segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_05_seg_0008_track_11 | 7 | 02_05 | 11 | Stored Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_17_stored_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0008_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_16_stored_guitar2.mid | 73.075 | 81.072 | 7.997 | true | true | But while you filed it all away we've traced you to your bunker | Verse 2 | combined | 73.075 | 81.011 | true | End aligned to Verse 2 boundary at 81.072s | false | null | 19 | 63 | 13 | 0 | 0.061 | audio_midi | 02_05_11 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0008_track_13 | 7 | 02_05 | 13 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0008_track_13.wav | null | 73.075 | 81.072 | 7.997 | true | false | But while you filed it all away we've traced you to your bunker | Verse 2 | combined | 73.075 | 81.011 | true | End aligned to Verse 2 boundary at 81.072s | false | null | 19 | 63 | 13 | 0 | 0.061 | audio_only | 02_05_13 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0008_track_14 | 7 | 02_05 | 14 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_22_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0008_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_21_vocoder.mid | 73.075 | 81.072 | 7.997 | true | true | But while you filed it all away we've traced you to your bunker | Verse 2 | combined | 73.075 | 81.011 | true | End aligned to Verse 2 boundary at 81.072s | false | null | 19 | 63 | 13 | 0 | 0.061 | audio_midi | 02_05_14 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_01 | 8 | 02_05 | 1 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_02_synth_bass.mid | 81.072 | 88.165 | 7.093 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_midi | 02_05_1 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_02 | 8 | 02_05 | 2 | Drum Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_05_drum_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_04_drum_kit.mid | 81.072 | 88.165 | 7.093 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_midi | 02_05_2 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_03 | 8 | 02_05 | 3 | Tabla | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_07_tabla.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_06_tabla.mid | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_3 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_04 | 8 | 02_05 | 4 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_08_organ.mid | 81.072 | 88.165 | 7.093 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_midi | 02_05_4 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_05 | 8 | 02_05 | 5 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_05.wav | null | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_5 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_06 | 8 | 02_05 | 6 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_06.wav | null | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_6 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_07 | 8 | 02_05 | 7 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_07.wav | null | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_7 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_12 | 8 | 02_05 | 12 | Flutes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_19_flutes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_18_flutes.mid | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_12 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_13 | 8 | 02_05 | 13 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_13.wav | null | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_13 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0009_track_15 | 8 | 02_05 | 15 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_23_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0009_track_15.wav | null | 81.072 | 88.165 | 7.093 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 81.011 | 88.165 | true | Start aligned to Verse 2 boundary at 81.072s | false | null | 21 | 32 | 4 | 0.061 | 0 | audio_only | 02_05_15 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0010_track_01 | 9 | 02_05 | 1 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_02_synth_bass.mid | 88.165 | 97.033 | 8.868 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_midi | 02_05_1 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_04 | 9 | 02_05 | 4 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_08_organ.mid | 88.165 | 97.033 | 8.868 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_midi | 02_05_4 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_05 | 9 | 02_05 | 5 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_05.wav | null | 88.165 | 97.033 | 8.868 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_only | 02_05_5 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_06 | 9 | 02_05 | 6 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_06.wav | null | 88.165 | 97.033 | 8.868 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_only | 02_05_6 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_07 | 9 | 02_05 | 7 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_07.wav | null | 88.165 | 97.033 | 8.868 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_only | 02_05_7 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_12 | 9 | 02_05 | 12 | Flutes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_19_flutes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_18_flutes.mid | 88.165 | 97.033 | 8.868 | true | true | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_midi | 02_05_12 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0010_track_13 | 9 | 02_05 | 13 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0010_track_13.wav | null | 88.165 | 97.033 | 8.868 | true | false | Release, Repeat, Reverse, Delete | Chorus 2 | combined | 88.165 | 97.033 | false | false | null | 23 | 32 | 4 | 0 | 0 | audio_only | 02_05_13 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_03 | 10 | 02_05 | 3 | Tabla | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_07_tabla.