rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
stepford_wives | tt0327162 | 7R81iQCjIrA0 | 1
00:00:11,410 --> 00:00:13,290
As Walter confirms, shaking his head,
2
00:00:13,290 --> 00:00:15,810
Mike aims a remote at a huge landscape painting.
3
00:00:15,810 --> 00:00:18,130
The image changes to Mike in a white lab coat.
4
00:00:18,130 --> 00:00:20,410
Words appear as Stepford right for you.
5
00:00:21,210... | 1
00:00:11,930 --> 00:00:13,300
Walter shakes his head.
2
00:00:13,470 --> 00:00:15,260
Mike walks over to a big painting,
3
00:00:15,260 --> 00:00:18,390
which, at the touch of a remote control, becomes a screen.
4
00:00:18,430 --> 00:00:20,100
A film starts with a title.
5
00:00:20,100 --> 00:00:21,600
Is Stepfor... | 1
00:00:00,670 --> 00:00:03,300
- Shall we show her?
- Show me what?
2
00:00:03,500 --> 00:00:08,440
It's a promotional thing I've been
working on for when we go global.
3
00:00:09,310 --> 00:00:11,900
Walter, I don't think you've seen this.
4
00:00:24,820 --> 00:00:27,090
Some guys ask, how do we do it?
5
00:00:27... | 1
00:00:00,670 --> 00:00:01,980
Shall we show her?
2
00:00:02,010 --> 00:00:02,650
Show me what?
3
00:00:02,680 --> 00:00:03,980
It's a promotional thing
4
00:00:04,010 --> 00:00:07,670
I've been working on
for when we go global.
5
00:00:08,760 --> 00:00:12,130
Walter, I don't think
you've seen this.
6
00:00:15,30... | null | 5573.02 | 3893.50 | 133.77 |
stepford_wives | tt0327162 | 5Oh0ostNmtA1 | 1
00:00:01,360 --> 00:00:02,880
Sarah pushes a shopping cart in.
2
00:00:02,880 --> 00:00:03,720
Grins brightly.
3
00:00:03,720 --> 00:00:05,320
She passes Claire in an aisle.
4
00:00:09,160 --> 00:00:10,600
The view follows Claire briefly,
5
00:00:10,600 --> 00:00:13,880
then shifts to another pair of passing ladi... | 1
00:00:00,170 --> 00:00:04,590
Smiling vacantly, Claire walks towards her, also pushing a trolley.
2
00:00:07,970 --> 00:00:09,970
Two more women pass each other.
3
00:00:10,010 --> 00:00:12,020
All are immaculately dressed and made up
4
00:00:12,020 --> 00:00:15,360
with long blonde hair, wearing ultra feminine dr... | 1
00:00:05,380 --> 00:00:08,310
- Sarah.
- Claire.
2
00:00:16,290 --> 00:00:19,190
- Marianne.
- Charmaine.
3
00:00:23,600 --> 00:00:26,120
- Roger.
- Roberta.
4
00:01:04,640 --> 00:01:06,760
Oh, Mikel
5
00:01:10,240 --> 00:01:12,010
Mike, Mike, Mike!
6
00:01:12,210 --> 00:01:15,540
Mike, Mike, Mike!
Mike, Mike, M... | 1
00:00:05,490 --> 00:00:06,630
Sarah.
2
00:00:06,650 --> 00:00:08,570
Claire.
3
00:00:16,320 --> 00:00:18,950
Marianne.
Charmaine.
4
00:00:23,610 --> 00:00:26,530
Roger.
Roberta.
5
00:00:29,610 --> 00:00:33,320
(choir vocalizing
beatifically)
6
00:01:03,820 --> 00:01:05,550
Who's Margo?
That's my wife.
7
00:01:0... | null | 5573.02 | 4253.02 | 131.63 |
strays_2023 | tt15153532 | sE3_m8ycL4dk | 1
00:00:05,230 --> 00:00:06,590
Doug smokes his bong.
2
00:00:09,830 --> 00:00:11,270
Doug scratches below his waist,
3
00:00:11,270 --> 00:00:12,830
then sniffs and licks his finger.
4
00:00:12,870 --> 00:00:14,310
Now Doug lies on the floor.
5
00:00:18,550 --> 00:00:20,070
Reggie stands on Doug.
6
00:00:30,590 -... | 1
00:00:05,190 --> 00:00:06,990
Doug smokes his bong and coughs.
2
00:00:10,790 --> 00:00:12,070
Doug scratches his groyne.
3
00:00:12,070 --> 00:00:13,950
He lies on the floor drinking bourbon.
4
00:00:30,350 --> 00:00:31,950
Doug gets an eviction notice.
5
00:00:56,190 --> 00:00:59,960
Reggie grabs his ball from ... | 1
00:00:00,100 --> 00:00:01,600
The key to any good relationship
2
00:00:01,630 --> 00:00:03,030
is having things in common.
3
00:00:03,070 --> 00:00:04,370
We both like barking.
4
00:00:07,770 --> 00:00:09,740
We both love a good scratch.
5
00:00:13,580 --> 00:00:18,350
And we can stay up all night
just talking fo... | 1
00:00:00,090 --> 00:00:01,600
REGGIE:
The key to any good relationship
2
00:00:01,630 --> 00:00:03,030
is having things in common.
3
00:00:03,060 --> 00:00:04,360
We both like barking.
4
00:00:04,400 --> 00:00:06,970
- (coughing)
- (barking)
5
00:00:07,770 --> 00:00:09,740
We both love a good scratch.
6
00:00:09... | null | 5586.62 | 178.69 | 129.59 |
strays_2023 | tt15153532 | 3VvYyGYZifCd | 1
00:00:07,120 --> 00:00:09,640
He comes across a Rottweiler and a Doberman.
2
00:00:14,100 --> 00:00:15,020
He drops the ball.
3
00:00:21,820 --> 00:00:23,220
The Doberman takes the ball.
4
00:00:34,420 --> 00:00:36,020
The Doberman stands behind him.
5
00:00:43,660 --> 00:00:45,380
A large shadow appears on a wal... | 1
00:00:07,750 --> 00:00:09,510
A Doberman and a Rottweiler.
2
00:00:54,950 --> 00:00:56,110
A Boston terrier.
3
00:02:05,310 --> 00:02:07,910
The mean looking dogs are long gone with Reggie's ball.
4
00:02:07,950 --> 00:02:09,870
He follows the black and white terrier.
| 1
00:00:01,160 --> 00:00:03,660
You ever been
with an Afghan before?
2
00:00:03,690 --> 00:00:07,660
Uh, no, I-I don't
think so, but thank you.
3
00:00:09,660 --> 00:00:12,970
Well, well, well.
What do we have here?
4
00:00:13,000 --> 00:00:14,200
You lost?
5
00:00:14,240 --> 00:00:16,270
Hi there, uh, big dogs.
6... | 1
00:00:01,150 --> 00:00:03,650
You ever been
with an Afghan before?
2
00:00:03,690 --> 00:00:07,660
REGGIE: Uh, no, I-I don't
think so, but thank you.
3
00:00:09,660 --> 00:00:12,960
Well, well, well.
What do we have here?
4
00:00:13,000 --> 00:00:14,200
You lost?
5
00:00:14,230 --> 00:00:16,270
Hi there, uh, big ... | null | 5586.62 | 510.50 | 151.40 |
strays_2023 | tt15153532 | FOJ7Tt7RnTLQ | 1
00:00:36,720 --> 00:00:36,920
Oh,
2
00:00:36,960 --> 00:00:38,200
Hunter wears a cone.
| 1
00:00:01,730 --> 00:00:04,370
Oh, if it isn't the tiny dog
who caught the car.
2
00:00:04,400 --> 00:00:05,800
I did catch that car.
3
00:00:05,840 --> 00:00:06,880
No, everyone knows
that's impossible.
4
00:00:06,910 --> 00:00:08,270
Yeah, it was parked.
5
00:00:08,310 --> 00:00:09,810
Yeah, it parked
after I ca... | 1
00:00:01,730 --> 00:00:04,360
Oh, if it isn't the tiny dog
who caught the car.
2
00:00:04,400 --> 00:00:05,800
I did catch that car.
3
00:00:05,830 --> 00:00:06,880
No, everyone knows
that's impossible.
4
00:00:06,900 --> 00:00:08,270
Yeah, it was parked.
5
00:00:08,300 --> 00:00:09,800
Yeah, it parked
after I ca... | null | 5586.62 | 884.16 | 72.12 | |
strays_2023 | tt15153532 | wHonIX7cHDcU | 1
00:00:08,250 --> 00:00:10,970
Three stylish women each stand behind a stylish puppy.
2
00:00:13,570 --> 00:00:15,340
Puppy in the middle starts talking.
3
00:01:03,780 --> 00:01:05,620
Several dogs turn their heads.
| 1
00:00:14,100 --> 00:00:15,260
Jenna's puppy Bella.
2
00:01:03,980 --> 00:01:04,620
The other dogs.
3
00:01:04,620 --> 00:01:05,340
Look round.
| 1
00:00:00,370 --> 00:00:03,210
Now, Maggie, on the other hand,
is one bad bitch.
2
00:00:03,240 --> 00:00:05,340
But sadly,
her owner Jenna thinks
3
00:00:05,370 --> 00:00:07,810
the badder bitch is
the puppy that replaced her.
4
00:00:07,840 --> 00:00:10,010
So, Bella looked at me like,
"I want a cupcake, too,"
5... | 1
00:00:00,360 --> 00:00:03,200
Now, Maggie, on the other hand,
is one bad bitch.
2
00:00:03,230 --> 00:00:05,340
But sadly,
her owner Jenna thinks
3
00:00:05,370 --> 00:00:07,800
the badder bitch is
the puppy that replaced her.
4
00:00:07,840 --> 00:00:10,010
So, Bella looked at me like,
"I want a cupcake, too,"
5... | null | 5586.62 | 974.88 | 66.85 |
strays_2023 | tt15153532 | MkmWJWjVfTqv | 1
00:00:05,110 --> 00:00:06,710
A woman drops a pizza tray
2
00:00:06,710 --> 00:00:08,750
and several slices land on the ground.
3
00:00:08,910 --> 00:00:10,630
The dogs each take a slice.
4
00:00:10,790 --> 00:00:13,510
Now they drink liquid leaking from garbage bags.
5
00:00:24,670 --> 00:00:26,550
Sprinklers ri... | 1
00:00:05,290 --> 00:00:07,610
A young woman stumbles and drops her pizza.
2
00:00:07,850 --> 00:00:10,970
They dart over and devour the pizza slices from the ground.
3
00:00:11,370 --> 00:00:15,370
Later, they drink from leaky garbage sacks piled up on beer barrels.
4
00:00:25,290 --> 00:00:26,330
On a playing fie... | 1
00:00:00,200 --> 00:00:01,060
Wait for it.
2
00:00:01,100 --> 00:00:02,430
Drop the fucking pizza, bitch.
3
00:00:02,470 --> 00:00:03,600
That's the one!
4
00:00:03,630 --> 00:00:05,100
Let's do this!
5
00:00:05,130 --> 00:00:07,470
♪ I-I-I-I'm with all my dogs ♪
6
00:00:07,500 --> 00:00:09,210
♪ Finna fuck the ... | 1
00:00:00,190 --> 00:00:01,060
Wait for it.
2
00:00:01,090 --> 00:00:02,440
MAGGIE:
Drop the fucking pizza, bitch.
3
00:00:02,460 --> 00:00:03,590
BUG:
That's the one!
4
00:00:03,630 --> 00:00:05,100
- Let's do this!
- (Reggie yelps)
5
00:00:05,130 --> 00:00:07,470
♪ I-I-I-I'm with all my dogs ♪
6
00:00:07,500 --... | null | 5586.62 | 1131.78 | 202.20 |
strays_2023 | tt15153532 | XUNh9H2riU_R | 1
00:00:11,480 --> 00:00:14,560
A sign reads notice Dog contained by invisible fence.
2
00:00:17,160 --> 00:00:18,920
Chester backs up on his front lawn.
3
00:00:22,960 --> 00:00:24,480
Chester rushes forward.
4
00:00:27,400 --> 00:00:28,040
Slow motion.
5
00:00:28,040 --> 00:00:29,600
He runs toward the sidewalk.
... | 1
00:00:24,810 --> 00:00:27,610
Chester runs across the grass towards the line of flags.
2
00:00:27,650 --> 00:00:29,770
A light suddenly comes on on his collar.
3
00:00:31,130 --> 00:00:32,530
He falls flat on his face.
| 1
00:00:00,090 --> 00:00:01,960
Chester, for the last time,
2
00:00:01,990 --> 00:00:03,460
there's no fucking fence there.
3
00:00:03,490 --> 00:00:05,060
Just come out with us.
4
00:00:05,100 --> 00:00:06,100
I can't.
5
00:00:06,130 --> 00:00:08,630
I'm telling you,
there is a magical fence there.
6
00:00:08,670... | 1
00:00:00,090 --> 00:00:01,950
BUG:
Chester, for the last time,
2
00:00:01,990 --> 00:00:03,460
there's no fucking fence there.
3
00:00:03,490 --> 00:00:05,060
Just come out with us.
4
00:00:05,090 --> 00:00:06,090
I can't.
5
00:00:06,120 --> 00:00:08,630
I'm telling you,
there is a magical fence there.
6
00:00:0... | null | 5586.62 | 1166.82 | 37.01 |
strays_2023 | tt15153532 | tDpOIcsuj0YC | 1
00:00:01,640 --> 00:00:03,800
She turns to a yellow lab in his owner.
