EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
H | 3.4 | 5.8 | 3.6 | 190 | Female | Train | a possibility to overcome. you are worthy of... that you are special. you are beautiful no matter what anyone says. | [
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C | 4.2 | 4.6 | 4 | 190 | Female | Train | like, god created you, and only god can judge you. not even you can judge you like god can judge you. and that was the point of the poem. | [
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H | 4.75 | 5.333333 | 4.583333 | 25 | Female | Train | marquesha babers. i want to thank you very much for taking some time to talk to us, and we're looking forward to seeing you in bend this weekend. | [
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H | 3.4 | 5.6 | 3.2 | 190 | Female | Train | no problem, and thank you so much. | [
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N | 4.5 | 4.5 | 4.833333 | 25 | Female | Train | marquesha babers gave a speech at the muse women's conference in bend just this morning. you can catch her tomorrow at 1:00 pm at the conference for a workshop. | [
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N | 4.2 | 5 | 4.6 | 25 | Female | Train | huge black and white photographs line the walls of upfor gallery in portland this month. the images look pretty abstract at first, | [
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N | 4.2 | 4.2 | 3.8 | 25 | Female | Train | black backgrounds with irregular white shapes clustered across them. step a little closer, and you see these are little tableaus | [
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H | 4.4 | 4.6 | 4.6 | 25 | Female | Train | made by the visual artist, rodrigo valenzuela, and they've got quite a bit of detail. they capture structures he made for a show on view right now at seattle's frye museum, hedonic reversals. | [
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N | 3.2 | 4.2 | 5.2 | 25 | Female | Train | the white shapes definitely suggest buildings, but the forms are so rough-edged. are they under construction, or in a state of decay? we asked rodrigo valenzuela. | [
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N | 3.2 | 3.8 | 3.4 | 481 | Male | Train | they're like in this in between point, and they are open for interpretation for what the viewer wants it to be. some people look at them as a demolition. some other people- | [
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N | 2.6 | 4 | 3 | 25 | Female | Train | are these all images of works you developed for hedonic reversal? | [
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F | 3.8 | 4.4 | 4 | 481 | Male | Train | yeah. and then you hedonic reversal is a large installation i built at the frye art museum. and to | [
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N | 3.4 | 3.8 | 3.6 | 481 | Male | Train | figure out the way that we look at ruins, so the aesthetic of ruins, without taking advantage of the pain that ruins have | [
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N | 3.4 | 3 | 3.2 | 481 | Male | Train | implicit in them. i didn't want to go and document ruins in detroit, for example, because i don't think it's fair for people that live in | [
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S | 3 | 3.4 | 3.6 | 481 | Male | Train | detroit [coming] this guy out of town, overstate the size in their pain. it is a social issue. | [
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N | 4.6 | 4.6 | 4.6 | 25 | Female | Train | i don't want to read too much into the places you've been living and working, but you have been in seattle and houston, two cities that have experienced explosive | [
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N | 3.8 | 4.2 | 4 | 25 | Female | Train | growth over the past two decades. was looking around those places very informative for what you've been working on? | [
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N | 2.2 | 4 | 2.4 | 481 | Male | Train | yeah, definitely both have... mostly seattle have big impact on this idea of the ruin, mostly in places that | [
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N | 3.2 | 4.4 | 3.4 | 481 | Male | Train | have a very recent history, or not a very large past. you know, traveling around south america to peru, and | [
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X | 2.6 | 4.2 | 4 | 481 | Male | Train | i travel around mexico, costa rica, [inaudible 00:06:39], i have gone through most of central america by bus, by ground. so i have seen how people | [
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N | 4.2 | 4 | 3.8 | 481 | Male | Train | understand that past. the ruins are there, and the ruins are present within a cosmopolitan city, or it's a source of knowledge of understanding themselves in the present. | [
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X | 3.4 | 3.4 | 4.2 | 481 | Male | Train | usa doesn't have too much of that, you know? the past, or the ruins, they just meaning economic collapse. | [
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N | 3 | 4.6 | 4.4 | 25 | Female | Train | tell us a little bit about your process for the images that are on view here now. | [
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N | 3.8 | 5 | 4 | 481 | Male | Train | i was thinking about the subject of the ruin. i mean, making these plaster molds and little tiny figures, like very solid, simple, | [
