segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_03_seg_0008_track_09 | 7 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_09.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_10 | 7 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_10.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_11 | 7 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_11.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_12 | 7 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 95.024 | 112 | 16.976 | true | true | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_16 | 7 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_16.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0008_track_17 | 7 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0008_track_17.wav | null | 95.024 | 112 | 16.976 | true | false | By the pen that wrote us in, far too late not worth the wait | Verse | combined | 95.024 | 112 | true | End aligned to Verse boundary at 112.000s | false | null | 19 | 60 | 14 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_02 | 8 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_02.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_03 | 8 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 112 | 115.021 | 3.021 | true | true | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0009_track_04 | 8 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 112 | 115.021 | 3.021 | true | true | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_07 | 8 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 112 | 115.021 | 3.021 | true | true | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_08 | 8 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 112 | 115.021 | 3.021 | false | true | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_09 | 8 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_09.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_10 | 8 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_10.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_11 | 8 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_11.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_12 | 8 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 112 | 115.021 | 3.021 | true | true | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_16 | 8 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_16.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0009_track_17 | 8 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0009_track_17.wav | null | 112 | 115.021 | 3.021 | true | false | Dribbling down off heaven's plate | Chorus | combined | 112 | 115.021 | true | Start aligned to Verse boundary at 112.000s | false | null | 21 | 33 | 5 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null |
08_03_seg_0010_track_02 | 9 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_02.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_03 | 9 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 115.021 | 119.023 | 4.002 | true | true | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_04 | 9 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 115.021 | 119.023 | 4.002 | true | true | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_07 | 9 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 115.021 | 119.023 | 4.002 | true | true | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_08 | 9 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 115.021 | 119.023 | 4.002 | false | true | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_09 | 9 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_09.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_10 | 9 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_10.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_11 | 9 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_11.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_12 | 9 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 115.021 | 119.023 | 4.002 | true | true | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_16 | 9 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_16.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0010_track_17 | 9 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0010_track_17.wav | null | 115.021 | 119.023 | 4.002 | true | false | See the void, see my estate | Chorus | combined | 115.021 | 119.023 | false | false | null | 23 | 27 | 6 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_02 | 10 | 08_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_02.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_2 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_03 | 10 | 08_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_03_kick_in.mid | 119.023 | 122.023 | 3 | true | true | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_midi | 08_03_3 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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08_03_seg_0011_track_04 | 10 | 08_03 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_14_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_05_snare_top.mid | 119.023 | 122.023 | 3 | true | true | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_midi | 08_03_4 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_07 | 10 | 08_03 | 7 | Percussion | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_19_percussion.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_07_percussion.mid | 119.023 | 122.023 | 3 | true | true | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_midi | 08_03_7 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_08 | 10 | 08_03 | 8 | Claps and Shaker | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_18_claps_shaker.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_06_claps_shaker.mid | 119.023 | 122.023 | 3 | false | true | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | midi_only | 08_03_8 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_09 | 10 | 08_03 | 9 | Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_26_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_09.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_9 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_10 | 10 | 08_03 | 10 | Lead Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_22_lead_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_10.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_10 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_11 | 10 | 08_03 | 11 | Double Vocals | Vocals | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_23_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_11.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_11 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_12 | 10 | 08_03 | 12 | Synth Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_20_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_08_chords.mid | 119.023 | 122.023 | 3 | true | true | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_midi | 08_03_12 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_16 | 10 | 08_03 | 16 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_16.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_16 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_03_seg_0011_track_17 | 10 | 08_03 | 17 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_03/08_03_21_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_03/08_03_seg_0011_track_17.wav | null | 119.023 | 122.023 | 3 | true | false | Made unfed made to a sense, so much for love's mute defiance | Chorus | combined | 119.023 | 122.023 | false | false | null | 25 | 60 | 12 | 0 | 0 | audio_only | 08_03_17 | 120 | 4 | 4 | C | major | Violet | Present | Person | Known | null | IIVIIIIΞ | 2025-09-08T00:00:00 | [02:34.000] | true | true | So I'm all in shades of doubt, endless drought still can't flee being me Barreling down Eden's gate See the world, see me get straight Screamed and bled by that fence, so much for love's mute defiance Now I see, lives are knit then they split into two, it's still just you. You know it is all just you. Oh, there's no fun in seeing how stuck you are in being struck by the need to be stuck indeed By the pen that wrote us in, far too late not worth the wait Dribbling down off heaven's plate See the void, see my estate Made unfed made to a sense, so much for love's mute defiance | Lana Del Rey, discogs_id: 2445772, St. Vincent, discogs_id: 849853, His Name is Alive, discogs_id: 61796 | dreamy, sullen, ethereal, melancholic | Pop, Indie Rock | 08_03.lrc | A central song on the album, the idea of being self-centered is turned on its head and becomes a internal prison. | {
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} | Intro : Organ and drum machine kick off, [00:00.000]-[00:08.000] | Verse : The verse features a pop-corn sounding synth and soft vocals, [00:08.001]-[00:28.000] | Chorus : The chorus gallops up a walking melody, [00:28.001]-[00:44.000] | Verse : Back to the verse, [00:44.001]-[01:04.000] | Bridge : A melancholic bridge with a focus on the vocals and synths, [01:04.001]-[01:28.000] | Verse : A muted guitar kicks us back into the verse, [01:28.001]-[01:52.000] | Chorus : The final chorus with lots of energy, [01:52.001]-[02:08.000] | Jams : A keyboard uses a guitar line as a side-chained carrier and both solo giving a neo 70s vibe., [02:08.001]-[02:34.000] | null | |
