segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_07_seg_0012_track_09 | 11 | 01_07 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_15_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_09.wav | null | 100.052 | 105.187 | 5.135 | true | false | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_only | 01_07_9 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0012_track_10 | 11 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0012_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 100.052 | 105.187 | 5.135 | true | true | Does it mean what it is or is it the other way? | Chorus 2 | combined | 100.204 | 105.187 | true | Start aligned to Chorus 2 boundary at 100.052s | false | null | 27 | 47 | 12 | -0.152 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_02 | 12 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_02.wav | null | 105.187 | 111.064 | 5.877 | true | false | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_05 | 12 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 105.187 | 111.064 | 5.877 | true | true | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_06 | 12 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 105.187 | 111.064 | 5.877 | true | true | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_07 | 12 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 105.187 | 111.064 | 5.877 | true | true | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_08 | 12 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 105.187 | 111.064 | 5.877 | false | true | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | midi_only | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_09 | 12 | 01_07 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_15_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_09.wav | null | 105.187 | 111.064 | 5.877 | true | false | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_only | 01_07_9 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0013_track_10 | 12 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0013_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 105.187 | 111.064 | 5.877 | true | true | Let's agree that it is so there's something to say. | Chorus 2 | combined | 105.187 | 111.064 | false | false | null | 29 | 51 | 10 | 0 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_02 | 13 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_02.wav | null | 111.064 | 115.246 | 4.182 | true | false | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_03 | 13 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_03.wav | null | 111.064 | 115.246 | 4.182 | true | false | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_04 | 13 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_04.wav | null | 111.064 | 115.246 | 4.182 | true | false | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_05 | 13 | 01_07 | 5 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_08_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_07_electric_piano.mid | 111.064 | 115.246 | 4.182 | true | true | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_midi | 01_07_5 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_06 | 13 | 01_07 | 6 | Counter synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_10_counter_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_09_counter_synth.mid | 111.064 | 115.246 | 4.182 | true | true | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_midi | 01_07_6 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_07 | 13 | 01_07 | 7 | Drum machine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_12_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_11_drum_machine.mid | 111.064 | 115.246 | 4.182 | true | true | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_midi | 01_07_7 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_08 | 13 | 01_07 | 8 | Kick thud | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_14_thud.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_13_thud.mid | 111.064 | 115.246 | 4.182 | false | true | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | midi_only | 01_07_8 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_09 | 13 | 01_07 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_15_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_09.wav | null | 111.064 | 115.246 | 4.182 | true | false | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_only | 01_07_9 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0014_track_10 | 13 | 01_07 | 10 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_17_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0014_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_16_modular.mid | 111.064 | 115.246 | 4.182 | true | true | Speaking in riddles and some concepts on loan, | Chorus 2 | combined | 111.064 | 115.246 | false | false | null | 31 | 46 | 8 | 0 | 0 | audio_midi | 01_07_10 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0015_track_02 | 14 | 01_07 | 2 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_04_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0015_track_02.wav | null | 115.246 | 120 | 4.754 | true | false | then why bother sharing this blood from a stone? | Chorus 2 | combined | 115.246 | 118.246 | true | End aligned to Chorus 2 boundary at 120.000s | false | null | 33 | 48 | 9 | 0 | 1.754 | audio_only | 01_07_2 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0015_track_03 | 14 | 01_07 | 3 | Double-tracked Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_05_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0015_track_03.wav | null | 115.246 | 120 | 4.754 | true | false | then why bother sharing this blood from a stone? | Chorus 2 | combined | 115.246 | 118.246 | true | End