segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_07_seg_0010_track_07 | 9 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_08 | 9 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_09 | 9 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_10 | 9 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 121.112 | 125.05 | 3.938 | true | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_11 | 9 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 121.112 | 125.05 | 3.938 | false | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_12 | 9 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 121.112 | 125.05 | 3.938 | false | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | midi_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_13 | 9 | 03_07 | 13 | Rack Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_26_rack_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_24_rack_toms.mid | 121.112 | 125.05 | 3.938 | false | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | midi_only | 03_07_13 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_14 | 9 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 121.112 | 125.05 | 3.938 | false | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_18 | 9 | 03_07 | 18 | Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_31_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_30_shaker.mid | 121.112 | 125.05 | 3.938 | false | true | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | midi_only | 03_07_18 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_24 | 9 | 03_07 | 24 | Coms Chatter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_38_coms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_24.wav | null | 121.112 | 125.05 | 3.938 | true | false | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_only | 03_07_24 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0010_track_25 | 9 | 03_07 | 25 | Glitch FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_39_glitch.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0010_track_25.wav | null | 121.112 | 125.05 | 3.938 | true | false | *"There’s something coming through"* | Interlude 2 | combined | 121.112 | 125.05 | false | false | null | 27 | 36 | 4 | 0 | 0 | audio_only | 03_07_25 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0011_track_02 | 10 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_03 | 10 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 125.05 | 127.238 | 2.188 | false | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | midi_only | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_04 | 10 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 125.05 | 127.238 | 2.188 | false | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | midi_only | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_05 | 10 | 03_07 | 5 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_08_farfisa.mid | 125.05 | 127.238 | 2.188 | true | false | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_only | 03_07_5 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_06 | 10 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_07 | 10 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_08 | 10 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_09 | 10 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_10 | 10 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_11 | 10 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 125.05 | 127.238 | 2.188 | true | true | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_midi | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_24 | 10 | 03_07 | 24 | Coms Chatter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_38_coms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_24.wav | null | 125.05 | 127.238 | 2.188 | true | false | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_only | 03_07_24 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0011_track_25 | 10 | 03_07 | 25 | Glitch FX | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_39_glitch.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0011_track_25.wav | null | 125.05 | 127.238 | 2.188 | true | false | *"There’s something wrong with the sky."* | Interlude 2 | combined | 125.05 | 128.172 | true | End aligned to Chorus 2 boundary at 127.238s | false | null | 29 | 41 | 6 | 0 | -0.934 | audio_only | 03_07_25 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_02 | 11 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_03 | 11 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 127.238 | 137.274 | 10.036 | false | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | midi_only | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_04 | 11 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_06 | 11 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_07 | 11 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 127.238 | 137.274 | 10.036 | false | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | midi_only | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_08 | 11 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_09 | 11 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_10 | 11 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_11 | 11 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 127.238 | 137.274 | 10.036 | true | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_midi | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_12 | 11 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 127.238 | 137.274 | 10.036 | false | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | midi_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_14 | 11 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 127.238 | 137.274 | 10.036 | false | true | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | midi_only | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_19 | 11 | 03_07 | 19 | Fuzz Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_32_fuzz_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_19.wav | null | 127.238 | 137.274 | 10.036 | true | false | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_only | 03_07_19 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_20 | 11 | 03_07 | 20 | Corrupter Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_34_corrupter_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_20.wav | null | 127.238 | 137.274 | 10.036 | true | false | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_only | 03_07_20 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_21 | 11 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_21.wav | null | 127.238 | 137.274 | 10.036 | true | false | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0012_track_22 | 11 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0012_track_22.wav | null | 127.238 | 137.274 | 10.036 | true | false | Does she know her path in this world break up nations? | Chorus 2 | combined | 128.172 | 137.274 | true | Start aligned to Chorus 2 boundary at 127.238s | false | null | 31 | 54 | 11 | -0.934 | 0 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null |
