMode private val isFakeMode: Boolean,
private val realImpl: dagger.Lazy<ChangelogRepositoryImpl>,
) : ChangelogRepository {
override suspend fun requestItems(): ImmutableList<CatchUpItem> {
return if (isFakeMode) {
buildList { repeat(15) { index -> add(CatchUpItem(index.toLong(), "0.1.0")) } }
.toImmutableList()
} else {
realImpl.get().requestItems()
}
}
}
``` |
is a town on Okushiri Island, located in Hiyama Subprefecture, Hokkaido, Japan.
As of September 2016, the town has an estimated population of 2,812, and a density of 20 persons per km2. The total area is 142.98 km2.
Hiyama Prefectural Natural Park encompasses the entire island and town.
Etymology
The name Okushiri comes from the Ainu name Ikusyun-shiri. Iku means other side and shiri means island. However, the Japanese meaning of the two kanji used for the name mean "deep inside/innermost" and "buttocks/hips".
History
On July 12, 1993, the Southwest Hokkaido Open Sea earthquake (北海道南西沖地震) of magnitude 7.8 in the Sea of Japan off southwest Hokkaido created a devastating tsunami. This tsunami killed 198 people in the town, despite a tsunami warning system and a seawall, and also caused landslides on the hills above. Another 32 people were missing, including 3 in Russia and 129 were injured. The subsequent fire burned down much of what remained. The island was reshaped by the tsunami, which was 10 meters high in town. The tsunami struck within five minutes of the earthquake, leaving residents absolutely no warning.
1906: The village of Okushiri was founded.
1966: Okushiri Village became Okushiri Town.
1993: Southwest Hokkaido Open Sea earthquake occurred.
Climate
Okushiri has a humid continental climate (Köppen Dfa) closely bordering on a humid subtropical climate (Cfa). The average annual temperature in Okushiri is . The average annual rainfall is with August as the wettest month. The temperatures are highest on average in August, at around , and lowest in January, at around . The highest temperature ever recorded in Okushiri was on 10 August 1999; the coldest temperature ever recorded was on 2 February 1996.
Transportation
Okushiri Island is accessible by air or sea. Okushiri Airport serves the island with daily flights to and from Hakodate Airport. Regular ferry services to and from Esashi (2 hours and 20 minutes) and Setana (1 hour and 40 minutes) are provided by Heartland Ferry, and time timetable changes seasonally.
A local bus service operates year-round.
Education
High schools
Hokkaido Okushiri High School
Junior high schools
Okushiri Junior High School
Aonae Junior High School (closed in 2017 to merge with Okushiri Junior High School)
Elementary schools
Okushiri Elementary School
Aonae Elementary School
Sister city
Awaji, Hyogo
References
External links
Official Website
Towns in Hokkaido |
```java
/*
*
* <path_to_url
*
* distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
*/
package com.twofortyfouram.locale;
/**
* Utility class containing constants for the Locale Developer Platform.
*/
/*
* This class is NOT part of the public API.
*/
/* package */final class Constants
{
/**
* Log tag for logcat messages generated by the Locale Developer Platform
*/
/*
* This is NOT a public API. Third party apps should NOT use this log tag for their own log messages.
*/
/* package */static final String LOG_TAG = "LocaleApiLibrary"; //$NON-NLS-1$
/**
* String package name for Locale.
*/
/*
* This is NOT a public API. Third parties should NOT rely on this being the only package name for Locale.
*/
/* package */static final String LOCALE_PACKAGE = "com.twofortyfouram.locale"; //$NON-NLS-1$
/**
* Private constructor prevents instantiation
*
* @throws UnsupportedOperationException because this class cannot be instantiated.
*/
private Constants()
{
throw new UnsupportedOperationException("This class is non-instantiable"); //$NON-NLS-1$
}
}
``` |
Pietro Napoli Signorelli (28 September 1731 – 1 April 1815) was an Italian scholar of classic literature, mainly drama, and historian.
Biography
He was born in Naples to a father who was a notary, and initially trained as a lawyer, including under Antonio Genovesi. But in 1765, he traveled to Madrid, Spain. In Spain, where he joined a circle of writers (tertulia literaria) interested in writing dramas. In Spain, he wrote two of his most successful works: "Critique and history of antique and modern theater" and "Events of the Culture of the Two Sicilies".
He returned to Naples where in 1784 he served as secretary of the local literary academy. However, his flirtations with antimonarchical enlightenment theory caused him legal tribulations. In 1798, he formed part of the legislative council of the short-lived Parthenopean Republic. With the Bourbon restoration, he went into exile in Milan, where he was named professor of dramatic arts for the Brera Academy. He then gained an appointment as professor of diplomacy and history at the University of Bologna. He returned to Naples in 1806, and died there in 1813.
Works
Among his works are:
Six Satires (Genoa, 1774)
Storia critica dei teatri antichi e moderni (Naples, 1777)
Faustina, commedia in 5 atti in versi (Lucca, 1779)
Quadro dello stato attuale delle scienze e della letteratura in Spagna (Madrid, 1780, octavo)
Discorso storico critico sui saggi apologetici dell abate Lampillas (Naples, 1782)
Vicende della cultura delle Due Sicilie (1785)
Orazione funebre per Carlo III re delle Spagna (1789)
Regno di Ferdinando IV (1798 quarto)
Prolusione alla cattedra di poesia rappresentativea (1801)
Ragionamento sul gusto (1802)
Lettera sullo spettacolo musicale del 1803 (1804 in octavo)
Elementi di critica diplomatica, con istoria preliminare (1803)
Elogio storico by Francesco Maria Avellino'' (Naples, 1813)
References
External links
1731 births
1815 deaths
18th-century Italian historians
18th-century Italian male writers
19th-century Italian historians
18th-century Italian dramatists and playwrights
Writers from Naples
19th-century Italian male writers |
Plague Column (; ), also known as Holy Trinity Monument, is a Baroque monument in Timișoara's Union Square. It was placed in the central square of the city, then known as Domplatz, in 1740 as an ex voto of chamber councilor . The monument belongs to the typology of plague columns, widespread in the Baroque era throughout the South German, Bohemian and Hungarian space.
History
The statue commemorates the end of the plague epidemic that devastated the entire Banat between 1731 and 1738. During the epidemic, in Timișoara alone, more than 1,300 people lost their lives (one-sixth of the city's population). The epidemic was brought to Banat by Austrian imperial troops, and among the dead in Timișoara were six mayors. A similar monument can be found in Teremia Mare, also in Timiș County.
The monument was created between 1739 and 1740 by sculptor Georg Raphael Donner in Vienna and transported via Danube–Tisza–Bega Canal to Timișoara. The entire project was overseen and funded by chamber councilor , whose wife died during the epidemic. The statue was on display for 12 years in front of Deschan Palace, on the site of the current Bega Shopping Center. In 1755, at the insistence of Empress Maria Theresa, the statue, dismantled into pieces, was placed in its current location.
Description
The obelisk-shaped monument was placed on a small base, and was later surrounded by a short fence.
The corners of the base of the column are decorated with volutes, and on its sides there are three bas-reliefs, identified by as allegorical reliefs of Plague, War or Despair, but according to other opinions, they are scenes from the plague epidemic in Timișoara. Above the volutes are the statues of Sts. Sebastian, Roch and Charles Borromeo. In the upper register, there are three more statues of antipestilential saints: John of Nepomuk, Barbara and Francis Xavier (presumably). The surfaces of the column itself are covered with clouds, and on the central part of the main side of the column appears an empty baroque shield, provided on its upper part with a crown. The Ionic capital of the column is also decorated with festoons, and above it lies a complex cornice, on the central part of which was carved a simple floral decoration.
The central representation of the column is the group of stone carved statues of the Holy Trinity, one of the most widespread variants of the plague columns. Between God the Father and Jesus seated on a throne, the Mother of God kneels with her hands clasped in prayer. The Father and the Son are just getting ready to place the crown on Mary's head. Above the three characters also appears the wrought iron figure of the dove of the Holy Spirit.
References
Buildings and structures in Timișoara
Buildings and structures completed in 1740
Baroque architecture in Romania
Statues in Romania
Monumental columns
Baroque sculptures
Marian and Holy Trinity columns
Historic monuments in Timiș County |
```css
/* ubuntu-300normal - latin */
@font-face {
font-family: 'Ubuntu';
font-style: normal;
font-display: swap;
font-weight: 300;
src:
local('Ubuntu Light '),
local('Ubuntu-Light'),
url('./files/ubuntu-latin-300.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-300.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-300italic - latin */
@font-face {
font-family: 'Ubuntu';
font-style: italic;
font-display: swap;
font-weight: 300;
src:
local('Ubuntu Light italic'),
local('Ubuntu-Lightitalic'),
url('./files/ubuntu-latin-300italic.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-300italic.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-400normal - latin */
@font-face {
font-family: 'Ubuntu';
font-style: normal;
font-display: swap;
font-weight: 400;
src:
local('Ubuntu Regular '),
local('Ubuntu-Regular'),
url('./files/ubuntu-latin-400.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-400.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-400italic - latin */
@font-face {
font-family: 'Ubuntu';
font-style: italic;
font-display: swap;
font-weight: 400;
src:
local('Ubuntu Regular italic'),
local('Ubuntu-Regularitalic'),
url('./files/ubuntu-latin-400italic.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-400italic.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-500normal - latin */
@font-face {
font-family: 'Ubuntu';
font-style: normal;
font-display: swap;
font-weight: 500;
src:
local('Ubuntu Medium '),
local('Ubuntu-Medium'),
url('./files/ubuntu-latin-500.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-500.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-500italic - latin */
@font-face {
font-family: 'Ubuntu';
font-style: italic;
font-display: swap;
font-weight: 500;
src:
local('Ubuntu Medium italic'),
local('Ubuntu-Mediumitalic'),
url('./files/ubuntu-latin-500italic.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-500italic.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-700normal - latin */
@font-face {
font-family: 'Ubuntu';
font-style: normal;
font-display: swap;
font-weight: 700;
src:
local('Ubuntu Bold '),
local('Ubuntu-Bold'),
url('./files/ubuntu-latin-700.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-700.woff') format('woff'); /* Modern Browsers */
}
/* ubuntu-700italic - latin */
@font-face {
font-family: 'Ubuntu';
font-style: italic;
font-display: swap;
font-weight: 700;
src:
local('Ubuntu Bold italic'),
local('Ubuntu-Bolditalic'),
url('./files/ubuntu-latin-700italic.woff2') format('woff2'), /* Super Modern Browsers */
url('./files/ubuntu-latin-700italic.woff') format('woff'); /* Modern Browsers */
}
``` |
François Gagnon (April 18, 1922 – May 4, 2017) was a Canadian politician from Quebec.
Background
He was born on April 18, 1922, in Cap-Chat, Quebec, and was a public servant.
Member of the legislature
Gagnon won a seat to the Legislative Assembly of Quebec in the 1962 provincial election in the district of Gaspé-Nord. He supported the Union Nationale and was re-elected in the 1966 election. He was parliamentary assistant from 1966 to 1969.
Cabinet Member
Gagnon was appointed to the Cabinet, serving as Minister responsible for Public Works from 1969 to 1970. He was re-elected in 1970, but did not run for re-election in 1973.
Mayor
He was Mayor of Cap-Chat from 1976 to 1977 and from 1981 to 1985.
Political comeback
Gagnon considered a political comeback with the Parti Québécois in the 1976 provincial election and with the Progressive Conservatives in the 1984 federal election, but eventually declined each time.
References
1922 births
2017 deaths
French Quebecers
Mayors of places in Quebec
Union Nationale (Quebec) MNAs |
Rhiannon Beth "Razza" Roberts (born 30 August 1990) is a professional footballer who plays as a centre-back for Spanish Liga F club Real Betis. Born in England, she plays for the Wales women's national team.
Club career
Roberts broke into the Blackburn Rovers Ladies first team towards the end of the 2008–09 season. Her first Blackburn goal came in April 2009, against Birmingham City Ladies in the FA Women's Premier League. She left Blackburn for a 15-month contract with Doncaster Rovers Belles in July 2013.
After five seasons with the Belles, Roberts joined Liverpool in July 2018. She signed a new contract in May 2021, and the following season helped the team win the Championship, securing a return to the Women's Super League for the club after two seasons in the second tier.
In June 2023, Roberts signed for Real Betis.
International career
Roberts has represented England Colleges, playing in the side's first ever fixture, against Australia schools in February 2008. In June 2010 she was called up by coach Brent Hills to the England Under–23 team for a mini tournament at the University of Warwick. The following year Roberts represented Great Britain at the 2011 Universiade in Shenzhen, China. Despite Roberts' opening goal, Britain were eliminated after a 3–2 defeat by the hosts at Bao'an Stadium.
In August 2015 Roberts' good form with Doncaster Rovers Belles won her a call-up to a training camp with Jayne Ludlow's senior Wales squad. She was selected for Wales' next UEFA Women's Euro 2017 qualifying match in Austria and started the 3–0 defeat in Sankt Pölten.
Career statistics
Club
Some entries may be missing or incomplete due to lack of historical statistics.
International
Some entries may be missing or incomplete due to lack of historical statistics.
Scores and results list Wales' goal tally first, score column indicates score after each Roberts goal.
Honours
Liverpool
Championship: 2021-22
Doncaster Rovers Belles
WSL 2: Winner: 2017-18, Runner-Up: 2014, 2015, 2017
References
External links
Living people
1990 births
Blackburn Rovers W.F.C. players
Doncaster Rovers Belles L.F.C. players
Liverpool F.C. Women players
Footballers from Chester
FA Women's National League players
Women's Super League players
England women's under-23 international footballers
Wales women's international footballers
English women's footballers
Welsh women's footballers
Women's association football central defenders |
, or or or ( fem.), is a suffix used in a number of Indo-Aryan languages, like Hindi/Urdu, Gujarati, Bengali or Marathi. It forms an adjectival compound from a noun or an agent noun from a verb. For example, it may indicate a person involved in some kind of activity, where they come from or what they wear (), for instance:
Dabbawala, lunch box deliverer
Chaiwala, a boy or young man who serves tea
Dishwalla, satellite TV installer, from "dish" for parabolic antenna
, a rickshaw driver
Punkawallah, the servant who keeps the punkah or fan going on hot nights
, a cotton carder
, a waste picker or scrap dealer
Puncture or puncher , a tyre repairer
or was also used in Parsi and Dawodi Bohra surnames, suggesting the profession or a place name. For example:
Amroliwala
Daruwalla, seller of or Persian for 'wine'
Mithaiwala, sweetseller
is also used to indicate a specific object or thing among several:
, 'the small one'
, 'the second one'
, 'the next one'
In British military jargon of the first half of the 20th century, a "base wallah" is someone employed at a military base, or with a job far behind the front lines.
Ian McDonald has a short story, "Sanjeev and Robotwallah" (2007), and there is a character named General Robotwallah in the 2010 novel For the Win by Cory Doctorow.
References
Suffixes
Hindi words and phrases
Hindustani language
Bengali words and phrases |
The worst-case analysis regulation was promulgated in 1979 by the US Council on Environmental Quality (CEQ). The regulation is one of many implementing the National Environmental Policy Act of 1969 and it sets out the formal procedure a US government agency must follow when confronted with gaps in relevant information or scientific uncertainty about significant adverse effects on the environment from a major federal action.
Synopsis
The regulation requires an agency to make known when it is confronted with gaps in relevant information or scientific uncertainty. The agency then must determine if the missing information is essential to a reasoned choice among the alternatives. When the missing information is material to the decision an agency ordinarily must obtain the information and include it in an environmental impact statement (EIS). If the means for obtaining the missing information are beyond the state of the art or alternatively if the costs of obtaining it are exorbitant the agency must then prepare a worst-case analysis. In this analysis the agency must weigh the need for the action against the risks and in the face of uncertainty. The agency also is to indicate the probability or improbability of the worst case's occurrence.
References
Toxicology
Food law
Environmental policy in the United States
United States Environmental Protection Agency
Food safety
Food and Drug Administration |
```c
#include "include/proxy.h"
proxy_info *
proxy_info_alloc(const char *name, void *conf, char *conf_path,
conf_http_server *http_conf, int argc, char **argv)
{
proxy_info *info = nng_zalloc(sizeof(proxy_info));
info->proxy_name = name;
info->conf = conf;
info->conf_path = conf_path;
info->http_server = http_conf;
info->args.argc = argc;
info->args.argv = argv;
return info;
}
``` |
Lackthereof is the solo project of Danny Seim, a founding member of the Portland, Oregon-based band Menomena.
History
The first six Lackthereof albums were recorded at home and given out to Seim's friends on cassettes and CD-R's. In 2005, FILMguerrero released Christian the Christian, making it the first album in the Lackthereof discography to receive any sort of formal distribution.