aligned to Chorus 2 boundary at 120.000s | false | null | 33 | 48 | 9 | 0 | 1.754 | audio_only | 01_07_3 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_07_seg_0015_track_04 | 14 | 01_07 | 4 | Backing Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_07/01_07_06_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_07/01_07_seg_0015_track_04.wav | null | 115.246 | 120 | 4.754 | true | false | then why bother sharing this blood from a stone? | Chorus 2 | combined | 115.246 | 118.246 | true | End aligned to Chorus 2 boundary at 120.000s | false | null | 33 | 48 | 9 | 0 | 1.754 | audio_only | 01_07_4 | 196 | 4 | 4 | F | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | RSI Labeling Act | 2017-07-18T00:00:00 | [00:03.086] | true | true | You're playing this song now, what does that say? Endorsement of the obscure or 48kHz? The mix is too noisy, there's too much delay. Does it mean what it was or what you want it to be? Let's agree that it is so there's something to see. Now what was the difference between what was shown, the things in our heads, and wh... | Momus, discogs_id: 17592, The Charlatans, discogs_id: 49023, My Bloody Valentine, discogs_id: 6516, The Jesus and Mary Chain, discogs_id: 243280 | nerdy, playful, exhaustive, coy, bitter | Shoegaze, Experimental, Indie Rock, Noise Pop | 01_07.lrc | The Real, The Symbolic, and The Imaginary - I had a really dorky dream that there was an ordinance past in congress to label all objects with a nutrition label style tag that explained the object's symbolic meaning and its relationship to the real and imaginary. The song plays on the dazed and confused state of meta-th... | {
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01_08_seg_0001_track_01 | 0 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0001_track_01.wav | null | 14.142 | 27.213 | 13.071 | true | false | Release the ballast! Reason's gone, the way, I shall list: | Verse 1 | combined | 14.142 | 27.213 | true | Start aligned to Verse Intro boundary at 14.142s | false | null | 5 | 58 | 10 | 0 | 0 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0001_track_06 | 0 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0001_track_06.wav | null | 14.142 | 27.213 | 13.071 | true | false | Release the ballast! Reason's gone, the way, I shall list: | Verse 1 | combined | 14.142 | 27.213 | true | Start aligned to Verse Intro boundary at 14.142s | false | null | 5 | 58 | 10 | 0 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0001_track_13 | 0 | 01_08 | 13 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_17_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0001_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_16_snare.mid | 14.142 | 27.213 | 13.071 | true | true | Release the ballast! Reason's gone, the way, I shall list: | Verse 1 | combined | 14.142 | 27.213 | true | Start aligned to Verse Intro boundary at 14.142s | false | null | 5 | 58 | 10 | 0 | 0 | audio_midi | 01_08_13 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_01 | 1 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_01.wav | null | 27.213 | 42 | 14.787 | true | false | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_03 | 1 | 01_08 | 3 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_05_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_03.wav | null | 27.213 | 42 | 14.787 | true | false | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | audio_only | 01_08_3 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_06 | 1 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_06.wav | null | 27.213 | 42 | 14.787 | true | false | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_19 | 1 | 01_08 | 19 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_28_harpsichord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_27_harpsichord.mid | 27.213 | 42 | 14.787 | false | true | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | midi_only | 01_08_19 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_20 | 1 | 01_08 | 20 | Mellotron | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_30_mellotron.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_29_mellotron.mid | 27.213 | 42 | 14.787 | false | true | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | midi_only | 01_08_20 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0002_track_21 | 1 | 01_08 | 21 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_32_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0002_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_31_synth_bass.mid | 27.213 | 42 | 14.787 | true | true | Now there's nothing here,no way to sort the tether from the sphere | Verse 1 | combined | 27.213 | 42 | false | false | null | 7 | 66 | 12 | 0 | 0 | audio_midi | 01_08_21 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_01 | 2 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_01.wav | null | 42 | 55.176 | 13.176 | true | false | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_03 | 2 | 01_08 | 3 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_05_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_03.wav | null | 42 | 55.176 | 13.176 | true | false | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | audio_only | 01_08_3 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_06 | 2 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_06.wav | null | 42 | 55.176 | 13.176 | true | false | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_13 | 2 | 01_08 | 13 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_17_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_16_snare.mid | 42 | 55.176 | 13.176 | false | true | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | midi_only | 01_08_13 