03_07_seg_0013_track_02 | 12 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_03 | 12 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_04 | 12 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_06 | 12 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_07 | 12 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 137.274 | 140.274 | 3 | false | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | midi_only | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_08 | 12 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_09 | 12 | 03_07 | 9 | Kick Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_17_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_16_kick.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_9 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_10 | 12 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_11 | 12 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 137.274 | 140.274 | 3 | true | true | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_midi | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_19 | 12 | 03_07 | 19 | Fuzz Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_32_fuzz_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_19.wav | null | 137.274 | 140.274 | 3 | true | false | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_only | 03_07_19 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_20 | 12 | 03_07 | 20 | Corrupter Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_34_corrupter_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_20.wav | null | 137.274 | 140.274 | 3 | true | false | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_only | 03_07_20 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_21 | 12 | 03_07 | 21 | Main Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_35_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_21.wav | null | 137.274 | 140.274 | 3 | true | false | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_only | 03_07_21 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_07_seg_0013_track_22 | 12 | 03_07 | 22 | Second Vocal | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_36_second_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0013_track_22.wav | null | 137.274 | 140.274 | 3 | true | false | Does she know her thoughts in this world bring damnation? | Chorus 2 | combined | 137.274 | 140.274 | false | false | null | 33 | 57 | 10 | 0 | 0 | audio_only | 03_07_22 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know... | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotte... | {
"album_sequence": 3,
"avg_word_length": 4.54054054054054,
"boundary_fluidity_score": 0,
"concept_length": 409,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2702702702702703,
"ontological_uncertaint... | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:... | null | |
03_08_seg_0001_track_02 | 0 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_02.wav | null | 21.163 | 28.187 | 7.024 | true | false | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_03 | 0 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 21.163 | 28.187 | 7.024 | true | true | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_07 | 0 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 21.163 | 28.187 | 7.024 | true | true | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_midi | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_10 | 0 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 21.163 | 28.187 | 7.024 | true | true | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_16 | 0 | 03_08 | 16 | Clean Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_22_clean_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_16.wav | null | 21.163 | 28.187 | 7.024 | true | false | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_only | 03_08_16 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_17 | 0 | 03_08 | 17 | Amazing Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_23_amazing_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_17.wav | null | 21.163 | 28.187 | 7.024 | true | false | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_only | 03_08_17 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0001_track_19 | 0 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0001_track_19.wav | null | 21.163 | 28.187 | 7.024 | true | false | Keep your mind as busy as your mouth. | Verse Type A 1 | combined | 21.163 | 28.187 | true | Start aligned to Verse Type A 1 boundary at 21.163s | false | null | 5 | 37 | 8 | 0 | 0 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0002_track_02 | 1 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_02.wav | null | 28.187 | 35.243 | 7.056 | true | false | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_03 | 1 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 28.187 | 35.243 | 7.056 | true | true | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_07 | 1 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 28.187 | 35.243 | 7.056 | false | true | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | midi_only | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_10 | 1 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 28.187 | 35.243 | 7.056 | true | true | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_16 | 1 | 03_08 | 16 | Clean Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_22_clean_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_16.wav | null | 28.187 | 35.243 | 7.056 | true | false | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 03_08_16 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_17 | 1 | 03_08 | 17 | Amazing Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_23_amazing_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_17.wav | null | 28.187 | 35.243 | 7.056 | true | false | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 03_08_17 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0002_track_19 | 1 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0002_track_19.wav | null | 28.187 | 35.243 | 7.056 | true | false | Don’t be shy, it’s what it’s all about. | Verse Type A 1 | combined | 28.187 | 35.243 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null | |
