segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_05_seg_0023_track_15 | 22 | 01_05 | 15 | Microgranular FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_28_microgran.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_15.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_15 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_16 | 22 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_16.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_17 | 22 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_17.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_18 | 22 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_18.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_19 | 22 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_19.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_20 | 22 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_20.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_24 | 22 | 01_05 | 24 | Harmonium | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_37_harmonium.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_24.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_24 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_26 | 22 | 01_05 | 26 | Twang Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_31_twang.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_26.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_26 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_27 | 22 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_01 | 23 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_01.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_06 | 23 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 263.193 | 266.193 | 3 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_07 | 23 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 263.193 | 266.193 | 3 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_10 | 23 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 263.193 | 266.193 | 3 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_12 | 23 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 263.193 | 266.193 | 3 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_13 | 23 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 263.193 | 266.193 | 3 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_14 | 23 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 263.193 | 266.193 | 3 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_15 | 23 | 01_05 | 15 | Microgranular FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_28_microgran.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_15.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_15 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_16 | 23 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_16.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_17 | 23 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_17.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_18 | 23 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_18.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_20 | 23 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_20.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_24 | 23 | 01_05 | 24 | Harmonium | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_37_harmonium.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_24.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_24 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_26 | 23 | 01_05 | 26 | Twang Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_31_twang.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_26.wav | null | 263.193 | 266.193 | 3 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_only | 01_05_26 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0024_track_27 | 23 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0024_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 263.193 | 266.193 | 3 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 263.193 | 266.193 | false | false | null | 49 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_07_seg_0001_track_02 | 0 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_02.wav | null | 25.244 | 31.19 | 5.946 | true | false | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0001_track_05 | 0 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 25.244 | 31.19 | 5.946 | true | true | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0001_track_06 | 0 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 25.244 | 31.19 | 5.946 | true | true | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0001_track_07 | 0 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 25.244 | 31.19 | 5.946 | true | true | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0001_track_08 | 0 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 25.244 | 31.19 | 5.946 | true | true | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0001_track_10 | 0 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0001_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 25.244 | 31.19 | 5.946 | true | true | You're playing this song now, what does that say? | Verse 1 | combined | 26.11 | 31.19 | true | Start aligned to Verse 1 boundary at 25.244s | false | null | 5 | 49 | 9 | -0.866 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0002_track_02 | 1 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0002_track_02.wav | null | 31.19 | 35.218 | 4.028 | true | false | Endorsement of the obscure or 48kHz? | Verse 1 | combined | 31.19 | 37.026 | true | End aligned to Chorus 1 boundary at 35.218s | false | null | 7 | 36 | 6 | 0 | -1.808 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0002_track_10 | 1 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 31.19 | 35.218 | 4.028 | true | true | Endorsement of the obscure or 48kHz? | Verse 1 | combined | 31.19 | 37.026 | true | End aligned to Chorus 1 boundary at 35.218s | false | null | 7 | 36 | 6 | 0 | -1.808 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0003_track_02 | 2 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0003_track_02.wav | null | 35.218 | 42.014 | 6.796 | true | false | The mix is too noisy, there's too much delay. | Chorus 1 | combined | 37.026 | 42.014 | true | Start aligned to Chorus 1 boundary at 35.218s | false | null | 9 | 45 | 9 | -1.808 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0003_track_08 | 2 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 35.218 | 42.014 | 6.796 | true | true | The mix is too noisy, there's too much delay. | Chorus 1 | combined | 37.026 | 42.014 | true | Start aligned to Chorus 1 boundary at 35.218s | false | null | 9 | 45 | 9 | -1.808 | 0 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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01_07_seg_0005_track_02 | 4 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0005_track_02.wav | null | 46.045 | 51.157 | 5.112 | true | false | Let's agree that it is so there's something to see. | Chorus 1 | combined | 46.045 | 51.157 | false | false | null | 13 | 51 | 10 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0005_track_03 | 4 