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N | 3.2 | 4 | 3.8 | 481 | Male | Train | plaster shapes, that i paint white. so they are very, very monochromatic structures that they aim to resemble a structure, | [
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N | 4.6 | 4.6 | 3.6 | 481 | Male | Train | or like a miniature. i photographed that. i go to the dark room, develop the film. i | [
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N | 3.4 | 3.8 | 3.8 | 481 | Male | Train | scan the film. i print it very large, to like human-size, like eight-by-eight feet. so this [inaudible] is structure with all the details and all the problems | [
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N | 3.2 | 4.4 | 3.2 | 481 | Male | Train | that they have in this miniature. slowly, they become the focal point, or the difference of texture, or the difference of | [
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N | 4 | 4.4 | 4 | 481 | Male | Train | quality, and all the difference in scale. they become very present when you have them in eight-by-eight feet. and then i paint two-by-fours, | [
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N | 4.2 | 4.2 | 3.6 | 481 | Male | Train | and i make it these big plastered shapes that i place against a wall. and then i rephotograph that, the images | [
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N | 3 | 4.4 | 3.4 | 481 | Male | Train | echoing themselves, and the [generated] time you can see the past, and you can see that they will have a future. if i keep playing this game or just [rephotograph] | [
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N | 3 | 4.2 | 4.2 | 25 | Female | Train | in every photo. among the many little jokes that valenzuela builds into his tableaus are price tags left on some of the pieces of wood that make up his towers, pieces of blackboard chalk | [
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D | 4.2 | 3.8 | 3.4 | 25 | Female | Train | with just the right [force] perspective to make you think they're spare marble columns. on some, his own ghostly footprint is left in powdery | [
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H | 3.4 | 4 | 3.8 | 25 | Female | Train | white dust. it's impossible to tell looking at these whether as ruins, they were something | [
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N | 2.6 | 4.6 | 3.2 | 25 | Female | Train | wonderful and graceful, or something functional. | [
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X | 4.2 | 4.2 | 3.4 | 481 | Male | Train | but we have that relationship with all the ruins. you know, when you may go to rome, and be very amazed for this room, | [
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N | 3.6 | 3.8 | 3.4 | 481 | Male | Train | and the beauty of the room, only the feelings that you get in the room. and if you do a little research, maybe the public bathroom from the roman... you think that this | [
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N | 4 | 4.2 | 4.4 | 481 | Male | Train | place have a bigger signifier than what they are. we are surrounded by like, banalities, and like, things that make our life, and make our culture. | [
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O | 3.2 | 4.2 | 4.4 | 481 | Male | Train | they're very simple. like phone cord, and like plastic will remain longer than any of these things. that is what other generation will know us for. | [
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N | 4 | 5 | 4 | 25 | Female | Train | rodrigo valenzuela. his exhibition, hedonistic reversal, is on view at the frye museum in seattle and at upfor gallery in portland. | [
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X | 3.4 | 4.6 | 3.8 | 25 | Female | Train | i was just going to ask, what was happening in american theaters at that time, responding to the culture in a way that other art forms maybe weren't doing? | [
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C | 5 | 3.6 | 5.2 | 26 | Female | Development | impacted families and individuals in communities here within colorado, then i'm not doing my job. | [
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X | 4.8 | 2.4 | 4.6 | 26 | Female | Development | absolutely. and it was, michael, it was the democrat policies in detroit that took those companies down. so is it not incumbent upon us to point that out? | [
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A | 3.6 | 2.8 | 4.4 | 110 | Male | Development | do you tell your manicurist, you are controlling me, stop it. | [
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X | 4 | 2.4 | 4.4 | 26 | Female | Development | enough to recall two senators enforced one more to step down. | [
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H | 6.083333 | 5.666667 | 5.5 | 26 | Female | Development | this is turning out to be a very strange show. and part of the thing too. i | [
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N | 5.4 | 4.6 | 5 | 26 | Female | Development | got to have integrity. we've got casper on the line. casper, welcome to grassroots radio, colorado. what are you, what are you doing? | [
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H | 5 | 5.6 | 5 | 26 | Female | Development | i totally put you on the side there. i'm so sorry. how about i | [
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X | 4.8 | 3.6 | 5 | 110 | Male | Development | and so when you're... amazing, isn't it? what a con and the reason is this. and i'm going to be speaking this sunday night down in parker. and i always explain this when i speak | [