Seim took Lackthereof to a live setting for the first time in 2004, recruiting his then-wife Holly, friend Tyler Poage, and Kevin and Anita Robinson of the band Viva Voce. This lineup played one show at Portland's annual PDX Pop Now! Festival before disbanding.
The following year, Seim revived the project again, this time with the help of Holly, Matt Dabrowiak, and Paul Alcott of the band Dat'r.
To support the 2008 release of Your Anchor, Lackthereof performed several more shows in Portland with Alcott, Dabrowiak, Jim Fairchild (of All Smiles, Grandaddy and Modest Mouse), and Jon Ragel (of Boy Eats Drum Machine).
On October 13, 2009, Barsuk released the 20-track anthology A Lackthereof Retrospective 1998–2008, or I was a Christian Emo Twentysomething. The release compiles highlights from Seim's early home recording career, featuring songs that were never before released outside of cassettes and CD-R's given out to friends.
Discography
Albums
Self Titled: L (1998)
12 Songs for the Unstable (1999)
In the Name of Protection (1999)
Midnight Is Where the Day Begins (1999)
Dulcet Little Love (2000)
Malnutrition, Honey! (2002)
Christian the Christian (2004)
My Haunted (2008)
Your Anchor (2008)
A Lackthereof Retrospective 1998-2008 or I was a Christian Emo Twentysomething (2009)
Building Personal Strength – a Single Song Album (Forgive Yourself) (2012)
New Devonian (2023)
Split EPs
Boil the Ocean – split EP w/ Francis (1999)
Scissors and Blue – split EP w/ Francis (2001)
Other notable collaborations
Menomena
Holcombe Waller
All Smiles
Ramona Falls
Faux-Hoax
Laura Gibson
Pocket (musician)
Dat'r
Steve Taylor
Corrina Repp
Pfarmers
References
External links
[ AllMusic – Lackthereof]
Indie rock musical groups from Oregon
Musical groups from Portland, Oregon
Barsuk Records artists |
Statistics of Swedish football Division 3 for the 1995 season.
League standings
Norra Norrland 1995
Mellersta Norrland 1995
Södra Norrland 1995
Norra Svealand 1995
Östra Svealand 1995
Västra Svealand 1995
Nordöstra Götaland 1995
Nordvästra Götaland 1995
Mellersta Götaland 1995
Sydöstra Götaland 1995
Sydvästra Götaland 1995
Södra Götaland 1995
Footnotes
References
Swedish Football Division 3 seasons
4
Sweden
Sweden |
Roseland is one of the 77 official community areas of Chicago, Illinois, located on the far south side of the city. It includes the neighborhoods of Fernwood, Princeton Park, Lilydale, the southern portion of West Chesterfield, Rosemoor, Sheldon Heights and West Roseland.
History
Roseland was settled in the 1840s by Dutch immigrants, who called the area "de Hooge Prairie", the High Prairie, because it was built on higher, drier ground than the earlier Dutch settlement several miles further south of the Little Calumet River, which was called "de Laage Prairie", the Low Prairie, now South Holland, Illinois.
The community was entirely agrarian until the late 19th century, when the town of Pullman, Chicago was built between Roseland and Lake Calumet. George M. Pullman planned a model industrial city built around a factory that manufactured his "Palace" railway coaches. Modern brick homes were built with electricity, plumbing and gas utilities. Skilled tradesmen from all over Europe immigrated to the town of Pullman with many settling in nearby Roseland. The Pullman Freight Car Works was built in the 1900s decade on 103rd Street, and survives to this day as a distribution center for flat-rolled steel.
Roseland was annexed into Chicago in 1892. The Roseland area became a very cosmopolitan community made up of multi cultural, ethnic and racial backgrounds. There was a large population of Italian Americans just east of Roseland in the Kensington community. While some Italians of southern Italian origins came to the area from the Little Italy neighborhood on Taylor Street, many other Italians who settled in the area came from the northern Italian regions of Piedmont, Tuscany, and the Veneto. All these Italians from varied regions of Italy helped to make the Kensington area, and the wider Roseland area, centers of South Side Italian life. Sant' Antonio di Padua (St. Anthony's) Church (built 1903) and its grammar school were key religious and cultural landmarks of the area. Supporting businesses flourished rapidly changing the farmland into commercial and residential communities surrounded by a number of industries. Stores on Michigan Avenue served the entire south side of Chicago.
Fortunes began to change in the 1960s when industry patterns led to economic decline. Steel mills to the east were shuttered. Pullman scaled back production and eventually closed for good in 1981. The huge Sherwin-Williams paint factory closed for good in 1995. A period of rapid ethnic succession took place.
The much lauded mural "I Welcome Myself to a New Place: Roseland Pullman Mural," by Olivia Gude, Jon Pounds, and Marcus Jefferson, 1988, was designed to unite the predominantly African American community of Roseland with its nearest neighbor, the predominantly white Pullman community.
Neighborhoods
Fernwood
Fernwood lies on the western edge of Roseland, between 99th and 103rd Streets. It was considered an "upscale" neighborhood of Roseland and extended west into the Washington Heights community up to Halsted Street. Sometimes referred to as West Roseland, it was incorporated in 1883. The area was known for a gardenlike parkway between 95th and 103rd Streets along Eggelston that was known as Fernwood Parkway.
The area is noted for one of the worst race riots in Chicago history. In mid August 1947, several black veterans and their families moved into the CHA Fernwood Park Housing Project at 104th and Halsted. Area residents viewed this as one of several attempts by the CHA to initiate racial integration into white communities. A violent mob action resulted which lasted for three days and mobilized over 1,000 law enforcement officers to control.
During the 1950s and 1960s the community witnessed the combined effects of blockbusting by unscrupulous real estate agents and the ensuing white flight resulting in complete ethnic transition. Like the surrounding communities of Roseland and Washington Heights, Fernwood Park remains predominantly African-American.
Lilydale
Lilydale is a small enclave of modest homes in the northwest corner of Roseland. In the 1920s and 1930s the thinly populated area was referred to as little more than a "cabbage patch". It consisted of mostly vacant land between 91st and 95th Streets and between State Street and the Chicago & Eastern Illinois Railroad tracks (then, the Chicago and Western Indiana Railroad). The 1940s saw a peak in the Second Migration of Black workers from the South seeking jobs and a better life in the industrialized North. Affordable housing for Blacks was limited and generally restricted to the "Black Belt" on the south side of Chicago. Housing shortages grew more severe with the onset of World War II as defense workers moved into the city to aid the war effort.
Lilydale became an attractive area due to its proximity to the steel mills and other defense industries on the south side. It was centrally located and convenient to railroads and streetcars. Beginning in 1942, Black contractors Matthew Goodwin and "Duke" Hodges began building simple, low cost single family homes and duplexes for a growing working-class black neighborhood. To Black trades workers, Lilydale represented an all-too-rare opportunity to use their skills and help resolve their own housing problem. While the homes were modest, they were made of brick and many still stand today. They were originally intended to be rented to defense workers and sold to veterans after the War. The homes were dramatically more affordable than similar homes in the area making them attractive to workers and veterans alike.
Today, only about 12 city blocks remain of the original settlement and the area is generally referred to as a part of Princeton Park.
Princeton Park
Princeton Park is a community of single-family homes built in 1944 and is located in the northwest corner of the Roseland community area in Chicago. Originally, it was a subdivision of low cost multi-family row houses between 91st and 95th streets and Wentworth and Harvard streets. The eastern boundary later extended to State Street (now the Dan Ryan Expressway). This area includes single-family homes, classic bungalows, that were part of the Lilydale community.
The project was the creation of banker/real estate developer Donald O'Toole. The land had previously been used for farming by the primarily Dutch settlers in the Roseland area. In the early 1900s, Roseland transitioned from a farming community to an urban residential neighborhood. As one of the last remaining open spaces it was primed for development. The low cost housing was marketed exclusively to the African-American community making it the first established black community in Roseland. It remains a segregated African-American community today. Once established, Princeton Park was on the leading edge of the ensuing "panic peddling" that engulfed Roseland. Unscrupulous realtors used scare tactics such as blockbusting to frighten and intimidate white residents; churning the real estate market for quick profits. As suburban housing and commuting became more accessible in the 1960s and 1970s, middle class whites left the Roseland area resulting in a total ethnic transformation.
Politics
Roseland is a stronghold for the Democratic Party. In the 2016 presidential election, Roseland cast 20,042 votes for Hillary Clinton and cast 316 votes for Donald Trump. In the 2012 presidential election, Roseland cast 24,400 votes for Barack Obama and cast 132 votes for Mitt Romney.
Transportation
Train service in the community area is provided by Metra. The Metra Electric District's Main Line runs along the Roseland community area's border with the Pullman community area with stations at 95th Street, 103rd Street, 107th Street, 111th Street, and 115th Street.
The 95th/Dan Ryan station, a terminal station of the Chicago "L" Red Line, is located in Roseland. Red Ahead, a program to extend the Red Line south to 130th Street, would result in new stations in Roseland at 103rd Street and 111th Street. In 2020, it was estimated that this project would begin construction in 2025 and would be completed in 2029.
Education
Chicago Public Schools operates public schools in Roseland.
K-8 schools in Roseland and serving sections of Roseland include Bennett, Cullen, Curtis, Scanlon, Dunne, Frank L. Gillespie, Alex Haley Academy, L. Hughes, Kohn, and Lavizzo.
K-8 Schools outside of Roseland and serving sections of Roseland include Evers, Fernwood, Pullman, Ryder, and Smith.
Three high schools, Fenger High School, Gwendolyn Brooks College Preparatory Academy and Harlan Community Academy High School, are located in Roseland and serve Roseland. Some Roseland residents are zoned to Corliss High School in Pullman, while others are zoned to Julian High School in Washington Heights.
Chicago Collegiate Charter School, opened in 2013, serves students in Roseland. Harlan Academic Center and Turner-Drew, K-8 magnets, are in Roseland. Gwendolyn Brooks College Preparatory Academy, a magnet school, is located in Roseland.
Roseland Christian School, a private school, is in Roseland.
The main campus of Chicago State University at 95th and Martin Luther King Drive, is in the northeast portion of Roseland.
Population
Crime
Roseland is one of the deadliest neighborhoods in Chicago, despite stepped-up efforts by City Hall to curb gang violence.
Roseland has seen 26 shooting deaths 2021, higher than in 2020, according to Chicago Sun-Times data.
Notable people
Anthony Beale (born 1967), member of the Chicago City Council. Beale was raised in Roseland and represents it as 9th Ward Alderman.
Dick Butkus (born 1942), football player. He was raised in Roseland.
Deon Cole (born 1972), actor, comedian and screenwriter. He was a childhood resident of Roseland.
Frederic R. DeYoung (1875–1934), Justice of the Supreme Court of Illinois. He was a childhood resident of Roseland prior to its annexation into the City of Chicago.
Dennis DeYoung, Chuck Panozzo, and John Panozzo of the band Styx. The three began playing music in their teen years while living in Roseland.
Wilson Frost (1925–2018), member of the Chicago City Council from 1967 to 1987. He resided at 10816 South Parnell Avenue for a time.
Howard Griffith, football player
Larry Hoover (born 1950), criminal and founder of the Gangster Disciples. He lived at East 104th Street at the time of his arrest and sentencing for the murder of William Young.
Anthony L. Krotiak (1915–1945), Private First Class in the United States Marine Corps and recipient of the Medal of Honor. He was raised in Roseland at 10733 South LaSalle Street.
James Meeks (born 1956), pastor and former member of the Illinois Senate (2003-2013). He is a resident of Roseland.
Eliot Ness (1903-1957) noted Prohibition Agent of the famed "Untouchables" in Chicago. He was raised in Roseland.
Milton L. Olive III (1946–1965), Private first class in the United States Army during the Vietnam War and posthumous recipient of the Medal of Honor. Olive-Harvey College is named for him and Carmel Bernon Harvey Jr. He lived in Roseland.
Robert Sandifer (1983–1994), a Black Disciples gang member killed in 1994 at eleven years of age
Robert Shaw (born 1937), former member of the Chicago City Council and former commissioner of the Cook County Board of Review, formerly lived in Roseland
Ralph Stob former president of Calvin College in Grand Rapids, Michigan.
Arthur Swanson (1926–2010), member of the Illinois Senate from 1963 until 1971. He was a childhood resident of Roseland and represented it during his political career.
Ernest Terrell (1939–2014), professional boxer and 25th Heavyweight Boxing Champion (1965–1967). He resided at 11136 S. Parnell Ave. for a time.
John Ton (1826–1896), abolitionist. He was a longtime resident of what is now Roseland and resided at 316 West 103rd Street from 1893 until his death in 1896.
Paul Vallas (born 1953), first chief executive officer of the Chicago Public School system and candidate for the Democratic Party's nomination for governor in 2002. He was raised in Roseland.
Robert Zemeckis (born 1952), film director whose credits include Back to the Future, Who Framed Roger Rabbit and Forrest Gump. He was raised in Roseland. The address 11344 Edbrooke mentioned in the film "The Polar Express" is the actual address where Zemeckis grew up.
References
External links
Official City of Chicago Roseland Community Map
Roseland photos, videos and message board
Torgan, Allie. "Grandmother helping Chicago kids 'off the block'." CNN. April 7, 2007.
Community areas of Chicago
South Side, Chicago
Dutch-American culture in Illinois
Populated places established in the 1840s
Former municipalities in Illinois
Former populated places in Illinois |
Derek Mitchell may refer to:
Derek J. Mitchell, American diplomat
Derek Mitchell (cricketer)
Derek Mitchell (civil servant) |
```javascript
var searchData=
[
['has_5fcommon_5fembedding',['has_common_embedding',['../group__group-details.html#gae85b604ae6c7a386f0fc3631c561091b',1,'boost::hana::detail']]],
['has_5fnontrivial_5fcommon_5fembedding',['has_nontrivial_common_embedding',['../group__group-details.html#ga9acac3c4609cff5f0957572744c61ec4',1,'boost::hana::detail']]]
];
``` |
Florence E. Chapman (September 24, 1864 – April 28, 1966), also known as Florence E. Wells, or Aunt Florence to her friends, was an pioneering property owner who made significant contributions to the real estate industry in Oakland, California and the Monterey Peninsula. After the 1906 San Francisco earthquake, she played a pivotal role in establishing the Carmel-by-the-Sea, California area as an appealing destination for city dwellers seeking a tranquil escape. In 1908, her cousin and architect George W. Reamer built the first house on Carmel Point for Florence, which she named Driftwood Cottage. The cottage was later the residence of actress Jean Arthur.
Early life
Florence was born on September 24, 1864, in Chebanse, Illinois. She was the daughter of Reynolds C. Chapman (1820-1884) of Connecticut and Susan Mckee (1842-1929) of Ireland. Florence and her family moved from Illinois to Oakland, California in 1880. By 1882, they had settled at 29th and Grove Streets where Florence made her home. Her father built another home at 19th and Grove Street. At age 24, she married an older Frederick E. Wells of Wisconsin, (1846-1894), age 41, on October 8, 1888 in Oakland. He was an American Civil War veteran who survived the hardship of Confederate Libby Prison to take part in Sherman's March to the Sea. Fred Wells was previously married to Mary Chaplin Perkins (1857-1883), on December 13, 1875, who died on April 20, 1883 in Wisconsin.
Florence and Frederick had no children, but she helped raise her niece, Fay McKee (1887-1971), wife of attorney David Duncan Oliphant (1886-1968), of Berkeley, who lived with her up to the time of her death in Oakland. In June 1911, Florence hosted the wedding for her nice that included more than 200 guests, at her residence on Montecito Avenue.
Florence was a member of the First Methodist Church in Oakland, Young Women's Christian Association (YWCA) of Oakland, and the Daughters of the American Revolution. She was the great granddaughter of Sgt. Constant Chapman (1761-1847) of the Revolutioinary Army.
A US passport to travel abroad for two years was issued on October 9, 1906, when Florence was 42 years old. It listed her as with dark hair and dark complexion. At a birthday dinner party for her mother, Susan Chapman, Florence exhibited traditional dresses from various countries that she had collected during her travels abroad.
Florence continued to be active in the real estate industry well into her later years. A centenary celebration was held in September 1965 in honor of her 100th birthday, hosted by her nieces, nephews, and friends from Oakland and Southern California.
Driftwood Cottage
The 1906 San Francisco earthquake, left many people homeless including a group of writers and artists who relocated to Carmel-by-the-Sea along with poet George Sterling. This included Florence and her cousin Sara E. Reamer (1842-1910), who purchased property in 1906. Sara Reamer was the mother of architect George W. Reamer (1864-1938), who they called “Nannu.” George Reamer built a house for Florence, as a summer cottage from a sketch she drew on brown paper. It was the first house to go up on Carmel Point at the southwest corner of Scenic Drive and Ocean View Avenue. The property fronted the Carmel River lagoon at a time when the Point was without trees and any other homes. She traveled regularly between her home in Oakland and her residence on Carmel Point.
