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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_05_seg_0014_track_10 | 13 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0014_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 149.193 | 157 | 7.807 | false | true | When pearls are off the swine come in. | Chorus 2 | combined | 149.193 | 157 | false | false | null | 31 | 38 | 8 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0014_track_12 | 13 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0014_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 149.193 | 157 | 7.807 | true | true | When pearls are off the swine come in. | Chorus 2 | combined | 149.193 | 157 | false | false | null | 31 | 38 | 8 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0014_track_13 | 13 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0014_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 149.193 | 157 | 7.807 | true | true | When pearls are off the swine come in. | Chorus 2 | combined | 149.193 | 157 | false | false | null | 31 | 38 | 8 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0014_track_19 | 13 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0014_track_19.wav | null | 149.193 | 157 | 7.807 | true | false | When pearls are off the swine come in. | Chorus 2 | combined | 149.193 | 157 | false | false | null | 31 | 38 | 8 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0014_track_27 | 13 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0014_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 149.193 | 157 | 7.807 | true | true | When pearls are off the swine come in. | Chorus 2 | combined | 149.193 | 157 | false | false | null | 31 | 38 | 8 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_06 | 14 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 157 | 164.017 | 7.017 | true | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_07 | 14 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 157 | 164.017 | 7.017 | false | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_08 | 14 | 01_05 | 8 | Floor Tom | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_16_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_15_floor_tom.mid | 157 | 164.017 | 7.017 | false | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | midi_only | 01_05_8 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_09 | 14 | 01_05 | 9 | Click Track | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_18_click.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_17_click.mid | 157 | 164.017 | 7.017 | true | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_midi | 01_05_9 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_10 | 14 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 157 | 164.017 | 7.017 | false | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_12 | 14 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 157 | 164.017 | 7.017 | true | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_13 | 14 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 157 | 164.017 | 7.017 | true | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_19 | 14 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_19.wav | null | 157 | 164.017 | 7.017 | true | false | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0015_track_27 | 14 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0015_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 157 | 164.017 | 7.017 | true | true | It does not help but to mention, | Chorus 2 | combined | 157 | 164.017 | false | false | null | 33 | 32 | 7 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0016_track_06 | 15 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 164.017 | 170.653 | 6.636 | true | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_07 | 15 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 164.017 | 170.653 | 6.636 | false | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_08 | 15 | 01_05 | 8 | Floor Tom | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_16_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_15_floor_tom.mid | 164.017 | 170.653 | 6.636 | false | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | midi_only | 01_05_8 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_09 | 15 | 01_05 | 9 | Click Track | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_18_click.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_17_click.mid | 164.017 | 170.653 | 6.636 | true | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_midi | 01_05_9 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_10 | 15 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 164.017 | 170.653 | 6.636 | false | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_12 | 15 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 164.017 | 170.653 | 6.636 | true | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_13 | 15 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 164.017 | 170.653 | 6.636 | true | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_19 | 15 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_19.wav | null | 164.017 | 170.653 | 6.636 | true | false | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0016_track_27 | 15 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0016_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 164.017 | 170.653 | 6.636 | true | true | at best it's just a spoiled win. | Chorus 2 | combined | 164.017 | 171.021 | true | End aligned to Chorus 3 with break down boundary at 170.653s | false | null | 35 | 32 | 7 | 0 | -0.368 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_06 | 16 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 170.653 | 178.026 | 7.373 | true | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_07 | 16 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 170.653 | 178.026 | 7.373 | false | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_08 | 16 | 01_05 | 8 | Floor Tom | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_16_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_15_floor_tom.mid | 170.653 | 178.026 | 7.373 | false | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | midi_only | 01_05_8 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_09 | 16 | 01_05 | 9 | Click Track | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_18_click.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_17_click.mid | 170.653 | 178.026 | 7.373 | true | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_midi | 01_05_9 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_10 | 16 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 170.653 | 178.026 | 7.373 | false | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_12 | 16 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 170.653 | 178.026 | 7.373 | true | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_13 | 16 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 170.653 | 178.026 | 7.373 | true | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_19 | 16 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_19.wav | null | 170.653 | 178.026 | 7.373 | true | false | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0017_track_27 | 16 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0017_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 170.653 | 178.026 | 7.373 | true | true | They'll make you wish you had bothered | Chorus 3 with break down | combined | 171.021 | 178.026 | true | Start aligned to Chorus 3 with break down boundary at 170.653s | false | null | 37 | 38 | 7 | -0.368 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
01_05_seg_0018_track_01 | 17 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_01.wav | null | 178.026 | 208.026 | 30 | true | false | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_06 | 17 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 178.026 | 208.026 | 30 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_07 | 17 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 178.026 | 208.026 | 30 | false | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_09 | 17 | 01_05 | 9 | Click Track | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_18_click.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_17_click.mid | 178.026 | 208.026 | 30 | false | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | midi_only | 01_05_9 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_10 | 17 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 178.026 | 208.026 | 30 | false | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_12 | 17 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 178.026 | 208.026 | 30 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_13 | 17 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 178.026 | 208.026 | 30 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_14 | 17 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 178.026 | 208.026 | 30 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_19 | 17 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_19.wav | null | 178.026 | 208.026 | 30 | true | false | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0018_track_27 | 17 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0018_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 178.026 | 208.026 | 30 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 1/2 | 39 | 32 | 6 | 0 | -5.167 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_01 | 18 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_01.wav | null | 206.026 | 213.193 | 7.167 | true | false | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_06 | 18 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 206.026 | 213.193 | 7.167 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_07 | 18 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 206.026 | 213.193 | 7.167 | false | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_10 | 18 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 206.026 | 213.193 | 7.167 | false | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_12 | 18 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 206.026 | 213.193 | 7.167 