text stringlengths 0 90 |
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o'clock. |
LAURA: Should we wait until dusky-time? |
MARISHA: That’s what I’m thinking. Wait until |
the sun starts to go down? Because it’s got to be |
soon at this point. |
MATT: Actually, it’s probably closer to five at |
the time that you’ve spent with Frumpkin, so it’s |
starting to get closer to dusk. |
LAURA: Okay. Does anybody else want braids in the |
amount of time we have to wait? |
MARISHA: Ooh, yeah! Can you give me one going back |
this way? |
LAURA: Of course, I can totally do that. |
MARISHA: Thanks. |
TRAVIS: Is anyone else going to be heading out the |
front door besides Caleb, Nott, and myself? |
LAURA: I don’t want to waste a spell this time. |
TRAVIS: I think that’s smart. |
TALIESIN: I’ll keep with you. |
LIAM: How far away, roughly, was the edge of the |
lake and islands from where we are right now? |
MATT: From where you are right now? I’d say a mile |
and a half. |
LIAM: Okay, so while everyone is preparing, I take |
out my spool of silver thread and I go first to |
Jester’s room, and I stretch the thread across, |
and a little (magic flitter sound) flashes across |
and the thread disappears. It takes about ten |
minutes each time, and I do the same on Fjord’s |
doorway, stretch across (magic flitter sound). If |
anyone goes in to these doors besides you, I will |
know, but not when we’re on that island. Only on |
the way there. Lasts about a mile. |
LAURA: That’s awesome! |
TRAVIS: That’s great, yeah. |
MARISHA: While we’re getting ready, Molly, I don’t |
know if you unintentionally dodged the question |
last time, or if you didn’t hear me, but you never |
exactly told us how the circus creates and writes |
their performance acts. |
TALIESIN: I’d forgotten about that. |
MARISHA: Oh, so you did hear me though? |
TALIESIN: We were in the middle of things. |
MARISHA: Just clarifying. |
TALIESIN: It’s usually Gustav. If somebody’s got |
an act, they show it off, Gustav figures out how |
it’s going to work into the narrative. Puts it all |
together. |
MARISHA: You bring your own narrative? |
TALIESIN: You bring a bit, and then the bit is |
shaped and formed by the director of the show. If |
you can do a thing with fire or you can do some |
juggling, and then they figure out how that’s |
going to work into everything. Where it sits and |
what costuming, and the whole thing is all an act. |
Mostly. Mostly an act. |
MARISHA: Did Toya and Kylre come together with |
their act? |
LAURA: They came separate. |
MARISHA: They came separate. |
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