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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_04_seg_0007_track_11 | 6 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_12 | 6 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_13 | 6 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_15 | 6 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_15.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_16 | 6 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_16.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_01 | 7 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 57.14 | 63.14 | 6 | true | true | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_03 | 7 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 57.14 | 63.14 | 6 | true | true | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_midi | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_09 | 7 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_09.wav | null | 57.14 | 63.14 | 6 | true | false | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_10 | 7 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_10.wav | null | 57.14 | 63.14 | 6 | true | false | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_12 | 7 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 57.14 | 63.14 | 6 | true | true | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_midi | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_15 | 7 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_15.wav | null | 57.14 | 63.14 | 6 | true | false | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0008_track_17 | 7 | 02_04 | 17 | Vocal 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_25_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0008_track_17.wav | null | 57.14 | 63.14 | 6 | true | false | See her looking like nobody knows | Chorus 1 | combined | 57.14 | 63.14 | false | false | null | 19 | 33 | 6 | 0 | 0 | audio_only | 02_04_17 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0009_track_03 | 8 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 63.14 | 69 | 5.86 | true | true | that the movie was better than the book, | Chorus 1 | combined | 63.14 | 69 | false | false | null | 21 | 40 | 8 | 0 | 0 | audio_midi | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0009_track_09 | 8 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0009_track_09.wav | null | 63.14 | 69 | 5.86 | true | false | that the movie was better than the book, | Chorus 1 | combined | 63.14 | 69 | false | false | null | 21 | 40 | 8 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0009_track_10 | 8 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0009_track_10.wav | null | 63.14 | 69 | 5.86 | true | false | that the movie was better than the book, | Chorus 1 | combined | 63.14 | 69 | false | false | null | 21 | 40 | 8 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0009_track_13 | 8 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0009_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 63.14 | 69 | 5.86 | true | true | that the movie was better than the book, | Chorus 1 | combined | 63.14 | 69 | false | false | null | 21 | 40 | 8 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0009_track_15 | 8 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0009_track_15.wav | null | 63.14 | 69 | 5.86 | true | false | that the movie was better than the book, | Chorus 1 | combined | 63.14 | 69 | false | false | null | 21 | 40 | 8 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0010_track_01 | 9 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 69 | 84.001 | 15.001 | true | true | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_02 | 9 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 69 | 84.001 | 15.001 | true | true | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_04 | 9 | 02_04 | 4 | All horns | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_08_all_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_04.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_4 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_05 | 9 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_05.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_06 | 9 | 02_04 | 6 | Baritone Sax 2 | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_06.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_6 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_07 | 9 | 02_04 | 7 | Tenor Sax | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_07.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_7 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_08 | 9 | 02_04 | 8 | Tenor Sax 2 | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_12_tenor_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_08.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_8 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_09 | 9 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_09.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_10 | 9 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_10.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_11 | 9 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 69 | 84.001 | 15.001 | true | true | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_12 | 9 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 69 | 84.001 | 15.001 | true | true | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_midi | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_15 | 9 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_15.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0010_track_16 | 9 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0010_track_16.wav | null | 69 | 84.001 | 15.001 | true | false | It's worse than it looks | Bridge 1 | combined | 69 | 84.14 | true | End aligned to Chorus 2 boundary at 84.001s | false | null | 23 | 24 | 5 | 0 | -0.139 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_03 | 10 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 84.001 | 90.14 | 6.139 | true | true | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_midi | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_04 | 10 | 02_04 | 4 | All horns | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_08_all_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_04.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_4 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_05 | 10 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_05.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_06 | 10 | 02_04 | 6 | Baritone Sax 2 | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_06.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_6 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_07 | 10 | 02_04 | 7 | Tenor Sax | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_07.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_7 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_08 | 10 | 02_04 | 8 | Tenor Sax 2 | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_12_tenor_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_08.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_8 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_09 | 10 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_09.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_10 | 10 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_10.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_11 | 10 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 84.001 | 90.14 | 6.139 | true | true | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_12 | 10 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 84.001 | 90.14 | 6.139 | true | true | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_midi | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_15 | 10 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_15.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_16 | 10 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_16.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0011_track_17 | 10 | 02_04 | 17 | Vocal 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_25_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0011_track_17.wav | null | 84.001 | 90.14 | 6.139 | true | false | See her looking with her eyes closed. | Chorus 2 | combined | 84.14 | 90.14 | true | Start aligned to Chorus 2 boundary at 84.001s | false | null | 25 | 37 | 7 | -0.139 | 0 | audio_only | 02_04_17 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_04 | 11 | 02_04 | 4 | All horns | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_08_all_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_04.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_4 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_05 | 11 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_05.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_06 | 11 | 02_04 | 6 | Baritone Sax 2 | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_06.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_6 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_07 | 11 | 02_04 | 7 | Tenor Sax | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_07.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_7 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_08 | 11 | 02_04 | 8 | Tenor Sax 2 | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_12_tenor_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_08.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_8 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_09 | 11 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_09.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_10 | 11 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_10.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_11 | 11 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 90.14 | 96.14 | 6 | true | true | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_15 | 11 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_15.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0012_track_16 | 11 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0012_track_16.wav | null | 90.14 | 96.14 | 6 | true | false | See her looking like nobody knows | Chorus 2 | combined | 90.14 | 96.14 | false | false | null | 27 | 33 | 6 | 0 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_05 | 12 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_05.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_06 | 12 | 02_04 | 6 | Baritone Sax 2 | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_06.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_6 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_07 | 12 | 02_04 | 7 | Tenor Sax | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_07.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_7 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_09 | 12 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_09.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_11 | 12 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 96.14 | 101.202 | 5.062 | true | true | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_15 | 12 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_15.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0013_track_16 | 12 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0013_track_16.wav | null | 96.14 | 101.202 | 5.062 | true | false | that the movie was better than the book, | Chorus 2 | combined | 96.14 | 101.202 | false | false | null | 29 | 40 | 8 | 0 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_04 | 13 | 02_04 | 4 | All horns | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_08_all_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_04.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_4 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_05 | 13 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_05.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_06 | 13 | 02_04 | 6 | Baritone Sax 2 | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_10_baritone_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_06.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_6 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_07 | 13 | 02_04 | 7 | Tenor Sax | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_11_tenor_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_07.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_7 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_08 | 13 | 02_04 | 8 | Tenor Sax 2 | null | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_12_tenor_sax2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_08.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_8 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_09 | 13 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_09.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_10 | 13 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_10.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_15 | 13 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_15.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0014_track_16 | 13 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0014_track_16.wav | null | 101.202 | 108.14 | 6.938 | true | false | Maybe it's something we all mistook. | Chorus 2 | combined | 101.202 | 108.14 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0015_track_04 | 14 | 02_04 | 4 | All horns | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_08_all_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_04.wav | null | 108.14 | 114.186 | 6.046 | true | false | She's okay with the way sounds | Chorus 2 | combined | 108.14 | 114.186 | false | false | null | 33 | 30 | 6 | 0 | 0 | audio_only | 02_04_4 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0015_track_05 | 14 | 02_04 | 5 | Baritone Sax | horns | RainbowPlayer.JOSH | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_09_baritone_sax.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0015_track_05.wav | null | 108.14 | 114.186 | 6.046 | true | false | She's okay with the way sounds | Chorus 2 | combined | 108.14 | 114.186 | false | false | null | 33 | 30 | 6 | 0 | 0 | audio_only | 02_04_5 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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