03_08_seg_0003_track_02 | 2 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_02.wav | null | 35.243 | 43.075 | 7.832 | true | false | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_03 | 2 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 35.243 | 43.075 | 7.832 | true | true | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_07 | 2 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 35.243 | 43.075 | 7.832 | true | true | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_10 | 2 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 35.243 | 43.075 | 7.832 | true | true | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_16 | 2 | 03_08 | 16 | Clean Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_22_clean_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_16.wav | null | 35.243 | 43.075 | 7.832 | true | false | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 03_08_16 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_17 | 2 | 03_08 | 17 | Amazing Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_23_amazing_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_17.wav | null | 35.243 | 43.075 | 7.832 | true | false | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 03_08_17 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0003_track_19 | 2 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0003_track_19.wav | null | 35.243 | 43.075 | 7.832 | true | false | She looks great even this close up | Verse Type A 1 | combined | 35.243 | 43.075 | true | End aligned to Verse Type A 1 boundary at 43.075s | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_02 | 3 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_02.wav | null | 43.075 | 50.131 | 7.056 | true | false | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_03 | 3 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 43.075 | 50.131 | 7.056 | true | true | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_07 | 3 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 43.075 | 50.131 | 7.056 | false | true | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | midi_only | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_10 | 3 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 43.075 | 50.131 | 7.056 | true | true | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_17 | 3 | 03_08 | 17 | Amazing Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_23_amazing_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_17.wav | null | 43.075 | 50.131 | 7.056 | true | false | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_only | 03_08_17 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_19 | 3 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_19.wav | null | 43.075 | 50.131 | 7.056 | true | false | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0004_track_23 | 3 | 03_08 | 23 | Vocal 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_29_vocal_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0004_track_23.wav | null | 43.075 | 50.131 | 7.056 | true | false | Here she comes, walking down the aisle | Verse Type B 1 | combined | 43.075 | 50.131 | true | Start aligned to Verse Type A 1 boundary at 43.075s | false | null | 11 | 38 | 7 | 0 | 0 | audio_only | 03_08_23 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_02 | 4 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_02.wav | null | 50.131 | 57.184 | 7.053 | true | false | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_03 | 4 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 50.131 | 57.184 | 7.053 | true | true | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_07 | 4 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 50.131 | 57.184 | 7.053 | false | true | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | midi_only | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_10 | 4 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 50.131 | 57.184 | 7.053 | true | true | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_17 | 4 | 03_08 | 17 | Amazing Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_23_amazing_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_17.wav | null | 50.131 | 57.184 | 7.053 | true | false | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_only | 03_08_17 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_19 | 4 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_19.wav | null | 50.131 | 57.184 | 7.053 | true | false | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0005_track_23 | 4 | 03_08 | 23 | Vocal 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_29_vocal_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0005_track_23.wav | null | 50.131 | 57.184 | 7.053 | true | false | All-wheel drive and a bright white smile | Verse Type B 1 | combined | 50.131 | 57.072 | true | End aligned to Verse Type B 1 boundary at 57.184s | false | null | 13 | 40 | 7 | 0 | 0.112 | audio_only | 03_08_23 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_02 | 5 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_02.wav | null | 57.184 | 69.933 | 12.749 | true | false | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_03 | 5 | 03_08 | 3 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_04_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_03_dm.mid | 57.184 | 69.933 | 12.749 | true | true | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_midi | 03_08_3 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_07 | 5 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 57.184 | 69.933 | 12.749 | false | true | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | midi_only | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_08 | 5 | 03_08 | 8 | Melody Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_13_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_12_melody.mid | 57.184 | 69.933 | 12.749 | true | true | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_midi | 03_08_8 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_09 | 5 | 03_08 | 9 | Sweet Bell | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_15_sweet_bell.