2
00:00:30,850 --> 00:00:33,290
The yellow lab glances at Reggie and Bug.
3
00:00:50,570 --> 00:00:51,570
They walk away.
| 1
00:00:01,730 --> 00:00:02,930
There's a ring toss stall.
2
00:00:02,930 --> 00:00:04,410
A woman turns to a guy.
3
00:00:10,530 --> 00:00:11,450
She smiles.
4
00:00:31,170 --> 00:00:32,810
He's a pale cream Labrador.
5
00:00:50,810 --> 00:00:53,170
They leave the Labrador watching his owner.
| 1
00:00:03,810 --> 00:00:06,620
Um...
your dog messed up my shot.
2
00:00:06,650 --> 00:00:08,750
Uh, I think he's telling me
3
00:00:08,790 --> 00:00:10,550
I should pay for you
to take another one.
4
00:00:10,590 --> 00:00:12,260
Oh, is that right?
5
00:00:12,290 --> 00:00:13,700
Yeah, that's what...
that's what ... | 1
00:00:03,810 --> 00:00:06,610
Um... (chuckles)
your dog messed up my shot.
2
00:00:06,650 --> 00:00:08,750
- (dog barks)
- Uh, I think he's telling me
3
00:00:08,780 --> 00:00:10,550
I should pay for you
to take another one.
4
00:00:10,580 --> 00:00:12,250
Oh, is that right?
5
00:00:12,290 --> 00:00:13,700
Yeah, ... | null | 5586.62 | 1733.70 | 70.40 |
strays_2023 | tt15153532 | CQyKUCefJfqx | 1
00:00:00,860 --> 00:00:02,220
The dogs chase after them.
2
00:00:18,300 --> 00:00:19,900
Reggie climbs a large rock,
3
00:00:19,900 --> 00:00:20,540
leaps up,
4
00:00:20,540 --> 00:00:21,900
then bites bugs leg
5
00:00:21,940 --> 00:00:24,630
as the eagle screams, a subtitle appears.
6
00:00:24,670 --> 00:00:25,... | 1
00:00:01,010 --> 00:00:02,170
The others give chase.
2
00:00:18,770 --> 00:00:19,930
Reggie sprints up a rock
3
00:00:19,930 --> 00:00:20,730
and leaps into the air,
4
00:00:20,770 --> 00:00:22,610
grasping Bug's leg between his teeth.
5
00:00:22,610 --> 00:00:23,770
The eagle screeches.
6
00:00:23,810 --> 00:00... | 1
00:00:01,310 --> 00:00:03,210
- Bug! -Why did I say
it could get a lot worse?
2
00:00:03,250 --> 00:00:04,790
Oh, shit! Oh, shit! Oh, please,
please, please don't drop me.
3
00:00:04,810 --> 00:00:06,620
- Don't eat me. None of that!
- Bug!
4
00:00:06,650 --> 00:00:08,050
That eagle has
some good timing.
5
00:00:... | 1
00:00:01,310 --> 00:00:03,210
- Bug! -Why did I say
it could get a lot worse?
2
00:00:03,240 --> 00:00:04,780
Oh, shit! Oh, shit! Oh, please,
please, please don't drop me.
3
00:00:04,810 --> 00:00:06,610
- Don't eat me. None of that!
- MAGGIE: Bug!
4
00:00:06,640 --> 00:00:08,050
HUNTER: That eagle has
some good t... | null | 5586.62 | 2421.92 | 206.91 |
strays_2023 | tt15153532 | JYiBUCGEaCA8 | 1
00:00:12,160 --> 00:00:13,960
Reggie finds mushrooms.
2
00:00:13,960 --> 00:00:14,880
They join him.
3
00:00:20,140 --> 00:00:21,580
Reggie starts eating one.
4
00:00:29,220 --> 00:00:30,580
They all eat mushrooms.
5
00:00:30,900 --> 00:00:33,620
Later, a moving view shows mushroom stems.
6
00:00:33,700 --> 00:0... | 1
00:00:12,380 --> 00:00:15,900
The others join Reggie by a large mushroom patch in the undergrowth.
2
00:00:20,060 --> 00:00:20,500
Reggie.
3
00:00:20,500 --> 00:00:21,300
Try some.
4
00:00:32,140 --> 00:00:34,180
Later only stalks remain.
5
00:00:34,300 --> 00:00:36,500
Reggie and Hunter lie in the grass and moss... | 1
00:00:01,600 --> 00:00:03,100
Anything edible over there?
2
00:00:03,130 --> 00:00:04,400
Like a buffalo chicken pizza?
3
00:00:04,430 --> 00:00:05,700
Nah, just squirrel poops.
4
00:00:05,740 --> 00:00:07,250
Ah, nah, I can't eat
no more of that shit.
5
00:00:07,270 --> 00:00:08,680
You know what,
that goes righ... | 1
00:00:01,590 --> 00:00:03,090
Anything edible over there?
2
00:00:03,130 --> 00:00:04,400
Like a buffalo chicken pizza?
3
00:00:04,430 --> 00:00:05,700
Nah, just squirrel poops.
4
00:00:05,730 --> 00:00:07,240
Ah, nah, I can't eat
no more of that shit.
5
00:00:07,270 --> 00:00:08,680
You know what,
that goes righ... | null | 5586.62 | 2716.16 | 95.97 |
strays_2023 | tt15153532 | djz_2sCGcZQA | 1
00:00:03,920 --> 00:00:05,360
Reggie starts eating one.
2
00:00:13,000 --> 00:00:14,360
They all eat mushrooms.
3
00:00:14,680 --> 00:00:17,400
Later, a moving view shows mushroom stems.
4
00:00:17,480 --> 00:00:19,040
Reggie and Hunter lie down
5
00:00:19,040 --> 00:00:21,840
while Maggie sits and Bug rests on h... | 1
00:00:03,840 --> 00:00:04,280
Reggie.
2
00:00:04,280 --> 00:00:05,080
Try some.
3
00:00:15,920 --> 00:00:17,960
Later only stalks remain.
4
00:00:18,080 --> 00:00:20,280
Reggie and Hunter lie in the grass and moss.
5
00:00:20,480 --> 00:00:21,720
Bug is on his back
6
00:00:21,720 --> 00:00:23,080
and Maggie is s... | 1
00:00:00,090 --> 00:00:02,320
- What are those?
- Kind of looks like food.
2
00:00:02,360 --> 00:00:03,960
I-I don't... I don't know.
3
00:00:04,660 --> 00:00:06,330
- Mmm.
- Oh, it's not too bad.
4
00:00:06,360 --> 00:00:07,900
I'm down to clown.
5
00:00:07,930 --> 00:00:09,370
Mmm. How many
of these should we e... | 1
00:00:00,080 --> 00:00:02,320
- What are those?
- Kind of looks like food.
2
00:00:02,350 --> 00:00:03,950
I-I don't... I don't know.
3
00:00:04,660 --> 00:00:06,320
- ALL: Mmm.
- REGGIE: Oh, it's not too bad.
4
00:00:06,360 --> 00:00:07,890
BUG:
I'm down to clown.
5
00:00:07,920 --> 00:00:09,370
REGGIE: Mmm. How... | null | 5586.62 | 2732.38 | 258.76 |
strays_2023 | tt15153532 | tfHYex96a9zU | 1
00:00:14,420 --> 00:00:16,420
Glimpses show dogs faces.
2
00:00:16,460 --> 00:00:18,340
All of them stay in squatting position.
3
00:00:18,340 --> 00:00:20,670
Except for Reggie who walks about the cage.
4
00:00:33,190 --> 00:00:35,070
Two dogs step away from their poop.
5
00:00:35,310 --> 00:00:37,310
Another do... | 1
00:00:14,770 --> 00:00:17,650
The dogs all stare in silent concentration.
2
00:00:20,290 --> 00:00:21,370
Reggie walks among.
3
00:00:33,010 --> 00:00:33,930
Two dogs poo.
4
00:00:33,970 --> 00:00:35,010
Standing back to back.
5
00:00:35,210 --> 00:00:38,850
Bug produces a row of delicate round poops like little ... | 1
00:00:02,680 --> 00:00:06,820
or do you want to shit
your brains out and live?
2
00:00:06,850 --> 00:00:08,120
Live!
3
00:00:08,150 --> 00:00:09,850
We want to live!
4
00:00:09,890 --> 00:00:11,260
Then poop with me!
5
00:00:11,290 --> 00:00:13,660
Poop with me to freedom!
6
00:00:13,690 --> 00:00:15,830
♪ Oh, s... | 1
00:00:02,680 --> 00:00:06,810
or do you want to shit
your brains out and live?
2
00:00:06,850 --> 00:00:08,110
ALL:
Live!
3
00:00:08,150 --> 00:00:09,850
We want to live!
4
00:00:09,880 --> 00:00:11,250
Then poop with me!
5
00:00:11,280 --> 00:00:13,650
Poop with me to freedom!
6
00:00:13,690 --> 00:00:15,820
♪ ... | null | 5586.62 | 3587.62 | 192.12 |
strays_2023 | tt15153532 | e_HsS3X3Ph_z | 1
00:00:24,540 --> 00:00:25,860
He becomes startled.
2
00:00:29,620 --> 00:00:32,220
A dark haired girl emerges from foliage.
3
00:00:32,420 --> 00:00:33,700
Bug stays alert.
4
00:00:33,900 --> 00:00:35,780
She wears a Girl Scout uniform.
5
00:00:36,180 --> 00:00:38,710
The terrier grows uneasy as she approaches.
... | 1
00:00:30,500 --> 00:00:35,500
A Girl Scout wearing boots, khaki shorts and shirt, and a green waistcoat with badges sewn onto it,
2
00:00:35,500 --> 00:00:38,260
cautiously approaches Bug with her arm outstretched.
3
00:00:38,860 --> 00:00:40,940
He stands on a rock, growling.
4
00:00:42,940 --> 00:00:43,820
She b... | 1
00:00:00,660 --> 00:00:02,510
Talking about I'm lonely.
Talking about I'm scared.
2
00:00:02,530 --> 00:00:04,430
Fuck does he think
he's talking about?
3
00:00:04,470 --> 00:00:06,470
I'm-a tell you right now,
I ain't lonely,
4
00:00:06,500 --> 00:00:08,010
and I damn sure ain't scared.
5
00:00:08,040 --> 00:00:... | 1
00:00:00,660 --> 00:00:02,500
Talking about I'm lonely.
Talking about I'm scared.
2
00:00:02,530 --> 00:00:04,430
Fuck does he think
he's talking about?
3
00:00:04,460 --> 00:00:06,460
I'm-a tell you right now,
I ain't lonely,
4
00:00:06,500 --> 00:00:08,000
and I damn sure ain't scared.
5
00:00:08,030 --> 00:00:... | null | 5586.62 | 4094.30 | 143.36 |
strays_2023 | tt15153532 | ONISpIofr2TN | 1
00:00:16,280 --> 00:00:16,520
Maggie.
2
00:00:16,560 --> 00:00:20,210
The dogs spot the bandana in a grassy area near a countryside road.
3
00:00:29,770 --> 00:00:30,850
Munchkin sniffs it.
4
00:00:58,130 --> 00:00:58,970
Cathy approaches.
5
00:01:11,890 --> 00:01:13,330
She sniffs the bandana.
6
00:01:13,330 --... | 1
00:00:21,890 --> 00:00:23,250
It's lying on the grass.
2
00:00:30,090 --> 00:00:30,850
Munchkin.
3
00:01:12,610 --> 00:01:15,730
Kathy watches as Maggie gives the bandana a good sniff.
| 1
00:00:00,150 --> 00:00:01,460
What you mean,
you can't track him down?
2
00:00:01,480 --> 00:00:03,160
You're sniff dogs.
That's what you do, right?
3
00:00:03,180 --> 00:00:04,760
Yeah, come on, Rolf,
they taught us that.
4
00:00:04,790 --> 00:00:06,320
It's impossible.
5
00:00:06,350 --> 00:00:08,130
We can't t... | 1
00:00:00,140 --> 00:00:01,450
What you mean,
you can't track him down?
2
00:00:01,480 --> 00:00:03,150
You're sniff dogs.
That's what you do, right?
3
00:00:03,180 --> 00:00:04,760
Yeah, come on, Rolf,
they taught us that.
4
00:00:04,780 --> 00:00:06,320
It's impossible.
5
00:00:06,350 --> 00:00:08,130
We can't t... | null | 5586.62 | 4287.68 | 102.52 |
strays_2023 | tt15153532 | kDvdA0O8ntDZ | 1
00:00:18,860 --> 00:00:20,380
Doug holds the bat up high.
2
00:00:25,940 --> 00:00:27,660
Hunter busts down the door.
3
00:00:36,860 --> 00:00:37,940
Hunter snarls.
4
00:00:37,940 --> 00:00:39,460
Bug and Maggie flank him.
5
00:00:43,780 --> 00:00:45,020
He shakes off the cone.
6
00:00:46,140 --> 00:00:48,620
It... | 1
00:00:19,280 --> 00:00:20,520
He lifts the bat.
2
00:00:26,040 --> 00:00:27,680
Hunter bashes the door down.
3
00:00:43,680 --> 00:00:47,600
Hunter shakes his head around wildly until his plastic coat flies off,
4
00:00:47,640 --> 00:00:48,600
sails through the air,
5
00:00:48,800 --> 00:00:50,280
and lands at Do... | 1
00:00:01,900 --> 00:00:05,300
to get you the fuck
out of my life?
2
00:00:05,340 --> 00:00:07,640
I mean, how do you
not get it, man?