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_06_tabla.mid | 97.033 | 101.092 | 4.059 | true | true | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_midi | 02_05_3 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_04 | 10 | 02_05 | 4 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_08_organ.mid | 97.033 | 101.092 | 4.059 | true | true | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_midi | 02_05_4 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_05 | 10 | 02_05 | 5 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_05.wav | null | 97.033 | 101.092 | 4.059 | true | false | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_only | 02_05_5 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_06 | 10 | 02_05 | 6 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_06.wav | null | 97.033 | 101.092 | 4.059 | true | false | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_only | 02_05_6 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_07 | 10 | 02_05 | 7 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_07.wav | null | 97.033 | 101.092 | 4.059 | true | false | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_only | 02_05_7 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null | |
02_05_seg_0011_track_13 | 10 | 02_05 | 13 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0011_track_13.wav | null | 97.033 | 101.092 | 4.059 | true | false | This place is filled with spray-on spies, | Chorus 2 | combined | 97.033 | 101.092 | false | false | null | 25 | 41 | 7 | 0 | 0 | audio_only | 02_05_13 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_02 | 11 | 02_05 | 2 | Drum Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_05_drum_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_04_drum_kit.mid | 101.092 | 104.127 | 3.035 | true | true | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_midi | 02_05_2 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_03 | 11 | 02_05 | 3 | Tabla | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_07_tabla.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_06_tabla.mid | 101.092 | 104.127 | 3.035 | true | true | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_midi | 02_05_3 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_04 | 11 | 02_05 | 4 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_08_organ.mid | 101.092 | 104.127 | 3.035 | true | true | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_midi | 02_05_4 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_05 | 11 | 02_05 | 5 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_05.wav | null | 101.092 | 104.127 | 3.035 | true | false | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_only | 02_05_5 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_06 | 11 | 02_05 | 6 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_06.wav | null | 101.092 | 104.127 | 3.035 | true | false | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_only | 02_05_6 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_07 | 11 | 02_05 | 7 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_07.wav | null | 101.092 | 104.127 | 3.035 | true | false | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_only | 02_05_7 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_09 | 11 | 02_05 | 9 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_13_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_09.wav | null | 101.092 | 104.127 | 3.035 | true | false | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_only | 02_05_9 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_05_seg_0012_track_13 | 11 | 02_05 | 13 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0012_track_13.wav | null | 101.092 | 104.127 | 3.035 | true | false | that pretty face to hard to disguise | Chorus 2 | combined | 101.092 | 104.092 | true | End aligned to Chorus 2 boundary at 104.127s | false | null | 27 | 36 | 7 | 0 | 0.035 | audio_only | 02_05_13 | 124 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Dismantling Ubiquitous Monitoring Systems | 2019-01-11T00:00:00 | [02:41.192] | true | true | Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise | The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224 | action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech | Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze | 02_05.lrc | A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance. | {
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} | Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192] | null |
02_06_seg_0001_track_01 | 0 | 02_06 | 1 | Crystal Nail Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_06/02_06_03_crystal_nail.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_06/02_06_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_06/02_06_02_crystal_nail.mid | 0 | 30 | 30 | true | true | Onset | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 02_06_1 | 112 | 4 | 4 | A | minor | Red | Past | Thing | Known | null | The Architectural Mnemonics of M. Nodisks | 2019-01-11T00:00:00 | [02:11.040] | false | false | null | Popol Vuh, discogs_id: 81882, Tangerine Dream, discogs_id: 10343, John Carpenter, discogs_id: 32433 | bleak, resolute, mechanical, transcendent, somber, cinematic, atmospheric | Electronic, Ambient, Soundtrack, New Age, Experimental, New Classical | null | A book about building a memory palace. I imagined a lone man in winter European scene walking through a cityscape of brutalist architecture, each building representing a different memory or concept. The music reflects the stark, cold environment and the introspective journey of constructing and navigating this mental space. | {