On June 7, 1911, The Salinas Californian, reported a real estate transaction between the Carmel Development Company and Florence for four lots, 25, 26, 27, 28, and a strip wide off the south-side lots 23 and 24, block B14, addition 7 for $10 (). The lot numbers match the Monterey County legal description for the Driftwood 26398 Ocean View address.
In 1923, Florence later purchased six acres of the beachfront below her house between Scenic Road and the ocean. Two years later the Carmel Sanitary District Board filed a condemnation suit in the Superior Court for of Well's property on Carmel Point, to establish a right of way from the septic tank, across the beach to the rocks in front of the Florence Wells house that would go into the water. The Sanitary District later dropped the suit. In March 1953, Florence sold of her beach front to the State Park of California under the Beach Acquisition Program.
In 1925, the only homes on Carmel Point were the homes of Col. Fletcher Dutton, poet Robinson Jeffers and his wife Una, Playwright Charles King Van Riper, musician and attorney Edward G. Kuster, George W. Reamer, and Florence Wells.
The Carmel Pine Cone was tracking Florence Wells comings and goings and on July 12, 1929, reported that Wells was visiting her cottage, Driftwood, out on the Point, and that she would be there several weeks. Then, on December 12, 1929, the Pine Cone reported that Florence had returned to her home in Oakland after spending a few weeks at her cottage Driftwood on Carmel Point.
Driftwood Cottage became the first Carmel home of actress Jean Arthur (1900–1991) and her mother Johanna Greene. She first rented the house from Florence in 1937, and then bought it after World War II.
Death
Florence Wells died on April 28, 1966, at the age of 101, at her home at 8 Strathmor Drive in Oakland. Funeral services were held in Oakland's Gothic Chapel, and she was buried at the Mountain View Cemetery in Oakland.
Gallery
See also
List of Historic Homes in Carmel Point
Timeline of Carmel-by-the-Sea, California
References
External links
Carmel Point Walking Tour
1864 births
1966 deaths
People from Illinois
People from Carmel-by-the-Sea, California |
```objective-c
// your_sha256_hash------------
// - Open3D: www.open3d.org -
// your_sha256_hash------------
// your_sha256_hash------------
#pragma once
//#include "open3d/ml/impl/misc/VoxelPooling.h"
#include "open3d/ml/tensorflow/TensorFlowHelper.h"
#include "tensorflow/core/framework/op.h"
#include "tensorflow/core/framework/op_kernel.h"
#include "tensorflow/core/lib/core/errors.h"
/// @cond
// namespace for code that is common for all kernels
namespace voxelize_opkernel {
class OutputAllocator {
public:
OutputAllocator(tensorflow::OpKernelContext* context) : context(context) {}
void AllocVoxelCoords(int32_t** ptr, int64_t rows, int64_t cols) {
using namespace tensorflow;
*ptr = nullptr;
Tensor* tensor = 0;
TensorShape shape({rows, cols});
OP_REQUIRES_OK(context, context->allocate_output(0, shape, &tensor));
auto flat_tensor = tensor->flat<int32_t>();
*ptr = flat_tensor.data();
}
void AllocVoxelPointIndices(int64_t** ptr, int64_t num) {
using namespace tensorflow;
*ptr = nullptr;
Tensor* tensor = 0;
TensorShape shape({num});
OP_REQUIRES_OK(context, context->allocate_output(1, shape, &tensor));
auto flat_tensor = tensor->flat<int64>();
*ptr = (int64_t*)flat_tensor.data();
}
void AllocVoxelPointRowSplits(int64_t** ptr, int64_t num) {
using namespace tensorflow;
*ptr = nullptr;
Tensor* tensor = 0;
TensorShape shape({num});
OP_REQUIRES_OK(context, context->allocate_output(2, shape, &tensor));
auto flat_tensor = tensor->flat<int64>();
*ptr = (int64_t*)flat_tensor.data();
}
void AllocVoxelBatchSplits(int64_t** ptr, int64_t num) {
using namespace tensorflow;
*ptr = nullptr;
Tensor* tensor = 0;
TensorShape shape({num});
OP_REQUIRES_OK(context, context->allocate_output(3, shape, &tensor));
auto flat_tensor = tensor->flat<int64>();
*ptr = (int64_t*)flat_tensor.data();
}
private:
tensorflow::OpKernelContext* context;
};
// Base class with common code for the OpKernel implementations
class VoxelizeOpKernel : public tensorflow::OpKernel {
public:
explicit VoxelizeOpKernel(tensorflow::OpKernelConstruction* construction)
: OpKernel(construction) {
OP_REQUIRES_OK(construction,
construction->GetAttr("max_points_per_voxel",
&max_points_per_voxel));
OP_REQUIRES_OK(construction,
construction->GetAttr("max_voxels", &max_voxels));
}
void Compute(tensorflow::OpKernelContext* context) override {
using namespace tensorflow;
const Tensor& points = context->input(0);
const Tensor& row_splits = context->input(1);
const Tensor& voxel_size = context->input(2);
const Tensor& points_range_min = context->input(3);
const Tensor& points_range_max = context->input(4);
{
using namespace open3d::ml::op_util;
Dim num_points("num_points");
Dim ndim("ndim");
CHECK_SHAPE(context, points, num_points, ndim);
CHECK_SHAPE(context, voxel_size, ndim);
CHECK_SHAPE(context, points_range_min, ndim);
CHECK_SHAPE(context, points_range_max, ndim);
OP_REQUIRES(
context, ndim.value() > 0 && ndim.value() < 9,
errors::InvalidArgument(
"the number of dimensions must be in [1,..,8]"));
}
Kernel(context, points, row_splits, voxel_size, points_range_min,
points_range_max);
}
// Function with the device specific code
virtual void Kernel(tensorflow::OpKernelContext* context,
const tensorflow::Tensor& points,
const tensorflow::Tensor& row_splits,
const tensorflow::Tensor& voxel_size,
const tensorflow::Tensor& points_range_min,
const tensorflow::Tensor& points_range_max) = 0;
protected:
tensorflow::int64 max_points_per_voxel;
tensorflow::int64 max_voxels;
};
} // namespace voxelize_opkernel
/// @endcond
``` |
Jan Kmita z Wiśnicza (ca. 1330 - died 1376 in Kraków) was a Polish knight.
He became general starost of Ruthenia and Sieradz (1351–1367), starost of Lwów (1371) and starost of Kraków (1375). In the name of King Louis I of Hungary he governed Ruthenia in 1372–1375.
Jan was the first Kmita who used the Szreniawa coat of arms with a cross.
Jan
Polish knights
1376 deaths
Ruthenian nobility
14th-century Polish nobility
Year of birth uncertain |
Filmapalooza is the finale festival for the 48 Hour Film Project in which the winning films from cities worldwide (150 cities as of 2018) are screened the following year and compete with each other for awards. It has existed since 2003.
Filmapalooza is hosted by a different city each year. The most recent Filmapalooza, in 2023, was held in Los Angeles.
Filmapalooza events
Winners
Best film
See also
List of film festivals
48 Hour Film Project
References
External links
48 Hour Film Project Official Site
Film festivals held in multiple countries
Film competitions
Short film festivals in the United States |
The 2012–13 season was Sunray Cave JC Sun Hei's 12th season in the Hong Kong First Division League. They started as the defending champions having won the Senior Challenge Shield last season. As the champions of 2011–12 Hong Kong Senior Challenge Shield, they competed in the 2013 AFC Cup. They also competed in the Hong Kong First Division League and the FA Cup.
Key Events
25 May 2012: Midfielder Michael Luk and defender Jack Sealy join South China for an undisclosed fee.
16 July 2012: Sunray Cave JC Sun Hei were back in training after season break. 12 new players have joined the team, including Cheung Kin Fung, Cheung Chi Yung, Chow Kwok Wai, Zhang Chunhui, Yuen Tsun Nam.
23 October 2012: Due to the poor result in the beginning of the season, Tim Bredbury's contract was terminated by the club.
11 December 2012: South African forward Makhosonke Bhengu is released by the club due to discipline reason.
7 January 2013: Hong Kong international left back Cheung Kin Fung leaves the club and signs a 6-month contract with Kitchee. At the same time, James Ha and Liang Zicheng are loaned from Kitchee until the end of the season.
31 January 2013: Cameroonian forward Yrel Cedrique Arnaud Bouet joins the club for an undisclosed fee.
31 January 2013: Hong Kong midfielder Yeung Chi Lun joins the club from Biu Chun Rangers for an undisclosed fee.
Players
First team
As of 31 January 2013.
Remarks:
NP These players are registered as foreign players.
Players with dual nationality:
Su Yang (Local player)
Zhang Chunhui (Local player, eligible to play for Hong Kong national football team)
Liang Zicheng (Local player, eligible to play for Hong Kong national football team)
Leung Ka Hai (Local player, eligible to play for Hong Kong national football team)
James Ha (Local player, eligible to play for Hong Kong national football team)
Transfers
In
Out
Loan In
Loan Out
Stats
Squad Stats
Top scorers
As of 4 May 2013
Disciplinary record
As of 4 May 2013
Competitions
Overall
First Division League
Classification
Results summary
Results by round
Matches
Pre-season
Competitive
First Division League
Remarks:
1 The capacity of Aberdeen Sports Ground is originally 9,000, but only the 4,000-seated main stand is opened for football match.
2 Home match against Yokohama FC Hong Kong was originally scheduled to be played on 2 March 2013 but was postponed and rescheduled to be played on 23 March 2013.
3 Away match against Kitchee was originally scheduled to be played on 31 March 2013 but was rescheduled to be played on 29 March 2013.
Senior Challenge Shield
Quarterfinals
FA Cup
Quarter-finals
AFC Cup
Group stage
Remarks:
1The match was abandoned after 65 minutes of play as Persibo Bojonegoro failed to reach the required limit of players on pitch. Sunray Cave JC Sun Hei were leading 8–0. The result was declared final by AFC.
Notes
References
Sun Hei SC seasons
Sun |
Dracy () is a commune in the Yonne department in Bourgogne-Franche-Comté in north-central France.
Geography
The river Ouanne forms part of the commune's eastern border, flows north-westward through the north-eastern part of the commune, crosses the village and forms part of its northern border.
See also
Communes of the Yonne department
References
Communes of Yonne |
```objective-c
/*
*
* Use of this source code is governed by a BSD-style license that can be
* found in the LICENSE file.
*
*/
#ifndef VisualBenchmarkStream_DEFINED
#define VisualBenchmarkStream_DEFINED
#include "Benchmark.h"
#include "gm.h"
#include "SkCommandLineFlags.h"
#include "SkPicture.h"
DECLARE_string(match);
class VisualBenchmarkStream {
public:
VisualBenchmarkStream();
static bool ReadPicture(const char* path, SkAutoTUnref<SkPicture>* pic);
Benchmark* next();
private:
const BenchRegistry* fBenches;
const skiagm::GMRegistry* fGMs;
SkTArray<SkString> fSKPs;
const char* fSourceType; // What we're benching: bench, GM, SKP, ...
const char* fBenchType; // How we bench it: micro, playback, ...
int fCurrentSKP;
};
#endif
``` |
Malaysia is scheduled to compete at the 2024 Summer Paralympics in Paris, France from 28 August to 8 September.
Competitors
The following is the list of number of competitors in the Games.
Athletics
Malaysian track and field athletes achieved quota places for the following events based on their results at the 2023 World Championships, 2024 World Championships, or through high performance allocation, as long as they meet the minimum entry standard (MES).
Field events
Cycling
Malaysia entered two para-cyclists (one in each gender) after finished the top eligible nation's at the 2022 UCI Nation's ranking allocation ranking.
See also
Malaysia at the 2024 Summer Olympics
Malaysia at the Paralympics
References
Nations at the 2024 Summer Paralympics
2024
2024 in Malaysian sport |
```julia
module ExperimentalGibbsTests
using ..Models: MoGtest_default, MoGtest_default_z_vector, gdemo
using ..NumericalTests: check_MoGtest_default, check_MoGtest_default_z_vector, check_gdemo,
check_numerical, two_sample_test
using DynamicPPL
using Random
using Test
using Turing
using Turing.Inference: AdvancedHMC, AdvancedMH
using ForwardDiff: ForwardDiff
using ReverseDiff: ReverseDiff
function check_transition_varnames(
transition::Turing.Inference.Transition,
parent_varnames
)
transition_varnames = mapreduce(vcat, transition.) do vn_and_val
[first(vn_and_val)]
end
# Varnames in `transition` should be subsumed by those in `vns`.
for vn in transition_varnames
@test any(Base.Fix2(DynamicPPL.subsumes, vn), parent_varnames)
end
end
const DEMO_MODELS_WITHOUT_DOT_ASSUME = Union{
Model{typeof(DynamicPPL.TestUtils.demo_assume_index_observe)},
Model{typeof(DynamicPPL.TestUtils.demo_assume_multivariate_observe)},
Model{typeof(DynamicPPL.TestUtils.demo_assume_dot_observe)},
Model{typeof(DynamicPPL.TestUtils.demo_assume_observe_literal)},
Model{typeof(DynamicPPL.TestUtils.demo_assume_literal_dot_observe)},
Model{typeof(DynamicPPL.TestUtils.demo_assume_matrix_dot_observe_matrix)},
}
has_dot_assume(::DEMO_MODELS_WITHOUT_DOT_ASSUME) = false
has_dot_assume(::Model) = true
@testset "Gibbs using `condition`" begin
@testset "Demo models" begin
@testset "$(model.f)" for model in DynamicPPL.TestUtils.DEMO_MODELS
vns = DynamicPPL.TestUtils.varnames(model)
# Run one sampler on variables starting with `s` and another on variables starting with `m`.
vns_s = filter(vns) do vn
DynamicPPL.getsym(vn) == :s
end
vns_m = filter(vns) do vn
DynamicPPL.getsym(vn) == :m
end
samplers = [
Turing.Experimental.Gibbs(
vns_s => NUTS(),
vns_m => NUTS(),
),
Turing.Experimental.Gibbs(
vns_s => NUTS(),
vns_m => HMC(0.01, 4),
)
]
if !has_dot_assume(model)
# Add in some MH samplers, which are not compatible with `.~`.
append!(
samplers,
[
Turing.Experimental.Gibbs(
vns_s => HMC(0.01, 4),
vns_m => MH(),
),
Turing.Experimental.Gibbs(
vns_s => MH(),
vns_m => HMC(0.01, 4),
)
]
)
end
@testset "$sampler" for sampler in samplers
# Check that taking steps performs as expected.
rng = Random.default_rng()
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(sampler))
check_transition_varnames(transition, vns)
for _ = 1:5
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(sampler), state)
check_transition_varnames(transition, vns)
end
end
@testset "comparison with 'gold-standard' samples" begin
num_iterations = 1_000
thinning = 10
num_chains = 4
# Determine initial parameters to make comparison as fair as possible.
posterior_mean = DynamicPPL.TestUtils.posterior_mean(model)
initial_params = DynamicPPL.TestUtils.update_values!!(
DynamicPPL.VarInfo(model),
posterior_mean,
DynamicPPL.TestUtils.varnames(model),
)[:]
initial_params = fill(initial_params, num_chains)
# Sampler to use for Gibbs components.
sampler_inner = HMC(0.1, 32)
sampler = Turing.Experimental.Gibbs(
vns_s => sampler_inner,
vns_m => sampler_inner,
)
Random.seed!(42)
chain = sample(
model,
sampler,
MCMCThreads(),
num_iterations,
num_chains;
progress=false,
initial_params=initial_params,
discard_initial=1_000,
thinning=thinning
)
# "Ground truth" samples.
# TODO: Replace with closed-form sampling once that is implemented in DynamicPPL.
Random.seed!(42)
chain_true = sample(
model,
NUTS(),
MCMCThreads(),
num_iterations,
num_chains;
progress=false,
initial_params=initial_params,
thinning=thinning,
)
# Perform KS test to ensure that the chains are similar.
xs = Array(chain)
xs_true = Array(chain_true)
for i = 1:size(xs, 2)
@test two_sample_test(xs[:, i], xs_true[:, i]; warn_on_fail=true)