3
00:00:07,670 --> 00:00:11,140
I drove you three hours away.
4
00:00:11,170 --> 00:00:12,810
I mean, how could I make it
any more clear
5
00:00:12,840 --> 00:00:14,780
that I don'... | 1
00:00:01,890 --> 00:00:05,300
to get you the fuck
out of my life?
2
00:00:05,330 --> 00:00:07,630
I mean, how do you
not get it, man?
3
00:00:07,670 --> 00:00:11,140
I drove you three hours away.
4
00:00:11,170 --> 00:00:12,810
I mean, how could I make it
any more clear
5
00:00:12,840 --> 00:00:14,770
that I don'... | null | 5586.62 | 4606.02 | 296.15 |
the_amazing_spider_man_2 | tt1872181 | VDkmtG_jGYgk | 1
00:00:02,800 --> 00:00:04,880
Gwen notices the men staring at her.
2
00:00:05,400 --> 00:00:06,920
She logs out of her computer,
3
00:00:06,920 --> 00:00:08,760
then discreetly rises from her desk
4
00:00:08,760 --> 00:00:10,080
and heads for the exit.
5
00:00:13,240 --> 00:00:17,840
The dark haired man follows, ... | 1
00:00:04,630 --> 00:00:06,050
Spotting him on the other guard's
2
00:00:06,050 --> 00:00:07,130
Gwen locks her computer
3
00:00:07,130 --> 00:00:07,880
walking off.
4
00:00:15,140 --> 00:00:16,980
The man gives chase with security guards.
5
00:00:16,980 --> 00:00:18,390
Peter descends in a lift.
6
00:00:18,440 -... | 1
00:00:00,050 --> 00:00:01,780
Hey, what's security doing over here?
2
00:00:01,800 --> 00:00:02,810
That's so weird.
3
00:00:03,060 --> 00:00:04,050
She's right over there.
4
00:00:11,360 --> 00:00:12,820
Hey! Miss Stacy!
5
00:00:29,080 --> 00:00:30,080
Hi.
6
00:00:30,330 --> 00:00:31,580
Hi.
7
00:00:31,920 -->... | 1
00:00:00,050 --> 00:00:01,780
MAN 1: Hey, what's
security doing over here?
2
00:00:01,800 --> 00:00:03,030
WOMAN: That's so weird.
3
00:00:03,050 --> 00:00:04,330
She's right over there.
4
00:00:11,350 --> 00:00:13,220
MAN 2: Hey! Miss Stacy!
5
00:00:26,620 --> 00:00:27,770
(GRUNTING)
6
00:00:29,080 --> 00:00:30... | null | 8494.66 | 4135.07 | 174.43 |
the_amazing_spider_man_2 | tt1872181 | kwwxTUMGGH36 | 1
00:00:08,810 --> 00:00:13,450
In a large enclosure, a docking platform holding Max rises out of a pool.
2
00:00:13,730 --> 00:00:20,210
The balding OsCorp executive and Ravencroft staff watched the unconscious mutant from observation rooms.
3
00:00:20,490 --> 00:00:24,850
Mechanical restraints hold his glowing blue... | 1
00:00:07,130 --> 00:00:10,640
In front of the doctor, locked to a large steel plate mechanism in a cage,
2
00:00:10,640 --> 00:00:12,470
Max has lifted out of a water tank.
3
00:00:12,470 --> 00:00:13,560
With his body smoking.
4
00:00:13,560 --> 00:00:14,680
The plate tilts.
5
00:00:14,680 --> 00:00:19,020
The d... | 1
00:00:34,030 --> 00:00:37,120
You've been in a terrible accident.
2
00:00:38,410 --> 00:00:40,380
I'm Dr. Kafka.
3
00:00:41,040 --> 00:00:42,960
I'm here to help you.
4
00:00:43,330 --> 00:00:44,920
Course you are, doc.
5
00:00:45,960 --> 00:00:50,050
That's why you're preparing
military-grade biostim electrodes.... | 1
00:00:01,200 --> 00:00:03,320
(CLASSICAL MUSIC
PLAYING OVER SPEAKERS)
2
00:00:21,010 --> 00:00:22,160
(SPEAKING INDISTINCTLY)
3
00:00:34,030 --> 00:00:37,520
You've been in a terrible accident.
4
00:00:38,400 --> 00:00:40,770
I'm Dr. Kafka.
5
00:00:41,030 --> 00:00:43,300
I'm here to help you.
6
00:00:43,330 -->... | null | 8494.66 | 4391.14 | 187.85 |
the_amazing_spider_man_2 | tt1872181 | 4fxsaMzCkke7 | 1
00:00:40,830 --> 00:00:44,110
At Ravencroft, a black car pulls up to a security gate.
2
00:00:53,750 --> 00:00:54,470
Inside.
3
00:01:00,350 --> 00:01:00,550
Here.
4
00:01:00,550 --> 00:01:01,470
He grabs a taser,
5
00:01:01,470 --> 00:01:02,430
knocks the guards out,
6
00:01:02,430 --> 00:01:03,710
and takes a ... | 1
00:00:41,610 --> 00:00:43,120
Harry arrives at Ravencroft.
2
00:01:00,840 --> 00:01:02,180
Harry tasers the guards.
3
00:02:35,800 --> 00:02:36,960
The video cuts out.
4
00:02:37,010 --> 00:02:40,590
Peter is in tears, meanwhile, tearing off his white coat disguise.
5
00:02:40,590 --> 00:02:41,970
Harry walks in ... | 1
00:00:02,670 --> 00:00:03,890
Test.
2
00:00:04,510 --> 00:00:06,230
My name is Richard Parker.
3
00:00:07,050 --> 00:00:08,550
Whatever lies will be told about me,
4
00:00:08,800 --> 00:00:10,680
I would like the world
to know the truth.
5
00:00:11,640 --> 00:00:14,890
Oscorp was already a leader
in genetic resea... | 1
00:00:02,670 --> 00:00:04,290
RICHARD: Test.
2
00:00:04,500 --> 00:00:06,620
My name is Richard Parker.
3
00:00:07,050 --> 00:00:08,780
Whatever lies will
be told about me,
4
00:00:08,800 --> 00:00:11,080
I would like the world
to know the truth.
5
00:00:11,640 --> 00:00:15,120
Oscorp was already a leader
in gene... | null | 8494.66 | 5557.38 | 165.63 |
the_amazing_spider_man_2 | tt1872181 | fOo4DOeG2zj4 | 1
00:00:44,400 --> 00:00:45,480
In a control room.
2
00:00:50,600 --> 00:00:51,360
With Harry.
3
00:01:10,800 --> 00:01:13,240
A tactical team arrives at a door with a window.
4
00:01:14,840 --> 00:01:16,480
Harry glances over his shoulder.
5
00:01:18,930 --> 00:01:20,490
The guards hurry downstairs.
6
00:01:40,85... | 1
00:01:41,680 --> 00:01:42,600
He teases him.
2
00:01:51,610 --> 00:01:54,320
Electro's body crackles with immense electrical activity
3
00:01:54,320 --> 00:01:55,320
and disappears.
4
00:01:55,370 --> 00:01:56,700
A guard punches Harry.
5
00:01:56,780 --> 00:01:59,410
All the guards and Doctor Kafka are struck wi... | 1
00:00:00,280 --> 00:00:02,280
I'm gonna get you out of here.
2
00:00:02,700 --> 00:00:04,700
All right?
But we don't have much time.
3
00:00:05,620 --> 00:00:06,620
Who are you?
4
00:00:06,870 --> 00:00:10,000
I'm Harry Osborn.
I wanna make you a deal.
5
00:00:11,790 --> 00:00:13,040
I should kill you.
6
00:00:1... | 1
00:00:00,270 --> 00:00:02,670
I'm gonna get you out of here.
2
00:00:02,690 --> 00:00:05,100
All right? But we
don't have much time.
3
00:00:05,610 --> 00:00:06,840
Who are you?
4
00:00:06,860 --> 00:00:10,390
I'm Harry Osborn.
I wanna make you a deal.
5
00:00:11,790 --> 00:00:13,260
I should kill you.
6
00:00:1... | null | 8494.66 | 5739.20 | 180.77 |
the_amazing_spider_man_2 | tt1872181 | YFyRxVoTIumA | 1
00:00:00,190 --> 00:00:03,270
The elevator arrives at a darkened circular chamber.
2
00:00:03,510 --> 00:00:04,990
Harry shoves Menken forward
3
00:00:04,990 --> 00:00:06,670
with the gun pressed to his back.
4
00:00:10,390 --> 00:00:14,550
Numbered doors rise from the floor, unveiling a series of containment unit... | 1
00:00:11,860 --> 00:00:15,150
Doors in the walls rise open, revealing individual pod like chambers.
2
00:00:21,540 --> 00:00:24,040
Its chamber houses a futuristic exorcist.
3
00:00:24,080 --> 00:00:25,830
Glass door is open with a Bruce temple.
4
00:00:25,830 --> 00:00:28,920
Menken opens the lid of a box with a ... | 1
00:00:07,820 --> 00:00:10,290
The spider venom.
Give it to me.
2
00:00:16,290 --> 00:00:17,710
What is all this stuff?
3
00:00:17,960 --> 00:00:19,460
The future.
4
00:00:33,220 --> 00:00:34,440
Load one up.
5
00:00:39,100 --> 00:00:40,270
It won't work.
6
00:00:40,520 --> 00:00:44,200
We ran every diagnostic te... | 1
00:00:02,150 --> 00:00:04,390
(ELEVATOR BELL DINGS)
2
00:00:07,820 --> 00:00:10,690
HARRY: The spider venom.
Give it to me.
3
00:00:16,280 --> 00:00:17,930
What is all this stuff?
4
00:00:17,950 --> 00:00:19,850
The future.
5
00:00:33,220 --> 00:00:34,840
Load one up.
6
00:00:39,100 --> 00:00:40,490
It won't wor... | null | 8494.66 | 6106.66 | 160.22 |
the_amazing_spider_man_2 | tt1872181 | U63Xgwqu4uIe | 1
00:00:00,020 --> 00:00:03,020
Now stuck in Traffic, Gwen's Cabbie remains at a standstill.
2
00:00:03,060 --> 00:00:04,700
Her driver notices something.
3
00:00:07,940 --> 00:00:09,220
Peering in the same direction.
4
00:00:09,220 --> 00:00:10,660
The young woman brightens.
5
00:00:16,390 --> 00:00:17,910
When st... | 1
00:00:02,460 --> 00:00:03,420
The driver speaks.
2
00:00:07,800 --> 00:00:08,390
Looking out.
3
00:00:08,430 --> 00:00:09,390
Gwen smiles.
4
00:00:17,440 --> 00:00:18,150
Gwen gets out
5
00:00:18,150 --> 00:00:23,360
and walks over to a path which runs alongside the shimmering Hudson River, along with numerous pa... | 1
00:00:05,140 --> 00:00:06,520
It's Spider-Man.
2
00:00:12,480 --> 00:00:13,650
Stop the cab.
3
00:00:13,900 --> 00:00:15,950
Lady, I ain't even moving.
4
00:00:40,930 --> 00:00:41,930
Whoa!
5
00:00:46,560 --> 00:00:48,100
- Hi.
- Hi.
6
00:00:48,810 --> 00:00:50,790
- Did you get my message?
- What message?
7
00... | 1
00:00:05,140 --> 00:00:06,740
It's Spider-Man.
2
00:00:06,760 --> 00:00:09,170
(♪♪♪)
3
00:00:12,480 --> 00:00:13,870
Stop the cab.
4
00:00:13,900 --> 00:00:16,340
Lady, I ain't even moving.
5
00:00:40,920 --> 00:00:42,120
GWEN: Whoa!
6
00:00:46,550 --> 00:00:48,500
- PETER: Hi.
- GWEN: Hi.
7
00:00:48,810 --> 00... | null | 8494.66 | 6267.33 | 131.47 |
the_amazing_spider_man_2 | tt1872181 | GdLgtETKM6ic | 1
00:00:00,100 --> 00:00:02,820
Now Spider-Man swings to the top of a clock tower.
2
00:00:03,020 --> 00:00:05,140
He climbs a glass dome, capping the structure,
3
00:00:05,140 --> 00:00:09,060
which overlooks the power plant's vast network of giant Tesla coils.
4
00:00:27,460 --> 00:00:29,100
Electro shoots a bolt ... | 1
00:00:00,890 --> 00:00:02,020
Face clocks forward.
2
00:00:02,350 --> 00:00:03,230
He lands on the tower,
3
00:00:03,230 --> 00:00:05,070
climbing up onto the glass domed roof.
4
00:00:05,110 --> 00:00:06,570
He looks down at the power plant.
5
00:00:06,610 --> 00:00:08,690
Electro is floating between the broken ... | 1
00:00:11,180 --> 00:00:13,350
You're too late, Spider-Man.
2
00:00:13,680 --> 00:00:15,360
I designed this power grid.
3
00:00:15,600 --> 00:00:17,200
Now I'm gonna take back
4
00:00:17,440 --> 00:00:19,160
what is rightfully mine.
5
00:00:19,520 --> 00:00:21,700
I will control everything.
6
00:00:21,940 --> 00:... | 1
00:00:11,180 --> 00:00:13,660
ELECTRO:
You're too late, Spider-Man.
2
00:00:13,680 --> 00:00:15,580
I designed this power grid.
3
00:00:15,600 --> 00:00:17,410
Now I'm gonna take back
4
00:00:17,430 --> 00:00:19,500
what is rightfully mine.
5
00:00:19,520 --> 00:00:21,920
I will control everything.