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} | Onset : A slow group of chords played on an mechanical sounding synth, [00:00.000]-[00:51.105] | March : A bleak miliary style drum patter marches the piece forward, [00:51.106]-[01:17.034] | Transcendence : Strings soar and pads swell to create a sense of transcendence, [01:17.035]-[01:42.213] | Denouement : The piece winds down with a return to the mechanical synths and a fading drone, [01:42.214]-[02:11.040] | null | ||
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} | Onset : A slow group of chords played on an mechanical sounding synth, [00:00.000]-[00:51.105] | March : A bleak miliary style drum patter marches the piece forward, [00:51.106]-[01:17.034] | Transcendence : Strings soar and pads swell to create a sense of transcendence, [01:17.035]-[01:42.213] | Denouement : The piece winds down with a return to the mechanical synths and a fading drone, [01:42.214]-[02:11.040] | null | ||
02_07_seg_0001_track_01 | 0 | 02_07 | 1 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_03_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_02_grandmother.mid | 20.043 | 28.166 | 8.123 | true | true | Elsewhere, a foam soldier shakes a leg | Verse 1 | combined | 20.043 | 28.166 | false | false | null | 5 | 38 | 7 | 0 | 0 | audio_midi | 02_07_1 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0001_track_09 | 0 | 02_07 | 9 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_11_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0001_track_09.wav | null | 20.043 | 28.166 | 8.123 | true | false | Elsewhere, a foam soldier shakes a leg | Verse 1 | combined | 20.043 | 28.166 | false | false | null | 5 | 38 | 7 | 0 | 0 | audio_only | 02_07_9 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0001_track_10 | 0 | 02_07 | 10 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_13_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0001_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_12_drum_machine.mid | 20.043 | 28.166 | 8.123 | true | true | Elsewhere, a foam soldier shakes a leg | Verse 1 | combined | 20.043 | 28.166 | false | false | null | 5 | 38 | 7 | 0 | 0 | audio_midi | 02_07_10 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0001_track_12 | 0 | 02_07 | 12 | Orchid Cargo Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_17_orchid_cargo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0001_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_16_orchid_cargo.mid | 20.043 | 28.166 | 8.123 | true | true | Elsewhere, a foam soldier shakes a leg | Verse 1 | combined | 20.043 | 28.166 | false | false | null | 5 | 38 | 7 | 0 | 0 | audio_midi | 02_07_12 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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02_07_seg_0002_track_01 | 1 | 02_07 | 1 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_03_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_02_grandmother.mid | 28.166 | 37.041 | 8.875 | true | true | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_midi | 02_07_1 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0002_track_03 | 1 | 02_07 | 3 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_05_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_03.wav | null | 28.166 | 37.041 | 8.875 | true | false | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_only | 02_07_3 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0002_track_05 | 1 | 02_07 | 5 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_07_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_05.wav | null | 28.166 | 37.041 | 8.875 | true | false | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_only | 02_07_5 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0002_track_06 | 1 | 02_07 | 6 | Mantis 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_08_mantis2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_06.wav | null | 28.166 | 37.041 | 8.875 | true | false | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_only | 02_07_6 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0002_track_09 | 1 | 02_07 | 9 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_11_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_09.wav | null | 28.166 | 37.041 | 8.875 | true | false | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_only | 02_07_9 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0002_track_12 | 1 | 02_07 | 12 | Orchid Cargo Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_17_orchid_cargo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_16_orchid_cargo.mid | 28.166 | 37.041 | 8.875 | true | true | at a hundred-million critical masses | Verse 1 | combined | 28.166 | 37.041 | false | false | null | 7 | 36 | 5 | 0 | 0 | audio_midi | 02_07_12 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0003_track_03 | 2 | 02_07 | 3 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_05_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0003_track_03.wav | null | 37.041 | 54.037 | 16.996 | true | false | Begging little wanderers, please, to come home | Verse 1 | combined | 37.041 | 54.037 | false | false | null | 9 | 46 | 7 | 0 | 0 | audio_only | 02_07_3 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0003_track_05 | 2 | 02_07 | 5 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_07_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0003_track_05.wav | null | 37.041 | 54.037 | 16.996 | true | false | Begging little wanderers, please, to come home | Verse 1 | combined | 37.041 | 54.037 | false | false | null | 9 | 46 | 7 | 0 | 0 | audio_only | 02_07_5 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0003_track_09 | 2 | 02_07 | 9 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_11_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0003_track_09.wav | null | 37.041 | 54.037 | 16.996 | true | false | Begging little wanderers, please, to come home | Verse 1 | combined | 37.041 | 54.037 | false | false | null | 9 | 46 | 7 | 0 | 0 | audio_only | 02_07_9 