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N | 5.333333 | 4 | 5.166667 | 110 | Male | Development | because people are like, why? why do young people think that we want to control their lives on the left does. here's why? | [
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C | 4.333333 | 3.666667 | 4.5 | 110 | Male | Development | but here's the problem on virtually all of that, virtually all of that, they don't own any of it. | [
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C | 3.5 | 2.666667 | 5 | 110 | Male | Development | they don't own businesses. they don't create jobs, their healthcare, they're on their parents. they don't have, they don't deal with water rights, land rights, mineral rights. | [
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S | 3.2 | 3.2 | 4.8 | 110 | Male | Development | the only thing they own is their bodies. and that's the only thing they perceive us as trying to control is how, what they do with their bodies. | [
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N | 5 | 4.2 | 5 | 110 | Male | Development | by the way, you know me, i'm a social conservative. i don't say don't talk about that stuff. i say, offer and model it, don't force it. | [
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X | 4.8 | 3.8 | 5 | 110 | Male | Development | exactly. i love morality. can't get enough of this stuff. it's great. okay. | [
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X | 4.285714 | 4.285714 | 3.714286 | 110 | Male | Development | you know, i like to think that christian morality is the morality that you wish you had the night before | [
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H | 5.2 | 4.8 | 5 | 110 | Male | Development | thing. it's something where you, you wake up the next day and you're like, oh, i'm glad i had that morality last night. | [
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A | 4.333333 | 3.666667 | 4.833333 | 110 | Male | Development | that's morality. isn't that a neato thing. but here's the... but you don't, it doesn't matter if you're a christian or not. when we tell them what to do with their bodies, | [
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X | 3 | 2.8 | 3.6 | 110 | Male | Development | they take that very personally because to them, that's only, even though that's only 5% of the issues and really folks, it's only like 1%, but let's say it's five. | [
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X | 5.2 | 3.4 | 5.2 | 110 | Male | Development | even though that's only 5% of the issues, that's their 100%. as far as they're concerned, we on the right are controlling their entire lives. okay. | [
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C | 4.8 | 3.4 | 5 | 110 | Male | Development | and so that's why they see us that way. so we can say, well, wait a minute. everything else in life, we give you liberty. to them, they're like, i don't own any of that. | [
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N | 1.8 | 4.8 | 3.4 | 110 | Male | Development | so when you talk to a young person, it's very, very important that you first diffuse the idea that you want to control their lives. | [
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X | 5.181818 | 5.272727 | 5 | 110 | Male | Development | then you can launch into any kind of issues. and i definitely want to get into free college here after the break. but | [
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X | 4.8 | 5 | 5.2 | 110 | Male | Development | you know, the first thing you want to do is connect with them and show them that you believe in them, the reason you want things this way, the reason you believe in conservative ideals | [
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X | 4.8 | 3 | 4.4 | 110 | Male | Development | is because you want them unleashed. not because you want them leashed. | [
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X | 4.6 | 5.4 | 4.8 | 26 | Female | Development | i like that. okay. so how do you... can we talk about how you do that in two minutes? | [
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C | 4.2 | 3.6 | 5.2 | 110 | Male | Development | a little bit. i mean, you know the first thing... for a few quick pointers, number one, listen. no one's ever controlled anyone by listening to them and we don't do that. | [
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H | 5.4 | 4.8 | 4.8 | 110 | Male | Development | it is, but we on the right are so good at talking points. we know so much. we do. everybody who's listening right now has lists of talking points and guess what? they're good. | [
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S | 3.2 | 4.6 | 3.6 | 110 | Male | Development | okay. and we get so excited about that and we want to reel them off. folks first, listen to them, | [
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X | 5 | 4.6 | 4.8 | 110 | Male | Development | ask them what they think. why do you like that? and don't freak out when they say, i think free college is a great idea. | [
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H | 5.4 | 5.2 | 5.4 | 110 | Male | Development | i think a $15 minimum wage is a great idea, because the second thing after listening is find the area of that that is commendable | [
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