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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_02_seg_0013_track_13 | 12 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0013_track_13.wav | null | 158.003 | 168.008 | 10.005 | true | false | Running low on clout, my lenders are collecting | Chorus 3 | combined | 158.016 | 168.008 | true | Start aligned to Chorus 3 boundary at 158.003s | false | null | 29 | 47 | 8 | -0.013 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null |
08_02_seg_0014_track_02 | 13 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 168.008 | 173.016 | 5.008 | false | true | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | midi_only | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_03 | 13 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 168.008 | 173.016 | 5.008 | true | true | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_04 | 13 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_04.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_05 | 13 | 08_02 | 5 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_05.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_5 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_06 | 13 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_06.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_07 | 13 | 08_02 | 7 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_10_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_09_kick.mid | 168.008 | 173.016 | 5.008 | true | true | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_midi | 08_02_7 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_08 | 13 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_08.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_09 | 13 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_09.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_11 | 13 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_11.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_12 | 13 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_12.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0014_track_13 | 13 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0014_track_13.wav | null | 168.008 | 173.016 | 5.008 | true | false | Beyond a doubt, beyond the tail | Chorus 3 | combined | 168.008 | 173.016 | false | false | null | 31 | 31 | 6 | 0 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_02 | 14 | 08_02 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_02_piano.mid | 173.016 | 176.016 | 3 | true | true | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_midi | 08_02_2 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_03 | 14 | 08_02 | 3 | Main Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_05_main_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_04_main_synth.mid | 173.016 | 176.016 | 3 | true | true | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_midi | 08_02_3 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_04 | 14 | 08_02 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_06_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_04.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_4 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_06 | 14 | 08_02 | 6 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_08_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_06.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_6 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_08 | 14 | 08_02 | 8 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_08.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_8 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_09 | 14 | 08_02 | 9 | Hihat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_12_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_09.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_9 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_11 | 14 | 08_02 | 11 | Lead Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_14_lead_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_11.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_11 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_12 | 14 | 08_02 | 12 | Double Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_15_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_12.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_12 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_02_seg_0015_track_13 | 14 | 08_02 | 13 | Harmony Vocals | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_02/08_02_16_harmony_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_02/08_02_seg_0015_track_13.wav | null | 173.016 | 176.016 | 3 | true | false | You're the only one who can count, when I repeat myself | Chorus 3 | combined | 173.016 | 176.016 | false | false | null | 33 | 55 | 11 | 0 | 0 | audio_only | 08_02_13 | 85 | 4 | 4 | G | minor | Violet | Present | Person | Known | null | Read Rile…y | 2025-09-08T00:00:00 | [03:06.008] | true | true | I get the feeling that you've heard what I'm singing, heard it all before So you know if it was up to me, you'd be right here to keep me honest It's nothing new, it might be plagiary not theoretical novelty The well's run out and all the water's muddied Beyond a doubt, beyond the pale You're the only one who counts when I repeat myself I get the feeling that you know what I'm saying, heard it all before As you know if it was up to me, I'd be right there, open to critique It's just a few, loyal listeners left, they're tuning into past frequencies They're taking it in house your pitch was the same last year Beyond a doubt, beyond the sale You're the only one who can count when I repeat myself Running low on clout, my lenders are collecting Beyond a doubt, beyond the tail You're the only one who can count, when I repeat myself | James Blake, discogs_id: 1500084, Harry Styles, discogs_id: 2508414, Lauv, discogs_id: 5047975 | sad, ironic, sadistic | Pop, Rock | 08_02.lrc | A very inside allusion to Fat Albert and The Clash - this song is a focus on one's limitations. The narrator realizes he's done this song before and it sends him into a depressive spiral. | {
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} | Bridge as Intro : The keyboards, bass, and piano play the bridge before the drums and guitar kick in, [00:00.000]-[00:22.014] | Verse 1 : The vocals are an affected male baritone, but not Gabe - it's a commercial version of him and bordering on parody., [00:22.015]-[00:45.004] | Chorus 1 : The chorus is an easy transition from the verse to the bridge with a sad and ironic lyric which focuses on the failings of Gabe's creative output., [00:45.005]-[01:07.019] | Bridge 2 : The bridge returns with a slightly different arrangement., [01:07.020]-[01:30.008] | Verse 2 : The second verse continues the ironic take on Gabe's creative struggles., [01:30.009]-[01:52.023] | Chorus 2 : Back to the chorus., [01:52.024]-[02:14.011] | Bridge 3 : A repeat of the bridge with a slightly different arrangement., [02:14.012]-[02:38.002] | Chorus 3 : The final chorus is a bit more resigned and more emotional., [02:38.003]-[03:06.008] | null | |
08_03_seg_0001_track_02 | 0 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_02.wav | null | 8 | 28 | 20 | true | false | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_03 | 0 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 8 | 28 | 20 | true | true | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_04 | 0 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 8 | 28 | 20 | true | true | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_07 | 0 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 8 | 28 | 20 | false | true | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | midi_only | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_08 | 0 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 8 | 28 | 20 | false | true | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_09 | 0 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_09.wav | null | 8 | 28 | 20 | true | false | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_10 | 0 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_10.wav | null | 8 | 28 | 20 | true | false | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_12 | 0 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 8 | 28 | 20 | true | true | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_16 | 0 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_16.wav | null | 8 | 28 | 20 | true | false | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0001_track_17 | 0 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0001_track_17.wav | null | 8 | 28 | 20 | true | false | So I'm all in shades of doubt, endless drought still can't flee being me | Verse | combined | 8 | 27.021 | true | Start aligned to Intro boundary at 8.000s | End aligned to Verse boundary at 28.000s | false | null | 5 | 72 | 14 | 0 | 0.979 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_02 | 1 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_02.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_08 | 1 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 28 | 31.018 | 3.018 | false | true | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_09 | 1 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_09.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_10 | 1 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_10.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_11 | 1 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_11.