# Let's make sure that the significance level is not too low by
# checking that the KS test fails for some simple transformations.
# TODO: Replace the heuristic below with closed-form implementations
# of the targets, once they are implemented in DynamicPPL.
@test !two_sample_test(0.9 .* xs_true[:, i], xs_true[:, i])
@test !two_sample_test(1.1 .* xs_true[:, i], xs_true[:, i])
@test !two_sample_test(1e-1 .+ xs_true[:, i], xs_true[:, i])
end
end
end
end
@testset "multiple varnames" begin
rng = Random.default_rng()
@testset "with both `s` and `m` as random" begin
model = gdemo(1.5, 2.0)
vns = (@varname(s), @varname(m))
alg = Turing.Experimental.Gibbs(vns => MH())
# `step`
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg))
check_transition_varnames(transition, vns)
for _ in 1:5
transition, state = AbstractMCMC.step(
rng, model, DynamicPPL.Sampler(alg), state
)
check_transition_varnames(transition, vns)
end
# `sample`
Random.seed!(42)
chain = sample(model, alg, 10_000; progress=false)
check_numerical(chain, [:s, :m], [49 / 24, 7 / 6]; atol=0.4)
end
@testset "without `m` as random" begin
model = gdemo(1.5, 2.0) | (m=7 / 6,)
vns = (@varname(s),)
alg = Turing.Experimental.Gibbs(vns => MH())
# `step`
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg))
check_transition_varnames(transition, vns)
for _ in 1:5
transition, state = AbstractMCMC.step(
rng, model, DynamicPPL.Sampler(alg), state
)
check_transition_varnames(transition, vns)
end
end
end
@testset "CSMC + ESS" begin
rng = Random.default_rng()
model = MoGtest_default
alg = Turing.Experimental.Gibbs(
(@varname(z1), @varname(z2), @varname(z3), @varname(z4)) => CSMC(15),
@varname(mu1) => ESS(),
@varname(mu2) => ESS(),
)
vns = (@varname(z1), @varname(z2), @varname(z3), @varname(z4), @varname(mu1), @varname(mu2))
# `step`
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg))
check_transition_varnames(transition, vns)
for _ = 1:5
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg), state)
check_transition_varnames(transition, vns)
end
# Sample!
Random.seed!(42)
chain = sample(MoGtest_default, alg, 1000; progress=false)
check_MoGtest_default(chain, atol = 0.2)
end
@testset "CSMC + ESS (usage of implicit varname)" begin
rng = Random.default_rng()
model = MoGtest_default_z_vector
alg = Turing.Experimental.Gibbs(
@varname(z) => CSMC(15),
@varname(mu1) => ESS(),
@varname(mu2) => ESS(),
)
vns = (@varname(z[1]), @varname(z[2]), @varname(z[3]), @varname(z[4]), @varname(mu1), @varname(mu2))
# `step`
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg))
check_transition_varnames(transition, vns)
for _ = 1:5
transition, state = AbstractMCMC.step(rng, model, DynamicPPL.Sampler(alg), state)
check_transition_varnames(transition, vns)
end
# Sample!
Random.seed!(42)
chain = sample(model, alg, 1000; progress=false)
check_MoGtest_default_z_vector(chain, atol = 0.2)
end
@testset "externsalsampler" begin
@model function demo_gibbs_external()
m1 ~ Normal()
m2 ~ Normal()
-1 ~ Normal(m1, 1)
+1 ~ Normal(m1 + m2, 1)
return (; m1, m2)
end
model = demo_gibbs_external()
samplers_inner = [
externalsampler(AdvancedMH.RWMH(1)),
externalsampler(AdvancedHMC.HMC(1e-1, 32), adtype=AutoForwardDiff()),
externalsampler(AdvancedHMC.HMC(1e-1, 32), adtype=AutoReverseDiff()),
externalsampler(AdvancedHMC.HMC(1e-1, 32), adtype=AutoReverseDiff(compile=true)),
]
@testset "$(sampler_inner)" for sampler_inner in samplers_inner
sampler = Turing.Experimental.Gibbs(
@varname(m1) => sampler_inner,
@varname(m2) => sampler_inner,
)
Random.seed!(42)
chain = sample(model, sampler, 1000; discard_initial=1000, thinning=10, n_adapts=0)
check_numerical(chain, [:m1, :m2], [-0.2, 0.6], atol=0.1)
end
end
end
end
``` |
Dominique Rinderknecht (born 14 July 1989) is a Swiss model, tv host and beauty pageant titleholder who won the title of Miss Switzerland 2013 and represented her country at the Miss Universe 2013 pageant.
Early life and personal life
Rinderknecht was a public relations and communications student at the University of Zurich at the time of the 2013 pageant and has since acquired her bachelor's degree. From 2016 until 2020, she dated the French-born Swiss model Tamy Glauser. She is also the first openly LGBT person who has been crowned Miss Switzerland. Dominique now lives between Switzerland and South Africa, engaged to South African pilot and musician Drew Gage as of 2021.
Miss Schweiz 2013
Rinderknecht, from Zürich, was crowned Miss Switzerland 2013 during the pageant held on 8 June. The 1st and 2nd runners-up were Sara Wicki and Janine Baumann. The Miss Switzerland pageant lost its deal with television in 2011. There was no pageant in 2012, however the 2013 edition returned in full force with a TV broadcast through Sat.1.
She competed at Miss Universe 2013 where she finished in the top 16. Her successor as Miss Switzerland was Laetitia Guarino.
References
External links
Official Miss Switzerland website
Miss Switzerland winners
People from Zürich
Miss Universe 2013 contestants
1989 births
Living people
University of Zurich alumni
Swiss LGBT broadcasters |
The 2016 Rice Owls football team represented Rice University in the 2016 NCAA Division I FBS football season. The Owls played their home games at Rice Stadium in Houston, Texas, and competed in the West Division of Conference USA (C–USA). They were led by tenth year head coach David Bailiff. They finished the season 3–9, 2–6 in C-USA play to finish in a tie for fifth place in the East Division.
Schedule
Rice announced its 2016 football schedule on February 4, 2016. The 2016 schedule consisted of 6 home and 6 away games in the regular season. The Owls hosted C–USA foes Florida Atlantic, North Texas, UTEP, and UTSA, and traveled to Charlotte, Louisiana Tech, Southern Miss, and Western Kentucky (WKU).
The team played four non–conference games, two home games against Baylor from the Big 12 Conference and Prairie View A&M from the Southwestern Athletic Conference, and two road games against Army, which was independent from a conference, and Stanford from the Pac-12 Conference.
Game summaries
WKU
At Army
Baylor
North Texas
At Southern Miss
UTSA
Prairie View A&M
At Louisiana Tech
Florida Atlantic
At Charlotte
UTEP
At Stanford
References
Rice
Rice Owls football seasons
Rice Owls football |
Hertha, Berliner Sport-Club e. V., commonly known as Hertha BSC (), and sometimes referred to as Hertha Berlin, Hertha BSC Berlin, or simply Hertha, is a German professional football club based in the locality of Westend of the borough of Charlottenburg-Wilmersdorf of Berlin. Hertha BSC plays in the 2. Bundesliga, the second tier of German football, following relegation from the Bundesliga in 2022–23. Hertha BSC was founded in 1892, and was a founding member of the German Football Association in Leipzig in 1900.
The team won the German championship in 1930 and 1931. Since 1963, Hertha's stadium has been the Olympiastadion. The club is known as Die Alte Dame in German, which translates to "The Old Lady". In 2002, the sports activities of the professional, amateur, and under-19 teams were separated into Hertha BSC GmbH & Co. KGaA.
History
Early years
The club was formed in 1892 as BFC Hertha 92, taking its name from a steamship with a blue and white smokestack; one of the four young men who founded the club had taken a day trip on this ship with his father. The name Hertha is a variation on Nerthus, referring to a fertility goddess from Germanic mythology.
Hertha performed consistently well on the field, including a win in the first Berlin championship final in 1905. In May 1910, Hertha won a friendly match against Southend United, which was considered significant at the time, as England was where the game originated and English clubs dominated the sport. However, their on-field success was not matched financially and in 1920 the staunchly working-class Hertha merged with the well-heeled club Berliner Sport-Club to form Hertha Berliner Sport-Club. The new team continued to enjoy considerable success in the Oberliga Berlin-Brandenburg, while also enduring a substantial measure of frustration. The team played its way to the German championship final in six consecutive seasons from 1926 to 1931, but was only able to win the title in 1930 and 1931 with BSC leaving to become an independent club again after the combined side's first championship. Notwithstanding, Hertha emerged as the Germany's second most successful team during the inter-war years.
Play under the Third Reich
German football was re-organized under the Third Reich in 1933 into 16 top-flight divisions, which saw Hertha playing in the Gauliga Berlin-Brandenburg. The club continued to enjoy success within their division, regularly finishing in the upper half of the table and capturing the divisional title in 1935, 1937 and 1944. It faded from prominence, however, unable to advance out of the early rounds of the national championship rounds. Politically, the club was overhauled under Hitler, with Hans Pfeifer, a Nazi party member, being installed as president.
Postwar play
After World War II, occupying Allied authorities banned most organizations in Germany, including sports and football clubs. Hertha was re-formed late in 1945 as SG Gesundbrunnen and resumed play in the Oberliga Berlin – Gruppe C. The 36 teams of the first season of the post-war Oberliga Berlin were reduced to just a dozen the next year, and the club found itself out of first division football and playing in the Amateurliga Berlin. By the end of 1949, it had re-claimed their identity as Hertha BSC and earned a return to the top-flight.
Tensions between the western Allies and the Soviets occupying various sectors of the city, and the developing Cold War, led to chaotic conditions for football in the capital. Hertha was banned from playing against East German teams in the 1949–50 season after taking on several players and a coach who had fled the Dresden club SG Friedrichstadt for West Berlin. A number of sides from the eastern half of the city were forced from the Oberliga Berlin to the newly established DDR-Liga beginning with the 1950–51 season.
Through the 1950s, an intense rivalry developed with Tennis Borussia Berlin. A proposal for a merger between the two clubs in 1958 was resoundingly rejected, with only three of the 266 members voting in favour.
Being a major Berlin side, Hertha had fans in the entirety of Berlin, but following the division of the city, supporters in East Berlin found it both difficult and dangerous to follow the team. In interviews with long-time supporter Helmut Klopfleisch, he described his difficulties as a supporter in East Berlin. Klopfleisch came from the district of Pankow and attending his first home match as a young boy in 1954 he became an instant supporter. He continued to attend home matches at the stadium, but with the construction of the Berlin Wall in 1961, this became impossible. Despite this, he did not give up. By this time, Hertha played at the Stadion am Gesundbrunnen, nicknamed Die Plumpe. The stadium was located close enough to the Berlin wall for the sounds from the stadium to be heard over the wall. Thus, Klopfleisch and other supporters gathered behind the wall to listen to the home matches. When the crowd at the stadium cheered, Klopfleisch and the others cheered as well. Klopfleisch later came under suspicion by Stasi, the East German secret police. He was arrested and interrogated at numerous occasions. He also had his passport confiscated and eventually lost his job as an electrician.
Entry to the Bundesliga
At the time of the formation of the Bundesliga in 1963, Hertha was Berlin's reigning champion and so became an inaugural member of the new professional national league. In spite of finishing clear of the relegation zone, the team was demoted after the 1964–65 season following attempts to bribe players to play in the city under what had become decidedly unpleasant circumstances after the erection of the Berlin Wall. This caused something of a crisis for the Bundesliga which wanted, for political reasons, to continue to have a team in its ranks representing the former capital. Through various machinations, this led to the promotion of SC Tasmania 1900 Berlin, which then delivered the worst-ever performance in Bundesliga history. Hertha managed a return to the premier German league in 1968–69 and developed a solid following, making it Berlin's favourite side.
Hertha, however, was again soon touched by scandal through its involvement with several other clubs in the Bundesliga matchfixing scandal of 1971. In the course of an investigation of Hertha's role, it was also revealed that the club was 6 million DM in debt. Financial disaster was averted through the sale of the team's former home ground.
In spite of this, the team continued to enjoy a fair measure of success on the field through the 1970s with a second place Bundesliga finish behind Borussia Mönchengladbach in 1974–75, a semi-final appearance in the 1978–79 UEFA Cup, and two appearances in the final of the DFB-Pokal (1977 and 1979). The following season saw the fortunes of the team take a turn for the worse as it was relegated to the 2. Bundesliga, where it would spend 13 of the next 17 seasons.
Plans in 1982 for a merger with Tennis Borussia Berlin, SpVgg Blau-Weiß 1890 Berlin and SCC Berlin to form a side derisively referred to as "FC Utopia" never came to fruition. Hertha slipped as low as the third tier Amateur Oberliga Berlin, where it spent two seasons (1986–87 and 1987–88). Two turns in the Bundesliga (1982–83 and 1990–91) saw the team immediately relegated after poor performances. Hertha's amateur side enjoyed a greater measure of success, advancing all the way to the final of the DFB-Pokal in 1993, where its run ended in a close 0–1 defeat at the hands of Bundesliga side Bayer Leverkusen.
Following the fall of the Berlin Wall, Hertha became a popular side in East Berlin as well. Two days after the wall came down, 11,000 East Berliners attended Hertha's match against SG Wattenscheid. A fan friendship with Union Berlin developed, and a friendly match between the two attracted over 50,000 spectators.
Financial woes once more burdened the club in 1994, as it found itself 10 million DM in debt. The crisis was again resolved through the sale of real estate holdings in addition to the signing of a new sponsor and management team. By 1997, Hertha found its way back to the Bundesliga, where it generally managed to finish in the upper-third of the league table. When Hertha was promoted in 1997, it ended Berlin's six-year-long drought without a Bundesliga side, which had made the Bundesliga the only top league in Europe without representation from its country's biggest city and capital.
A period of oscillation
Hertha's return to the Bundesliga began well, with a continuous string of appearances in international play in the UEFA Cup and the UEFA Champions League beginning in the 1999 season, and the signing of key players such as Pál Dárdai in 1997 who became Hertha's most capped player ever, Sebastian Deisler in 1999 and Brazilian international Marcelinho in 2001, who was named the Bundesliga's Player of the Year in 2005. Hertha also invested heavily in its own youth football academy.
Hertha could not maintain its strong run of form, however, and the club's next few years saw dramatic highs and lows. The team was almost relegated in the 2003–04 season, but rebounded and finished fourth the following season, but missed out on the Champions League after they were held to a draw on the final day by Hannover 96, which saw Werder Bremen overtake them for the spot on the final league matchday. (As a "thank-you" gesture, Werder sent the Hannover squad 96 bottles of champagne.) In 2005–06, the Herthaner finished in sixth position, then qualified for the UEFA Cup after defeating FC Moscow in the UEFA Intertoto Cup. However, Hertha was eliminated in the first round of the UEFA Cup by Odense BK. In 2006–07, Hertha finished tenth after sacking manager Falko Götz on 11 April. Hertha started the 2007–08 season with new manager Lucien Favre, who had won the Swiss championship in 2006 and 2007 with Zürich. Hertha finished tenth again, but started in the first qualification round of the UEFA Cup via the UEFA Respect Fair Play ranking, making it as far as the group stage of the tournament. After a successful campaign in 2008–09 season, finishing in fourth place and remaining in the title race up until the second to last matchday, the club had a very poor season in 2009–10 season, finishing last in the Bundesliga and suffering relegation.
After spending the 2010–11 season in the 2. Bundesliga, Hertha secured its return to the Bundesliga for 2011–12 by winning 1–0 at MSV Duisburg with three matchdays to play in the season. Hertha, however, finished 16th in the 2011–12 Bundesliga and lost in the relegation playoff to Fortuna Düsseldorf to fall back to the 2. Bundesliga.
In 2012–13, Hertha achieved promotion from the second division as champions for the second time in three seasons. On the opening day of the 2013–14 season, the club beat Eintracht Frankfurt 6–1 at the Olympiastadion to top the Bundesliga table at the end of matchday 1.
On 5 February 2015 Pál Dárdai, Hertha's longest serving and most capped player ever with 366 appearances took over as the manager of the main squad. At the halfway point of the 2015–16 Bundesliga season, Hertha lay in third place, its highest position at the winter break since 2008–09. Despite a late-season slump, Hertha still finished in seventh place for the season, its highest finish in the Bundesliga since 2008–09 during which Hertha finished fourth. The seventh-place finish meant the club secured Europa League football for the 2016–17 season by the means of a third round play-off. Hertha lost the third round play-off 3–2 on aggregate to Brøndby, winning the first leg 1–0 in Berlin but losing the second away tie 3–1, with Teemu Pukki scoring a hat-trick for the Danish side.
In the 2016–17 Bundesliga season, Hertha enjoyed its best ever start to a Bundesliga season in terms of points won during the opening eight matches, losing just one match – away against Bayern Munich – and forcing a draw away against Borussia Dortmund. At the 2016–17 Bundesliga winter break, Hertha stood at third place in the league, with nine wins, three draws and four losses. Hertha finished the season on 6th place and qualified for the 2017–18 Europa League. Their place in the group stage was secured on 27 May 2017, after Borussia Dortmund defeated Eintracht Frankfurt in the 2017 DFB–Pokal final.
