Datasets:
earthlyframes
/
white-training-data

Dataset card Data Studio Files
xet
 Community
1
segment_id
string
segment_index
int64
song_id
string
track_number
int64
track_description
string
track_group
string
track_player
string
source_audio_file
string
segment_audio_file
string
midi_file
string
start_seconds
float64
end_seconds
float64
duration_seconds
float64
has_audio
bool
has_midi
bool
lyric_text
string
structure_section
string
segment_type
string
original_start_seconds
float64
original_end_seconds
float64
has_structure_adjustments
bool
structure_adjustments
string
is_sub_segment
bool
sub_segment_info
string
lrc_line_number
float64
lyric_char_count
uint32
lyric_word_count
uint32
start_adjustment_seconds
float64
end_adjustment_seconds
float64
content_type
string
manifest_track_key
string
bpm
int64
tempo_numerator
float64
tempo_denominator
float64
key_signature_note
string
key_signature_mode
string
rainbow_color
string
rainbow_color_temporal_mode
string
rainbow_color_objectional_mode
string
rainbow_color_ontological_mode
string
transmigrational_mode
string
title
string
release_date
string
total_running_time
string
vocals
bool
lyrics
bool
lrc_lyrics
string
sounds_like
string
mood
string
genres
string
lrc_file
string
concept
string
training_data
dict
song_structure
string
midi_group_file
string
02_04_seg_0015_track_06
14
02_04
6
Baritone Sax 2
horns
RainbowPlayer.JOSH
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_06.wav
null
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_6
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_07
14
02_04
7
Tenor Sax
null
RainbowPlayer.JOSH
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_07.wav
null
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_7
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_08
14
02_04
8
Tenor Sax 2
null
RainbowPlayer.JOSH
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_12_tenor_sax2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_08.wav
null
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_8
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_09
14
02_04
9
Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_09.wav
null
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_9
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_10
14
02_04
10
Guitar 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_10.wav
null
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_10
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_11
14
02_04
11
Synth Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_11.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid
108.14
114.186
6.046
true
true
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_midi
02_04_11
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
02_04_seg_0015_track_12
14
02_04
12
Bongo
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_12.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid
108.14
114.186
6.046
true
false
She's okay with the way sounds
Chorus 2
combined
108.14
114.186
false
false
null
33
30
6
0
0
audio_only
02_04_12
80
4
4
C
major
Red
Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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02_04
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RainbowPlayer.GABE
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_13.wav
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Past
Thing
Known
null
The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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RainbowPlayer.GABE
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
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true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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Wurlitzer
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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RainbowPlayer.GABE
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Purple vinyl spinning round and round
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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Purple vinyl spinning round and round
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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Autographed, “To under hood” not sure she ever really understood.
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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Wurlitzer
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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The Imagined Lives of Shirley Kudirka
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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RainbowPlayer.GABE
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Autographed, “To under hood” not sure she ever really understood.
Chorus 2
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
true
She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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02_04
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Autographed, “To under hood” not sure she ever really understood.
Chorus 2
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The Imagined Lives of Shirley Kudirka
2019-01-11T00:00:00
[03:12.225]
true
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She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood.
The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153
Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful
Rock, Blue-eyed Soul, Alternative Rock
02_04.lrc
This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text.
{ "album_sequence": 2, "avg_word_length": 4.416666666666667, "boundary_fluidity_score": 0, "concept_length": 324, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.05263157894736842, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 192.225, "track_id": "02_04", "track_position": 4, "uncertainty_level": 0, "word_count": 60 }
Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225]
null
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RainbowPlayer.GABE
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Your drone took out half the block and our drummer!
Verse 1
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0001_track_10
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02_05
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Stored Guitar
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RainbowPlayer.GABE
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Your drone took out half the block and our drummer!
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Synth Bass
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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Drum Kit
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0002_track_07
1
02_05
7
Guitar 3
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0002_track_10
1
02_05
10
Stored Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_15_stored_guitar.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0002_track_10.wav
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0002_track_13
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02_05
13
Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0002_track_14
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02_05
14
Vocoder
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_22_vocoder.wav
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Revenge, excess? Oh, what rock have you been living under?