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0004_track_03 | 3 | 02_07 | 3 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_05_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0004_track_03.wav | null | 54.037 | 71.036 | 16.999 | true | false | I have a twin sister operating from a railroad | Verse 1 | combined | 54.037 | 71.036 | false | false | null | 11 | 46 | 9 | 0 | 0 | audio_only | 02_07_3 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0004_track_05 | 3 | 02_07 | 5 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_07_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0004_track_05.wav | null | 54.037 | 71.036 | 16.999 | true | false | I have a twin sister operating from a railroad | Verse 1 | combined | 54.037 | 71.036 | false | false | null | 11 | 46 | 9 | 0 | 0 | audio_only | 02_07_5 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0004_track_06 | 3 | 02_07 | 6 | Mantis 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_08_mantis2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0004_track_06.wav | null | 54.037 | 71.036 | 16.999 | true | false | I have a twin sister operating from a railroad | Verse 1 | combined | 54.037 | 71.036 | false | false | null | 11 | 46 | 9 | 0 | 0 | audio_only | 02_07_6 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0004_track_09 | 3 | 02_07 | 9 | Guitar 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_11_guitar3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0004_track_09.wav | null | 54.037 | 71.036 | 16.999 | true | false | I have a twin sister operating from a railroad | Verse 1 | combined | 54.037 | 71.036 | false | false | null | 11 | 46 | 9 | 0 | 0 | audio_only | 02_07_9 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0004_track_12 | 3 | 02_07 | 12 | Orchid Cargo Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_17_orchid_cargo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_16_orchid_cargo.mid | 54.037 | 71.036 | 16.999 | true | true | I have a twin sister operating from a railroad | Verse 1 | combined | 54.037 | 71.036 | false | false | null | 11 | 46 | 9 | 0 | 0 | audio_midi | 02_07_12 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null | |
02_07_seg_0005_track_01 | 4 | 02_07 | 1 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_03_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_02_grandmother.mid | 71.036 | 101.036 | 30 | true | true | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_midi | 02_07_1 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
02_07_seg_0005_track_02 | 4 | 02_07 | 2 | NSynth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_04_nsynth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_02.wav | null | 71.036 | 101.036 | 30 | true | false | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_only | 02_07_2 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
02_07_seg_0005_track_03 | 4 | 02_07 | 3 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_05_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_03.wav | null | 71.036 | 101.036 | 30 | true | false | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_only | 02_07_3 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
02_07_seg_0005_track_05 | 4 | 02_07 | 5 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_07_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_05.wav | null | 71.036 | 101.036 | 30 | true | false | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_only | 02_07_5 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
02_07_seg_0005_track_06 | 4 | 02_07 | 6 | Mantis 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_08_mantis2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_06.wav | null | 71.036 | 101.036 | 30 | true | false | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_only | 02_07_6 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
02_07_seg_0005_track_08 | 4 | 02_07 | 8 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_07/02_07_10_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_07/02_07_seg_0005_track_08.wav | null | 71.036 | 101.036 | 30 | true | false | at the apex of a foreign structure. | Shuffle | combined | 71.036 | 115.121 | true | End aligned to Verse 2 boundary at 114.173s | true | 1/2 | 13 | 35 | 7 | 0 | -14.085 | audio_only | 02_07_8 | 113 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | End Timed Family | 2019-01-11T00:00:00 | [02:50.007] | true | true | Elsewhere, a foam soldier shakes a leg at a hundred-million critical masses Begging little wanderers, please, to come home I have a twin sister operating from a railroad at the apex of a foreign structure. You shall see nothing more satisfactory than when they are inclined to do so. Farthest blue of the sky is weighted down by the sun. Each day's close brings some token of yours, pushed to the shore and attacking the sand. | Hood, discogs_id: 5047, Oneohtrix Point Never, discogs_id: 1191704, Throbbing Gristle, discogs_id: 12589 | surreal, dreamy, disturbing, nightmarish | experimental, noise pop, post-rock, art rock, industrial rock | 02_07.lrc | Since Light Reading was all about imagined books - I just had to do a cut up style lyric. I wandered around the house, randomly flipping open books and writing down fragments to form the lyrics of this song. | {
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} | Verse 1 : Burbling modular synths slush in with a very slow drum beat., [00:00.000]-[01:20.175] | Shuffle : The music kicks into double time with giant synths and drums., [01:20.176]-[01:37.173] | Stretch : The music drops back down to a percolating rhythm with echoing synths., [01:37.174]-[01:54.172] | Verse 2 : We return to the sluggish main part - vocals fall through to aux sends and bounce madly around the stereo field., [01:54.173]-[02:45.164] | Ring out : The music drops out leaving a lone synth behind., [02:45.165]-[02:50.007] | null |
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