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_13 | 18 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 206.026 | 213.193 | 7.167 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_14 | 18 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 206.026 | 213.193 | 7.167 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_18 | 18 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_18.wav | null | 206.026 | 213.193 | 7.167 | true | false | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0019_track_27 | 18 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0019_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 206.026 | 213.193 | 7.167 | true | true | to remember how before had been. | Chorus 3 with break down | combined | 178.026 | 213.193 | false | true | 2/2 | 39 | 32 | 6 | 28 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_01 | 19 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_01.wav | null | 213.193 | 228 | 14.807 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_06 | 19 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 213.193 | 228 | 14.807 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_07 | 19 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 213.193 | 228 | 14.807 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_10 | 19 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 213.193 | 228 | 14.807 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_12 | 19 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 213.193 | 228 | 14.807 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_13 | 19 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 213.193 | 228 | 14.807 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_14 | 19 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 213.193 | 228 | 14.807 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_17 | 19 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_17.wav | null | 213.193 | 228 | 14.807 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_18 | 19 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_18.wav | null | 213.193 | 228 | 14.807 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_19 | 19 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_19.wav | null | 213.193 | 228 | 14.807 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_20 | 19 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_20.wav | null | 213.193 | 228 | 14.807 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0020_track_27 | 19 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0020_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 213.193 | 228 | 14.807 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 213.193 | 228 | false | false | null | 41 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_01 | 20 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_01.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_06 | 20 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 228 | 242.051 | 14.051 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_07 | 20 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 228 | 242.051 | 14.051 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_10 | 20 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 228 | 242.051 | 14.051 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_12 | 20 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 228 | 242.051 | 14.051 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_13 | 20 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 228 | 242.051 | 14.051 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_14 | 20 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 228 | 242.051 | 14.051 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_16 | 20 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_16.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_17 | 20 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_17.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_18 | 20 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_18.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_19 | 20 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_19.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_20 | 20 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_20.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_26 | 20 | 01_05 | 26 | Twang Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_31_twang.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_26.wav | null | 228 | 242.051 | 14.051 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_only | 01_05_26 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0021_track_27 | 20 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0021_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 228 | 242.051 | 14.051 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 228 | 242.051 | false | false | null | 43 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_01 | 21 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_01.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_06 | 21 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_07 | 21 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 242.051 | 256.11 | 14.059 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_10 | 21 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_12 | 21 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_13 | 21 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_14 | 21 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_15 | 21 | 01_05 | 15 | Microgranular FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_28_microgran.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_15.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_15 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_16 | 21 | 01_05 | 16 | Stylus Groove | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_27_stylus.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_16.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_16 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_17 | 21 | 01_05 | 17 | Crunchy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_29_crunchy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_17.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_17 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_18 | 21 | 01_05 | 18 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_30_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_18.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_18 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_19 | 21 | 01_05 | 19 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_32_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_19.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_19 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_20 | 21 | 01_05 | 20 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_33_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_20.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_20 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_24 | 21 | 01_05 | 24 | Harmonium | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_37_harmonium.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_24.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_24 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_26 | 21 | 01_05 | 26 | Twang Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_31_twang.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_26.wav | null | 242.051 | 256.11 | 14.059 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_only | 01_05_26 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0022_track_27 | 21 | 01_05 | 27 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_06_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0022_track_27.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_05_synth_bass.mid | 242.051 | 256.11 | 14.059 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 242.051 | 256.11 | false | false | null | 45 | 90 | 13 | 0 | 0 | audio_midi | 01_05_27 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_01 | 22 | 01_05 | 1 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_01.wav | null | 256.11 | 263.193 | 7.083 | true | false | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_only | 01_05_1 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_06 | 22 | 01_05 | 6 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_11_kick.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_6 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_07 | 22 | 01_05 | 7 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_13_snare.mid | 256.11 | 263.193 | 7.083 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | midi_only | 01_05_7 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_10 | 22 | 01_05 | 10 | Ride Cymbal | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_20_ride.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_19_ride.mid | 256.11 | 263.193 | 7.083 | false | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | midi_only | 01_05_10 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_12 | 22 | 01_05 | 12 | Hi-Hat (alt) | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_22_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_21_hihat.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_12 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_13 | 22 | 01_05 | 13 | Bellitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_24_bellitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_23_bellitar.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_13 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null | |
01_05_seg_0023_track_14 | 22 | 01_05 | 14 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_26_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0023_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_25_piano.mid | 256.11 | 263.193 | 7.083 | true | true | Restring, restring, restring our luck again, restring. We string our luck again, restring. | Chorus 3 with break down | combined | 256.11 | 263.193 | false | false | null | 47 | 90 | 13 | 0 | 0 | audio_midi | 01_05_14 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
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