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_01
2
02_05
1
Synth Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_01.wav
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Release, Repeat, Reverse, Delete
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_02
2
02_05
2
Drum Kit
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_05_drum_kit.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_02.wav
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Release, Repeat, Reverse, Delete
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_03
2
02_05
3
Tabla
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_07_tabla.wav
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_04
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02_05
4
Organ
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_04.wav
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27.023
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Release, Repeat, Reverse, Delete
Chorus 1
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26.182
34.117
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124
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Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_05
2
02_05
5
Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_05.wav
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27.023
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Release, Repeat, Reverse, Delete
Chorus 1
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124
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_06
2
02_05
6
Guitar 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_06.wav
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27.023
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Release, Repeat, Reverse, Delete
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null
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02_05_6
124
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G
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_07
2
02_05
7
Guitar 3
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_07.wav
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27.023
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7.094
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Release, Repeat, Reverse, Delete
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null
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02_05_7
124
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4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_12
2
02_05
12
Flutes
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_19_flutes.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_12.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_18_flutes.mid
27.023
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Release, Repeat, Reverse, Delete
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124
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Past
Thing
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null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_13
2
02_05
13
Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_13.wav
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27.023
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Past
Thing
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null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_14
2
02_05
14
Vocoder
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_22_vocoder.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_14.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_21_vocoder.mid
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Release, Repeat, Reverse, Delete
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124
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_15
2
02_05
15
Vocal 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_23_vocal2.wav
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Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0003_track_16
2
02_05
16
BG Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_24_bg_vocals.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0003_track_16.wav
null
27.023
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Release, Repeat, Reverse, Delete
Chorus 1
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26.182
34.117
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Start aligned to Verse 1 boundary at 27.023s
false
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124
4
4
G
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Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_01
3
02_05
1
Synth Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_01.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_02_synth_bass.mid
34.117
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Release, Repeat, Reverse, Delete
Chorus 1
combined
34.117
42.083
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false
null
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audio_midi
02_05_1
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_02
3
02_05
2
Drum Kit
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_05_drum_kit.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_02.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_04_drum_kit.mid
34.117
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
42.083
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false
null
11
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0
0
audio_midi
02_05_2
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_03
3
02_05
3
Tabla
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_07_tabla.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_03.wav
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34.117
42.083
7.966
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
42.083
false
false
null
11
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4
0
0
audio_midi
02_05_3
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_04
3
02_05
4
Organ
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_04.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_08_organ.mid
34.117
42.083
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
42.083
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null
11
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0
0
audio_midi
02_05_4
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_05
3
02_05
5
Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_05.wav
null
34.117
42.083
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
42.083
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false
null
11
32
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0
audio_only
02_05_5
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_06
3
02_05
6
Guitar 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_11_guitar2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_06.wav
null
34.117
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
42.083
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0
0
audio_only
02_05_6
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_07
3
02_05
7
Guitar 3
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_12_guitar3.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_07.wav
null
34.117
42.083
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Release, Repeat, Reverse, Delete
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42.083
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32
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02_05_7
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_12
3
02_05
12
Flutes
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_19_flutes.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_12.wav
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34.117
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Release, Repeat, Reverse, Delete
Chorus 1
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34.117
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audio_midi
02_05_12
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_13
3
02_05
13
Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_13.wav
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Release, Repeat, Reverse, Delete
Chorus 1
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02_05_13
124
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4
G
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Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_14
3
02_05
14
Vocoder
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_22_vocoder.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_14.wav
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34.117
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Release, Repeat, Reverse, Delete
Chorus 1
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02_05_14
124
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4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_15
3
02_05
15
Vocal 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_23_vocal2.wav
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Release, Repeat, Reverse, Delete
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02_05_15
124
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4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0004_track_16
3
02_05
16
BG Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_24_bg_vocals.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0004_track_16.wav
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Release, Repeat, Reverse, Delete
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02_05_16
124
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4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0005_track_01
4
02_05
1
Synth Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0005_track_01.wav
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This place is filled with spray-on spies,
Chorus 1
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
2
Drum Kit
null
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0005_track_02.wav
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This place is filled with spray-on spies,
Chorus 1
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4
4
G
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0005_track_03
4
02_05
3
Tabla
null
RainbowPlayer.GABE
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0005_track_03.wav
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This place is filled with spray-on spies,
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124
4
4
G
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Past
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Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0005_track_04
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02_05
4
Organ
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_09_organ.wav
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This place is filled with spray-on spies,
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02_05_4
124
4
4
G
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Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0005_track_05
4
02_05
5
Guitar
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RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav
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This place is filled with spray-on spies,
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02_05_5
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0005_track_06
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02_05
6
Guitar 2
null
RainbowPlayer.GABE
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This place is filled with spray-on spies,
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02_05_6
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Guitar 3
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RainbowPlayer.GABE
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This place is filled with spray-on spies,
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02_05_7
124
4
4
G
minor
Red
Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
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RainbowPlayer.GABE
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This place is filled with spray-on spies,
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124
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G
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
13
Vocals
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RainbowPlayer.GABE
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This place is filled with spray-on spies,
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
15
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RainbowPlayer.GABE
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This place is filled with spray-on spies,
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124
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G
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
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BG Vocals
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RainbowPlayer.GABE
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This place is filled with spray-on spies,
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124
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G
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Past
Thing
Known
null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0006_track_02
5
02_05
2
Drum Kit
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RainbowPlayer.GABE
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0006_track_02.wav
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Tabla
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RainbowPlayer.GABE
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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Organ
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RainbowPlayer.GABE
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
5
Guitar
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0006_track_06
5
02_05
6
Guitar 2
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RainbowPlayer.GABE
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
8
Guitar 4
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Flutes
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Vocals
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0006_track_16
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02_05
16
BG Vocals
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RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_24_bg_vocals.wav
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that pretty face ain't hard to recognize
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Synth Bass
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I think you think that now you've got our number.