Lars Windhorst's era
In June 2019, Lars Windhorst bought a €125 million stake in the club. On 27 November 2019, Jürgen Klinsmann became the new manager of Hertha BSC, replacing Ante Čović. Klinsmann left the club on 11 February 2020, after only 76 days in charge. Assistant manager Alexander Nouri took interim charge of the team, before the permanent appointment of Bruno Labbadia on 9 April 2020.
In 2020, Windhorst bought an increased stake in the club, bringing his total investment to almost $500 million. But sporting success did not follow.
On 24 January 2021, Labbadia was sacked as Hertha manager with the club sitting inside the relegation play off places with his replacement being former manager Pál Dárdai. After nine months in charge and steering the club to safety, Dárdai was terminated as manager and replaced with Tayfun Korkut. Korkut was terminated after just four months in charge with the club sitting 17th on the table in the relegation zone. Korkut was replaced with Felix Magath. Magath managed to steer the club to safety as they won the relegation play-off against Hamburger SV 2–1 on aggregate. After avoiding relegation, Magath was replaced with Sandro Schwarz as manager. Within months of Schwarz's hiring, however, relations between Hertha and Windhorst had deteriorated to the point where Windhorst no longer wanted anything to do with the club. Schwarz was sacked in April 2023 following a 5–2 loss to Schalke 04 that left Hertha at the bottom of the table. Pál Dárdai took over the head coaching job for the third time but could not right the ship, and Hertha were relegated.
Stadium
Since 1963, Hertha BSC has played its matches in Berlin's Olympiastadion, originally built for the 1936 Summer Olympics.
The stadium has a permanent capacity of 74,649 seats, making it the largest stadium in Germany in terms of seating capacity and the second largest stadium in Germany, behind the Signal Iduna Park in Dortmund, in terms of total capacity. For certain football matches, such as those against Bayern Munich, the capacity can be temporarily expanded. This is made by the addition of mobile grandstand over the Marathon Arch. The extended capacity reached 76,197 seats in 2014.
The stadium underwent major renovations twice, in 1974 and from 2000 to 2004. In both cases, the renovations were for the upcoming FIFA World Cup. In the 1974 upgrades, the stadium received a partial roof. It underwent a thorough modernization for the 2006 World Cup. In addition, the colour of the track was changed to blue to match Hertha's club colours. In addition to Hertha's home games, Olympiastadion serves as one of the home grounds for the Germany national football team, and it hosts concerts, track and field competitions, and the annual DFB-Pokal final. It was also the site for six matches of the 2006 World Cup, including the tournament final.
Hertha played its matches on a sports field on the "Exer" on Schönhauser Allee in Prenzlauer Berg until 1904. This was the first home ground of Hertha. The Exer was a former parade ground of the 1st (Emperor Alexander) Guards Grenadiers and the site is today occupied by the Friedrich-Ludwig-Jahn-Sportpark. Hertha then moved it matches to the Schebera-Sportplatz in the locality of Gesundbrunnen in 1904. The Stadion am Gesundbrunnen was built in the area in 1923. The stadium would be nicknamed "Die Plumpe" and had a capacity of 35,000, of which 3,600 seated. Hertha left the stadium when it joined the Bundesliga in 1963. Hertha returned to the site during the Regionalliga years from 1965 to 1968. The sale of the site in 1971 helped the club avoid bankruptcy.
Due to a lack of spectator interest, Hertha played its 2. Bundesliga and Amateurliga matches from 1986 to 1989 at the Poststadion. The opening fixtures of the 1992–93 season, as well as the Intertoto Cup and UEFA Cup qualifying matches, were played at the Friedrich-Ludwig-Jahn-Sportpark.
It was confirmed on 23 May 2016 that Hertha will continue to play its home matches at the Olympiastadion until 2025.
New stadium
On 30 March 2017, Hertha announced its intentions to build a new 55,000 seater stadium, to be ready in 2025 when their contract to play at the Olympiastadion runs out. The club noted many factors for this decision, one being that the Berlin side are the only club in the Bundesliga without a dedicated football stadium. In the announcement, the club acknowledged that the Olympiastadion was suitable for major national and international matches, but was too large for the average attendance of a Hertha home game, with only 64% seats being sold; opposed to the Bundesliga average of 92%. On the announcement, the club stated that its preferred option was to construct its own stadium, with a survey identifying a suitable site in Berlin's Olympic Park close to the Olympiastadion. But, at the same time, Berlin's state government indicated a willingness to consider rebuilding the Olympiastadion itself into a football-only venue. However, following the success of the 2018 European Athletics Championships held at the stadium, combined with the potential cost of the conversion, the state government subsequently elected not to proceed, leading Hertha to return to the Olympic Park proposal. However, if that plan was rejected, they also have secondary plans for the stadium to be built in Brandenburg Park, Ludwigsfelde.
Colours and kit
Hertha's club colours are blue and white which come, like its name, from the Hertha steamship. Traditionally, the club wears these colours as stripes, however, since the 1970s, it has employed many different uniforms.
Between the 70s and the 90s, a variety of plain shirts or shirts with large blocks of colour were used, and the team rarely wore its traditional stripes. In 1997, Hertha unveiled a strip with navy blue hoops and shorts, which the team wore for two seasons, abandoning its colours and traditional motif.
The club reintroduced a very traditional kit for the 2000/2001 season, however it continuously flirted with navy uniforms throughout the early 2000s, and navy often appears as part of the home uniform, or as the primary colour of second and third choice strips even today. Since the mid-2000s the club has generally opted for a traditional style of uniform.
The Old Lady also has a historically traditional away kit, being a red and black version of their home.
Crest
Players
Current squad
Players out on loan
Hertha BSC II
Player records
Most Bundesliga/2. Bundesliga appearances – 366; Pál Dárdai
Most Bundesliga goals scored – 93; Michael Preetz
"Squad of the Century"
For the club's 111th birthday, Hertha fans elected the "Squad of the Century".
Current staff
Coaches
Honours
Domestic
German Champions:
Winners: 1930, 1931
Runners-up: 1926, 1927, 1928, 1929, 1974–75
2. Bundesliga:
Winners: 1989–90, 2010–11, 2012–13
Runners-up: 1981–82
DFB-Ligapokal:
Winners: 2001, 2002
Runners-up: 2000
DFB-Pokal:
Runners-up: 1976–77, 1978–79, 1992–93 1
Note 1: Reserve Team
International
UEFA Cup:
Semi-finals: 1978–79
Regional
Berlin/Brandenburg Champions (−1933):
Winners (12): 1906, 1915, 1917, 1918, 1925, 1926, 1927, 1928, 1929, 1930, 1931, 1933
Runners-up: 1914, 1916
Gauliga Berlin-Brandenburg:
Winners: 1935, 1937, 1944
Runners-up: 1934, 1938, 1939, 1941
Oberliga Berlin (1945–63):
Winners: 1957, 1961, 1963
Runners-up: 1960, 1962
Regionalliga Berlin: (II)
Winners: 1966, 1967, 1968
Amateur-Oberliga Berlin: (III)
Winners: 1949, 1987, 1988
Runners-up: 1954
Berlin Cup: (Tiers III-VII)
Winners (13): 1920, 1924, 1928, 1929, 1943, 1958, 1959, 1966, 1967, 1976, 1987, 1992, 2004
Runners-up: 2006
Youth
German Under 19 Championship
Winners: 2018
Runners-up: 2022
German Under 17 Championship
Winners: 2000, 2003, 2005, 2012
Runners-up: 1991
Under 19 Bundesliga North/Northeast
Winners: 2005, 2006, 2018
Runners-up: 2003, 2004, 2012, 2017
Under 17 Bundesliga North/Northeast
Winners: 2008, 2010, 2012, 2013, 2020
Runners-up: 2011, 2014, 2018 2019
Under 19 DFB-Pokal (de)
Winners: 2004, 2015
Runners-up: 2010, 2012, 2016
Under 17 NOFV-Pokal (de)
Winners: (4) 2001, 2008, 2012, 2014 (Record)
Statistics
In European football
Accurate as of 10 December 2017
Women's football
Missing out on a trend of promoting women's football, Hertha became one of a decreasing number of major German football clubs left outside the top of women's football. Several steps had been taken to develop women's football, but most of them ended up inconclusive. The change came in 2009, when the club announced that it was to launch a cooperation in women's football with 1. FC Lübars, a football club from the Berlin borough Reinickendorf and with decades of history in women's football.
From one side, the partnership meant that Hertha was to provide Lübars with various forms of support, including financial support, expertise in licensing and sponsor acquisition, equipment and training instruction – investing approximately 1 million Euros in the project. From the other side, the partnership meant that Lübars was to compete in the colours of Hertha, thus earning the nickname "Die Hertha-Frauen" ("The Hertha-women"). In the long run, the club plans for the team of 1. FC Lübars to be integrated with Hertha BSC. 1. FC Lübars now competes in the 2. Bundesliga of women's football.
References
External links
Hertha BSC statistics
Hertha BSC formations at football-lineups
Association football clubs established in 1892
Berlin Hertha
Hertha
1892 establishments in Germany
Bundesliga clubs
2. Bundesliga clubs |
Around the Bend is the nineteenth studio album released in 2008 by American country music artist Randy Travis. The album is Travis' first mainstream country music album since 1999's A Man Ain't Made of Stone as all his other studio albums in the 2000s were composed of Christian country music. It sold 31,000 copies in its first week of release, the best opening week of Travis' career. Three singles were released from the album: "Faith in You", "Dig Two Graves" and "Turn It Around", none of which charted.
Around the Bend was nominated for best country album at the 51st Grammy Awards, and the track "Dig Two Graves" was nominated as best country song.
Track listing
Personnel
Dan Dugmore - pedal steel guitar
Larry Franklin - fiddle
Paul Franklin - fiddle, pedal steel guitar
Carl Gorodetzky - string contractor
Tania Hancheroff - background vocals
Aubrey Haynie - fiddle, mandolin
Wes Hightower - background vocals
Sherilynn Huffman - background vocals
David Hungate - bass guitar
Rob Ickes - dobro
Paul Leim - drums
Brent Mason - 12-string electric guitar, electric guitar
Gordon Mote - Hammond organ, piano, Wurlitzer
The Nashville String Machine - strings
Steve Nathan - Hammond organ, piano, Wurlitzer
Dan Seals - background vocals
Lisa Silver - background vocals
Bryan Sutton - banjo, acoustic guitar, hi-string guitar, mandolin
Randy Travis - lead vocals
Dianne Vanette - background vocals
Bergen White - conductor, string arrangements
Casey Wood - cymbals, shaker, tambourine
Charts
Weekly charts
Year-end charts
Awards
The album won a Dove Award for Country Album of the Year at the 40th GMA Dove Awards.
References
External links
2008 albums
Randy Travis albums
Warner Records albums
Albums produced by Kyle Lehning |
```go
// Package scanner implements a scanner for HCL (HashiCorp Configuration
// Language) source text.
package scanner
import (
"bytes"
"fmt"
"os"
"regexp"
"unicode"
"unicode/utf8"
"github.com/hashicorp/hcl/hcl/token"
)
// eof represents a marker rune for the end of the reader.
const eof = rune(0)
// Scanner defines a lexical scanner
type Scanner struct {
buf *bytes.Buffer // Source buffer for advancing and scanning
src []byte // Source buffer for immutable access
// Source Position
srcPos token.Pos // current position
prevPos token.Pos // previous position, used for peek() method
lastCharLen int // length of last character in bytes
lastLineLen int // length of last line in characters (for correct column reporting)
tokStart int // token text start position
tokEnd int // token text end position
// Error is called for each error encountered. If no Error
// function is set, the error is reported to os.Stderr.
Error func(pos token.Pos, msg string)
// ErrorCount is incremented by one for each error encountered.
ErrorCount int
// tokPos is the start position of most recently scanned token; set by
// Scan. The Filename field is always left untouched by the Scanner. If
// an error is reported (via Error) and Position is invalid, the scanner is
// not inside a token.
tokPos token.Pos
}
// New creates and initializes a new instance of Scanner using src as
// its source content.
func New(src []byte) *Scanner {
// even though we accept a src, we read from a io.Reader compatible type
// (*bytes.Buffer). So in the future we might easily change it to streaming
// read.
b := bytes.NewBuffer(src)
s := &Scanner{
buf: b,
src: src,
}
// srcPosition always starts with 1
s.srcPos.Line = 1
return s
}
// next reads the next rune from the bufferred reader. Returns the rune(0) if
// an error occurs (or io.EOF is returned).
func (s *Scanner) next() rune {
ch, size, err := s.buf.ReadRune()
if err != nil {
// advance for error reporting
s.srcPos.Column++
s.srcPos.Offset += size
s.lastCharLen = size
return eof
}
if ch == utf8.RuneError && size == 1 {
s.srcPos.Column++
s.srcPos.Offset += size
s.lastCharLen = size
s.err("illegal UTF-8 encoding")
return ch
}
// remember last position
s.prevPos = s.srcPos
s.srcPos.Column++
s.lastCharLen = size
s.srcPos.Offset += size
if ch == '\n' {
s.srcPos.Line++
s.lastLineLen = s.srcPos.Column
s.srcPos.Column = 0
}
// If we see a null character with data left, then that is an error
if ch == '\x00' && s.buf.Len() > 0 {
s.err("unexpected null character (0x00)")
return eof
}
// debug
// fmt.Printf("ch: %q, offset:column: %d:%d\n", ch, s.srcPos.Offset, s.srcPos.Column)
return ch
}
// unread unreads the previous read Rune and updates the source position
func (s *Scanner) unread() {
if err := s.buf.UnreadRune(); err != nil {
panic(err) // this is user fault, we should catch it
}
s.srcPos = s.prevPos // put back last position
}
// peek returns the next rune without advancing the reader.
func (s *Scanner) peek() rune {
peek, _, err := s.buf.ReadRune()
if err != nil {
return eof
}
s.buf.UnreadRune()
return peek
}
// Scan scans the next token and returns the token.
func (s *Scanner) Scan() token.Token {
ch := s.next()
// skip white space
for isWhitespace(ch) {
ch = s.next()
}
var tok token.Type
// token text markings
s.tokStart = s.srcPos.Offset - s.lastCharLen
// token position, initial next() is moving the offset by one(size of rune
// actually), though we are interested with the starting point
s.tokPos.Offset = s.srcPos.Offset - s.lastCharLen
if s.srcPos.Column > 0 {
// common case: last character was not a '\n'
s.tokPos.Line = s.srcPos.Line
s.tokPos.Column = s.srcPos.Column
} else {
// last character was a '\n'
// (we cannot be at the beginning of the source
// since we have called next() at least once)
s.tokPos.Line = s.srcPos.Line - 1
s.tokPos.Column = s.lastLineLen
}
switch {
case isLetter(ch):
tok = token.IDENT
lit := s.scanIdentifier()
if lit == "true" || lit == "false" {
tok = token.BOOL
}
case isDecimal(ch):
tok = s.scanNumber(ch)
default:
switch ch {
case eof:
tok = token.EOF
case '"':
tok = token.STRING
s.scanString()
case '#', '/':
tok = token.COMMENT
s.scanComment(ch)
case '.':
tok = token.PERIOD
ch = s.peek()
if isDecimal(ch) {
tok = token.FLOAT
ch = s.scanMantissa(ch)
ch = s.scanExponent(ch)
}
case '<':
tok = token.HEREDOC
s.scanHeredoc()
case '[':
tok = token.LBRACK
case ']':
tok = token.RBRACK
case '{':
tok = token.LBRACE
case '}':
tok = token.RBRACE
case ',':
tok = token.COMMA
case '=':
tok = token.ASSIGN
case '+':
tok = token.ADD
case '-':
if isDecimal(s.peek()) {
ch := s.next()
tok = s.scanNumber(ch)
} else {
tok = token.SUB
}
default:
s.err("illegal char")
}
}
// finish token ending
s.tokEnd = s.srcPos.Offset
// create token literal
var tokenText string
if s.tokStart >= 0 {
tokenText = string(s.src[s.tokStart:s.tokEnd])
}
s.tokStart = s.tokEnd // ensure idempotency of tokenText() call
return token.Token{
Type: tok,
Pos: s.tokPos,
Text: tokenText,
}
}
func (s *Scanner) scanComment(ch rune) {
// single line comments
if ch == '#' || (ch == '/' && s.peek() != '*') {
if ch == '/' && s.peek() != '/' {
s.err("expected '/' for comment")
return
}
ch = s.next()
for ch != '\n' && ch >= 0 && ch != eof {
ch = s.next()
}
if ch != eof && ch >= 0 {
s.unread()
}
return
}
// be sure we get the character after /* This allows us to find comment's
// that are not erminated
if ch == '/' {
s.next()
ch = s.next() // read character after "/*"
}
// look for /* - style comments
for {
if ch < 0 || ch == eof {
s.err("comment not terminated")
break
}
ch0 := ch
ch = s.next()
if ch0 == '*' && ch == '/' {
break
}
}
}
// scanNumber scans a HCL number definition starting with the given rune
func (s *Scanner) scanNumber(ch rune) token.Type {
if ch == '0' {
// check for hexadecimal, octal or float
ch = s.next()
if ch == 'x' || ch == 'X' {
// hexadecimal
ch = s.next()
found := false
for isHexadecimal(ch) {
ch = s.next()
found = true
}
if !found {
s.err("illegal hexadecimal number")
}
if ch != eof {
s.unread()
}
return token.NUMBER
}
// now it's either something like: 0421(octal) or 0.1231(float)
illegalOctal := false
for isDecimal(ch) {
ch = s.next()
if ch == '8' || ch == '9' {
// this is just a possibility. For example 0159 is illegal, but
// 0159.23 is valid. So we mark a possible illegal octal. If
// the next character is not a period, we'll print the error.