6
00:00:21,94... | null | 8494.66 | 6637.12 | 137.76 |
the_amazing_spider_man_2 | tt1872181 | 4NXqg37_Yma5 | 1
00:00:01,180 --> 00:00:02,420
and rises to his feet.
2
00:00:02,420 --> 00:00:04,340
Gwen heads for the plant's main building.
3
00:00:05,620 --> 00:00:07,500
Spider-Man turns to find Captain.
4
00:00:07,500 --> 00:00:09,740
Stacy standing in front of the police car.
5
00:00:09,980 --> 00:00:14,220
As the hero re... | 1
00:00:01,030 --> 00:00:02,160
Electro opens his eyes,
2
00:00:02,160 --> 00:00:02,490
stands
3
00:00:02,490 --> 00:00:03,450
and grits his teeth.
4
00:00:07,080 --> 00:00:08,290
Spidey turns to face him,
5
00:00:08,290 --> 00:00:10,080
but Gwen's father is standing there.
6
00:00:10,080 --> 00:00:12,380
He sudde... | 1
00:00:04,870 --> 00:00:06,210
Go, go!
2
00:00:58,250 --> 00:01:00,300
Sixty seconds to impact.
3
00:01:25,660 --> 00:01:26,660
Aah!
4
00:01:34,920 --> 00:01:35,920
Now, Gwen, now!
5
00:01:36,170 --> 00:01:37,290
Do it now!
6
00:02:02,900 --> 00:02:04,070
Uni 687...
7
00:02:15,210 --> 00:02:18,010
This is LaGuar... | 1
00:00:00,070 --> 00:00:02,310
(♪♪♪)
2
00:00:04,860 --> 00:00:06,610
Go, go!
3
00:00:13,370 --> 00:00:14,370
(YELLS)
4
00:00:16,210 --> 00:00:18,610
(♪♪♪)
5
00:00:50,030 --> 00:00:51,560
(GRUNTING)
6
00:00:58,250 --> 00:01:00,700
Sixty seconds to impact.
7
00:01:08,470 --> 00:01:09,840
(GRUNTS)
8
00:01:16,690 -... | null | 8494.66 | 6820.74 | 169.04 |
the_amazing_spider_man_2 | tt1872181 | WU_DVhKesfd3 | 1
00:00:44,900 --> 00:00:48,580
Holding Gwen in his arms, Harry flies off with Spider-Man on his tail
2
00:00:48,740 --> 00:00:51,620
as the villain spirals his glider up around the clock tower.
3
00:00:51,620 --> 00:00:54,220
The hero climbs and swings after them in turn.
4
00:00:54,420 --> 00:00:55,340
Reaching th... | 1
00:00:46,450 --> 00:00:49,210
Spidey swings after Harry, who has Gwen in his clutches.
2
00:00:49,250 --> 00:00:50,790
He springs off the side of the clock tower,
3
00:00:50,830 --> 00:00:52,920
then scampers up onto the glass dome roof.
4
00:00:52,960 --> 00:00:57,510
He fires web at Harry, but Mrs. Harry fires i... | 1
00:00:04,170 --> 00:00:05,590
Peter.
2
00:00:06,510 --> 00:00:09,680
When you said Spider-Man
said no,
3
00:00:10,180 --> 00:00:14,230
you meant you said no.
4
00:00:14,470 --> 00:00:16,900
Harry, what did you do?
5
00:00:17,140 --> 00:00:19,140
What you made me do.
6
00:00:19,690 --> 00:00:21,190
You were my fr... | 1
00:00:04,170 --> 00:00:05,990
Peter.
2
00:00:06,500 --> 00:00:10,080
When you said Spider-Man said no,
3
00:00:10,170 --> 00:00:14,450
you meant you said no.
4
00:00:14,470 --> 00:00:17,120
Harry, what did you do?
5
00:00:17,140 --> 00:00:19,540
What you made me do.
6
00:00:19,680 --> 00:00:21,410
You were my fr... | null | 8494.66 | 7059.71 | 157.78 |
the_amazing_spider_man_2 | tt1872181 | T7o6Ail7hfgd | 1
00:00:00,950 --> 00:00:03,470
then wraps the other end around Harry's throat.
2
00:00:03,630 --> 00:00:06,510
As the gears turn, the webbing tightens and strangles him,
3
00:00:06,510 --> 00:00:07,390
pulling him back.
4
00:00:07,670 --> 00:00:09,670
A pipe jamming the gears breaks.
5
00:00:09,710 --> 00:00:12,39... | 1
00:00:00,890 --> 00:00:01,890
Harry chokes him.
2
00:00:01,930 --> 00:00:03,180
Spidey shoots web at a cog,
3
00:00:03,220 --> 00:00:04,890
then wraps it around Harry's throat.
4
00:00:07,060 --> 00:00:09,020
It tightens as the cog turns,
5
00:00:09,060 --> 00:00:12,760
Spidey sees the other cog crush the pipe, w... | 1
00:00:22,670 --> 00:00:23,670
Peter?
2
00:01:27,320 --> 00:01:29,540
Hey. Hey.
3
00:01:32,790 --> 00:01:33,830
Gwen?
4
00:01:36,500 --> 00:01:37,500
Hey.
5
00:01:37,870 --> 00:01:39,000
Hey!
6
00:01:43,840 --> 00:01:44,930
Gwen?
7
00:01:46,970 --> 00:01:47,970
Hey.
8
00:01:51,510 --> 00:01:52,560
Breathe.
9
0... | 1
00:00:02,110 --> 00:00:03,560
(GAGGING)
2
00:00:15,040 --> 00:00:16,660
(GRUNTING)
3
00:00:22,670 --> 00:00:23,990
Peter?
4
00:00:28,010 --> 00:00:29,630
(GASPS)
5
00:00:41,570 --> 00:00:43,970
(♪♪♪)
6
00:01:27,320 --> 00:01:29,940
Hey. Hey.
7
00:01:32,780 --> 00:01:34,230
Gwen?
8
00:01:36,500 --> 00:01:37,850... | null | 8494.66 | 7212.67 | 177.63 |
the_bourne_legacy | tt1194173 | F55TLs9b5IRu | 1
00:00:15,590 --> 00:00:18,710
The operative scoops a spoonful of oatmeal into his mouth.
2
00:00:29,310 --> 00:00:30,910
Aaron drops his spoon in the bowl,
3
00:00:31,010 --> 00:00:31,770
nudges it away
4
00:00:31,770 --> 00:00:33,210
and folds his hands.
5
00:00:35,250 --> 00:00:37,850
The operative gives an exa... | 1
00:00:15,280 --> 00:00:17,070
Three eats a spoonful of porridge
2
00:00:17,070 --> 00:00:18,530
and returns to his book.
3
00:00:29,830 --> 00:00:31,130
Aaron puts his bowl down
4
00:00:31,130 --> 00:00:32,290
and furrows his brow.
5
00:00:35,630 --> 00:00:37,590
Three looks away with raised eyebrows,
6
00:00:37... | 1
00:00:00,720 --> 00:00:02,170
I know.
2
00:00:04,230 --> 00:00:06,710
Don't you think that's strange?
3
00:00:06,860 --> 00:00:09,400
The wolves?
They don't do that.
4
00:00:10,030 --> 00:00:11,670
They don't track people.
5
00:00:12,330 --> 00:00:13,370
Yeah.
6
00:00:13,540 --> 00:00:15,670
Maybe they don't
thi... | 1
00:00:00,720 --> 00:00:02,170
I know.
2
00:00:04,220 --> 00:00:06,700
Don't you think that's strange?
3
00:00:06,860 --> 00:00:09,400
The wolves?
They don't do that.
4
00:00:10,030 --> 00:00:11,670
They don't track people.
5
00:00:12,330 --> 00:00:13,370
Yeah.
6
00:00:13,530 --> 00:00:15,670
Maybe they don't
thi... | null | 8112.29 | 1253.47 | 158.64 |
the_bourne_legacy | tt1194173 | IPHY1RzTd7RU | 1
00:00:01,440 --> 00:00:04,080
Aaron trots over the snow packed ground,
2
00:00:04,080 --> 00:00:04,920
reaching a ridge.
3
00:00:04,920 --> 00:00:06,640
He peers beyond the trees.
4
00:00:06,840 --> 00:00:08,320
A missile whisks past him
5
00:00:08,320 --> 00:00:09,760
and blows up the cabin.
6
00:00:09,880 --> ... | 1
00:00:03,030 --> 00:00:06,280
As he runs for the trees, a rocket hurtles past him,
2
00:00:06,490 --> 00:00:08,330
blowing the cabin sky high.
3
00:00:12,000 --> 00:00:13,790
Aaron is blown over by the blast.
4
00:00:13,790 --> 00:00:16,250
Smouldering bits of wood rain down around him.
5
00:00:19,760 --> 00:00:2... | 1
00:00:59,730 --> 00:01:00,800
Is she gonna clear us here?
2
00:01:00,830 --> 00:01:02,370
I'd like to get above this
before it gets any sloppier.
3
00:01:02,400 --> 00:01:04,470
Now, hold on.
Just, there's a...
4
00:01:04,530 --> 00:01:06,840
Copy, Solo, I saw it, too.
Give us a minute.
5
00:01:06,900 --> 00:01:0... | 1
00:00:10,610 --> 00:00:11,920
(GRUNTS)
2
00:00:16,580 --> 00:00:18,190
(HIGH-PITCHED RINGING)
3
00:00:24,760 --> 00:00:25,830
(GRUNTS)
4
00:00:59,730 --> 00:01:00,800
PILOT: Is she gonna
clear us here?
5
00:01:00,830 --> 00:01:02,370
I'd like to get above this
before it gets any sloppier.
6
00:01:02,390 --> 00:0... | null | 8112.29 | 1790.50 | 238.21 |
the_bourne_legacy | tt1194173 | vJsSEc8KQEeW | 1
00:00:05,040 --> 00:00:07,830
Foite shoots Doctor Hillcott, his colleague, runs
2
00:00:08,670 --> 00:00:09,750
Foite shoots him down.
3
00:00:09,750 --> 00:00:11,310
The brunette ducks under her desk
4
00:00:11,310 --> 00:00:12,350
in the outer lab.
5
00:00:18,470 --> 00:00:19,910
A man peers into the lab.
6
00... | 1
00:00:06,640 --> 00:00:07,800
Foite kills Hillcott.
2
00:00:09,140 --> 00:00:10,180
He shoots Talwar.
3
00:00:10,180 --> 00:00:11,640
Marta hides under her desk.
4
00:00:20,480 --> 00:00:22,230
Foite turns his gun on a woman.
5
00:00:25,900 --> 00:00:26,610
Shot twice.
6
00:00:26,610 --> 00:00:28,240
Talwar craw... | 1
00:00:01,770 --> 00:00:03,950
There you are. I don't
understand these values...
2
00:00:07,350 --> 00:00:08,620
My God, no!
3
00:00:12,280 --> 00:00:13,460
Did you hear that?
Yeah.
4
00:00:13,620 --> 00:00:14,960
What is that?
5
00:00:15,120 --> 00:00:16,220
It's a gun.
6
00:00:16,390 --> 00:00:19,160
No. I... N... | 1
00:00:00,270 --> 00:00:01,710
(MACHINE BEEPS)
2
00:00:01,770 --> 00:00:03,940
There you are. I don't
understand these values...
3
00:00:04,870 --> 00:00:05,980
(GASPS)
4
00:00:07,340 --> 00:00:08,620
DR. BENEZARA:
My God, no!
5
00:00:12,280 --> 00:00:13,450
Did you hear that?
Yeah.
6
00:00:13,620 --> 00:00:14,96... | null | 8112.29 | 2678.11 | 187.41 |
the_bourne_legacy | tt1194173 | XAJiaHvY0URh | 1
00:00:00,000 --> 00:00:01,400
as Marta sits down in it.
2
00:00:01,480 --> 00:00:03,320
Dowd gives Hooper a little nod.
3
00:00:03,360 --> 00:00:04,590
She kicks his foot
4
00:00:04,590 --> 00:00:05,670
and grabs her arm.
5
00:00:07,030 --> 00:00:09,390
Cooper forces the gun into her other hand.
6
00:00:10,510 -... | 1
00:00:01,440 --> 00:00:02,190
Connie nods,
2
00:00:02,190 --> 00:00:04,820
and she and Larry attack and violently restrain Marta.
3
00:00:04,820 --> 00:00:07,240
Larry forces the pistol into Marta's hand.
4
00:00:17,420 --> 00:00:19,790
He angles the gun down towards Marta's head.
5
00:00:22,000 --> 00:00:22,880
... | 1
00:00:06,170 --> 00:00:08,510
Jesus! What is this?
2
00:00:09,800 --> 00:00:11,010
What the hell is this?
Ready?
3
00:00:11,170 --> 00:00:12,550
Close.
What are you doing?
4
00:00:12,710 --> 00:00:13,950
Get off me!
5
00:00:14,040 --> 00:00:15,040
Set?
6
00:00:15,610 --> 00:00:17,750
Get the hell off me now!
Set... | 1
00:00:03,830 --> 00:00:05,100
(MARTA SCREAMS)
2
00:00:06,160 --> 00:00:08,510
Jesus! What is this?
3
00:00:09,800 --> 00:00:11,010
What the hell is this?
Ready?
4
00:00:11,170 --> 00:00:12,550
Close.
What are you doing?
5
00:00:12,700 --> 00:00:13,940
Get off me!
6
00:00:14,040 --> 00:00:15,040
Set?
