EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 4.2 | 4.4 | 3.6 | 24 | Female | Train | if they could tell beginning writers where to get ideas from, they would. | [
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X | 3.2 | 3.6 | 4 | 24 | Female | Train | so, why did i want to answer this foolish question "where do you get your ideas from?" because | [
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N | 3.08 | 3.32 | 3.4 | 24 | Female | Train | as soon as you get beneath the foolish aspect of it, the question becomes very complicated and ultimately unanswerable. | [
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N | 2.2 | 4.6 | 3.4 | 24 | Female | Train | somebody asked willie nelson how he thought of his tunes? and willie said, "well, the air is full of tunes. | [
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X | 2 | 4.8 | 2.2 | 24 | Female | Train | i just reach up and pick one." now that is not a secret, but it is a sweet mystery. | [
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N | 2.222222 | 4.222222 | 3.555556 | 24 | Female | Train | you wait in silence and you listen. you listen for the tune, or the vision, or the story. you're not grabbing. | [
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N | 4.2 | 4.4 | 5.2 | 24 | Female | Train | you're not pushing. you're just waiting and listening and being ready for it when it comes. this is an act of trust. | [
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H | 4.4 | 5.2 | 5.4 | 24 | Female | Train | then you do your best to let the idea, the tune, the vision, the story, to let it come through clear. | [
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N | 3.722222 | 4.777778 | 4.444444 | 25 | Female | Train | that was ursula k. le guin talking about where her ideas come from. she delivered that talk for portland arts and lectures back in 2000. in just a minute, two guitarists from opposite sides of the pacific, | [
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H | 3.4 | 5.4 | 4.4 | 25 | Female | Train | with very little in common, make a record together. is this starting to sound like a buddy movie? yeah, we thought so too. hang on to hear more. you're with state of wonder on opb. | [
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H | 4.8 | 5.2 | 4.8 | 25 | Female | Train | you're with state of wonder on opb, i'm april baer. | [
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N | 3.8 | 5 | 4.6 | 25 | Female | Train | what can these two possibly have in common? a new album, as it turns out. it's called big bridges. we sat down this week with ohashi and neil to ask how their unlikely... | [
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N | 4.2 | 4.2 | 4.4 | 25 | Female | Train | kc, were you aware of the extent of takashi's career when you met him? | [
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H | 4 | 5.6 | 4.4 | 25 | Female | Train | just a word of explanation of a second or two, takashi. can you shed some light for american listeners about | [
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N | 4.333333 | 5 | 4.75 | 25 | Female | Train | what the band means in japan? is it more like kiss or gwar or? | [
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N | 3.8 | 5.6 | 4.8 | 197 | Male | Train | i grew up with american music and i don't listen to most of the japanese music, at all or when i grew up, i listened to american rock | [
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N | 2 | 4.6 | 2.8 | 197 | Male | Train | and especially big green francis, right. eric smith in the seventies. and i decided to sing lots of roots music | [
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N | 3 | 4.166667 | 3.666667 | 25 | Female | Train | now of the finished mastered session, | [
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N | 3.6 | 4 | 3.6 | 194 | Male | Train | some real dreamy songs. the last song, endless blue, i disappear is just a really kind of open sounding, dreamy, beautiful song. | [
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N | 3.588235 | 4.647059 | 4.235294 | 25 | Female | Train | hey, a little bit about the process of how you wrote these songs together | [
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N | 3.4 | 4.4 | 3.8 | 194 | Male | Train | to sing them, which is i've, i've done some co-writing over the years, but one of the tricks after you've been doing | [
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N | 3.391304 | 3.217391 | 3.913043 | 25 | Female | Train | may sound like a ridiculous question you've been playing for so many years, you've played in front of thousands of people, but was there anything, a little frightening about working in a small group like that? | [
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H | 5.384615 | 6 | 4.923077 | 197 | Male | Train | yes, because all, all the notes are naked and no reason to text and not loud, but a very interesting challenge because | [
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N | 3.333333 | 4.5 | 3.833333 | 196 | Male | Train | yeah, so my name is mateo nakamura and originally i wanted to be a writer, but i happen to be a photographer. now i moved from japan | [
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N | 1.8 | 4 | 3.2 | 196 | Male | Train | 1989. so when i came here, as i got introduced to photography, and then i got obsessed, | [
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S | 3.666667 | 3 | 3.666667 | 196 | Male | Train | i got more ambivalent about my own identity. who am i, you know, when i go home and i'm like a stranger to even to my | [
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N | 3.666667 | 3.666667 | 3.5 | 196 | Male | Train | own family in japan. and then when i come back to u.s. and then i'm still foreigner. and also i kind of got reflected on, | [
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N | 2.8125 | 3.8125 | 3.5625 | 196 | Male | Train | what's it like to foster generation with japanese american people, who moved to this country | [
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N | 3.5 | 3.5 | 4 | 196 | Male | Train | during the 20th century and then experienced wwii, that kind of prompted me to photograph security. | [
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N | 2.666667 | 4 | 3.666667 | 196 | Male | Train | some of the photographs i went there, like almost 3:00 am in the morning, like in the middle of the night i went back and sometimes i just went there right before | [
