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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_04_seg_0005_track_07 | 4 | 08_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_07.wav | null | 45.017 | 52.014 | 6.997 | true | false | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_only | 08_04_7 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_08 | 4 | 08_04 | 8 | Modular Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_08_mod_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_08.wav | null | 45.017 | 52.014 | 6.997 | true | false | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_only | 08_04_8 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_10 | 4 | 08_04 | 10 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_15_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 45.017 | 52.014 | 6.997 | true | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_midi | 08_04_10 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0005_track_11 | 4 | 08_04 | 11 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_16_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 45.017 | 52.014 | 6.997 | true | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_midi | 08_04_11 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0005_track_12 | 4 | 08_04 | 12 | Hi Hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_17_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 45.017 | 52.014 | 6.997 | false | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | midi_only | 08_04_12 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0005_track_13 | 4 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 45.017 | 52.014 | 6.997 | false | true | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0005_track_14 | 4 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_14.wav | null | 45.017 | 52.014 | 6.997 | true | false | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0005_track_15 | 4 | 08_04 | 15 | Vocal harmonies | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_21_vox_harmony.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0005_track_15.wav | null | 45.017 | 52.014 | 6.997 | true | false | Wasted dreaming, thinking of what took her | Chorus | combined | 45.017 | 52.014 | true | Start aligned to Verse Alt boundary at 45.017s | false | null | 13 | 42 | 7 | 0 | 0 | audio_only | 08_04_15 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0006_track_02 | 5 | 08_04 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_02_bass.mid | 52.014 | 54.021 | 2.007 | true | true | Blood sugar | Chorus | combined | 52.014 | 54.021 | true | End aligned to Chorus boundary at 54.021s | false | null | 15 | 11 | 2 | 0 | 0 | audio_midi | 08_04_2 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0006_track_03 | 5 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 52.014 | 54.021 | 2.007 | true | false | Blood sugar | Chorus | combined | 52.014 | 54.021 | true | End aligned to Chorus boundary at 54.021s | false | null | 15 | 11 | 2 | 0 | 0 | audio_only | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0006_track_16 | 5 | 08_04 | 16 | Vocal adlib | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_22_vox_adlib.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0006_track_16.wav | null | 52.014 | 54.021 | 2.007 | true | false | Blood sugar | Chorus | combined | 52.014 | 54.021 | true | End aligned to Chorus boundary at 54.021s | false | null | 15 | 11 | 2 | 0 | 0 | audio_only | 08_04_16 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0007_track_02 | 6 | 08_04 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_02_bass.mid | 54.021 | 59.01 | 4.989 | true | true | Sides switched then ditched | Verse Alt | combined | 54.021 | 59.01 | true | Start aligned to Chorus boundary at 54.021s | false | null | 17 | 27 | 4 | 0 | 0 | audio_midi | 08_04_2 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0007_track_03 | 6 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 54.021 | 59.01 | 4.989 | true | false | Sides switched then ditched | Verse Alt | combined | 54.021 | 59.01 | true | Start aligned to Chorus boundary at 54.021s | false | null | 17 | 27 | 4 | 0 | 0 | audio_only | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0007_track_05 | 6 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 54.021 | 59.01 | 4.989 | false | true | Sides switched then ditched | Verse Alt | combined | 54.021 | 59.01 | true | Start aligned to Chorus boundary at 54.021s | false | null | 17 | 27 | 4 | 0 | 0 | midi_only | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0007_track_08 | 6 | 08_04 | 8 | Modular Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_08_mod_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0007_track_08.wav | null | 54.021 | 59.01 | 4.989 | true | false | Sides switched then ditched | Verse Alt | combined | 54.021 | 59.01 | true | Start aligned to Chorus boundary at 54.021s | false | null | 17 | 27 | 4 | 0 | 0 | audio_only | 08_04_8 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0008_track_02 | 7 | 08_04 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_02_bass.mid | 59.01 | 61.017 | 2.007 | true | true | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | audio_midi | 08_04_2 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0008_track_03 | 7 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 59.01 | 61.017 | 2.007 | true | false | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | audio_only | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0008_track_04 | 7 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 59.01 | 61.017 | 2.007 | false | true | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | midi_only | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