7
00:00:15,... | null | 8112.29 | 3556.00 | 207.52 |
the_bourne_legacy | tt1194173 | uIQDRo9tzlXV | 1
00:00:23,820 --> 00:00:26,020
As the guard touches him, Aaron hits him twice
2
00:00:26,020 --> 00:00:27,620
and slams his head to the floor.
3
00:00:27,860 --> 00:00:29,780
He spins the second guard around,
4
00:00:29,820 --> 00:00:30,540
kicks the third,
5
00:00:30,580 --> 00:00:32,700
then hits the second with... | 1
00:00:23,220 --> 00:00:25,020
Aaron attacks the security guards.
2
00:00:25,020 --> 00:00:26,890
He slams one's head into the floor,
3
00:00:26,930 --> 00:00:27,980
breaks another's neck,
4
00:00:27,980 --> 00:00:29,850
and punches the third in the throat.
5
00:00:29,850 --> 00:00:31,190
Swiping the man's pistol,... | 1
00:00:00,250 --> 00:00:01,990
Hey, how you doing?
Can I help you?
2
00:00:02,150 --> 00:00:03,150
Are you alone down here?
3
00:00:03,320 --> 00:00:04,320
Aaron?
4
00:00:04,750 --> 00:00:06,160
Hey, guys.
5
00:00:06,320 --> 00:00:08,530
You can't be down here. Do you
have clearance for this level?
6
00:00:08,550... | 1
00:00:00,250 --> 00:00:01,990
GUARD: Hey, how you doing?
Can I help you?
2
00:00:02,150 --> 00:00:03,150
Are you alone down here?
3
00:00:03,310 --> 00:00:04,320
Aaron?
4
00:00:04,750 --> 00:00:06,160
Hey, guys.
5
00:00:06,320 --> 00:00:08,530
You can't be down here. Do you
have clearance for this level?
6
00:00... | null | 8112.29 | 5850.40 | 124.04 |
the_bourne_legacy | tt1194173 | xE7VZFRhZL4g | 1
00:00:01,010 --> 00:00:03,130
The police chase Marta through the alley.
2
00:00:03,210 --> 00:00:06,160
An officer confronts the lurks operative on the roof.
3
00:00:08,320 --> 00:00:09,440
Lurks three kicks him,
4
00:00:09,440 --> 00:00:10,960
then leaps to an adjacent building.
5
00:00:11,000 --> 00:00:12,520
A... | 1
00:00:01,340 --> 00:00:03,630
Marta continues her flight up the narrow street.
2
00:00:03,680 --> 00:00:05,510
Two uniformed cops on her tail.
3
00:00:06,800 --> 00:00:09,220
A policeman discovers Lark's three on the roof,
4
00:00:09,260 --> 00:00:09,810
larks three,
5
00:00:09,850 --> 00:00:10,720
kicks him back... | 1
00:01:22,460 --> 00:01:23,960
It's okay.
2
00:01:33,210 --> 00:01:34,280
Police! Police!
3
00:02:10,640 --> 00:02:11,650
Get down!
4
00:02:21,520 --> 00:02:22,560
Are you okay?
5
00:02:22,760 --> 00:02:23,760
Yeah.
| 1
00:00:05,890 --> 00:00:07,260
(SPEAKING TAGALOG)
2
00:00:16,130 --> 00:00:17,940
(BLOWING WHISTLES)
3
00:00:46,690 --> 00:00:47,690
(GRUNTING)
4
00:00:54,270 --> 00:00:55,610
(PANTING)
5
00:01:17,260 --> 00:01:18,930
(SPEAKING TAGALOG)
6
00:01:22,460 --> 00:01:23,960
It's okay.
7
00:01:24,700 --> 00:01:25,770
(... | null | 8112.29 | 6589.50 | 145.66 |
the_bourne_legacy | tt1194173 | nwFGEmhLAND_ | 1
00:00:01,810 --> 00:00:02,530
He spots them
2
00:00:02,530 --> 00:00:03,970
and takes out a handgun.
3
00:00:04,170 --> 00:00:05,680
Aaron and Marta look back.
4
00:00:07,720 --> 00:00:09,720
The other vehicles block his line of sight.
5
00:00:09,760 --> 00:00:11,200
Aaron grips his handbrake.
6
00:00:14,400 -->... | 1
00:00:00,670 --> 00:00:02,470
Lark's three gains on Aaron
2
00:00:02,470 --> 00:00:05,220
and points a pistol out of the cruiser's window.
3
00:00:09,720 --> 00:00:11,270
As they pull level with the bus.
4
00:00:11,310 --> 00:00:16,190
Aaron jams on the bike's brakes, effectively putting the bus between them and L... | 1
00:00:06,820 --> 00:00:08,330
He's got a gun!
2
00:00:17,970 --> 00:00:19,180
Keep your head down.
3
00:00:19,370 --> 00:00:20,370
It's not a cop.
4
00:00:49,430 --> 00:00:50,440
Aaron!
| 1
00:00:06,820 --> 00:00:08,330
He's got a gun!
2
00:00:17,970 --> 00:00:19,170
Keep your head down.
3
00:00:19,370 --> 00:00:20,370
It's not a cop.
4
00:00:28,250 --> 00:00:29,250
(GASPS)
5
00:00:41,860 --> 00:00:43,170
(PEOPLE SCREAMING)
6
00:00:49,430 --> 00:00:50,430
Aaron!
7
00:01:30,340 --> 00:01:31,440
(GR... | null | 8112.29 | 6939.62 | 248.90 |
the_bourne_legacy | tt1194173 | rbnrvxKzP96P | 1
00:00:00,710 --> 00:00:01,990
Aaron slumps Woozily
2
00:00:01,990 --> 00:00:04,310
but maintains control of the vehicle.
3
00:00:04,350 --> 00:00:06,950
The lark's operative pulls out from behind a truck.
4
00:00:08,710 --> 00:00:11,350
Aaron looks over his shoulder, steeling himself.
5
00:00:11,350 --> 00:00:13,... | 1
00:00:04,230 --> 00:00:05,770
She turns her head to look back.
2
00:00:06,100 --> 00:00:10,900
Lakhs three is hot on their tail, his face bruised and bloody.
3
00:00:10,900 --> 00:00:12,780
Lakhs three accelerates after them.
4
00:00:12,820 --> 00:00:14,150
Aaron cranks the throttle.
5
00:00:19,280 --> 00:00:21,2... | 1
00:00:07,900 --> 00:00:09,250
Aaron!
2
00:00:50,110 --> 00:00:51,990
Aaron! Aaron! Aaron! Aaron!
3
00:01:09,030 --> 00:01:10,870
Are you okay?
4
00:01:16,570 --> 00:01:17,740
Are you okay?
| 1
00:00:07,900 --> 00:00:09,250
Aaron!
2
00:00:50,110 --> 00:00:51,990
Aaron! Aaron! Aaron! Aaron!
3
00:01:03,060 --> 00:01:04,300
(GROANS)
4
00:01:09,030 --> 00:01:10,870
Are you okay?
5
00:01:16,570 --> 00:01:17,740
Are you okay?
| null | 8112.29 | 7235.97 | 78.67 |
the_brothers_grimsby | tt3381008 | LMIjZ0wOEvS2 | 1
00:00:00,690 --> 00:00:02,170
In his first person view.
2
00:00:02,210 --> 00:00:04,210
Sebastian activates a small drone,
3
00:00:04,210 --> 00:00:06,610
then moves across a zip line out of an apartment.
4
00:00:20,730 --> 00:00:22,450
Sebastian takes out a henchman.
5
00:00:24,530 --> 00:00:25,730
He avoids gun... | 1
00:00:02,140 --> 00:00:04,940
They follow Sebastian through the camera in his contact lens
2
00:00:04,940 --> 00:00:07,250
as he fires a wire from a high window.
3
00:00:12,010 --> 00:00:12,890
Followed by a drone.
4
00:00:12,890 --> 00:00:13,770
He's activated.
5
00:00:13,770 --> 00:00:15,650
Sebastian slides do... | 1
00:00:07,480 --> 00:00:10,720
Interception in nine, eight,
2
00:00:10,750 --> 00:00:14,020
seven, six,
3
00:00:14,050 --> 00:00:16,830
five, four,
4
00:00:16,850 --> 00:00:20,120
three, two, one.
5
00:00:23,060 --> 00:00:24,820
Eyes on the target.
6
00:00:27,400 --> 00:00:29,830
Easy. Eyes on the target.
7
00:0... | 1
00:00:07,470 --> 00:00:10,720
Interception in nine, eight,
2
00:00:10,740 --> 00:00:14,020
seven, six,
3
00:00:14,050 --> 00:00:16,820
five, four,
4
00:00:16,850 --> 00:00:20,090
three, two, one.
5
00:00:20,120 --> 00:00:23,030
[GRUNTS]
6
00:00:23,050 --> 00:00:24,820
Eyes on the target.
7
00:00:27,390 --> 00:0... | null | 4990.94 | 242.75 | 157.94 |
the_brothers_grimsby | tt3381008 | 3fJrwGdicVzC | 1
00:00:01,790 --> 00:00:04,030
Nobby struggles into his brother's pants.
2
00:00:04,870 --> 00:00:06,310
He eyes an earpiece.
3
00:00:07,670 --> 00:00:09,510
He answers Sebastian's phone.
4
00:00:39,120 --> 00:00:42,560
Putting on the high tech contact lens, Nobby lights a cigarette
5
00:00:42,560 --> 00:00:43,520... | 1
00:00:00,660 --> 00:00:03,460
struggling to zip the trousers over his bulging belly.
2
00:00:03,660 --> 00:00:07,660
With his neck chain on, he faces Sebastian's earpiece into his own ear.
3
00:00:17,970 --> 00:00:19,210
Jody's nonplussed.
4
00:00:37,030 --> 00:00:38,670
Nobby puts the lens in his eye,
5
00:00:38... | 1
00:00:10,180 --> 00:00:11,360
Sebastian?
2
00:00:11,380 --> 00:00:13,490
No, he's currently on couch,
3
00:00:13,520 --> 00:00:14,900
smacked off his tits.
4
00:00:14,920 --> 00:00:16,300
Who is this?
5
00:00:16,320 --> 00:00:17,870
I'm his brother, Nobby.
6
00:00:17,890 --> 00:00:18,870
Can I help?
7
00:00:18,... | 1
00:00:04,810 --> 00:00:06,020
[STRAINS]
2
00:00:06,040 --> 00:00:07,970
[CELL PHONE RINGS]
3
00:00:10,180 --> 00:00:11,360
Sebastian?
4
00:00:11,380 --> 00:00:13,490
No, he's currently on couch,
5
00:00:13,520 --> 00:00:14,890
smacked off his tits.
6
00:00:14,920 --> 00:00:16,290
Who is this?
7
00:00:16,320 -->... | null | 4990.94 | 2400.70 | 92.88 |
the_brothers_grimsby | tt3381008 | adcJyLQQv_zO | 1
00:00:11,930 --> 00:00:15,650
A close view of a laptop monitor shows an image of a slender blonde.
2
00:00:25,290 --> 00:00:30,330
Nobby's gaze roams from a slender blonde at the bar to a plump woman in a green maid's uniform.
3
00:00:37,450 --> 00:00:40,090
Lena's smile fades as he walks right by her
4
00:00:40,0... | 1
00:00:10,990 --> 00:00:14,620
He enters the well-appointed wood panelled lodge looking for Lina.
2
00:00:23,340 --> 00:00:25,970
Surveying the bar, Nobby completely ignores blonde Lina
3
00:00:25,970 --> 00:00:29,570
and focuses on a very large local woman in a green maid's dress.
4
00:00:36,120 --> 00:00:40,600
L... | 1
00:00:00,860 --> 00:00:04,740
Okay, you need to head inside,
find Lina Smit and seduce her.
2
00:00:04,760 --> 00:00:06,640
What, and cheat on Dawny?
Never.
3
00:00:06,670 --> 00:00:08,640
You need to seduce her
in order to find out
4
00:00:08,670 --> 00:00:11,210
what Lukashenko
bought from her husband.
5
00:00:... | 1
00:00:00,860 --> 00:00:04,740
Okay, you need to head inside,
find Lina Smit and seduce her.
2
00:00:04,760 --> 00:00:06,640
What, and cheat on Dawny?
Never.
3
00:00:06,660 --> 00:00:08,640
You need to seduce her
in order to find out
4
00:00:08,670 --> 00:00:11,210
what Lukashenko
bought from her husband.
5
00:00:... | null | 4990.94 | 2501.22 | 77.23 |
the_brothers_grimsby | tt3381008 | uyCMcQ7D4U20 | 1
00:00:28,290 --> 00:00:30,490
Nobby opens the door and finds Lina.
2
00:00:48,850 --> 00:00:50,290
He leads her to the bathroom.
3
00:01:57,580 --> 00:01:58,820
She sucks her finger.
4
00:02:21,110 --> 00:02:24,030
Nobby slides across the wood floor as he hurries to the door.
5
00:02:24,070 --> 00:02:26,270
He op... | 1
00:00:02,430 --> 00:00:02,910
He calls.
2
00:00:02,910 --> 00:00:03,590
Reception.
3
00:00:27,260 --> 00:00:28,820
He opens up to Lina.
4
00:00:40,050 --> 00:00:41,170
He looks confused.
5
00:00:48,040 --> 00:00:49,000
In the bathroom.
6
00:01:13,620 --> 00:01:15,100
He raises his eyebrows.
7
00:01:56,190 --> 0... | 1
00:00:00,320 --> 00:00:01,730
Come on.
2
00:00:01,760 --> 00:00:03,160
Ugh!