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Drum Kit
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I think you think that now you've got our number.
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
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02_05
4
Organ
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I think you think that now you've got our number.
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Guitar
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I think you think that now you've got our number.
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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I think you think that now you've got our number.
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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02_05
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Stored Guitar 2
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I think you think that now you've got our number.
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0007_track_13
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02_05
13
Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_20_vocals.wav
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I think you think that now you've got our number.
Verse 2
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0007_track_14
6
02_05
14
Vocoder
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_22_vocoder.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0007_track_14.wav
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_21_vocoder.mid
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I think you think that now you've got our number.
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null
Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_01
7
02_05
1
Synth Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_03_synth_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0008_track_01.wav
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_02
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02_05
2
Drum Kit
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RainbowPlayer.GABE
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_05/02_05_seg_0008_track_02.wav
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
true
Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_04
7
02_05
4
Organ
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RainbowPlayer.GABE
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
true
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_05
7
02_05
5
Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/02_05/02_05_10_guitar.wav
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_06
7
02_05
6
Guitar 2
null
RainbowPlayer.GABE
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
{ "album_sequence": 2, "avg_word_length": 4.314285714285714, "boundary_fluidity_score": 0, "concept_length": 185, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 2.857142857142857, "rebracketing_type": "spatial", "sentence_count": 3, "temporal_complexity_score": 0, "track_duration": 161.192, "track_id": "02_05", "track_position": 5, "uncertainty_level": 0, "word_count": 35 }
Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
null
02_05_seg_0008_track_07
7
02_05
7
Guitar 3
null
RainbowPlayer.GABE
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But while you filed it all away we've traced you to your bunker
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Dismantling Ubiquitous Monitoring Systems
2019-01-11T00:00:00
[02:41.192]
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Your drone took out half the block and our drummer! Revenge, excess? Oh, what rock have you been living under? Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face ain't hard to recognize I think you think that now you've got our number. But while you filed it all away we've traced you to your bunker Release, Repeat, Reverse, Delete Release, Repeat, Reverse, Delete This place is filled with spray-on spies, that pretty face to hard to disguise
The Jesus And Mary Chain, discogs_id: 243280, Happy Mondays, discogs_id: 12097, Medicine (2), discogs_id: 71224
action-oriented, intense, high volume, chaotic, retro, futuristic, hi tech
Noise Pop, Rock, Post-Rock, Alternative Rock, Shoegaze
02_05.lrc
A bit of a continuation of "Sitting at the Rainbow Table" and a touch of Ubik by Philip K. Dick. This song imagines a world where nano-mesh can be sprayed into the air for surveillance.
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Intro : Big rock guitars kick in but they have all been passed through a strobing filter., [00:00.000]-[00:11.152] | Verse 1 : The vocals with an accompanying vocoder describe some sort of hacking partisan conflict., [00:11.153]-[00:27.023] | Chorus 1 : The chorus gets even larger with backing vocals and an accenting tabla., [00:27.024]-[00:50.080] | Interlude : The guitars play off each other and the song gets a bit more melodic., [00:50.081]-[01:05.201] | Verse 2 : The second verse continues the story of the first verse with more intensity., [01:05.202]-[01:21.072] | Chorus 2 : The second chorus ends with a hanging note over the next section., [01:21.073]-[01:44.127] | Outro : There's an interplay of synths and guitars until the song ends., [01:44.128]-[02:41.192]
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