08_04_seg_0008_track_07 | 7 | 08_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_07.wav | null | 59.01 | 61.017 | 2.007 | true | false | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | audio_only | 08_04_7 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid | |
08_04_seg_0008_track_14 | 7 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_14.wav | null | 59.01 | 61.017 | 2.007 | true | false | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null | |
08_04_seg_0008_track_15 | 7 | 08_04 | 15 | Vocal harmonies | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_21_vox_harmony.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0008_track_15.wav | null | 59.01 | 61.017 | 2.007 | true | false | Heat seeking | Verse Alt | combined | 59.01 | 61.017 | false | false | null | 19 | 12 | 2 | 0 | 0 | audio_only | 08_04_15 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0009_track_03 | 8 | 08_04 | 3 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_12_chords_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_03_chords.mid | 61.017 | 64 | 2.983 | true | false | Steep scheming | Verse Alt | combined | 61.017 | 64 | true | End aligned to Verse Alt boundary at 64.000s | false | null | 21 | 14 | 2 | 0 | 0 | audio_only | 08_04_3 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0009_track_04 | 8 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 61.017 | 64 | 2.983 | false | true | Steep scheming | Verse Alt | combined | 61.017 | 64 | true | End aligned to Verse Alt boundary at 64.000s | false | null | 21 | 14 | 2 | 0 | 0 | midi_only | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0009_track_11 | 8 | 08_04 | 11 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_16_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0009_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 61.017 | 64 | 2.983 | true | true | Steep scheming | Verse Alt | combined | 61.017 | 64 | true | End aligned to Verse Alt boundary at 64.000s | false | null | 21 | 14 | 2 | 0 | 0 | audio_midi | 08_04_11 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0009_track_13 | 8 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0009_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 61.017 | 64 | 2.983 | false | true | Steep scheming | Verse Alt | combined | 61.017 | 64 | true | End aligned to Verse Alt boundary at 64.000s | false | null | 21 | 14 | 2 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0010_track_04 | 9 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 64 | 70.021 | 6.021 | true | true | Wishing itching, longing for what took her | Chorus | combined | 64 | 70.021 | true | Start aligned to Verse Alt boundary at 64.000s | false | null | 23 | 42 | 7 | 0 | 0 | audio_midi | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0010_track_05 | 9 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 64 | 70.021 | 6.021 | true | true | Wishing itching, longing for what took her | Chorus | combined | 64 | 70.021 | true | Start aligned to Verse Alt boundary at 64.000s | false | null | 23 | 42 | 7 | 0 | 0 | audio_midi | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0010_track_12 | 9 | 08_04 | 12 | Hi Hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_17_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 64 | 70.021 | 6.021 | false | true | Wishing itching, longing for what took her | Chorus | combined | 64 | 70.021 | true | Start aligned to Verse Alt boundary at 64.000s | false | null | 23 | 42 | 7 | 0 | 0 | midi_only | 08_04_12 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0010_track_13 | 9 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0010_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 64 | 70.021 | 6.021 | false | true | Wishing itching, longing for what took her | Chorus | combined | 64 | 70.021 | true | Start aligned to Verse Alt boundary at 64.000s | false | null | 23 | 42 | 7 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0010_track_14 | 9 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0010_track_14.wav | null | 64 | 70.021 | 6.021 | true | false | Wishing itching, longing for what took her | Chorus | combined | 64 | 70.021 | true | Start aligned to Verse Alt boundary at 64.000s | false | null | 23 | 42 | 7 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0011_track_05 | 10 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 70.021 | 91.01 | 20.989 | false | true | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | midi_only | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0011_track_06 | 10 | 08_04 | 6 | Faux Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_14_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 70.021 | 91.01 | 20.989 | true | true | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | audio_midi | 08_04_6 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0011_track_07 | 10 | 08_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_07.wav | null | 70.021 | 91.01 | 20.989 | true | false | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | audio_only | 08_04_7 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0011_track_12 | 10 | 08_04 | 12 | Hi Hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_17_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 