3
00:00:04,890 --> 00:00:06,500
Good afternoon.
4
00:00:06,530 --> 00:00:09,710
Hello. There's an emergency.
It's a code brown.
5
00:00:09,730 --> 00:00:11,010
A code brown, sir?
6
00:00:11,030 --> 00:00:13,310
I've blocked the toiletry.... | 1
00:00:00,320 --> 00:00:01,730
Come on.
2
00:00:01,750 --> 00:00:03,130
Ugh!
3
00:00:03,150 --> 00:00:04,870
[CELL PHONE RINGS]
4
00:00:04,890 --> 00:00:06,500
Good afternoon.
5
00:00:06,520 --> 00:00:09,700
Hello. There's an emergency.
It's a code brown.
6
00:00:09,730 --> 00:00:11,010
A code brown, sir?
7
00:0... | null | 4990.94 | 2593.28 | 187.90 |
the_brothers_grimsby | tt3381008 | ztSlSEc1kt39 | 1
00:00:04,530 --> 00:00:06,530
Sebastian forces Nobby to the floor
2
00:00:07,570 --> 00:00:09,210
on a ridge overlooking the hotel.
3
00:00:09,250 --> 00:00:10,610
Agents fire upon them.
4
00:00:10,810 --> 00:00:12,570
Chilcott aims an RPG.
5
00:00:19,530 --> 00:00:21,090
The brothers jump from the balcony.
6
00... | 1
00:00:01,410 --> 00:00:03,570
The open sided cabin is peppered with gunfire.
2
00:00:03,570 --> 00:00:04,930
Sebastian and Nobby duck.
3
00:00:04,970 --> 00:00:07,050
The gunmen are on a ridge hundreds of feet away.
4
00:00:07,090 --> 00:00:10,010
Amongst them, Chilcott aims a rocket launcher.
5
00:00:14,200 --> ... | 1
00:00:00,780 --> 00:00:02,580
They'll...
2
00:00:03,820 --> 00:00:05,620
Get down!
3
00:00:07,290 --> 00:00:08,690
Stay down!
4
00:00:13,390 --> 00:00:15,660
It's Chilcott. Move!
5
00:00:18,900 --> 00:00:20,100
Come on!
6
00:00:34,150 --> 00:00:36,050
Come on. Run.
7
00:00:50,300 --> 00:00:52,270
There's nowher... | 1
00:00:00,780 --> 00:00:02,580
They'll...
[GUNFIRE]
2
00:00:03,810 --> 00:00:05,610
Get down!
3
00:00:07,280 --> 00:00:08,680
Stay down!
4
00:00:13,390 --> 00:00:15,660
It's Chilcott. Move!
5
00:00:18,900 --> 00:00:20,090
Come on!
6
00:00:34,140 --> 00:00:36,020
Come on. Run.
7
00:00:36,050 --> 00:00:38,880
[♪♪♪... | null | 4990.94 | 2936.06 | 116.61 |
the_brothers_grimsby | tt3381008 | EAW5M8c5xIEb | 1
00:00:05,090 --> 00:00:06,730
A henchman punches him in the stomach.
2
00:00:07,290 --> 00:00:09,290
Rhonda George enters the wide room.
| 1
00:00:00,610 --> 00:00:03,800
The maelstrom compound sits on a remote stretch of coastline.
2
00:00:03,800 --> 00:00:07,680
Inside, Sebastian has been strung up by the wrists and stripped to the waist.
3
00:00:07,720 --> 00:00:08,920
Thugs punch his ribs.
4
00:00:08,920 --> 00:00:10,680
Rhonda George enters.
| 1
00:00:11,190 --> 00:00:13,490
You must be freezing.
2
00:00:14,730 --> 00:00:15,940
You.
3
00:00:15,970 --> 00:00:18,380
Pleasure to meet you,
Sebastian.
4
00:00:18,400 --> 00:00:20,610
I could understand why you
might want to kill
5
00:00:20,640 --> 00:00:22,750
the head of
the World Health Organization.
6
00:0... | 1
00:00:04,680 --> 00:00:06,650
[GRUNTING]
2
00:00:08,790 --> 00:00:11,170
[GROANS]
3
00:00:11,190 --> 00:00:13,490
You must be freezing.
4
00:00:14,730 --> 00:00:15,940
You.
5
00:00:15,960 --> 00:00:18,370
Pleasure to meet you,
Sebastian.
6
00:00:18,400 --> 00:00:20,610
I could understand why you
might want to ki... | null | 4990.94 | 3586.14 | 68.94 |
the_brothers_grimsby | tt3381008 | 6XhIAZX4bTGc | 1
00:00:25,610 --> 00:00:26,530
She kisses him.
2
00:00:28,130 --> 00:00:29,650
Dawn enters with the children.
3
00:00:39,260 --> 00:00:40,420
She kisses Nobby.
4
00:00:41,300 --> 00:00:43,420
Sebastian and Jodie look on admiringly.
5
00:00:46,100 --> 00:00:46,900
Family
6
00:00:48,260 --> 00:00:50,220
Sebastian l... | 1
00:00:21,480 --> 00:00:22,560
She smiles at him.
2
00:00:25,310 --> 00:00:26,990
She kisses his lips tenderly.
3
00:00:27,030 --> 00:00:28,150
Dawn and the kids arrive,
4
00:00:28,150 --> 00:00:29,430
and Nobby's delighted.
5
00:00:35,500 --> 00:00:36,660
By Nobby's bedside.
6
00:00:39,860 --> 00:00:40,900
Nobby... | 1
00:00:00,130 --> 00:00:02,840
It's a bit smoky in here, Jodie.
Can we have the fan on, please?
2
00:00:02,870 --> 00:00:05,110
Uh, of course.
3
00:00:05,140 --> 00:00:07,050
So you were saved
from the virus
4
00:00:07,070 --> 00:00:09,520
by an antibody
found in elephant semen,
5
00:00:09,540 --> 00:00:11,040
whi... | 1
00:00:00,130 --> 00:00:02,840
It's a bit smoky in here, Jodie.
Can we have the fan on, please?
2
00:00:02,870 --> 00:00:05,110
Uh, of course.
3
00:00:05,130 --> 00:00:07,050
So you were saved
from the virus
4
00:00:07,070 --> 00:00:09,510
by an antibody
found in elephant semen,
5
00:00:09,540 --> 00:00:11,020
whi... | null | 4990.94 | 4491.23 | 72.42 |
the_brothers_grimsby | tt3381008 | ZD7BW_GIvYjs | 1
00:00:02,460 --> 00:00:05,270
You are now transmitting.
2
00:00:06,530 --> 00:00:09,040
Stand by. Stand by.
Eyes on the target.
3
00:00:17,810 --> 00:00:20,320
Listen, we're sending
information to your lens.
4
00:00:20,350 --> 00:00:22,350
I've got this. Blue Earth.
5
00:00:48,840 --> 00:00:49,820
Hiya, bruv.
6
... | 1
00:00:00,230 --> 00:00:02,440
[♪♪♪]
2
00:00:02,460 --> 00:00:05,260
MAN:
You are now transmitting.
3
00:00:06,530 --> 00:00:09,030
Stand by. Stand by.
Eyes on the target.
4
00:00:17,810 --> 00:00:20,320
JODIE: Listen, we're sending
information to your lens.
5
00:00:20,350 --> 00:00:22,350
NOBBY:
I've got this. Bl... | null | 4990.94 | 4584.90 | 57.98 | ||
the_dilemma | tt1578275 | OocdDk0wXvRy | 1
00:00:15,770 --> 00:00:16,850
They crossed the lobby.
2
00:00:40,490 --> 00:00:41,850
And Susan isocell.
3
00:00:41,850 --> 00:00:43,090
The guys swap a look.
4
00:00:48,350 --> 00:00:50,350
As she leaves, Ronny faces Nick.
| 1
00:00:01,340 --> 00:00:04,130
You know, I was at Ford
until about five months ago.
2
00:00:04,210 --> 00:00:06,470
They're still talking about you guys over there.
3
00:00:06,550 --> 00:00:08,890
They said you could whittle down a supplier
4
00:00:08,970 --> 00:00:11,680
to less than 15 cents on the dollar just by... | 1
00:00:01,330 --> 00:00:04,130
SUSAN: You know, I was at Ford
until about five months ago.
2
00:00:04,210 --> 00:00:06,460
They're still talking about you guys over there.
3
00:00:06,550 --> 00:00:08,880
They said you could whittle down a supplier
4
00:00:08,970 --> 00:00:11,680
to less than 15 cents on the dollar ... | null | 6705.56 | 1123.49 | 110.90 | |
the_dilemma | tt1578275 | 06KULGDKF_G5 | 1
00:00:02,220 --> 00:00:04,270
Beth squirts gel onto a cotton ball
2
00:00:04,270 --> 00:00:05,870
and dabs at ronni's blisters.
3
00:00:26,990 --> 00:00:27,590
In the bushes.
4
00:01:30,360 --> 00:01:31,240
Back to the kids.
5
00:01:38,400 --> 00:01:39,560
Beth picks up the money
6
00:01:39,560 --> 00:01:40,720
... | 1
00:00:02,340 --> 00:00:04,050
He has a nasty, lumpy rash.
2
00:00:04,090 --> 00:00:05,340
She applies a lotion.
3
00:00:08,390 --> 00:00:09,350
She dabs it.
4
00:01:38,380 --> 00:01:40,930
Beth picks up a wad of cash that fell from his pocket.
5
00:02:07,410 --> 00:02:09,080
He goes through to the bathroom.
6
00... | 1
00:00:00,300 --> 00:00:01,800
It's very red.
2
00:00:05,590 --> 00:00:07,050
Looks really angry.
3
00:00:09,600 --> 00:00:12,430
I didn't think you were allergic
to anything. Neither did I.
4
00:00:12,890 --> 00:00:15,100
Huh. What kind of plants were they?
5
00:00:16,810 --> 00:00:17,900
Street plants.
6
00:00:... | 1
00:00:00,290 --> 00:00:01,790
It's very red.
2
00:00:05,590 --> 00:00:07,050
Looks really angry.
3
00:00:07,470 --> 00:00:08,800
(SHARP EXHALE)
4
00:00:09,590 --> 00:00:12,430
I didn't think you were allergic
to anything. Neither did I.
5
00:00:12,890 --> 00:00:15,100
Huh. What kind of plants were they?
6
00:00:... | null | 6705.56 | 1571.81 | 151.95 |
the_dilemma | tt1578275 | Q66eLOGhi34u | 1
00:00:00,650 --> 00:00:01,330
He is
2
00:00:01,610 --> 00:00:02,770
from his office window.
3
00:00:02,770 --> 00:00:04,770
Ronny watches Nick leave the garage.
4
00:00:05,050 --> 00:00:08,450
Now a commuter train races along a winding elevated track.
5
00:00:08,690 --> 00:00:11,290
A window shows Nick standing n... | 1
00:00:03,480 --> 00:00:06,570
Ronny watches from the office as Nick walks out of the workshop.
2
00:00:09,280 --> 00:00:11,370
Later, Nick rides in a subway train.
3
00:00:12,490 --> 00:00:15,420
Ronny is in the next carriage, keeping an eye on him.
4
00:00:18,550 --> 00:00:21,510
He sinks lower into his seat to a... | 1
00:00:02,630 --> 00:00:04,250
Good night, guys.
2
00:00:26,320 --> 00:00:29,820
I'm sorry, I don't mean to make
you feel uncomfortable.
3
00:00:29,900 --> 00:00:31,860
I'm not a pervert or anything, I'm sorry.
4
00:00:32,450 --> 00:00:33,910
That's too bad.
5
00:00:34,200 --> 00:00:35,530
I'm sorry?
6
00:00:36,4... | 1
00:00:02,620 --> 00:00:04,250
Good night, guys.
2
00:00:26,310 --> 00:00:29,820
I'm sorry, I don't mean to make
you feel uncomfortable.
3
00:00:29,900 --> 00:00:31,980
(STAMMERS) I'm not a pervert or anything, I'm sorry.
4
00:00:32,440 --> 00:00:33,900
That's too bad.
5
00:00:34,200 --> 00:00:35,530
I'm sorry?
6... | null | 6705.56 | 2798.08 | 151.70 |
the_dilemma | tt1578275 | rTobB9T85mZl | 1
00:00:16,820 --> 00:00:18,900
Geneva shifts her puzzled gaze.
2
00:01:31,080 --> 00:01:31,640
Geneva
3
00:01:33,120 --> 00:01:35,040
Ronny leans forward in his seat.
4
00:02:15,410 --> 00:02:16,770
Her gaze grows tearful.
5
00:02:16,770 --> 00:02:17,690
She bows her head
6
00:02:17,690 --> 00:02:19,010
and wring... | 1
00:00:17,600 --> 00:00:18,470
Geneva s eyes.
2
00:00:18,510 --> 00:00:18,930
Rove.
3
00:01:33,270 --> 00:01:34,360
He leans forward.
4
00:02:16,570 --> 00:02:17,690
She looks down.
5
00:03:03,040 --> 00:03:04,960
She wipes away the crocodile tears
6
00:03:04,960 --> 00:03:07,130
and regards Ronny matter of factl... | 1
00:00:00,190 --> 00:00:01,560
I ordered you some coffee.
2
00:00:01,650 --> 00:00:03,170
I don't need your goddamn coffee, Geneva,
3
00:00:03,190 --> 00:00:04,910
I don't have anything to talk to you about.