illegalOctal = true
}
}
if ch == 'e' || ch == 'E' {
ch = s.scanExponent(ch)
return token.FLOAT
}
if ch == '.' {
ch = s.scanFraction(ch)
if ch == 'e' || ch == 'E' {
ch = s.next()
ch = s.scanExponent(ch)
}
return token.FLOAT
}
if illegalOctal {
s.err("illegal octal number")
}
if ch != eof {
s.unread()
}
return token.NUMBER
}
s.scanMantissa(ch)
ch = s.next() // seek forward
if ch == 'e' || ch == 'E' {
ch = s.scanExponent(ch)
return token.FLOAT
}
if ch == '.' {
ch = s.scanFraction(ch)
if ch == 'e' || ch == 'E' {
ch = s.next()
ch = s.scanExponent(ch)
}
return token.FLOAT
}
if ch != eof {
s.unread()
}
return token.NUMBER
}
// scanMantissa scans the mantissa begining from the rune. It returns the next
// non decimal rune. It's used to determine wheter it's a fraction or exponent.
func (s *Scanner) scanMantissa(ch rune) rune {
scanned := false
for isDecimal(ch) {
ch = s.next()
scanned = true
}
if scanned && ch != eof {
s.unread()
}
return ch
}
// scanFraction scans the fraction after the '.' rune
func (s *Scanner) scanFraction(ch rune) rune {
if ch == '.' {
ch = s.peek() // we peek just to see if we can move forward
ch = s.scanMantissa(ch)
}
return ch
}
// scanExponent scans the remaining parts of an exponent after the 'e' or 'E'
// rune.
func (s *Scanner) scanExponent(ch rune) rune {
if ch == 'e' || ch == 'E' {
ch = s.next()
if ch == '-' || ch == '+' {
ch = s.next()
}
ch = s.scanMantissa(ch)
}
return ch
}
// scanHeredoc scans a heredoc string
func (s *Scanner) scanHeredoc() {
// Scan the second '<' in example: '<<EOF'
if s.next() != '<' {
s.err("heredoc expected second '<', didn't see it")
return
}
// Get the original offset so we can read just the heredoc ident
offs := s.srcPos.Offset
// Scan the identifier
ch := s.next()
// Indented heredoc syntax
if ch == '-' {
ch = s.next()
}
for isLetter(ch) || isDigit(ch) {
ch = s.next()
}
// If we reached an EOF then that is not good
if ch == eof {
s.err("heredoc not terminated")
return
}
// Ignore the '\r' in Windows line endings
if ch == '\r' {
if s.peek() == '\n' {
ch = s.next()
}
}
// If we didn't reach a newline then that is also not good
if ch != '\n' {
s.err("invalid characters in heredoc anchor")
return
}
// Read the identifier
identBytes := s.src[offs : s.srcPos.Offset-s.lastCharLen]
if len(identBytes) == 0 {
s.err("zero-length heredoc anchor")
return
}
var identRegexp *regexp.Regexp
if identBytes[0] == '-' {
identRegexp = regexp.MustCompile(fmt.Sprintf(`[[:space:]]*%s\z`, identBytes[1:]))
} else {
identRegexp = regexp.MustCompile(fmt.Sprintf(`[[:space:]]*%s\z`, identBytes))
}
// Read the actual string value
lineStart := s.srcPos.Offset
for {
ch := s.next()
// Special newline handling.
if ch == '\n' {
// Math is fast, so we first compare the byte counts to see if we have a chance
// of seeing the same identifier - if the length is less than the number of bytes
// in the identifier, this cannot be a valid terminator.
lineBytesLen := s.srcPos.Offset - s.lastCharLen - lineStart
if lineBytesLen >= len(identBytes) && identRegexp.Match(s.src[lineStart:s.srcPos.Offset-s.lastCharLen]) {
break
}
// Not an anchor match, record the start of a new line
lineStart = s.srcPos.Offset
}
if ch == eof {
s.err("heredoc not terminated")
return
}
}
return
}
// scanString scans a quoted string
func (s *Scanner) scanString() {
braces := 0
for {
// '"' opening already consumed
// read character after quote
ch := s.next()
if (ch == '\n' && braces == 0) || ch < 0 || ch == eof {
s.err("literal not terminated")
return
}
if ch == '"' && braces == 0 {
break
}
// If we're going into a ${} then we can ignore quotes for awhile
if braces == 0 && ch == '$' && s.peek() == '{' {
braces++
s.next()
} else if braces > 0 && ch == '{' {
braces++
}
if braces > 0 && ch == '}' {
braces--
}
if ch == '\\' {
s.scanEscape()
}
}
return
}
// scanEscape scans an escape sequence
func (s *Scanner) scanEscape() rune {
// path_to_url
ch := s.next() // read character after '/'
switch ch {
case 'a', 'b', 'f', 'n', 'r', 't', 'v', '\\', '"':
// nothing to do
case '0', '1', '2', '3', '4', '5', '6', '7':
// octal notation
ch = s.scanDigits(ch, 8, 3)
case 'x':
// hexademical notation
ch = s.scanDigits(s.next(), 16, 2)
case 'u':
// universal character name
ch = s.scanDigits(s.next(), 16, 4)
case 'U':
// universal character name
ch = s.scanDigits(s.next(), 16, 8)
default:
s.err("illegal char escape")
}
return ch
}
// scanDigits scans a rune with the given base for n times. For example an
// octal notation \184 would yield in scanDigits(ch, 8, 3)
func (s *Scanner) scanDigits(ch rune, base, n int) rune {
start := n
for n > 0 && digitVal(ch) < base {
ch = s.next()
if ch == eof {
// If we see an EOF, we halt any more scanning of digits
// immediately.
break
}
n--
}
if n > 0 {
s.err("illegal char escape")
}
if n != start {
// we scanned all digits, put the last non digit char back,
// only if we read anything at all
s.unread()
}
return ch
}
// scanIdentifier scans an identifier and returns the literal string
func (s *Scanner) scanIdentifier() string {
offs := s.srcPos.Offset - s.lastCharLen
ch := s.next()
for isLetter(ch) || isDigit(ch) || ch == '-' || ch == '.' {
ch = s.next()
}
if ch != eof {
s.unread() // we got identifier, put back latest char
}
return string(s.src[offs:s.srcPos.Offset])
}
// recentPosition returns the position of the character immediately after the
// character or token returned by the last call to Scan.
func (s *Scanner) recentPosition() (pos token.Pos) {
pos.Offset = s.srcPos.Offset - s.lastCharLen
switch {
case s.srcPos.Column > 0:
// common case: last character was not a '\n'
pos.Line = s.srcPos.Line
pos.Column = s.srcPos.Column
case s.lastLineLen > 0:
// last character was a '\n'
// (we cannot be at the beginning of the source
// since we have called next() at least once)
pos.Line = s.srcPos.Line - 1
pos.Column = s.lastLineLen
default:
// at the beginning of the source
pos.Line = 1
pos.Column = 1
}
return
}
// err prints the error of any scanning to s.Error function. If the function is
// not defined, by default it prints them to os.Stderr
func (s *Scanner) err(msg string) {
s.ErrorCount++
pos := s.recentPosition()
if s.Error != nil {
s.Error(pos, msg)
return
}
fmt.Fprintf(os.Stderr, "%s: %s\n", pos, msg)
}
// isHexadecimal returns true if the given rune is a letter
func isLetter(ch rune) bool {
return 'a' <= ch && ch <= 'z' || 'A' <= ch && ch <= 'Z' || ch == '_' || ch >= 0x80 && unicode.IsLetter(ch)
}
// isDigit returns true if the given rune is a decimal digit
func isDigit(ch rune) bool {
return '0' <= ch && ch <= '9' || ch >= 0x80 && unicode.IsDigit(ch)
}
// isDecimal returns true if the given rune is a decimal number
func isDecimal(ch rune) bool {
return '0' <= ch && ch <= '9'
}
// isHexadecimal returns true if the given rune is an hexadecimal number
func isHexadecimal(ch rune) bool {
return '0' <= ch && ch <= '9' || 'a' <= ch && ch <= 'f' || 'A' <= ch && ch <= 'F'
}
// isWhitespace returns true if the rune is a space, tab, newline or carriage return
func isWhitespace(ch rune) bool {
return ch == ' ' || ch == '\t' || ch == '\n' || ch == '\r'
}
// digitVal returns the integer value of a given octal,decimal or hexadecimal rune
func digitVal(ch rune) int {
switch {
case '0' <= ch && ch <= '9':
return int(ch - '0')
case 'a' <= ch && ch <= 'f':
return int(ch - 'a' + 10)
case 'A' <= ch && ch <= 'F':
return int(ch - 'A' + 10)
}
return 16 // larger than any legal digit val
}
``` |
The Lake Zurich Marathon Swim belongs to the world's longest swimming marathon races. It is held annually in August and is organized by the Sri Chinmoy Marathon Team.
The participants swim from Rapperswil to Zurich, with a total course length of .
Winner's list
Winner's list, overall non-wetsuit (Race record highlighted)
References
External links
Sri Chinmoy Races, Official Site
Video-Trailer: 2013
Video: Interview 2011
Open water swimming competitions
Swimming competitions in Switzerland
Sports events founded by Sri Chinmoy
August sporting events
Recurring sporting events established in 1969
Summer events in Switzerland
1969 establishments in Switzerland |
```javascript
// See LICENSE in the project root for license information.
require('local-eslint-config/patch/eslint-bulk-suppressions');
``` |
The Association of Cricket Umpires and Scorers (commonly abbreviated as the ACU&S) was established in 1953 by the umpire Tom Smith as the Association of Cricket Umpires (the scorers were included in the title several years later), in order to provide training and advice to cricket officials. It had a membership exceeding 8,000 in countries all over the world before it was merged with the ECB Officials Association on 1 January 2008.
The ACU&S also had the duty of assigning qualified umpires and scorers to cricket matches around the world. It was funded by membership fees, sponsorship, advertising in its quarterly newsletter How's That, and the profits from selling official umpire and scorer accessories and clothing.
Merger
In December 2007, the membership of the ACU&S voted (67% for, 33% against on a low turnout) to merge with the ECB Officials Association [ECB OA]. This ended a period of uncertainty during which various claims were made both about the Association's financial stability and its internal governance. This new organisation eventually became the ECB Association of Cricket Officials. The move was criticised by some who viewed it a cynical move by the ECB as a means to secure additional funding by Sport England as well as by overseas members who believed that an organisation under the auspices of the ECB would not have the same interest in them as the ACU&S, which had supported members across the world. Supporters of the merger argued that integration with the ECB would raise the profile of umpiring and scoring, provide much needed funds, improve training and put an end to the multitude of official bodies that had begun after alleged irregularities in administration had come to light. This aspiration to improve training must sound rather hollow now ECB no longer examines candidates for knowledge of the Laws of Cricket. 5 Gloucestershire Association of Cricket Umpires and Scorers minutes 18 November 2017.
Association textbook
The textbook, Cricket Umpiring and Scoring, was first published in 1957 under the authorship of Colonel Rowan Rait Kerr. Later editions were edited by Tom Smith, MBE. Later revisions were undertaken by Sheila Hill, MBE, and Robbie Robins in about 1992, when the name was changed to Tom Smith's Cricket Umpiring and Scoring at the suggestion of Colin Pearson as a permanent honour to the founder. The changes to the Laws of cricket in 2000 required a substantial re-write and this was undertaken by Colin Edwards, Graeme Lowrie (NZ), and Graham Cooper. The new edition was published by Weidenfeld & Nicolson in 2004.
Shortly before merging to form the ECB ACO, the copyright to the textbook was transferred by the ACU&S to Marylebone Cricket Club (MCC), who continue to update it; Weidenfeld & Nicolson also continue to publish it.
See also
Association of Cricket Officials
References
Cricket umpiring
Scoring (cricket)
Cricket umpiring associations
1953 establishments in the United Kingdom
2007 disestablishments in the United Kingdom
English cricket in the 20th century |
Alexander Peebles (10 January 1856 – 11 April 1934) was a New Zealand carrier, bush contractor, prospector, mine manager, farmer, local politician and businessman. He was born in Kingsbarns, Fife, Scotland in 1856. He became a member of the Coromandel County Council in the 1880s. He joined the Whakatane Road Board in 1899, and served as the first chairman of the Whakatane County Council from 1900.
