segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_07_seg_0002_track_21 | 1 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_21.wav | null | 48.077 | 59.046 | 10.969 | true | false | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_22 | 1 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_22.wav | null | 48.077 | 59.046 | 10.969 | true | false | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_02 | 2 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_03 | 2 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_04 | 2 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_06 | 2 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_07 | 2 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_08 | 2 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_09 | 2 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_10 | 2 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_11 | 2 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 59.046 | 77.273 | 18.227 | true | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_midi | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_12 | 2 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 59.046 | 77.273 | 18.227 | false | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | midi_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_13 | 2 | 03_07 | 13 | Rack Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_26_rack_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_24_rack_toms.mid | 59.046 | 77.273 | 18.227 | false | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | midi_only | 03_07_13 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_14 | 2 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 59.046 | 77.273 | 18.227 | false | true | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_20 | 2 | 03_07 | 20 | Corrupter Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_34_corrupter_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_20.wav | null | 59.046 | 77.273 | 18.227 | true | false | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_only | 03_07_20 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_21 | 2 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_21.wav | null | 59.046 | 77.273 | 18.227 | true | false | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0003_track_22 | 2 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0003_track_22.wav | null | 59.046 | 77.273 | 18.227 | true | false | Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? | Chorus | combined | 59.046 | 78.09 | true | Start aligned to Bridge 1 boundary at 59.046s | End aligned to Bridge 2 boundary at 77.273s | false | null | 13 | 110 | 21 | 0 | -0.817 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_02 | 3 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 77.273 | 86.185 | 8.912 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_03 | 3 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 77.273 | 86.185 | 8.912 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_midi | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_06 | 3 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 77.273 | 86.185 | 8.912 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_07 | 3 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 77.273 | 86.185 | 8.912 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | midi_only | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_10 | 3 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 77.273 | 86.185 | 8.912 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_11 | 3 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 77.273 | 86.185 | 8.912 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_12 | 3 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 77.273 | 86.185 | 8.912 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_midi | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_14 | 3 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 77.273 | 86.185 | 8.912 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_17 | 3 | 03_07 | 17 | Tambourine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_28_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_29_tambourine.mid | 77.273 | 86.185 | 8.912 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | midi_only | 03_07_17 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_20 | 3 | 03_07 | 20 | Corrupter Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_34_corrupter_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_20.wav | null | 77.273 | 86.185 | 8.912 | true | false | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_only | 03_07_20 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_21 | 3 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_21.wav | null | 77.273 | 86.185 | 8.912 | true | false | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0004_track_22 | 3 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0004_track_22.wav | null | 77.273 | 86.185 | 8.912 | true | false | We’re getting closer five more meters to breach the veil. | Bridge 2 | combined | 78.09 | 86.185 | true | Start aligned to Bridge 2 boundary at 77.273s | false | null | 15 | 57 | 10 | -0.817 | 0 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_02 | 4 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 86.185 | 90.108 | 3.923 | true | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_03 | 4 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 86.185 | 90.108 | 3.923 | true | false | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_only | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_06 | 4 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 86.185 | 90.108 | 3.923 | true | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_07 | 4 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 86.185 | 90.108 | 3.923 | false | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | midi_only | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_08 | 4 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 86.185 | 90.108 | 3.923 | true | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_09 | 4 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 86.185 | 90.108 | 3.923 | true | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_10 | 4 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 86.185 | 90.108 | 3.923 | true | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_11 | 4 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 86.185 | 90.108 | 3.923 | false | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_12 | 4 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 86.185 | 90.108 | 3.923 | true | false | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_17 | 4 | 03_07 | 17 | Tambourine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_28_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_29_tambourine.mid | 86.185 | 90.108 | 3.923 | false | true | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | midi_only | 03_07_17 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_20 | 4 | 03_07 | 20 | Corrupter Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_34_corrupter_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_20.wav | null | 86.185 | 90.108 | 3.923 | true | false | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_only | 03_07_20 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0005_track_21 | 4 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0005_track_21.wav | null | 86.185 | 90.108 | 3.923 | true | false | To breach the veil. | Bridge 2 | combined | 86.185 | 91.013 | true | End aligned to Verse 2 boundary at 90.108s | false | null | 17 | 19 | 4 | 0 | -0.905 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_02 | 5 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 90.108 | 103.062 | 12.954 | true | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_04 | 5 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 90.108 | 103.062 | 12.954 | false | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | midi_only | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_06 | 5 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 90.108 | 103.062 | 12.954 | true | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_08 | 5 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 90.108 | 103.062 | 12.954 | true | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_09 | 5 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 90.108 | 103.062 | 12.954 | true | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_10 | 5 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 90.108 | 103.062 | 12.954 | false | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | midi_only | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_13 | 5 | 03_07 | 13 | Rack Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_26_rack_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_24_rack_toms.mid | 90.108 | 103.062 | 12.954 | false | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | midi_only | 03_07_13 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_14 | 5 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 90.108 | 103.062 | 12.954 | false | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_17 | 5 | 03_07 | 17 | Tambourine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_28_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_29_tambourine.mid | 90.108 | 103.062 | 12.954 | false | true | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | midi_only | 03_07_17 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_21 | 5 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_21.wav | null | 90.108 | 103.062 | 12.954 | true | false | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0006_track_22 | 5 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0006_track_22.wav | null | 90.108 | 103.062 | 12.954 | true | false | I can see from your eyes this won’t go very well. It’s always been your tell. | Verse 2 | combined | 91.013 | 103.062 | true | Start aligned to Verse 2 boundary at 90.108s | false | null | 19 | 77 | 16 | -0.905 | 0 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_02 | 6 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_04 | 6 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_05 | 6 | 03_07 | 5 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_08_farfisa.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_5 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_06 | 6 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_07 | 6 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_08 | 6 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_09 | 6 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 103.062 | 115.083 | 12.021 | true | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_10 | 6 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_11 | 6 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_12 | 6 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_13 | 6 | 03_07 | 13 | Rack Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_26_rack_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_24_rack_toms.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_13 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_14 | 6 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_17 | 6 | 03_07 | 17 | Tambourine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_28_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_29_tambourine.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_17 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_18 | 6 | 03_07 | 18 | Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_31_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_30_shaker.mid | 103.062 | 115.083 | 12.021 | false | true | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | midi_only | 03_07_18 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_21 | 6 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_21.wav | null | 103.062 | 115.083 | 12.021 | true | false | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0007_track_22 | 6 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0007_track_22.wav | null | 103.062 | 115.083 | 12.021 | true | false | You are so lovely even as you turn to leave. If only you could believe. | Verse 2 | combined | 103.062 | 116.015 | true | End aligned to Interlude 2 boundary at 115.083s | false | null | 21 | 71 | 15 | 0 | -0.932 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_02 | 7 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_05 | 7 | 03_07 | 5 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_08_farfisa.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_5 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_06 | 7 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_07 | 7 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_08 | 7 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_09 | 7 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_10 | 7 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 115.083 | 119.05 | 3.967 | true | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_11 | 7 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 115.083 | 119.05 | 3.967 | false | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_14 | 7 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 115.083 | 119.05 | 3.967 | false | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_18 | 7 | 03_07 | 18 | Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_31_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_30_shaker.mid | 115.083 | 119.05 | 3.967 | false | true | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | midi_only | 03_07_18 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0008_track_24 | 7 | 03_07 | 24 | Coms Chatter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_38_coms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0008_track_24.wav | null | 115.083 | 119.05 | 3.967 | true | false | *"Call back your men the levels are too high."* | Interlude 2 | combined | 116.015 | 119.05 | true | Start aligned to Interlude 2 boundary at 115.083s | false | null | 23 | 47 | 9 | -0.932 | 0 | audio_only | 03_07_24 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0009_track_02 | 8 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 119.05 | 121.112 | 2.062 | true | true | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0009_track_06 | 8 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 119.05 | 121.112 | 2.062 | true | true | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0009_track_07 | 8 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 119.05 | 121.112 | 2.062 | true | true | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0009_track_08 | 8 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 119.05 | 121.112 | 2.062 | true | true | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0009_track_24 | 8 | 03_07 | 24 | Coms Chatter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_38_coms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_24.wav | null | 119.05 | 121.112 | 2.062 | true | false | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_only | 03_07_24 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0009_track_25 | 8 | 03_07 | 25 | Glitch FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_39_glitch.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0009_track_25.wav | null | 119.05 | 121.112 | 2.062 | true | false | *"Fall back! Fall back!"* | Interlude 2 | combined | 119.05 | 121.112 | false | false | null | 25 | 25 | 4 | 0 | 0 | audio_only | 03_07_25 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0010_track_05 | 9 | 03_07 | 5 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_08_farfisa.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_5 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null | |
03_07_seg_0010_track_06 | 9 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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