4
00:00:05,150 --> 00:00:07,110
I'm gonna go see Nick tonight,
5
00:00:07,200 --> 00:00:10,950
and I'm goin... | 1
00:00:00,180 --> 00:00:01,560
I ordered you some coffee.
2
00:00:01,640 --> 00:00:03,160
I don't need your goddamn coffee, Geneva,
3
00:00:03,190 --> 00:00:04,910
I don't have anything to talk to you about.
4
00:00:05,150 --> 00:00:07,110
I'm gonna go see Nick tonight,
5
00:00:07,190 --> 00:00:10,940
and I'm goin... | null | 6705.56 | 3036.67 | 222.63 |
the_dilemma | tt1578275 | QDj3pehX1OC4 | 1
00:00:00,220 --> 00:00:01,620
Zip pats Geneva's rear
2
00:00:01,620 --> 00:00:03,220
and she caresses his face.
3
00:00:03,500 --> 00:00:06,860
Ronny stands to see his friend's wife get into a waiting taxi.
4
00:00:07,140 --> 00:00:08,300
With a grave expression.
5
00:00:08,300 --> 00:00:10,140
He watches the cab... | 1
00:00:02,740 --> 00:00:04,110
He playfully gooses her
2
00:00:04,110 --> 00:00:05,570
and she pinches his cheek
3
00:00:05,570 --> 00:00:07,240
before going over to a cab.
4
00:00:14,380 --> 00:00:16,680
Ronny watches as the cab drives away.
5
00:00:17,220 --> 00:00:19,810
He starts to climb back into the branche... | 1
00:00:07,250 --> 00:00:09,750
Hi, Sepia, on Jefferson.
2
00:00:33,060 --> 00:00:35,650
Did you get a good show? Where are you going?
3
00:00:35,730 --> 00:00:37,110
Where are you going?
4
00:00:37,400 --> 00:00:39,400
You're not going anywhere!
5
00:00:42,240 --> 00:00:44,320
You broke into the wrong house, boy.
... | 1
00:00:07,240 --> 00:00:09,740
Hi, Sepia, on Jefferson.
2
00:00:28,680 --> 00:00:30,140
(GRUNTING)
3
00:00:33,060 --> 00:00:35,640
Did you get a good show? Where are you going?
4
00:00:35,730 --> 00:00:37,100
Where are you going?
5
00:00:37,400 --> 00:00:39,400
You're not going anywhere!
6
00:00:42,240 --> 00:00:... | null | 6705.56 | 3833.79 | 166.74 |
the_dilemma | tt1578275 | _nO6arLg6gbl | 1
00:00:00,940 --> 00:00:02,540
and sits behind the wheel.
2
00:00:09,660 --> 00:00:10,900
Ronny digs in his pocket
3
00:00:10,900 --> 00:00:12,500
and takes out his car keys.
4
00:00:12,760 --> 00:00:13,720
He fumbles them,
5
00:00:13,720 --> 00:00:14,360
picks them up,
6
00:00:14,360 --> 00:00:16,000
and searche... | 1
00:00:01,120 --> 00:00:02,830
and gets into the driver's seat.
2
00:00:11,630 --> 00:00:13,170
He takes his keys from his pocket
3
00:00:13,170 --> 00:00:14,260
and drops them.
4
00:00:14,260 --> 00:00:15,880
As he picks them up, Zip appears
5
00:00:15,990 --> 00:00:17,610
and leaps onto the bonnet of the Dodge,
... | 1
00:00:21,860 --> 00:00:23,480
Whoa! Crazy's here, baby!
2
00:00:24,530 --> 00:00:25,820
This is a collector's item!
3
00:00:26,530 --> 00:00:28,820
What do you want to do? You're going to burn my face?
4
00:00:28,910 --> 00:00:31,490
You're going to burn my face? Yeah?
5
00:00:31,580 --> 00:00:32,660
No! No!
6
0... | 1
00:00:07,840 --> 00:00:09,380
(EXHALES DEEPLY)
2
00:00:21,850 --> 00:00:23,480
Whoa! Crazy's here, baby!
3
00:00:24,520 --> 00:00:25,820
This is a collector's item!
4
00:00:26,530 --> 00:00:28,820
What do you want to do? You're going to burn my face?
5
00:00:28,900 --> 00:00:31,490
You're going to burn my face? Y... | null | 6705.56 | 4010.50 | 129.08 |
the_dilemma | tt1578275 | 0EKsYXsEP1n8 | 1
00:00:07,030 --> 00:00:08,630
Beth and her parents smile.
2
00:01:46,560 --> 00:01:48,160
Beth lowers her gaze.
3
00:01:57,880 --> 00:01:59,680
A girl in a poofy blouse grins.
4
00:02:24,330 --> 00:02:26,050
Beth makes eye contact with Nick.
5
00:02:32,570 --> 00:02:33,690
Betty's chin trembles,
6
00:02:33,730 -... | 1
00:02:32,870 --> 00:02:34,530
Cousin Betty looks taken aback.
2
00:02:34,530 --> 00:02:35,950
Geneva looks uncomfortable.
3
00:02:55,640 --> 00:02:57,140
He aims this at Geneva,
4
00:02:57,350 --> 00:02:58,680
then raises his glass.
5
00:03:14,030 --> 00:03:15,330
She leads Ronny away.
6
00:03:16,410 --> 00:03:1... | 1
00:00:00,330 --> 00:00:02,040
Forty years.
2
00:00:02,830 --> 00:00:06,880
That is a long time to be with
someone. Forty years, wow!
3
00:00:09,000 --> 00:00:10,670
It's impressive.
4
00:00:11,010 --> 00:00:14,510
I personally don't know a lot about marriage,
5
00:00:15,510 --> 00:00:18,760
but I would imagine it... | 1
00:00:00,330 --> 00:00:02,030
Forty years.
2
00:00:02,830 --> 00:00:06,870
That is a long time to be with
someone. Forty years, wow!
3
00:00:09,000 --> 00:00:10,670
It's impressive.
4
00:00:11,000 --> 00:00:14,510
I personally don't know a lot about marriage,
5
00:00:15,510 --> 00:00:18,760
but I would imagine it... | null | 6705.56 | 4369.70 | 199.32 |
the_dilemma | tt1578275 | rHa2pegyLOF8 | 1
00:00:01,810 --> 00:00:02,850
Zip yanks it open
2
00:00:02,850 --> 00:00:04,290
and aims a gun at.
3
00:01:38,630 --> 00:01:39,910
He lowers the gun.
4
00:01:48,150 --> 00:01:49,390
He points to Ronnie's heart.
5
00:02:02,310 --> 00:02:04,070
Ronnie musters an earnest nod
6
00:02:04,070 --> 00:02:05,840
and brie... | 1
00:00:01,630 --> 00:00:03,880
Zip opens the door, gun in hand.
2
00:01:39,230 --> 00:01:40,360
Zip lowers the gun.
3
00:02:03,070 --> 00:02:03,910
Ronny nods.
4
00:02:03,910 --> 00:02:07,700
Sombrely then makes several attempts at a sincere expression.
5
00:02:12,160 --> 00:02:14,290
Zip disappears back inside th... | 1
00:00:04,930 --> 00:00:06,970
Oh, God. Hey, man. What's going on?
2
00:00:07,050 --> 00:00:08,300
Come on in the house.
3
00:00:08,390 --> 00:00:09,490
What, are you going to shoot me right here
4
00:00:09,520 --> 00:00:10,620
on your porch in broad daylight?
5
00:00:10,640 --> 00:00:11,770
Are you out of your mi... | 1
00:00:04,920 --> 00:00:06,970
Oh, God. Hey, man. What's going on?
2
00:00:07,050 --> 00:00:08,300
Come on in the house.
3
00:00:08,380 --> 00:00:09,490
What, are you going to shoot me right here
4
00:00:09,510 --> 00:00:10,610
on your porch in broad daylight?
5
00:00:10,640 --> 00:00:11,760
Are you out of your mi... | null | 6705.56 | 4772.67 | 185.53 |
the_dilemma | tt1578275 | TbGtfxqXpLh2 | 1
00:00:06,770 --> 00:00:08,570
Zip enters, startling Geneva.
2
00:00:10,690 --> 00:00:12,290
She pulls her cell phone out.
3
00:00:24,570 --> 00:00:25,890
Over a guide on quitting gambling.
4
00:00:27,930 --> 00:00:30,940
Geneva types out a text message for Zip as he sits.
5
00:00:36,580 --> 00:00:38,260
Zip reads... | 1
00:00:07,450 --> 00:00:08,330
Zip arrives.
2
00:01:24,890 --> 00:01:27,310
Ronny takes the Camera out of the brown bag.
3
00:01:30,860 --> 00:01:32,440
He hands the camera to Nick.
4
00:01:49,080 --> 00:01:50,040
Ronny looks.
5
00:01:50,040 --> 00:01:53,550
It's a Zip holding up one of his dead fish and giving th... | 1
00:00:00,010 --> 00:00:02,670
Well, it's no coincidence
2
00:00:02,760 --> 00:00:06,390
that we find ourselves here in
a gentle circle of support.
3
00:00:06,470 --> 00:00:07,600
Hey.
4
00:00:08,760 --> 00:00:10,600
Oh, shit, am I late?
5
00:00:12,480 --> 00:00:16,440
I'm sorry. I know it's probably really bad
fo... | 1
00:00:00,000 --> 00:00:02,670
ROSENSTONE: Well, it's no coincidence
2
00:00:02,750 --> 00:00:06,380
that we find ourselves here in
a gentle circle of support.
3
00:00:06,470 --> 00:00:07,590
Hey.
4
00:00:08,760 --> 00:00:10,590
Oh, shit, am I late?
5
00:00:12,470 --> 00:00:16,430
I'm sorry. I know it's probably r... | null | 6705.56 | 5100.42 | 146.36 |
the_dilemma | tt1578275 | pxayFUbUbX9H | 1
00:00:01,200 --> 00:00:05,600
Now, at a Blackhawks game, fans rise from their seats, including Ronny and Beth.
2
00:00:07,800 --> 00:00:09,480
The cook misses the slot in the goal.
3
00:00:09,520 --> 00:00:10,040
Cut out
4
00:00:10,400 --> 00:00:11,720
Nick is the contestant.
5
00:00:26,960 --> 00:00:28,440
Good ... | 1
00:00:03,700 --> 00:00:07,000
Beth and Ronny watch Nick take a shot on an ice hockey rink.
2
00:00:08,370 --> 00:00:09,080
He misses.
3
00:00:35,870 --> 00:00:38,080
The puck is placed on the ice in front of Nick.
4
00:01:07,070 --> 00:01:09,030
Nick turns his attention back to the puck,
5
00:01:09,280 --> 00:01:... | 1
00:00:06,570 --> 00:00:08,280
Yes! Yes! Come on! Come on!
2
00:00:09,620 --> 00:00:10,660
Damn it!
3
00:00:12,120 --> 00:00:14,040
He can do this, he just has to stay calm.
4
00:00:14,120 --> 00:00:17,040
Nick Brannen, that was your second shot.
5
00:00:17,130 --> 00:00:20,000
But if you score on your third and f... | 1
00:00:00,360 --> 00:00:02,020
(CROWD CHEERING)
2
00:00:06,570 --> 00:00:08,280
Yes! Yes! Come on! Come on!
3
00:00:09,620 --> 00:00:10,660
Damn it!
4
00:00:10,740 --> 00:00:12,030
(GROANS) (CROWD BOOING)
5
00:00:12,120 --> 00:00:14,040
He can do this, he just has to stay calm.
6
00:00:14,120 --> 00:00:17,040
Nic... | null | 6705.56 | 6323.20 | 163.75 |
the_forever_purge | tt10327252 | 9Hd8V8UXnPAG | 1
00:00:01,560 --> 00:00:03,360
Adela inspects the cage.
2
00:00:03,600 --> 00:00:06,440
Spots of blood stain the goats light coloured fur.
3
00:00:06,640 --> 00:00:10,660
She notices a locking mechanism above the goat inside the cage.
4
00:00:11,180 --> 00:00:13,220
More blood stains the locks handle.
5
00:00:13,6... | 1
00:00:01,920 --> 00:00:04,560
Adela crouches by the cage, searching for a lock.
2
00:00:04,800 --> 00:00:07,400
She spots a bloodstained lever in the roof panel.
3
00:00:07,600 --> 00:00:10,410
The goat's head and one horn are also covered in blood.
4
00:00:13,770 --> 00:00:16,210
She reaches in and stretches to t... | 1
00:00:27,290 --> 00:00:28,710
¡Ayúdame!
2
00:00:33,680 --> 00:00:34,680
Help!
3
00:00:38,600 --> 00:00:39,850
Help!
4
00:00:56,870 --> 00:00:58,280
Help me.
5
00:01:00,080 --> 00:01:01,410
Help!
6
00:01:01,490 --> 00:01:04,370
- You can't do this today!
- The Purge is over!
7
00:01:04,460 --> 00:01:08,790
No, n... | 1
00:00:13,650 --> 00:00:14,650
[grunts]
2
00:00:27,290 --> 00:00:28,710
¡Ayúdame!
3
00:00:28,790 --> 00:00:30,080
[exclaims]
4
00:00:33,670 --> 00:00:34,670
Help!
5
00:00:38,590 --> 00:00:39,840
[gasps] Help!
6
00:00:41,260 --> 00:00:43,560
[both singing in Spanish]
7
00:00:49,270 --> 00:00:50,600
[Juan]
8
00:0... | null | 6210.24 | 2022.91 | 143.52 |
the_forever_purge | tt10327252 | Pm2A_okZ5XFW | 1
00:00:33,800 --> 00:00:35,440
Kirk crouches in front of Dylan.