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_12 | 1 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 28 | 31.018 | 3.018 | true | true | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_16 | 1 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_16.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0002_track_17 | 1 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0002_track_17.wav | null | 28 | 31.018 | 3.018 | true | false | Barreling down Eden's gate | Chorus | combined | 27.021 | 31.018 | true | Start aligned to Verse boundary at 28.000s | false | null | 7 | 26 | 4 | 0.979 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0003_track_02 | 2 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_02.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_03 | 2 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 31.018 | 35.021 | 4.003 | true | true | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_04 | 2 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 31.018 | 35.021 | 4.003 | true | true | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_07 | 2 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 31.018 | 35.021 | 4.003 | true | true | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_08 | 2 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 31.018 | 35.021 | 4.003 | false | true | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_09 | 2 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_09.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_10 | 2 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_10.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_11 | 2 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_11.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_12 | 2 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 31.018 | 35.021 | 4.003 | true | true | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_16 | 2 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_16.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0003_track_17 | 2 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0003_track_17.wav | null | 31.018 | 35.021 | 4.003 | true | false | See the world, see me get straight | Chorus | combined | 31.018 | 35.021 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0004_track_02 | 3 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_02.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_03 | 3 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 35.021 | 44 | 8.979 | true | true | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_04 | 3 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 35.021 | 44 | 8.979 | true | true | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_06 | 3 | 08_03 | 6 | Toms | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_16_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_06.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_6 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_07 | 3 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 35.021 | 44 | 8.979 | true | true | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0004_track_08 | 3 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 35.021 | 44 | 8.979 | false | true | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_09 | 3 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_09.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_10 | 3 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_10.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_11 | 3 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_11.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_12 | 3 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 35.021 | 44 | 8.979 | true | true | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_16 | 3 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_16.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0004_track_17 | 3 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0004_track_17.wav | null | 35.021 | 44 | 8.979 | true | false | Screamed and bled by that fence, so much for love's mute defiance | Chorus | combined | 35.021 | 43.021 | true | End aligned to Chorus boundary at 44.000s | false | null | 11 | 65 | 12 | 0 | 0.979 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_02 | 4 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_02.wav | null | 44 | 64 | 20 | true | false | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_04 | 4 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 44 | 64 | 20 | true | true | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_07 | 4 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 44 | 64 | 20 | true | true | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_09 | 4 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_09.wav | null | 44 | 64 | 20 | true | false | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_10 | 4 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_10.wav | null | 44 | 64 | 20 | true | false | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_12 | 4 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 44 | 64 | 20 | true | true | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0005_track_16 | 4 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0005_track_16.wav | null | 44 | 64 | 20 | true | false | Now I see, lives are knit then they split into two, it's still just you. | Verse | combined | 43.021 | 63.021 | true | Start aligned to Chorus boundary at 44.000s | End aligned to Verse boundary at 64.000s | false | null | 13 | 72 | 15 | 0.979 | 0.979 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_02 | 5 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_02.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0006_track_04 | 5 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 64 | 72 | 8 | true | true | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_07 | 5 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 64 | 72 | 8 | false | true | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | midi_only | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_09 | 5 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_09.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_10 | 5 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_10.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0006_track_11 | 5 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_11.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_12 | 5 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 64 | 72 | 8 | true | true | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0006_track_16 | 5 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_16.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0006_track_17 | 5 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0006_track_17.wav | null | 64 | 72 | 8 | true | false | You know it is all just you. | Bridge | combined | 63.021 | 72 | true | Start aligned to Verse boundary at 64.000s | false | null | 15 | 28 | 7 | 0.979 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0007_track_02 | 6 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_02.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_03 | 6 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 72 | 95.024 | 23.024 | true | true | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_04 | 6 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 72 | 95.024 | 23.024 | true | true | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_07 | 6 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 72 | 95.024 | 23.024 | true | true | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_09 | 6 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_09.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_10 | 6 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_10.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_11 | 6 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_11.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0007_track_12 | 6 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 72 | 95.024 | 23.024 | true | true | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_16 | 6 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_16.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0007_track_17 | 6 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0007_track_17.wav | null | 72 | 95.024 | 23.024 | true | false | Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed | Bridge | combined | 72 | 95.024 | false | false | null | 17 | 93 | 20 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0008_track_02 | 7 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_02.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_03 | 7 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 95.024 | 112 | 16.976 | true | true | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_04 | 7 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 95.024 | 112 | 16.976 | true | true | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_06 | 7 | 08_03 | 6 | Toms | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_16_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_06.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_6 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_07 | 7 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 95.024 | 112 | 16.976 | true | true | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
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