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_19 | 2 | 01_08 | 19 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_28_harpsichord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_27_harpsichord.mid | 42 | 55.176 | 13.176 | false | true | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | midi_only | 01_08_19 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0003_track_21 | 2 | 01_08 | 21 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_32_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0003_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_31_synth_bass.mid | 42 | 55.176 | 13.176 | true | true | And the deck is stacked against the day and those it contracts | Verse 1 | combined | 42 | 55.176 | false | false | null | 9 | 62 | 12 | 0 | 0 | audio_midi | 01_08_21 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0004_track_01 | 3 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0004_track_01.wav | null | 55.176 | 68.142 | 12.966 | true | false | Out here we'll melt, no sun to care about where we've knelt | Verse 1 | combined | 55.176 | 69.105 | true | End aligned to Verse 1 boundary at 68.142s | false | null | 11 | 59 | 12 | 0 | -0.963 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0004_track_06 | 3 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0004_track_06.wav | null | 55.176 | 68.142 | 12.966 | true | false | Out here we'll melt, no sun to care about where we've knelt | Verse 1 | combined | 55.176 | 69.105 | true | End aligned to Verse 1 boundary at 68.142s | false | null | 11 | 59 | 12 | 0 | -0.963 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0005_track_04 | 4 | 01_08 | 4 | Chorus Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_06_chorus_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0005_track_04.wav | null | 68.142 | 83.034 | 14.892 | true | false | Do this for me once before I go and lose my confidence | The ask verse | combined | 69.105 | 83.034 | true | Start aligned to Verse 1 boundary at 68.142s | false | null | 13 | 54 | 12 | -0.963 | 0 | audio_only | 01_08_4 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0005_track_06 | 4 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0005_track_06.wav | null | 68.142 | 83.034 | 14.892 | true | false | Do this for me once before I go and lose my confidence | The ask verse | combined | 69.105 | 83.034 | true | Start aligned to Verse 1 boundary at 68.142s | false | null | 13 | 54 | 12 | -0.963 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0006_track_01 | 5 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0006_track_01.wav | null | 83.034 | 96.213 | 13.179 | true | false | Do this another time I'm the abandoner, guilty of the crime | The ask verse | combined | 83.034 | 96.213 | false | false | null | 15 | 59 | 11 | 0 | 0 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0006_track_04 | 5 | 01_08 | 4 | Chorus Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_06_chorus_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0006_track_04.wav | null | 83.034 | 96.213 | 13.179 | true | false | Do this another time I'm the abandoner, guilty of the crime | The ask verse | combined | 83.034 | 96.213 | false | false | null | 15 | 59 | 11 | 0 | 0 | audio_only | 01_08_4 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0006_track_06 | 5 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0006_track_06.wav | null | 83.034 | 96.213 | 13.179 | true | false | Do this another time I'm the abandoner, guilty of the crime | The ask verse | combined | 83.034 | 96.213 | false | false | null | 15 | 59 | 11 | 0 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_01 | 6 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_01.wav | null | 96.213 | 110.142 | 13.929 | true | false | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_04 | 6 | 01_08 | 4 | Chorus Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_06_chorus_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_04.wav | null | 96.213 | 110.142 | 13.929 | true | false | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | audio_only | 01_08_4 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_06 | 6 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_06.wav | null | 96.213 | 110.142 | 13.929 | true | false | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_12 | 6 | 01_08 | 12 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_15_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_14_kick.mid | 96.213 | 110.142 | 13.929 | true | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | audio_midi | 01_08_12 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_14 | 6 | 01_08 | 14 | HiHat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_19_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_18_hihat.mid | 96.213 | 110.142 | 13.929 | false | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | midi_only | 01_08_14 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_15 | 6 | 01_08 | 15 | Cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_21_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_20_cymbals.mid | 96.213 | 110.142 | 13.929 | false | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | midi_only | 01_08_15 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_16 | 6 | 01_08 | 16 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_23_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_22_toms.mid | 96.213 | 110.142 | 13.929 | false | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | midi_only | 01_08_16 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_19 | 6 | 01_08 | 19 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_28_harpsichord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_27_harpsichord.mid | 96.213 | 110.142 | 13.929 | false | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | midi_only | 01_08_19 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_20 | 6 | 01_08 | 20 | Mellotron | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_30_mellotron.