08_04_seg_0001_track_02 | 0 | 08_04 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_02_bass.mid | 27.01 | 36.014 | 9.004 | true | true | Born in stress, sworn to guess at love | Verse | combined | 27.01 | 36.014 | true | Start aligned to Intro boundary at 27.010s | End aligned to Verse boundary at 36.014s | false | null | 5 | 38 | 8 | 0 | 0 | audio_midi | 08_04_2 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0001_track_03 | 0 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 27.01 | 36.014 | 9.004 | true | true | Born in stress, sworn to guess at love | Verse | combined | 27.01 | 36.014 | true | Start aligned to Intro boundary at 27.010s | End aligned to Verse boundary at 36.014s | false | null | 5 | 38 | 8 | 0 | 0 | audio_midi | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0001_track_04 | 0 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 27.01 | 36.014 | 9.004 | true | true | Born in stress, sworn to guess at love | Verse | combined | 27.01 | 36.014 | true | Start aligned to Intro boundary at 27.010s | End aligned to Verse boundary at 36.014s | false | null | 5 | 38 | 8 | 0 | 0 | audio_midi | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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08_04_seg_0001_track_13 | 0 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0001_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 27.01 | 36.014 | 9.004 | false | true | Born in stress, sworn to guess at love | Verse | combined | 27.01 | 36.014 | true | Start aligned to Intro boundary at 27.010s | End aligned to Verse boundary at 36.014s | false | null | 5 | 38 | 8 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0002_track_03 | 1 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 36.014 | 41.003 | 4.989 | true | true | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | audio_midi | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0002_track_04 | 1 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 36.014 | 41.003 | 4.989 | false | true | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | midi_only | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0002_track_05 | 1 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 36.014 | 41.003 | 4.989 | false | true | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | midi_only | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0002_track_08 | 1 | 08_04 | 8 | Modular Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_08_mod_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_08.wav | null | 36.014 | 41.003 | 4.989 | true | false | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | audio_only | 08_04_8 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0002_track_11 | 1 | 08_04 | 11 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_16_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 36.014 | 41.003 | 4.989 | true | true | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | audio_midi | 08_04_11 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0002_track_14 | 1 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0002_track_14.wav | null | 36.014 | 41.003 | 4.989 | true | false | More sick with each tick | Verse Alt | combined | 36.014 | 41.003 | true | Start aligned to Verse boundary at 36.014s | false | null | 7 | 24 | 5 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_03 | 2 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 41.003 | 43.01 | 2.007 | true | true | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_midi | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_04 | 2 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 41.003 | 43.01 | 2.007 | false | true | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | midi_only | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_05 | 2 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 41.003 | 43.01 | 2.007 | false | true | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | midi_only | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
08_04_seg_0003_track_07 | 2 | 08_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_07.wav | null | 41.003 | 43.01 | 2.007 | true | false | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_only | 08_04_7 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_08 | 2 | 08_04 | 8 | Modular Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_08_mod_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_08.wav | null | 41.003 | 43.01 | 2.007 | true | false | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_only | 08_04_8 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_09 | 2 | 08_04 | 9 | Electric piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_09_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_09.wav | null | 41.003 | 43.01 | 2.007 | true | false | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_only | 08_04_9 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
08_04_seg_0003_track_11 | 2 | 08_04 | 11 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_16_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 41.003 | 43.01 | 2.007 | true | true | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_midi | 08_04_11 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
08_04_seg_0003_track_14 | 2 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_14.wav | null | 41.003 | 43.01 | 2.007 | true | false | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0003_track_15 | 2 | 08_04 | 15 | Vocal harmonies | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_21_vox_harmony.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0003_track_15.wav | null | 41.003 | 43.01 | 2.007 | true | false | Time fleeting | Verse Alt | combined | 41.003 | 43.01 | false | false | null | 9 | 13 | 2 | 0 | 0 | audio_only | 08_04_15 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0004_track_03 | 3 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 43.01 | 45.017 | 2.007 | true | true | Mind reeling | Verse Alt | combined | 43.01 | 45.017 | true | End aligned to Verse Alt boundary at 45.017s | false | null | 11 | 12 | 2 | 0 | 0 | audio_midi | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0004_track_04 | 3 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 43.01 | 45.017 | 2.007 | false | true | Mind reeling | Verse Alt | combined | 43.01 | 45.017 | true | End aligned to Verse Alt boundary at 45.017s | false | null | 11 | 12 | 2 | 0 | 0 | midi_only | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0004_track_05 | 3 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0004_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 43.01 | 45.017 | 2.007 | false | true | Mind reeling | Verse Alt | combined | 43.01 | 45.017 | true | End aligned to Verse Alt boundary at 45.017s | false | null | 11 | 12 | 2 | 0 | 0 | midi_only | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0004_track_08 | 3 | 08_04 | 8 | Modular Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_08_mod_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0004_track_08.wav | null | 43.01 | 45.017 | 2.007 | true | false | Mind reeling | Verse Alt | combined | 43.01 | 45.017 | true | End aligned to Verse Alt boundary at 45.017s | false | null | 11 | 12 | 2 | 0 | 0 | audio_only | 08_04_8 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0004_track_11 | 3 | 08_04 | 11 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_16_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0004_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 43.01 | 45.017 | 2.007 | true | true | Mind reeling | Verse Alt | combined | 43.01 | 45.017 | true | End aligned to Verse Alt boundary at 45.017s | false | null | 11 | 12 | 2 | 0 | 0 | audio_midi | 08_04_11 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_03 | 4 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 45.017 | 52.014 | 6.997 | true | false | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_only | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_04 | 4 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 45.017 | 52.014 | 6.997 | true | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_midi | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_05 | 4 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 45.017 | 52.014 | 6.997 | true | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_midi | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_06 | 4 | 08_04 | 6 | Faux Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_14_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 45.017 | 52.014 | 6.997 | true | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_midi | 08_04_6 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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