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_14_sweet_bell.mid | 57.184 | 69.933 | 12.749 | false | true | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | midi_only | 03_08_9 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_10 | 5 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 57.184 | 69.933 | 12.749 | true | true | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_19 | 5 | 03_08 | 19 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_25_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_19.wav | null | 57.184 | 69.933 | 12.749 | true | false | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_only | 03_08_19 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_21 | 5 | 03_08 | 21 | Vocal 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_26_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_21.wav | null | 57.184 | 69.933 | 12.749 | true | false | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_only | 03_08_21 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0006_track_22 | 5 | 03_08 | 22 | Vocal 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_28_vocal_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0006_track_22.wav | null | 57.184 | 69.933 | 12.749 | true | false | She’s here to spray away the stains you fight each day | Bridge 1 | combined | 57.072 | 68.085 | true | Start aligned to Verse Type B 1 boundary at 57.184s | End aligned to Bridge 1 boundary at 69.933s | false | null | 15 | 54 | 11 | 0.112 | 1.848 | audio_only | 03_08_22 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0007_track_02 | 6 | 03_08 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_02_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0007_track_02.wav | null | 69.933 | 76.115 | 6.182 | true | false | Champions of love, proceed, proceed, | Chorus 1 | combined | 68.085 | 76.115 | true | Start aligned to Bridge 1 boundary at 69.933s | false | null | 17 | 36 | 5 | 1.848 | 0 | audio_only | 03_08_2 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0007_track_07 | 6 | 03_08 | 7 | Ambient Light | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_11_ambient_light.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_10_ambient_light.mid | 69.933 | 76.115 | 6.182 | true | true | Champions of love, proceed, proceed, | Chorus 1 | combined | 68.085 | 76.115 | true | Start aligned to Bridge 1 boundary at 69.933s | false | null | 17 | 36 | 5 | 1.848 | 0 | audio_midi | 03_08_7 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0007_track_08 | 6 | 03_08 | 8 | Melody Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_13_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_12_melody.mid | 69.933 | 76.115 | 6.182 | true | true | Champions of love, proceed, proceed, | Chorus 1 | combined | 68.085 | 76.115 | true | Start aligned to Bridge 1 boundary at 69.933s | false | null | 17 | 36 | 5 | 1.848 | 0 | audio_midi | 03_08_8 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0007_track_09 | 6 | 03_08 | 9 | Sweet Bell | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_15_sweet_bell.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_14_sweet_bell.mid | 69.933 | 76.115 | 6.182 | true | true | Champions of love, proceed, proceed, | Chorus 1 | combined | 68.085 | 76.115 | true | Start aligned to Bridge 1 boundary at 69.933s | false | null | 17 | 36 | 5 | 1.848 | 0 | audio_midi | 03_08_9 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
03_08_seg_0007_track_10 | 6 | 03_08 | 10 | Chords Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_17_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_08/03_08_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_08/03_08_16_chords.mid | 69.933 | 76.115 | 6.182 | true | true | Champions of love, proceed, proceed, | Chorus 1 | combined | 68.085 | 76.115 | true | Start aligned to Bridge 1 boundary at 69.933s | false | null | 17 | 36 | 5 | 1.848 | 0 | audio_midi | 03_08_10 | 133 | 4 | 4 | C | minor | Orange | Past | Thing | Imagined | null | Here Comes the Mechanical Bride | 2020-06-23T00:00:00 | [04:36.022] | true | true | Keep your mind as busy as your mouth. Don’t be shy, it’s what it’s all about. She looks great even this close up Here she comes, walking down the aisle All-wheel drive and a bright white smile She’s here to spray away the stains you fight each day Champions of love, proceed, proceed, Valued customers draw near and feed... | Carpenters, discogs_id: 170357, Pale Saints, discogs_id: 88711, My Bloody Valentine, discogs_id: 6516, Cocteau Twins, discogs_id: 12373 | joyous, precious, celebratory, sick, intense, frightening, chaotic, depraved, surreal, nightmarish | Wedding March, Shoegaze, Dream Pop, Noise Pop, Experimental, Art Rock, Commercial Jingle, Sound Collage | 03_08.lrc | Hazy memories of 1970s television ads always gave me the creeps. This play on both Mendelssohn's Wedding March and the saccharine pop of The Carpenters is meant to evoke that same feeling of unease and dread. The commercial jingles are reordered to tell the story of child sacrifice and cannibalism. The "mechanical brid... | {
"album_sequence": 3,
"avg_word_length": 5.038095238095238,
"boundary_fluidity_score": 0,
"concept_length": 633,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.09523809523809525,
"ontological_uncertai... | Intro : The song kicks right in with drums, bass, and synths. A melody stretches across the repeating chord progression., [00:00.000]-[00:21.162] | Verse Type A 1 : The vocals begin here repeating the previous chords., [00:21.163]-[00:43.075] | Verse Type B 1 : As this section begins, we get more of a sense of a celebr... | null |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.