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_29_mellotron.mid | 96.213 | 110.142 | 13.929 | false | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | midi_only | 01_08_20 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0007_track_21 | 6 | 01_08 | 21 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_32_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0007_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_31_synth_bass.mid | 96.213 | 110.142 | 13.929 | true | true | Do this, I'm begging you You'll wave goodbye, I'll forget them too | The ask verse | combined | 96.213 | 110.142 | false | false | null | 17 | 66 | 12 | 0 | 0 | audio_midi | 01_08_21 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0008_track_01 | 7 | 01_08 | 1 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_02_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0008_track_01.wav | null | 110.142 | 130.072 | 19.93 | true | false | Once more I'll ask you this, What chains the chains hanging from your wrists? | The ask verse | combined | 110.142 | 130.176 | true | End aligned to Abandoner Verse boundary at 130.072s | false | null | 19 | 77 | 14 | 0 | -0.104 | audio_only | 01_08_1 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0008_track_04 | 7 | 01_08 | 4 | Chorus Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_06_chorus_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0008_track_04.wav | null | 110.142 | 130.072 | 19.93 | true | false | Once more I'll ask you this, What chains the chains hanging from your wrists? | The ask verse | combined | 110.142 | 130.176 | true | End aligned to Abandoner Verse boundary at 130.072s | false | null | 19 | 77 | 14 | 0 | -0.104 | audio_only | 01_08_4 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0008_track_06 | 7 | 01_08 | 6 | All Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_08_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0008_track_06.wav | null | 110.142 | 130.072 | 19.93 | true | false | Once more I'll ask you this, What chains the chains hanging from your wrists? | The ask verse | combined | 110.142 | 130.176 | true | End aligned to Abandoner Verse boundary at 130.072s | false | null | 19 | 77 | 14 | 0 | -0.104 | audio_only | 01_08_6 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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01_08_seg_0008_track_12 | 7 | 01_08 | 12 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_15_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0008_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_14_kick.mid | 110.142 | 130.072 | 19.93 | true | true | Once more I'll ask you this, What chains the chains hanging from your wrists? | The ask verse | combined | 110.142 | 130.176 | true | End aligned to Abandoner Verse boundary at 130.072s | false | null | 19 | 77 | 14 | 0 | -0.104 | audio_midi | 01_08_12 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
"album_sequence": 1,
"avg_word_length": 5.04,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
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"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
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"ontological_uncertainty": 0,
"question_marks": 0,... | Verse Intro : The verse starts without vocals, flangy guitars and mellotrons give a classic pych sound, [00:00.000]-[00:14.142] | Verse 1 : The vocals come in at a relaxed pace, with a lot of space in between the lines, [00:14.143]-[01:08.142] | The ask verse : This verse alternate still has a lot of room between lines... | null |
01_08_seg_0008_track_13 | 7 | 01_08 | 13 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_17_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_08/01_08_seg_0008_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_08/01_08_16_snare.mid | 110.142 | 130.072 | 19.93 | false | true | Once more I'll ask you this, What chains the chains hanging from your wrists? | The ask verse | combined | 110.142 | 130.176 | true | End aligned to Abandoner Verse boundary at 130.072s | false | null | 19 | 77 | 14 | 0 | -0.104 | midi_only | 01_08_13 | 140 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Abandoner | 2017-07-18T00:00:00 | [04:39.105] | true | true | Release the ballast! Reason's gone, the way, I shall list: Now there's nothing here,no way to sort the tether from the sphere And the deck is stacked against the day and those it contracts Out here we'll melt, no sun to care about where we've knelt Do this for me once before I go and lose my confidence Do this another ... | Julian Cope, discogs_id: 114566, Gary Walker & The Rain, discogs_id: 369452, The Brian Jonestown Massacre, discogs_id: 371334 | serene, dreamy, introspective, melancholic, remorseful, apologetic, trippy, spacey, psychedelic, rocking | psychedelic rock, art rock, post-rock | 01_08.lrc | One way of escaping is simply to abandon everything and everyone. This song explores the feelings of remorse and apology that come with that decision. | {
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"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,... | Verse Intro : The verse starts without vocals, flangy guitars and mellotrons give a classic pych sound, [00:00.000]-[00:14.142] | Verse 1 : The vocals come in at a relaxed pace, with a lot of space in between the lines, [00:14.143]-[01:08.142] | The ask verse : This verse alternate still has a lot of room between lines... | null |
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