References
1856 births
1934 deaths
New Zealand mining businesspeople
New Zealand gold prospectors
New Zealand businesspeople
People from Kingsbarns
British emigrants to the Colony of New Zealand
New Zealand city councillors
People from Whakatāne |
```xml
import * as Blockly from "blockly";
import { FieldTilemap } from "./field_tilemap";
import { FieldAnimationEditor } from "./field_animation";
import { FieldMusicEditor } from "./field_musiceditor";
import { FieldSpriteEditor } from "./field_sprite";
import { FieldTileset } from "./field_tileset";
export interface FieldCustom extends Blockly.Field {
isFieldCustom_: boolean;
saveOptions?(): pxt.Map<string | number | boolean>;
restoreOptions?(map: pxt.Map<string | number | boolean>): void;
}
export interface FieldCustomOptions {
blocksInfo: any;
colour?: string | number;
label?: string;
type?: string;
}
export interface FieldCustomDropdownOptions extends FieldCustomOptions {
data?: any;
}
export interface FieldCustomConstructor {
new(text: string, options: FieldCustomOptions, validator?: Function): FieldCustom;
}
// Parsed format of data stored in the .data attribute of blocks
export interface PXTBlockData {
commentRefs: string[];
fieldData: pxt.Map<string>;
}
export namespace svg {
export function hasClass(el: SVGElement, cls: string): boolean {
return pxt.BrowserUtils.containsClass(el, cls);
}
export function addClass(el: SVGElement, cls: string) {
pxt.BrowserUtils.addClass(el, cls);
}
export function removeClass(el: SVGElement, cls: string) {
pxt.BrowserUtils.removeClass(el, cls);
}
}
export function parseColour(colour: string | number): string {
const hue = Number(colour);
if (!isNaN(hue)) {
return Blockly.utils.colour.hueToHex(hue);
} else if (typeof colour === "string" && colour.match(/^#[0-9a-fA-F]{6}$/)) {
return colour as string;
} else {
return '#000';
}
}
/**
* Converts a bitmap into a square image suitable for display. In light mode the preview
* is drawn with no transparency (alpha is filled with background color)
*/
export function bitmapToImageURI(frame: pxt.sprite.Bitmap, sideLength: number, lightMode: boolean) {
const colors = pxt.appTarget.runtime.palette.slice(1);
const canvas = document.createElement("canvas");
canvas.width = sideLength;
canvas.height = sideLength;
// Works well for all of our default sizes, does not work well if the size is not
// a multiple of 2 or is greater than 32 (i.e. from the decompiler)
const cellSize = Math.min(sideLength / frame.width, sideLength / frame.height);
// Center the image if it isn't square
const xOffset = Math.max(Math.floor((sideLength * (1 - (frame.width / frame.height))) / 2), 0);
const yOffset = Math.max(Math.floor((sideLength * (1 - (frame.height / frame.width))) / 2), 0);
let context: CanvasRenderingContext2D;
if (lightMode) {
context = canvas.getContext("2d", { alpha: false });
context.fillStyle = "#dedede";
context.fillRect(0, 0, sideLength, sideLength);
}
else {
context = canvas.getContext("2d");
}
for (let c = 0; c < frame.width; c++) {
for (let r = 0; r < frame.height; r++) {
const color = frame.get(c, r);
if (color) {
context.fillStyle = colors[color - 1];
context.fillRect(xOffset + c * cellSize, yOffset + r * cellSize, cellSize, cellSize);
}
else if (lightMode) {
context.fillStyle = "#dedede";
context.fillRect(xOffset + c * cellSize, yOffset + r * cellSize, cellSize, cellSize);
}
}
}
return canvas.toDataURL();
}
export function tilemapToImageURI(data: pxt.sprite.TilemapData, sideLength: number, lightMode: boolean) {
const colors = pxt.appTarget.runtime.palette.slice();
const canvas = document.createElement("canvas");
canvas.width = sideLength;
canvas.height = sideLength;
// Works well for all of our default sizes, does not work well if the size is not
// a multiple of 2 or is greater than 32 (i.e. from the decompiler)
const cellSize = Math.min(sideLength / data.tilemap.width, sideLength / data.tilemap.height);
// Center the image if it isn't square
const xOffset = Math.max(Math.floor((sideLength * (1 - (data.tilemap.width / data.tilemap.height))) / 2), 0);
const yOffset = Math.max(Math.floor((sideLength * (1 - (data.tilemap.height / data.tilemap.width))) / 2), 0);
let context: CanvasRenderingContext2D;
if (lightMode) {
context = canvas.getContext("2d", { alpha: false });
context.fillStyle = "#dedede";
context.fillRect(0, 0, sideLength, sideLength);
}
else {
context = canvas.getContext("2d");
}
let tileColors: string[] = [];
for (let c = 0; c < data.tilemap.width; c++) {
for (let r = 0; r < data.tilemap.height; r++) {
const tile = data.tilemap.get(c, r);
if (tile) {
if (!tileColors[tile]) {
const tileInfo = data.tileset.tiles[tile];
tileColors[tile] = tileInfo ? pxt.sprite.computeAverageColor(pxt.sprite.Bitmap.fromData(tileInfo.bitmap), colors) : "#dedede";
}
context.fillStyle = tileColors[tile];
context.fillRect(xOffset + c * cellSize, yOffset + r * cellSize, cellSize, cellSize);
}
else if (lightMode) {
context.fillStyle = "#dedede";
context.fillRect(xOffset + c * cellSize, yOffset + r * cellSize, cellSize, cellSize);
}
}
}
return canvas.toDataURL();
}
export function songToDataURI(song: pxt.assets.music.Song, width: number, height: number, lightMode: boolean, maxMeasures?: number) {
const colors = pxt.appTarget.runtime.palette.slice();
const canvas = document.createElement("canvas");
canvas.width = width;
canvas.height = height;
let context: CanvasRenderingContext2D;
if (lightMode) {
context = canvas.getContext("2d", { alpha: false });
context.fillStyle = "#dedede";
context.fillRect(0, 0, width, height);
}
else {
context = canvas.getContext("2d");
}
const trackColors = [
5, // duck
11, // cat
5, // dog
4, // fish
2, // car
6, // computer
14, // burger
2, // cherry
5, // lemon
1, // explosion
]
maxMeasures = maxMeasures || song.measures;
const cellWidth = Math.max(Math.floor(width / (song.beatsPerMeasure * maxMeasures * 2)), 1);
const cellsShown = Math.floor(width / cellWidth);
const cellHeight = Math.max(Math.floor(height / 12), 1);
const notesShown = Math.floor(height / cellHeight);
for (const track of song.tracks) {
for (const noteEvent of track.notes) {
const col = Math.floor(noteEvent.startTick / (song.ticksPerBeat / 2));
if (col > cellsShown) break;
for (const note of noteEvent.notes) {
const row = 12 - (note.note % 12);
if (row > notesShown) continue;
context.fillStyle = colors[trackColors[track.id || song.tracks.indexOf(track)]];
context.fillRect(col * cellWidth, row * cellHeight, cellWidth, cellHeight);
}
}
}
return canvas.toDataURL();
}
function deleteTilesetTileIfExists(ws: Blockly.Workspace, tile: pxt.sprite.legacy.LegacyTileInfo) {
const existing = ws.getVariablesOfType(pxt.sprite.BLOCKLY_TILESET_TYPE);
for (const model of existing) {
if (parseInt(model.name.substr(0, model.name.indexOf(";"))) === tile.projectId) {
ws.deleteVariableById(model.getId());
break;
}
}
}
export interface FieldEditorReference<U extends Blockly.Field> {
block: Blockly.Block;
field: string;
ref: U;
parsed?: pxt.sprite.TilemapData;
}
export function getAllBlocksWithTilemaps(ws: Blockly.Workspace): FieldEditorReference<FieldTilemap>[] {
return getAllFields(ws, f => f instanceof FieldTilemap && !f.isGreyBlock);
}
export function getAllBlocksWithTilesets(ws: Blockly.Workspace): FieldEditorReference<FieldTileset>[] {
return getAllFields(ws, f => f instanceof FieldTileset);
}
export function needsTilemapUpgrade(ws: Blockly.Workspace) {
const allTiles = ws.getVariablesOfType(pxt.sprite.BLOCKLY_TILESET_TYPE).map(model => pxt.sprite.legacy.blocklyVariableToTile(model.name));
return !!allTiles.length;
}
export function upgradeTilemapsInWorkspace(ws: Blockly.Workspace, proj: pxt.TilemapProject) {
const allTiles = ws.getVariablesOfType(pxt.sprite.BLOCKLY_TILESET_TYPE).map(model => pxt.sprite.legacy.blocklyVariableToTile(model.name));
if (!allTiles.length) return;
try {
Blockly.Events.disable();
let customMapping: pxt.Tile[] = [];
for (const tile of allTiles) {
if (tile.qualifiedName) {
customMapping[tile.projectId] = proj.resolveTile(tile.qualifiedName);
}
else if (tile.data) {
customMapping[tile.projectId] = proj.createNewTile(tile.data, "myTiles.tile" + tile.projectId);
}
deleteTilesetTileIfExists(ws, tile);
}
const tilemaps = getAllBlocksWithTilemaps(ws);
for (const tilemap of tilemaps) {
const legacy = pxt.sprite.legacy.decodeTilemap(tilemap.ref.getInitText(), "typescript");
const mapping: pxt.Tile[] = [];
const newData = new pxt.sprite.TilemapData(
legacy.tilemap, {
tileWidth: legacy.tileset.tileWidth,
tiles: legacy.tileset.tiles.map((t, index) => {
if (t.projectId != null) {
return customMapping[t.projectId];
}
if (!mapping[index]) {
mapping[index] = proj.resolveTile(t.qualifiedName)
}
return mapping[index];
})
},
legacy.layers
);
tilemap.ref.setValue(pxt.sprite.encodeTilemap(newData, "typescript"));
}
const tilesets = getAllBlocksWithTilesets(ws);
for (const tileset of tilesets) {
// Force a re-render. getSize() will rerender if necessary
tileset.ref.doValueUpdate_(tileset.ref.getValue());
tileset.ref.getSize();
}
} finally {
Blockly.Events.enable();
}
}
export function getAllFields<U extends Blockly.Field>(ws: Blockly.Workspace, predicate: (field: Blockly.Field) => boolean): FieldEditorReference<U>[] {
const result: FieldEditorReference<U>[] = [];
const top = ws.getTopBlocks(false);
top.forEach(block => getAllFieldsRecursive(block));
return result;
function getAllFieldsRecursive(block: Blockly.Block) {
for (const input of block.inputList) {
for (const field of input.fieldRow) {
if (predicate(field)) {
result.push({ block, field: field.name, ref: (field as U) });
}
}
if (input.connection && input.connection.targetBlock()) {
getAllFieldsRecursive(input.connection.targetBlock());
}
}
if (block.nextConnection && block.nextConnection.targetBlock()) {
getAllFieldsRecursive(block.nextConnection.targetBlock());
}
}
}
export function getAllReferencedTiles(workspace: Blockly.Workspace, excludeBlockID?: string) {
let all: pxt.Map<pxt.Tile> = {};
const allMaps = getAllBlocksWithTilemaps(workspace);
const project = pxt.react.getTilemapProject();
for (const map of allMaps) {
if (map.block.id === excludeBlockID) continue;
for (const tile of map.ref.getTileset()?.tiles || []) {
all[tile.id] = project.lookupAsset(pxt.AssetType.Tile, tile.id);
}
}
const projectMaps = project.getAssets(pxt.AssetType.Tilemap);
for (const projectMap of projectMaps) {
for (const tile of projectMap.data.tileset.tiles) {
all[tile.id] = project.lookupAsset(pxt.AssetType.Tile, tile.id);
}
}
const allTiles = getAllBlocksWithTilesets(workspace);
for (const tilesetField of allTiles) {
const value = tilesetField.ref.getValue();
const match = /^\s*assets\s*\.\s*tile\s*`([^`]*)`\s*$/.exec(value);
if (match) {
const tile = project.lookupAssetByName(pxt.AssetType.Tile, match[1]);
if (tile && !all[tile.id]) {
all[tile.id] = tile;
}
}
else if (!all[value]) {
all[value] = project.resolveTile(value);
}
}
return Object.keys(all).map(key => all[key]).filter(t => !!t);
}
export function getTilesReferencedByTilesets(workspace: Blockly.Workspace) {
let all: pxt.Map<pxt.Tile> = {};
const project = pxt.react.getTilemapProject();
const allTiles = getAllBlocksWithTilesets(workspace);
for (const tilesetField of allTiles) {
const value = tilesetField.ref.getValue();
const match = /^\s*assets\s*\.\s*tile\s*`([^`]*)`\s*$/.exec(value);
if (match) {
const tile = project.lookupAssetByName(pxt.AssetType.Tile, match[1]);
if (tile && !all[tile.id]) {
all[tile.id] = tile;
}
}
else if (!all[value]) {
all[value] = project.resolveTile(value);
}
}
return Object.keys(all).map(key => all[key]).filter(t => !!t);
}
export function getTemporaryAssets(workspace: Blockly.Workspace, type: pxt.AssetType): pxt.Asset[] {
switch (type) {
case pxt.AssetType.Image:
return getAllFields(workspace, field => field instanceof FieldSpriteEditor && field.isTemporaryAsset())
.map(f => (f.ref as unknown as FieldSpriteEditor).getAsset());
case pxt.AssetType.Animation:
return getAllFields(workspace, field => field instanceof FieldAnimationEditor && field.isTemporaryAsset())
.map(f => (f.ref as unknown as FieldAnimationEditor).getAsset());
case pxt.AssetType.Song:
return getAllFields(workspace, field => field instanceof FieldMusicEditor && field.isTemporaryAsset())
.map(f => (f.ref as unknown as FieldMusicEditor).getAsset());
default: return [];
}
}
export const FIELD_EDITOR_OPEN_EVENT_TYPE = "field_editor_open";
export class FieldEditorOpenEvent extends Blockly.Events.UiBase {
override type = FIELD_EDITOR_OPEN_EVENT_TYPE;
blockId: string;
isOpen: boolean;
constructor(block: Blockly.Block, isOpen: boolean) {
super(block.workspace.id);
this.blockId = block.id;
this.isOpen = isOpen;
}
}
export function setMelodyEditorOpen(block: Blockly.Block, isOpen: boolean) {
Blockly.Events.fire(new FieldEditorOpenEvent(block, isOpen));
}
export function workspaceToScreenCoordinates(ws: Blockly.WorkspaceSvg, wsCoordinates: Blockly.utils.Coordinate) {
// The position in pixels relative to the origin of the
// main workspace.
const scaledWS = wsCoordinates.scale(ws.scale);
// The offset in pixels between the main workspace's origin and the upper
// left corner of the injection div.
const mainOffsetPixels = ws.getOriginOffsetInPixels();
// The client coordinates offset by the injection div's upper left corner.
const clientOffsetPixels = Blockly.utils.Coordinate.sum(
scaledWS, mainOffsetPixels);
const injectionDiv = ws.getInjectionDiv();
// Bounding rect coordinates are in client coordinates, meaning that they
// are in pixels relative to the upper left corner of the visible browser
// window. These coordinates change when you scroll the browser window.
const boundingRect = injectionDiv.getBoundingClientRect();
return new Blockly.utils.Coordinate(clientOffsetPixels.x + boundingRect.left,
clientOffsetPixels.y + boundingRect.top)
}
export function getBlockData(block: Blockly.Block): PXTBlockData {
if (!block.data) {
return {
commentRefs: [],
fieldData: {}
};
}
if (/^(?:\d+;?)+$/.test(block.data)) {
return {
commentRefs: block.data.split(";"),
fieldData: {}
}
}
return JSON.parse(block.data);
}
export function setBlockData(block: Blockly.Block, data: PXTBlockData) {
block.data = JSON.stringify(data);
}
export function setBlockDataForField(block: Blockly.Block, field: string, data: string) {
const blockData = getBlockData(block);
blockData.fieldData[field] = data;
setBlockData(block, blockData);
}
export function getBlockDataForField(block: Blockly.Block, field: string) {
return getBlockData(block).fieldData[field];
}
``` |
Hannah Clowes (born 24 February 1991) is an English artistic gymnast who has represented England at the 2006 Commonwealth Games and Great Britain at the 2007 World Artistic Gymnastics Championships. She did not make the Beijing Olympic Team. Clowes also more recently attended Liverpool Johns Moores University, where she studied Sports science related to gymnastics.
References
External links
1991 births
Living people
British female artistic gymnasts
English female artistic gymnasts
Commonwealth Games silver medallists for England
Commonwealth Games medallists in gymnastics
Gymnasts at the 2006 Commonwealth Games
Medallists at the 2006 Commonwealth Games |
```xml
import { Injectable } from "@angular/core";
import { OrganizationId } from "@bitwarden/common/types/guid";
import {
collectProperty,
getUniqueItems,
sumValue,
} from "@bitwarden/web-vault/app/tools/reports/report-utils";
import {
MemberAccessCollectionModel,
MemberAccessGroupModel,
} from "../model/member-access-report.model";
import { MemberAccessExportItem } from "../view/member-access-export.view";
import { MemberAccessReportView } from "../view/member-access-report.view";
import { MemberAccessReportApiService } from "./member-access-report-api.service";
@Injectable({ providedIn: "root" })
export class MemberAccessReportService {
constructor(private reportApiService: MemberAccessReportApiService) {}
/**
* Transforms user data into a MemberAccessReportView.
*
* @param {UserData} userData - The user data to aggregate.
* @param {ReportCollection[]} collections - An array of collections, each with an ID and a total number of items.
* @returns {MemberAccessReportView} The aggregated report view.
*/
generateMemberAccessReportView(): MemberAccessReportView[] {
const memberAccessReportViewCollection: MemberAccessReportView[] = [];
const memberAccessData = this.reportApiService.getMemberAccessData();
memberAccessData.forEach((userData) => {
const name = userData.userName;
const email = userData.email;
const groupCollections = collectProperty<
MemberAccessGroupModel,
"collections",
MemberAccessCollectionModel
>(userData.groups, "collections");
const uniqueCollections = getUniqueItems(
[...groupCollections, ...userData.collections],
(item: MemberAccessCollectionModel) => item.id,
);
const collectionsCount = uniqueCollections.length;
const groupsCount = userData.groups.length;
const itemsCount = sumValue(
uniqueCollections,
(collection: MemberAccessCollectionModel) => collection.itemCount,
);
memberAccessReportViewCollection.push({
name: name,
email: email,
collectionsCount: collectionsCount,
groupsCount: groupsCount,
itemsCount: itemsCount,
});
});
return memberAccessReportViewCollection;
}
async generateUserReportExportItems(
organizationId: OrganizationId,
): Promise<MemberAccessExportItem[]> {
const memberAccessReports = this.reportApiService.getMemberAccessData();
const userReportItemPromises = memberAccessReports.flatMap(async (memberAccessReport) => {
const partialMemberReportItem: Partial<MemberAccessExportItem> = {
email: memberAccessReport.email,
name: memberAccessReport.userName,
twoStepLogin: memberAccessReport.twoFactorEnabled ? "On" : "Off",
accountRecovery: memberAccessReport.accountRecoveryEnabled ? "On" : "Off",
};
const groupCollectionPromises = memberAccessReport.groups.map(async (group) => {
const groupPartialReportItem = { ...partialMemberReportItem, group: group.name };
return await this.buildReportItemFromCollection(
group.collections,
groupPartialReportItem,
organizationId,
);
});
const noGroupPartialReportItem = { ...partialMemberReportItem, group: "(No group)" };
const noGroupCollectionPromises = await this.buildReportItemFromCollection(
memberAccessReport.collections,
noGroupPartialReportItem,
organizationId,
);
return Promise.all([...groupCollectionPromises, noGroupCollectionPromises]);
});
const nestedUserReportItems = (await Promise.all(userReportItemPromises)).flat();
return nestedUserReportItems.flat();
}
async buildReportItemFromCollection(
memberAccessCollections: MemberAccessCollectionModel[],
partialReportItem: Partial<MemberAccessExportItem>,
organizationId: string,
): Promise<MemberAccessExportItem[]> {
const reportItemPromises = memberAccessCollections.map(async (collection) => {
return {
...partialReportItem,
collection: await collection.name.decrypt(organizationId),
collectionPermission: "read only", //TODO update this value
totalItems: collection.itemCount.toString(),
};
});
return Promise.all(reportItemPromises);
}
}
``` |
National conventions of the Free Soil and Liberty parties met in 1847 and 1848 to nominate candidates for president and vice president in advance of the 1848 United States presidential election. The conventions resulted in the creation of the national Free Soil Party, a union of political abolitionists with antislavery Conscience Whigs and Barnburner Democrats to oppose the westward extension of slavery into the U.S. territories. Former President Martin Van Buren was nominated for president by the Free Soil National Convention that met at Buffalo, New York on August 9, 1848; Charles Francis Adams Sr. was nominated for vice president. Van Buren and Adams received 291,409 popular votes in the national election, almost all from the free states; his popularity among northern Democrats was great enough to deny his Democratic rival, Lewis Cass, the crucial state of New York, throwing the state and the election to Whig Zachary Taylor.