70.021 | 91.01 | 20.989 | false | true | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | midi_only | 08_04_12 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0011_track_13 | 10 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 70.021 | 91.01 | 20.989 | false | true | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0011_track_14 | 10 | 08_04 | 14 | Vocal Lead | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_20_vox_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_14.wav | null | 70.021 | 91.01 | 20.989 | true | false | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | audio_only | 08_04_14 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0011_track_15 | 10 | 08_04 | 15 | Vocal harmonies | null | RainbowPlayer.BUSAYO | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_21_vox_harmony.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0011_track_15.wav | null | 70.021 | 91.01 | 20.989 | true | false | Blood Sugar | Bridge | combined | 70.021 | 91.01 | true | End aligned to Bridge boundary at 91.010s | false | null | 25 | 11 | 2 | 0 | 0 | audio_only | 08_04_15 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0012_track_02 | 11 | 08_04 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_02_bass.mid | 91.01 | 98.003 | 6.993 | true | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | audio_midi | 08_04_2 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0012_track_04 | 11 | 08_04 | 4 | Synth chords 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_13_chords_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_06_chords_2.mid | 91.01 | 98.003 | 6.993 | true | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | audio_midi | 08_04_4 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0012_track_05 | 11 | 08_04 | 5 | Rift Riff | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_10_riff_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_04_rift.mid | 91.01 | 98.003 | 6.993 | true | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | audio_midi | 08_04_5 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
08_04_seg_0012_track_06 | 11 | 08_04 | 6 | Faux Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_14_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 91.01 | 98.003 | 6.993 | true | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | audio_midi | 08_04_6 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | null |
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0012_track_12 | 11 | 08_04 | 12 | Hi Hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_17_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 91.01 | 98.003 | 6.993 | false | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | midi_only | 08_04_12 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
08_04_seg_0012_track_13 | 11 | 08_04 | 13 | Toms | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_18_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_04/08_04_seg_0012_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_04/08_04_05_drummer.mid | 91.01 | 98.003 | 6.993 | false | true | Bursting cursing, thanking that which took her | Chorus | combined | 91.01 | 98.003 | true | Start aligned to Bridge boundary at 91.010s | false | null | 27 | 46 | 7 | 0 | 0 | midi_only | 08_04_13 | 105 | 4 | 4 | D | major | Violet | Present | Person | Known | null | Blood Sugar | 2025-09-08T00:00:00 | [03:05.003] | true | true | Born in stress, sworn to guess at love More sick with each tick Time fleeting Mind reeling Wasted dreaming, thinking of what took her Blood sugar Sides switched then ditched Heat seeking Steep scheming Wishing itching, longing for what took her Blood Sugar Bursting cursing, thanking that which took her Blood Sugar Lest wrested, best to guess at love Past calls then stalls False feeling Fate sealing Facing chasing, craving that what took her Blood Sugar | Toro Y Moi, discogs_id: 1362799, Tame Impala, discogs_id: 1245513, The Weeknd, discogs_id: 2171152 | sad, melancholy, dreamy, regretful | synthpop, dream pop, soul | 08_04.lrc | A synth-heavy, dreamy track that explores themes of longing and introspection through lush soundscapes and soulful vocals. There's a touch of danger in the sweetness of lustful abandon. | {
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} | Intro : Warped, soul tinged synths start the song, [00:00.000]-[00:27.010] | Verse : We hear pop, R&B voice of Busayo Oninla, [00:27.011]-[00:36.014] | Verse Alt : A slight shift in chord progression, [00:36.015]-[00:45.017] | Chorus : The song's chorus kicks in with shifting staccato and long vocal lines, [00:45.018]-[00:54.021] | Verse Alt : Back to the alt verse, [00:54.022]-[01:04.000] | Chorus : And to the chorus, [01:04.001]-[01:13.003] | Bridge : Some jams with strange, psychedelic synths, [01:13.004]-[01:31.010] | Chorus : And back to the chorus, [01:31.011]-[01:40.014] | Verse : To the verse, [01:40.015]-[01:49.017] | Verse Alt : Slight shift in chord progression again, [01:49.018]-[01:58.021] | Bridge Alt : The bridge version has a bit more instrumental explorations, [01:58.022]-[02:12.014] | Bridge : Then transitions back to the original bridge, [02:12.015]-[02:30.021] | Chorus : To the chorus, [02:30.022]-[02:40.000] | Verse Alt : And the alt verse, coming first, [02:40.001]-[02:49.003] | Bridge Alt : Ending with the alt bridge, [02:49.004]-[03:05.003] | 08_04_05_drummer.mid |
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