segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_02_seg_0004_track_09 | 3 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0004_track_09.wav | null | 45.005 | 55.001 | 9.996 | true | false | The well's run out and all the water's muddied | Chorus 1 | combined | 45.022 | 55.001 | true | Start aligned to Chorus 1 boundary at 45.005s | false | null | 11 | 46 | 9 | -0.017 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0004_track_11 | 3 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0004_track_11.wav | null | 45.005 | 55.001 | 9.996 | true | false | The well's run out and all the water's muddied | Chorus 1 | combined | 45.022 | 55.001 | true | Start aligned to Chorus 1 boundary at 45.005s | false | null | 11 | 46 | 9 | -0.017 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0004_track_12 | 3 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0004_track_12.wav | null | 45.005 | 55.001 | 9.996 | true | false | The well's run out and all the water's muddied | Chorus 1 | combined | 45.022 | 55.001 | true | Start aligned to Chorus 1 boundary at 45.005s | false | null | 11 | 46 | 9 | -0.017 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0004_track_13 | 3 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0004_track_13.wav | null | 45.005 | 55.001 | 9.996 | true | false | The well's run out and all the water's muddied | Chorus 1 | combined | 45.022 | 55.001 | true | Start aligned to Chorus 1 boundary at 45.005s | false | null | 11 | 46 | 9 | -0.017 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0005_track_02 | 4 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 55.001 | 60.017 | 5.016 | false | true | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | midi_only | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_03 | 4 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 55.001 | 60.017 | 5.016 | true | true | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_04 | 4 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_04.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_05 | 4 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_05.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_06 | 4 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_06.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_08 | 4 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_08.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_09 | 4 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_09.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_11 | 4 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_11.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0005_track_12 | 4 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0005_track_12.wav | null | 55.001 | 60.017 | 5.016 | true | false | Beyond a doubt, beyond the pale | Chorus 1 | combined | 55.001 | 60.017 | false | false | null | 13 | 31 | 6 | 0 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_02 | 5 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 60.017 | 79.014 | 18.997 | true | true | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_04 | 5 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_04.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_05 | 5 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_05.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_06 | 5 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_06.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_08 | 5 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_08.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_09 | 5 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_09.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_11 | 5 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_11.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0006_track_12 | 5 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0006_track_12.wav | null | 60.017 | 79.014 | 18.997 | true | false | You're the only one who counts when I repeat myself | Bridge 2 | combined | 60.017 | 79.014 | false | false | null | 15 | 51 | 10 | 0 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0007_track_02 | 6 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 79.014 | 90.009 | 10.995 | true | true | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_03 | 6 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 79.014 | 90.009 | 10.995 | true | true | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_04 | 6 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_04.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_05 | 6 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_05.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_06 | 6 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_06.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_08 | 6 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_08.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_09 | 6 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_09.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_11 | 6 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_11.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_12 | 6 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_12.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0007_track_13 | 6 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0007_track_13.wav | null | 79.014 | 90.009 | 10.995 | true | false | I get the feeling that you know what I'm saying, heard it all before | Bridge 2 | combined | 79.014 | 90.022 | true | End aligned to Verse 2 boundary at 90.009s | false | null | 17 | 68 | 14 | 0 | -0.013 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_02 | 7 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 90.009 | 102.008 | 11.999 | false | true | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | midi_only | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_04 | 7 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_04.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_05 | 7 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_05.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_09 | 7 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_09.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_11 | 7 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_11.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_12 | 7 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_12.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0008_track_13 | 7 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0008_track_13.wav | null | 90.009 | 102.008 | 11.999 | true | false | As you know if it was up to me, I'd be right there, open to critique | Verse 2 | combined | 90.022 | 102.008 | true | Start aligned to Verse 2 boundary at 90.009s | false | null | 19 | 68 | 16 | -0.013 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_02 | 8 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 102.008 | 112.024 | 10.016 | false | true | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | midi_only | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_03 | 8 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 102.008 | 112.024 | 10.016 | true | true | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_04 | 8 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_04.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_05 | 8 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_05.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_06 | 8 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_06.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_08 | 8 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_08.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_09 | 8 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_09.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_11 | 8 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_11.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_12 | 8 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_12.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0009_track_13 | 8 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0009_track_13.wav | null | 102.008 | 112.024 | 10.016 | true | false | It's just a few, loyal listeners left, they're tuning into past frequencies | Verse 2 | combined | 102.008 | 113.016 | true | End aligned to Chorus 2 boundary at 112.024s | false | null | 21 | 75 | 12 | 0 | -0.992 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_02 | 9 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 112.024 | 123.004 | 10.98 | true | true | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_03 | 9 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 112.024 | 123.004 | 10.98 | true | true | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_04 | 9 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_04.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_05 | 9 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_05.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_08 | 9 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_08.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_09 | 9 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_09.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_11 | 9 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_11.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_12 | 9 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_12.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0010_track_13 | 9 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0010_track_13.wav | null | 112.024 | 123.004 | 10.98 | true | false | They're taking it in house your pitch was the same last year | Chorus 2 | combined | 113.016 | 123.004 | true | Start aligned to Chorus 2 boundary at 112.024s | false | null | 23 | 60 | 12 | -0.992 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0011_track_02 | 10 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 123.004 | 128.007 | 5.003 | false | true | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | midi_only | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_03 | 10 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 123.004 | 128.007 | 5.003 | true | true | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_04 | 10 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_04.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_06 | 10 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_06.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_08 | 10 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_08.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_09 | 10 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_09.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_11 | 10 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_11.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0011_track_12 | 10 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0011_track_12.wav | null | 123.004 | 128.007 | 5.003 | true | false | Beyond a doubt, beyond the sale | Chorus 2 | combined | 123.004 | 128.007 | false | false | null | 25 | 31 | 6 | 0 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0012_track_02 | 11 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 128.007 | 158.003 | 29.996 | true | true | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_04 | 11 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_04.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_05 | 11 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_05.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_06 | 11 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_06.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_08 | 11 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_08.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_09 | 11 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_09.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_10 | 11 | 08_02 | 10 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_13_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_10.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_10 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_11 | 11 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_11.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_12 | 11 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_12.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0012_track_13 | 11 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0012_track_13.wav | null | 128.007 | 158.003 | 29.996 | true | false | You're the only one who can count when I repeat myself | Bridge 3 | combined | 128.007 | 158.016 | true | End aligned to Chorus 3 boundary at 158.003s | false | null | 27 | 54 | 11 | 0 | -0.013 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_02 | 12 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 158.003 | 168.008 | 10.005 | true | true | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_03 | 12 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 158.003 | 168.008 | 10.005 | true | true | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_04 | 12 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_04.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_05 | 12 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_05.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_06 | 12 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_06.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_08 | 12 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_08.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_09 | 12 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_09.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_11 | 12 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_11.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0013_track_12 | 12 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_12.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
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