Background
The organizers of the Liberty Party found themselves at a crossroads following the 1844 United States elections. The party had experienced rapid growth from 1839 to 1844, particularly in New England, where Liberty candidates were elected to state legislative offices. In 1844, the Liberty nominees for president and vice president, James G. Birney and Thomas Morris, received 62,025 votes in the 13 free states, representing 2.30% of the national total. (In New York and Michigan the Liberty vote was more than the margin separating Democrat James K. Polk and Whig Henry Clay.)
After 1844, the party's growth plateaued, and party leaders began to consider the future trajectory of the movement. Led by Salmon P. Chase, one group favored cooperation with anti-slavery Whigs and Democrats, even suggesting Liberty candidates should be willing to withdraw in favor of major party candidates who pledged opposition to slavery. This strategy was most successful in New Hampshire, where in 1846 a coalition of Liberty men, Whigs, and Independent Democrats elected John P. Hale to the United States Senate. Others opposed any cooperation with the major parties and argued the Liberty Party should adopt a broad reform platform in order to appeal to voters outside the antislavery movement. This group organized the Liberty League to promote their ideas within the party and included political abolitionists such as Gerrit Smith, William Goodell, and others.
1847 Liberty nomination
Unlike in 1844, there was no obvious candidate who could command the unanimous support of the Liberty Party. While leaders of the Liberty League hoped to persuade Birney to stand for a third time, his reputation had been damaged by missteps during the 1844 campaign, and Birney himself was disinclined to run again.
Liberty League convention
The Liberty League met at Macedon Lock, New York over June 8–10, 1847 and nominated Smith for president and Elihu Burritt for vice president. (Burritt declined the nomination, and the League eventually promoted Charles C. Foote to be Smith's running mate.) Seventy delegates were in attendance, including Goodell, who presided over the meeting. The convention adopted a platform endorsing an antislavery interpretation of the United States Constitution, free trade, abolition of the army and navy, and land reform. Reflecting the influence of early feminists within the League, prominent female abolitionists Lydia Maria Child and Lucretia Mott received one vote apiece in the balloting for president.
Liberty Party convention
A deputation from the Liberty League was present when the Liberty Party held their national convention at Buffalo, New York on October 20, 1847. They aimed to secure Smith's nomination by the national party on a platform accepting the resolves of the Macedon convention. The contingent led by Chase, meanwhile, continued to seek support from disaffected members of the two major parties. In the months preceding the convention, they began to promote Hale as a candidate capable of uniting a broad coalition of Liberty men, Conscience Whigs, and Independent Democrats on the basis of opposition to slavery's extension. Acceptance of Hale required a significant shift in the party's attitude and approach to politics. Hale had earned the high regard of many Liberty Party voters for his protests against the gag rule and his opposition to the annexation of Texas; however, he was not a member of the Liberty Party, had never belonged to any antislavery society, and stopped short of calling for the immediate abolition of slavery, instead adopting a policy of non-extension. Chase and his allies worked tirelessly throughout the summer in support of Hale's candidacy; their efforts were rewarded, as Hale was nominated overwhelmingly by the national convention, with 103 votes to 44 for Smith. Former Ohio Supreme Court Justice Leicester King was nominated for vice president.
1848 Free Soil nomination
The nomination of Hale by the Liberty National Convention was a major victory for the coalitionists. Crucially, it secured a candidate who could be persuaded to withdraw if a coalition with antislavery Whigs and Democrats were later possible.
Events in the spring of 1848 soon presented such an opportunity. The end of the Mexican-American War raised the question of westward expansion and the extension of slavery into the U.S. territories. In 1846, northern Whigs crossed party lines to support a proposal by David Wilmot, a Democrat from Pennsylvania, to exclude slavery from all of the territory acquired from Mexico. The 1848 Democratic National Convention repudiated the Wilmot Proviso and nominated Lewis Cass for president on a platform endorsing popular sovereignty. Cass's nomination enraged supporters of former President Marin Van Buren, who had been denied the nomination of his party in 1844 due to his opposition to the annexation of Texas; they considered the rejection of Van Buren evidence of the party's subservience to the Slave Power. The 1848 Whig National Convention at Philadelphia took no position on the Wilmot Proviso, but its candidate, General Zachary Taylor, was a slaveholder from Louisiana who had risen to prominence by his exploits in a war most abolitionists considered immoral. Abolitionists thus faced a choice between a proslavery Democrat and a slaveholding Whig. These conditions were ripe for a third candidate to emerge and unite the support of antislavery men of all parties, as Chase and his allies had long anticipated.
In the aftermath of Taylor's nomination, a contingent of disgruntled Whigs led by Massachusetts delegates Henry Wilson and Charles Allen withdrew from the Philadelphia convention and called for a new meeting of antislavery advocates at Buffalo. Simultaneously, a gathering of Barnburner Democrats met at Utica, New York and nominated Van Buren for president and Senator Henry Dodge for vice president. Both groups recognized the importance of uniting all antislavery voters under one roof; when Dodge declined the vice presidential nomination, it opened the door for the Barnburners to join the growing free soil movement.
The Buffalo Free Soil convention opened on August 9 with approximately 20,000 Democrats, Whigs, and Liberty men in attendance. Many of the Whigs hoped for the nomination of Supreme Court Justice John McLean, who had been available as a candidate for the Whig and Anti-Masonic parties in past elections. Most Liberty men still supported Hale; but the importance of the Barnburners, by far the largest contingent of the new party, made Van Buren the early frontrunner for the nomination. McLean soon found he lacked sufficient support to be nominated and withdrew his name from consideration; an informal vote within the committee of conferees found a majority in favor of Van Buren. In exchange for Liberty support for Van Buren, Chase negotiated acceptance of much of the Liberty Party's platform, including the non-extension of slavery. As a gesture to the party's Whig element, Charles Francis Adams Sr., son of the late John Quincy Adams, was nominated for vice president.
Free Soil platform
Like the Liberty platform of 1844, but unlike the more radical Liberty League document, the national platform of the Free Soil Party accepted the premise that the United States Congress had no legal or constitutional authority to abolish slavery in the slave states. Instead, it occupied the narrower ground of opposing the admission of new slave states and territories. The platform made no mention of the Fugitive Slave Act of 1793 or the civil and political rights of African-Americans, unlike previous Liberty Party documents. It included planks endorsing traditional Democratic economic policies which many in the Liberty Party had long supported, including a federal homestead act, as well as public support for internal improvements.
Slavery in the several States of this Union which recognize its existence, depends upon the State laws alone, which cannot be repealed or modified by the Federal Government, and for which laws that Government is not responsible. We therefore propose no interference by Congress with slavery within the limits of any state.
In the judgement of this convention, Congress has no more power to make a slave than to make a king; no more power to institute or establish slavery than to institute or establish monarchy.
It is the duty of the federal government to relieve itself of all responsibility for the existence or continuance of slavery wherever the government possesses constitutional power to legislate on that subject, and is thus responsible for its existence.
We accept the issue which the slave power has forced upon us; and to their demand for more slave states and more slave territory, our calm but final answer is: No more slave states and no more slave territory.
1848 National Liberty nomination
The acolytes of the Liberty League were unimpressed by the result of the Free Soil convention. These abolitionists had objected to Hale in spite of his spirited opposition to the gag rule; they were hardly inclined to support Van Buren, who had endorsed the gag rule as president. In the wake of the Utica convention, the dissidents met at Buffalo over June 14–15 to nominate Smith as the candidate of the "National Liberty Party;" Foote was again nominated for vice president against a crowded field that included Black abolitionist Samuel Ringgold Ward, Mott, (who would shortly play a leading role at the Seneca Falls Convention,) and Frederick Douglass. The party published an address to the people of the United States in which they asserted the antislavery character of the constitution and endorsed the immediate abolition of slavery in addition to a slew of political reforms, including universal suffrage, land reform, a progressive income tax, abolition of the army and navy, free trade, and utopian socialism.
National Liberty platform
The platform adopted by the National Liberty Party at Buffalo completed the separation of the Liberty Leaguers from the majority faction of the Liberty Party who would go on to support Van Buren and the free soil movement in the general election. The delegates approved a preamble and thirteen resolutions rejecting the result of the "spurious" 1847 Liberty Party convention and declaring the National Liberty Party a "permanent" organization committed to universal application of the doctrine of equal rights. In pointed contrast to the more moderate position staked out by the Free Soilers, they declared all proslavery laws and constitutions to be null and void and asserted the power and obligation of the United States Congress to abolish slavery. They endorsed the free-produce movement and the recent escape attempt by 77 enslaved people in Washington, D.C. In keeping with previous Liberty League documents, the platform expressed general support for land reform, temperance, and pacifism, condemned secret societies and the Mexican-American War, and denounced Taylor and Cass as respectively an "enslaver" and "butcher of men" and a "demagogue."
In light of these opposite and characteristic proceedings, we cannot hesitate to decide, that the Convention of 1843 was a genuine, and that of 1847 a spurious, Liberty Party Convention; and that, whilst the memory of the former should be cherished, that of the latter should be loathed by every lover of the true Liberty Party.
The Liberty Party is not a temporary but a permanent party—not a piece-of-an-idea party, but the whole-of-an-idea party—not bound to carry out the one idea of political justice against slavery only, but against wars, tariffs, the traffic of intoxicating drinks, land monopolies, and secret societies, and whatever else is opposed to that comprehensive, great and glorious One Idea.
The slaveholder, as such, has no rights, and that slaveholding laws are no laws;—that the one is but a pirate, and the other but the bloody code of his bloodiest piracy;—and that every constitution, or compact, or religion, which justifies this pirate, or upholds his piracy, merits nothing better than the utmost contempt, and the deepest execration.
Aftermath
Despite the optimism of the Free Soilers, Van Buren carried no electoral votes, finishing a distant third behind Cass and Taylor. His 10.13% of the popular vote, however, represents a dramatic improvement on Birney's 1844 result, owing largely to his popularity with antislavery Democrats. The National Liberty Party attracted sparse support; Smith received votes in only four states, including his native New York, where he polled 2,454 votes (0.56%). The Free Soil platform of 1848 provided the policy basis for the antislavery coalition that would come to power in the election of 1860 as the Republican Party.
References
Navigation
1848 United States presidential election
Martin Van Buren
1848 conferences |
```php
<?php
/*
*
*
* path_to_url
*
* Unless required by applicable law or agreed to in writing, software
* WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the
*/
namespace Google\Service\Contentwarehouse;
class GoogleCloudDocumentaiV1DocumentPageTokenStyleInfo extends \Google\Model
{
protected $backgroundColorType = GoogleTypeColor::class;
protected $backgroundColorDataType = '';
/**
* @var bool
*/
public $bold;
/**
* @var int
*/
public $fontSize;
/**
* @var string
*/
public $fontType;
/**
* @var int
*/
public $fontWeight;
/**
* @var bool
*/
public $handwritten;
/**
* @var bool
*/
public $italic;
public $letterSpacing;
public $pixelFontSize;
/**
* @var bool
*/
public $smallcaps;
/**
* @var bool
*/
public $strikeout;
/**
* @var bool
*/
public $subscript;
/**
* @var bool
*/
public $superscript;
protected $textColorType = GoogleTypeColor::class;
protected $textColorDataType = '';
/**
* @var bool
*/
public $underlined;
/**
* @param GoogleTypeColor
*/
public function setBackgroundColor(GoogleTypeColor $backgroundColor)
{
$this->backgroundColor = $backgroundColor;
}
/**
* @return GoogleTypeColor
*/
public function getBackgroundColor()
{
return $this->backgroundColor;
}
/**
* @param bool
*/
public function setBold($bold)
{
$this->bold = $bold;
}
/**
* @return bool
*/
public function getBold()
{
return $this->bold;
}
/**
* @param int
*/
public function setFontSize($fontSize)
{
$this->fontSize = $fontSize;
}
/**
* @return int
*/
public function getFontSize()
{
return $this->fontSize;
}
/**
* @param string
*/
public function setFontType($fontType)
{
$this->fontType = $fontType;
}
/**
* @return string
*/
public function getFontType()
{
return $this->fontType;
}
/**
* @param int
*/
public function setFontWeight($fontWeight)
{
$this->fontWeight = $fontWeight;
}
/**
* @return int
*/
public function getFontWeight()
{
return $this->fontWeight;
}
/**
* @param bool
*/
public function setHandwritten($handwritten)
{
$this->handwritten = $handwritten;
}
/**
* @return bool
*/
public function getHandwritten()
{
return $this->handwritten;
}
/**
* @param bool
*/
public function setItalic($italic)
{
$this->italic = $italic;
}
/**
* @return bool
*/
public function getItalic()
{
return $this->italic;
}
public function setLetterSpacing($letterSpacing)
{
$this->letterSpacing = $letterSpacing;
}
public function getLetterSpacing()
{
return $this->letterSpacing;
}
public function setPixelFontSize($pixelFontSize)
{
$this->pixelFontSize = $pixelFontSize;
}
public function getPixelFontSize()
{
return $this->pixelFontSize;
}
/**
* @param bool
*/
public function setSmallcaps($smallcaps)
{
$this->smallcaps = $smallcaps;
}
/**
* @return bool
*/
public function getSmallcaps()
{
return $this->smallcaps;
}
/**
* @param bool
*/
public function setStrikeout($strikeout)
{
$this->strikeout = $strikeout;
}
/**
* @return bool
*/
public function getStrikeout()
{
return $this->strikeout;
}
/**
* @param bool
*/
public function setSubscript($subscript)
{
$this->subscript = $subscript;
}
/**
* @return bool
*/
public function getSubscript()
{
return $this->subscript;
}
/**
* @param bool
*/
public function setSuperscript($superscript)
{
$this->superscript = $superscript;
}
/**
* @return bool
*/
public function getSuperscript()
{
return $this->superscript;
}
/**
* @param GoogleTypeColor
*/
public function setTextColor(GoogleTypeColor $textColor)
{
$this->textColor = $textColor;
}
/**
* @return GoogleTypeColor
*/
public function getTextColor()
{
return $this->textColor;
}
/**
* @param bool
*/
public function setUnderlined($underlined)
{
$this->underlined = $underlined;
}
/**
* @return bool
*/
public function getUnderlined()
{
return $this->underlined;
}
}
// Adding a class alias for backwards compatibility with the previous class name.
class_alias(GoogleCloudDocumentaiV1DocumentPageTokenStyleInfo::class, your_sha256_hashageTokenStyleInfo');
``` |
Wiśniowiec massacres (of Poles). In the monastery of Discalced Carmelites and in the city Wiśniowiec (Vyshnivets) in February 1944 an armed group of the OUN massacred 300 Poles who had sought refuge there. Most people were hiding in the monastery and in the abandoned Vyshnivets Palace. At the same time in the village Wiśniowiec Stary took place another massacre, where 138 Poles were killed by UPA.
See also
Massacres of Poles in Volhynia and Eastern Galicia
References
1944 in Poland
February 1944 events
Massacres in Poland
Conflicts in 1944
Massacres in 1944
War crimes committed by the Ukrainian Insurgent Army
Massacres of Poles in Volhynia
Mass murder in 1944 |
Cortinarius magellanicus is a species of agaric fungus in the family Cortinariaceae. It was described as new to science by mycologist Carlos Luigi Spegazzini in 1887. It has been found in South America and New Zealand, although collections made from the latter location appears to be genetically distinct from South American material.
See also
List of Cortinarius species
References
External links
magellanicus
Fungi described in 1887
Fungi of South America
Fungi of New Zealand
Taxa named by Carlo Luigi Spegazzini |
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