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N | 2.083333 | 4.666667 | 3.083333 | 196 | Male | Train | the sun rises because that's a really tranquil moment that i can really hear them. | [
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N | 3.6 | 5.2 | 4.2 | 25 | Female | Train | it's time now to check in with state of wonders, cellist in residence, nancy ives, she's principal cello for the oregon symphony, but has wide and voracious musical tastes. so we find her. | [
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N | 2.615385 | 3.923077 | 3.461538 | 195 | Female | Train | in the silence of the lonely room closes on the rustle of movement like hair every day, the small window opens motionless to silent air. | [
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U | 4.5 | 4.333333 | 4.333333 | 195 | Female | Train | still what's moving. it's very relaxed music until there's these noises that are a little bit shocking in context. | [
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H | 3 | 4 | 3.5 | 195 | Female | Train | it's so quiet. you're going along with drones on the cello and sometimes singing with it, like at one point. | [
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N | 3.2 | 5 | 4 | 25 | Female | Train | well, nancy ives, always great to talk to you. thank you for coming in. | [
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H | 4.166667 | 5 | 4.5 | 25 | Female | Train | she's on stage with fear no music at the alberta rose theater on friday, march 13th for the program, [inaudible] at 75, | [
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N | 2.8 | 4.2 | 2.6 | 25 | Female | Train | the magazine is about women guitarists and bassists and their seventh issue release party promises to be very happening on the bill. one edna vasquez | [
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H | 4.222222 | 5.444444 | 4.555556 | 193 | Female | Train | she's. it was very powerful and i felt that in my skin, it was so overwhelming in a good way | [
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U | 3.4 | 4.8 | 4.6 | 193 | Female | Train | that i just closed my eyes. and all of a sudden i was in some other place and i was just driven. | [
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N | 4.2 | 4.8 | 4.4 | 25 | Female | Train | how has your poetry changed as you've started to read it to people? | [
{
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S | 2.636364 | 3 | 3 | 190 | Female | Train | it went from, during that very sad time in my life, from being very sad-oriented poetry | [
{
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N | 3.272727 | 5.363636 | 4.454545 | 190 | Female | Train | to more uplifting, like, i've been there, and i'm here to help you, type poetry. | [
{
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X | 4.6 | 4.6 | 4.4 | 25 | Female | Train | will you read for us? | [
{
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N | 3.2 | 5 | 4.2 | 190 | Female | Train | sure. this poem is called girl, and it's one of my newest poems. | [
{
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A | 4.6 | 1.8 | 4.8 | 190 | Female | Train | people only see me as that girl. that fat girl, just a little too black girl, always sitting in the back girl, that girl. | [
{
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C | 4.4 | 2 | 4.6 | 190 | Female | Train | people tell me you're weak girl. no one wants to hear you speak, girl. look at me, i'm not at your feet girl, stop crying, girl. it's not like you're dying, girl. no one will like you | [
{
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X | 3.8 | 2 | 4.2 | 190 | Female | Train | for who you are, and your career definitely won't go far. not with that hair, those clothes, those shoes, you really need to change | [
{
"feats": [
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S | 4.2 | 2.6 | 3.8 | 190 | Female | Train | all of you, girl. sometimes i tell myself, "you know depression ain't cute, girl. and you just stop waiting and do what you have to do, girl. | [
{
"feats": [
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N | 5 | 3.8 | 5.2 | 190 | Female | Train | i mean, if you're going to end it, then do it already, girl. just make sure you keep your hand steady girl. you want to get it right girl, just wait til night girl then get the knife girl. | [
{
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S | 3.8 | 2.8 | 4.8 | 190 | Female | Train | it only takes one slice girl." look at you, too weak to take your own life girl. but god told me, "aren't you tired of waiting to die, girl?. | [
{
"feats": [
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... |
N | 4 | 4.6 | 4.8 | 190 | Female | Train | all you have to do is try, girl. i gave you your life to live, girl. i gave your gift to give, girl. i am always here, girl. it's okay to shed a tear, | [
{
"feats": [
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... |
O | 5 | 5.6 | 5.4 | 190 | Female | Train | girl. just don't fear girl, because you are that girl, made strong enough to carry the world on your back girl. so stand up straight | [
{
"feats": [
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H | 4.6 | 4.8 | 4.8 | 190 | Female | Train | girl. you will be great girl. it is your fate girl. don't worry about the past girl. remember who was first shall be last. so you've been through the worst | [
{
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H | 4.8 | 5.6 | 5.8 | 190 | Female | Train | girl. now it's your time to be first girl." then god held out his hands. he said, "take this, girl. don't waste it, girl. you'll know when | [
{
"feats": [
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H | 2.923077 | 5.384615 | 4.538462 | 190 | Female | Train | to use it, girl. it's a miracle, girl. like you, you are a miracle ,girl." | [
{
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H | 4.4 | 5.2 | 3.6 | 25 | Female | Train | wow. thank you. would you tell me about the pivot in that poem? the point at which it turns from the negative voices | [
{
"feats": [
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... |
N | 3.2 | 5.2 | 4 | 25 | Female | Train | in one's head, to messages of support and voices saying, "yes, you can do this." | [
{
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... |
X | 3.2 | 3.8 | 3.6 | 190 | Female | Train | i didn't want it to just be a negative poem, just to end on a negative note. i wanted to show that there is | [
{
"feats": [
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-0.8593637347221375,
... |
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