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0005_track_03.wav | null | 46.045 | 51.157 | 5.112 | true | false | Let's agree that it is so there's something to see. | Chorus 1 | combined | 46.045 | 51.157 | false | false | null | 13 | 51 | 10 | 0 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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01_07_seg_0007_track_02 | 6 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0007_track_02.wav | null | 56.155 | 60.154 | 3.999 | true | false | the things in our heads, and what can be known? | Chorus 1 | combined | 56.155 | 61.011 | true | End aligned to Verse 2 boundary at 60.154s | false | null | 17 | 47 | 10 | 0 | -0.857 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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01_07_seg_0007_track_04 | 6 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0007_track_04.wav | null | 56.155 | 60.154 | 3.999 | true | false | the things in our heads, and what can be known? | Chorus 1 | combined | 56.155 | 61.011 | true | End aligned to Verse 2 boundary at 60.154s | false | null | 17 | 47 | 10 | 0 | -0.857 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0007_track_05 | 6 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 56.155 | 60.154 | 3.999 | true | true | the things in our heads, and what can be known? | Chorus 1 | combined | 56.155 | 61.011 | true | End aligned to Verse 2 boundary at 60.154s | false | null | 17 | 47 | 10 | 0 | -0.857 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0008_track_03 | 7 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0008_track_03.wav | null | 60.154 | 66.122 | 5.968 | true | false | What have I sold you? What commodity? | Verse 2 | combined | 61.011 | 66.122 | true | Start aligned to Verse 2 boundary at 60.154s | false | null | 19 | 37 | 7 | -0.857 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0009_track_02 | 8 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0009_track_02.wav | null | 66.122 | 71.11 | 4.988 | true | false | Microtransactions of culture debris? | Verse 2 | combined | 66.122 | 71.11 | false | false | null | 21 | 36 | 4 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0010_track_02 | 9 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_02.wav | null | 71.11 | 76.096 | 4.986 | true | false | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0010_track_05 | 9 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0010_track_07 | 9 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0010_track_08 | 9 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0010_track_10 | 9 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0010_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 71.11 | 76.096 | 4.986 | true | true | Or is it the exchange and the chance to agree? | Verse 2 | combined | 71.11 | 76.096 | false | false | null | 23 | 46 | 10 | 0 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null | |
01_07_seg_0011_track_01 | 10 | 01_07 | 1 | Mellotron | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_03_mellotron.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_02_mellotron.mid | 76.096 | 100.052 | 23.956 | true | true | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_midi | 01_07_1 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_02 | 10 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_02.wav | null | 76.096 | 100.052 | 23.956 | true | false | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_05 | 10 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 76.096 | 100.052 | 23.956 | true | true | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_06 | 10 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 76.096 | 100.052 | 23.956 | true | true | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_07 | 10 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 76.096 | 100.052 | 23.956 | true | true | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_08 | 10 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 76.096 | 100.052 | 23.956 | true | true | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_midi | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0011_track_09 | 10 | 01_07 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_15_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0011_track_09.wav | null | 76.096 | 100.052 | 23.956 | true | false | I don't know myself, so how could you know me? | Bridge | combined | 76.096 | 100.204 | true | End aligned to Chorus 2 boundary at 100.052s | false | null | 25 | 46 | 10 | 0 | -0.152 | audio_only | 01_07_9 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_01 | 11 | 01_07 | 1 | Mellotron | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_03_mellotron.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_02_mellotron.mid | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_1 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_02 | 11 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_02.wav | null | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_03 | 11 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_03.wav | null | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_05 | 11 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 100.052 | 105.187 | 5.135 | true | true | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_06 | 11 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 100.052 | 105.187 | 5.135 | true | true | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
01_07_seg_0012_track_08 | 11 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 100.052 | 105.187 | 5.135 | false | true | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | midi_only | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and what can be known? What have I sold you? What commodity? Microtransactions of culture debris? Or is it the exchange and the chance to agree? I don't know myself, so how could you know me? Does it mean what it is or is it the other way? Let's agree that it is so there's something to say. Speaking in riddles and some concepts on loan, then why bother sharing this blood from a stone? | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-thought. | {
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} | Intro : A bizarre country vocal loop with many effects starts the song and then manchester-ish drums and heavy shoegaze guitars come in, with a dreamy, hypnotic quality., [00:00.000]-[00:25.243] | Verse 1 : Vocals are added, with a big reverb and echo effect. The guitars continue., [00:25.244]-[00:35.217] | Chorus 1 : During the chorus the vocal refrain and lyrics overlap, creating a dreamy, hypnotic texture., [00:35.218]-[01:00.153] | Verse 2 : The vocals return to the verse, with the guitars., [01:00.154]-[01:25.243] | Bridge : A dreamy monotonous guitar note rings out, with a hypnotic quality., [01:25.244]-[01:40.051] | Chorus 2 : The chorus returns with the overlapping vocal refrain and lyrics, creating a dreamy, hypnotic texture., [01:40.052]-[02:00.000] | Hypnotic repeating outro : The track continues with a repeative hypnotic texture, fading out to the end., [02:00.001]-[00:03.086] | null |
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