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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_05_seg_0023_track_15 | 22 | 01_05 | 15 | Microgranular FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_28_microgran.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_15.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_15 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_16 | 22 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_16.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_17 | 22 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_17.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_18 | 22 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_18.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_19 | 22 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_19.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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01_05_seg_0023_track_20 | 22 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_20.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_24 | 22 | 01_05 | 24 | Harmonium | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_37_harmonium.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_24.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_24 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_26 | 22 | 01_05 | 26 | Twang Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_31_twang.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_26.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_26 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0023_track_27 | 22 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0024_track_01 | 23 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_01.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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01_05_seg_0024_track_15 | 23 | 01_05 | 15 | Microgranular FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_28_microgran.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_15.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_15 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0024_track_16 | 23 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_16.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0024_track_17 | 23 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_17.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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01_05_seg_0024_track_18 | 23 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_18.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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"ontological_uncertain... | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The... | null | |
01_05_seg_0024_track_20 | 23 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_20.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fen... | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even... | {
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01_07_seg_0003_track_10 | 2 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 35.218 | 42.014 | 6.796 | true | true | The mix is too noisy, there's too much delay. | Chorus 1 | combined | 37.026 | 42.014 | true | Start aligned to Chorus 1 boundary at 35.218s | false | null | 9 | 45 | 9 | -1.808 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0004_track_02 | 3 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0004_track_02.wav | null | 42.014 | 46.045 | 4.031 | true | false | Does it mean what it was or what you want it to be? | Chorus 1 | combined | 42.014 | 46.045 | false | false | null | 11 | 51 | 13 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0004_track_03 | 3 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0004_track_03.wav | null | 42.014 | 46.045 | 4.031 | true | false | Does it mean what it was or what you want it to be? | Chorus 1 | combined | 42.014 | 46.045 | false | false | null | 11 | 51 | 13 | 0 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0004_track_04 | 3 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0004_track_04.wav | null | 42.014 | 46.045 | 4.031 | true | false | Does it mean what it was or what you want it to be? | Chorus 1 | combined | 42.014 | 46.045 | false | false | null | 11 | 51 | 13 | 0 | 0 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0005_track_03 | 4 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0005_track_03.wav | null | 46.045 | 51.157 | 5.112 | true | false | Let's agree that it is so there's something to see. | Chorus 1 | combined | 46.045 | 51.157 | false | false | null | 13 | 51 | 10 | 0 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0005_track_04 | 4 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0005_track_04.wav | null | 46.045 | 51.157 | 5.112 | true | false | Let's agree that it is so there's something to see. | Chorus 1 | combined | 46.045 | 51.157 | false | false | null | 13 | 51 | 10 | 0 | 0 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0006_track_02 | 5 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0006_track_02.wav | null | 51.157 | 56.155 | 4.998 | true | false | Now what was the difference between what was shown, | Chorus 1 | combined | 51.157 | 56.155 | false | false | null | 15 | 51 | 9 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0006_track_03 | 5 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0006_track_03.wav | null | 51.157 | 56.155 | 4.998 | true | false | Now what was the difference between what was shown, | Chorus 1 | combined | 51.157 | 56.155 | false | false | null | 15 | 51 | 9 | 0 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0007_track_03 | 6 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0007_track_03.wav | null | 56.155 | 60.154 | 3.999 | true | false | the things in our heads, and what can be known? | Chorus 1 | combined | 56.155 | 61.011 | true | End aligned to Verse 2 boundary at 60.154s | false | null | 17 | 47 | 10 | 0 | -0.857 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0007_track_04 | 6 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0007_track_04.wav | null | 56.155 | 60.154 | 3.999 | true | false | the things in our heads, and what can be known? | Chorus 1 | combined | 56.155 | 61.011 | true | End aligned to Verse 2 boundary at 60.154s | false | null | 17 | 47 | 10 | 0 | -0.857 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_02 | 8 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_02.wav | null | 66.122 | 71.11 | 4.988 | true | false | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_05 | 8 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 66.122 | 71.11 | 4.988 | true | true | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_06 | 8 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 66.122 | 71.11 | 4.988 | true | true | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_07 | 8 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 66.122 | 71.11 | 4.988 | true | true | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_08 | 8 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 66.122 | 71.11 | 4.988 | true | true | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0009_track_10 | 8 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 66.122 | 71.11 | 4.988 | true | true | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_02 | 9 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_02.wav | null | 71.11 | 76.096 | 4.986 | true | false | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_05 | 9 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_06 | 9 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_07 | 9 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_08 | 9 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0010_track_10 | 9 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0011_track_02 | 10 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_02.wav | null | 76.096 | 100.052 | 23.956 | true | false | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0012_track_02 | 11 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_02.wav | null | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0012_track_03 | 11 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_03.wav | null | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0012_track_06 | 11 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 100.052 | 105.187 | 5.135 | true | true | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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