2
00:00:37,280 --> 00:00:38,640
He draws his gun.
3
00:00:49,800 --> 00:00:50,920
He aims at Harper.
4
00:00:52,040 --> 00:00:54,560
T.T. and Juan sneak around the house with guns.
5
00:00:56,000 --> 00:00:58,320
Juan spots the Tuckers and Purgers.
6... | 1
00:00:52,670 --> 00:00:54,030
T.T. and Juan hide.
2
00:00:56,550 --> 00:00:58,030
Juan looks around the wall.
3
00:02:17,240 --> 00:02:17,640
Juan.
4
00:02:17,680 --> 00:02:18,840
You take the guys on the left
5
00:02:18,840 --> 00:02:19,920
and I'll take the right.
6
00:02:29,320 --> 00:02:31,240
I put a bullet... | 1
00:00:01,010 --> 00:00:04,510
I'm gonna give you a chance
to save your family, Dylan Tucker.
2
00:00:05,140 --> 00:00:07,930
One by one, but you'll have to pay.
3
00:00:08,520 --> 00:00:14,350
Let's start with eeny, meeny, miny, ho!
4
00:00:14,440 --> 00:00:16,020
How much would you give for her, Dylan?
5
00:00:1... | 1
00:00:01,000 --> 00:00:04,510
I'm gonna give you a chance
to save your family, Dylan Tucker.
2
00:00:05,130 --> 00:00:07,930
One by one, but you'll have to pay.
3
00:00:08,510 --> 00:00:14,350
Let's start with eeny, meeny, miny, ho!
4
00:00:14,430 --> 00:00:16,020
How much would you give for her, Dylan?
5
00:00:1... | null | 6210.24 | 2296.32 | 175.85 |
the_forever_purge | tt10327252 | HKA1kZEOK0LR | 1
00:00:00,560 --> 00:00:02,280
Another purger runs by.
2
00:00:06,320 --> 00:00:07,800
He hands her a revolver.
3
00:00:15,350 --> 00:00:17,070
She trembles, holding the gun.
4
00:00:17,550 --> 00:00:18,150
Getting out.
5
00:00:18,150 --> 00:00:21,990
Dylan slowly lowers his cowboy boot onto the step outside his d... | 1
00:00:17,050 --> 00:00:19,370
Sitting in the front, Cassie grips the revolver.
2
00:00:21,890 --> 00:00:24,410
He plants his booted foot onto the steps tread plate
3
00:00:24,410 --> 00:00:26,290
and climbs down with his gun aimed.
4
00:00:32,010 --> 00:00:33,090
Cassie locks his door
5
00:00:33,090 --> 00:00:34,... | 1
00:00:02,580 --> 00:00:03,660
What?
2
00:00:03,750 --> 00:00:04,830
Okay.
3
00:00:05,880 --> 00:00:06,880
Honey...
4
00:00:07,920 --> 00:00:09,550
I need you to take this.
5
00:00:09,630 --> 00:00:11,190
Don't ask any questions, not right now.
6
00:00:11,260 --> 00:00:13,400
I'm gonna get out of the car.
I need ... | 1
00:00:02,580 --> 00:00:03,660
What?
2
00:00:03,740 --> 00:00:04,830
Okay.
3
00:00:05,870 --> 00:00:06,870
Honey...
4
00:00:07,920 --> 00:00:09,540
I need you to take this.
5
00:00:09,630 --> 00:00:11,190
Don't ask any questions, not right now.
6
00:00:11,250 --> 00:00:13,400
I'm gonna get out of the car.
I need ... | null | 6210.24 | 2831.20 | 135.05 |
the_forever_purge | tt10327252 | s_MRvvGBR9mF | 1
00:00:01,870 --> 00:00:04,070
Purgers ride off on motorcycles.
2
00:00:04,630 --> 00:00:07,310
In the van, the tattooed man breaks his restraints
3
00:00:07,310 --> 00:00:08,750
and falls onto Adela.
4
00:00:11,710 --> 00:00:13,070
Darius tries to break free
5
00:00:13,070 --> 00:00:14,630
as the man grabs her fa... | 1
00:00:06,500 --> 00:00:07,820
Tattoo Nazi breaks free
2
00:00:07,820 --> 00:00:11,620
and attacks Adela fucking dick!
3
00:00:13,860 --> 00:00:14,780
She curses.
4
00:00:14,820 --> 00:00:15,660
Fucking pig!
5
00:00:27,300 --> 00:00:28,260
Darius breaks free
6
00:00:28,260 --> 00:00:29,060
and thumps him.
7
00:0... | 1
00:00:00,060 --> 00:00:01,310
Yeah!
2
00:00:01,400 --> 00:00:02,400
Cover me!
3
00:00:02,480 --> 00:00:03,730
Go, go, go!
4
00:00:04,400 --> 00:00:05,570
Forever Purge!
5
00:00:10,660 --> 00:00:12,370
You're fucking dead, puta.
6
00:00:18,500 --> 00:00:19,660
Get off me!
7
00:00:22,580 --> 00:00:23,670
You're a... | 1
00:00:00,060 --> 00:00:01,310
[purger 1] Yeah!
2
00:00:01,390 --> 00:00:02,390
[purger 2] Cover me!
3
00:00:02,480 --> 00:00:03,730
[purger 1] Go, go, go!
4
00:00:04,400 --> 00:00:05,560
Forever Purge!
5
00:00:06,860 --> 00:00:09,860
[grunting]
6
00:00:10,650 --> 00:00:12,360
You're fucking dead, puta.
7
00:00:... | null | 6210.24 | 2966.56 | 108.81 |
the_forever_purge | tt10327252 | aVRlK80SY4Sb | 1
00:00:04,330 --> 00:00:05,970
The others wake and sit up.
2
00:00:10,450 --> 00:00:11,370
Ever after
3
00:00:11,850 --> 00:00:19,270
they drive past a car on fire next to a traffic sign reading ever after motorcycle riders shoot guns.
4
00:00:28,190 --> 00:00:31,110
Motorcycle headlights shine in the side view mir... | 1
00:00:10,510 --> 00:00:14,230
Ever after by a blazing car and a lit up ever after sign.
2
00:00:14,230 --> 00:00:15,790
The bikers fire shots in the air.
3
00:00:19,030 --> 00:00:20,830
And shoot people on the roadside.
4
00:00:26,510 --> 00:00:29,230
Lights blow around them as they leave the carnage behind.
5
00... | 1
00:00:00,460 --> 00:00:01,980
Okay, everybody, wake up.
2
00:00:02,010 --> 00:00:04,010
Wake up! Be alert!
3
00:00:07,510 --> 00:00:08,510
Oh, shit.
4
00:00:08,600 --> 00:00:11,430
Jesus Christ. "Ever After"?
5
00:00:22,230 --> 00:00:23,780
Holy shit.
6
00:00:31,660 --> 00:00:33,180
Okay. They're coming up on us... | 1
00:00:00,460 --> 00:00:01,980
- Okay, everybody, wake up.
- [gunfire]
2
00:00:02,000 --> 00:00:04,000
- [motorcycles revving]
- Wake up! Be alert!
3
00:00:05,090 --> 00:00:07,420
[shouting, hooting, faint]
4
00:00:07,510 --> 00:00:08,510
Oh, shit.
5
00:00:08,590 --> 00:00:11,430
[Dylan] Jesus Christ. "Ever After"... | null | 6210.24 | 3522.05 | 108.28 |
the_forever_purge | tt10327252 | c6Ai_XzuvibW | 1
00:00:02,830 --> 00:00:03,870
A purger runs out
2
00:00:03,870 --> 00:00:05,070
and T.T. shoots them.
3
00:00:06,190 --> 00:00:07,310
He shoots another.
4
00:00:09,790 --> 00:00:12,190
The group cautiously proceeds down the alley.
5
00:00:16,770 --> 00:00:19,010
Dylan takes the lead, aiming his pistol.
6
00:00:1... | 1
00:00:06,550 --> 00:00:08,030
T.T. fires down an alley.
2
00:00:16,720 --> 00:00:17,560
They creep forward.
3
00:00:17,560 --> 00:00:18,400
Guns aimed.
4
00:00:24,760 --> 00:00:26,120
Dylan swiftly kills a guy.
5
00:00:26,160 --> 00:00:28,600
Wildly swinging a machete and charging at them.
6
00:00:39,320 --> 00:... | 1
00:00:01,200 --> 00:00:04,620
T.T., cover the right.
2
00:00:07,960 --> 00:00:10,960
Juan! Go, go!
3
00:00:13,800 --> 00:00:14,840
Move, move!
4
00:00:15,840 --> 00:00:16,840
I'm behind you.
5
00:00:18,260 --> 00:00:20,430
Stay close.
6
00:00:22,100 --> 00:00:23,770
Revolution!
7
00:00:29,610 --> 00:00:31,440
G... | 1
00:00:01,200 --> 00:00:04,620
- [Juan speaking Spanish]
- [Adela] T.T., cover the right.
2
00:00:07,960 --> 00:00:10,960
- Juan! Go, go!
- [people screaming, shouting]
3
00:00:13,790 --> 00:00:14,840
[Juan] Move, move!
4
00:00:15,840 --> 00:00:16,840
I'm behind you.
5
00:00:18,260 --> 00:00:20,430
- [explosion]
-... | null | 6210.24 | 3759.71 | 174.01 |
the_forever_purge | tt10327252 | kALZG_yWBRfo | 1
00:00:15,500 --> 00:00:17,660
The bearded gang leader glares at them.
2
00:00:17,900 --> 00:00:19,100
Juan complies.
3
00:00:20,420 --> 00:00:22,460
Harper glares at a blonde woman.
4
00:00:26,340 --> 00:00:27,980
Harper and Dylan comply.
5
00:00:32,440 --> 00:00:33,800
T.T. drops his gun.
6
00:00:35,360 --> 00:... | 1
00:00:15,750 --> 00:00:17,470
Juan stares at the bushy bearded man
2
00:00:17,470 --> 00:00:18,590
and drops his weapon.
3
00:00:35,640 --> 00:00:37,160
T.T. sneers and backs away.
4
00:01:35,250 --> 00:01:35,850
Hey, Dex.
5
00:01:35,850 --> 00:01:36,290
Juan.
6
00:01:47,450 --> 00:01:50,210
As mother steps towa... | 1
00:00:01,670 --> 00:00:03,050
Drop it! Move or I kill you.
2
00:00:03,130 --> 00:00:06,510
Hand 'em over. Down.
Drop your weapons.
3
00:00:07,180 --> 00:00:08,550
There's nothing you can do.
4
00:00:09,140 --> 00:00:10,180
Drop 'em.
5
00:00:10,810 --> 00:00:13,060
You too, amigo.
Come on now.
6
00:00:13,140 --> ... | 1
00:00:01,670 --> 00:00:03,050
Drop it! Move or I kill you.
2
00:00:03,130 --> 00:00:06,510
Hand 'em over. Down.
Drop your weapons.
3
00:00:07,170 --> 00:00:08,550
There's nothing you can do.
4
00:00:09,130 --> 00:00:10,180
Drop 'em.
5
00:00:10,800 --> 00:00:13,060
You too, amigo.
Come on now.
6
00:00:13,140 --> ... | null | 6210.24 | 4149.63 | 191.82 |
the_forever_purge | tt10327252 | 4ElVJtyTgThl | 1
00:00:00,530 --> 00:00:02,570
Elijah's convoy closes in.
2
00:00:03,010 --> 00:00:05,530
Dylan, Adela and Juan stand together.
3
00:00:09,730 --> 00:00:11,050
They ready their weapons.
4
00:00:15,010 --> 00:00:20,010
On a ridge overlooking the campsite, a goateed man holds a compound bow and arrows.
5
00:00:20,09... | 1
00:00:01,780 --> 00:00:04,500
Juan stands with Adela, Dylan and another man.
2
00:00:15,580 --> 00:00:17,780
They crouch behind the truck and a camper van.
3
00:00:18,020 --> 00:00:21,340
Thiago's friend Joaquin heads to high ground armed with a crossbow.
4
00:00:30,270 --> 00:00:31,670
The vehicle swerve around t... | 1
00:00:05,750 --> 00:00:08,330
This is our last stand.
2
00:00:12,040 --> 00:00:13,460
On my ready!
3
00:00:13,550 --> 00:00:15,170
Let 'em get close!
4
00:00:22,430 --> 00:00:23,850
Wait for 'em!
5
00:00:27,430 --> 00:00:28,890
Wait for it!
6
00:00:53,840 --> 00:00:55,630
Are you okay?
7
00:00:55,710 --> 00:00:... | 1
00:00:05,740 --> 00:00:08,330
This is our last stand.
2
00:00:12,040 --> 00:00:13,460
On my ready!
3
00:00:13,540 --> 00:00:15,170
Let 'em get close!
4
00:00:22,430 --> 00:00:23,840
Wait for 'em!
5
00:00:27,430 --> 00:00:28,890
Wait for it!
6
00:00:53,830 --> 00:00:55,630
- [grunts]
- Are you okay?
7
00:00:55,7... | null | 6210.24 | 4962.21 | 147.19 |
the_forever_purge | tt10327252 | vp_qHcbrYZdC | 1
00:00:00,640 --> 00:00:02,800
The bikers continue circling the home.
2
00:00:03,000 --> 00:00:05,000
One of them rides through the front doors.
3
00:00:05,640 --> 00:00:07,400
Adela shoves Juan aside.
4
00:00:09,310 --> 00:00:11,910
The biker turns and hits Adela with his back tire.
5
00:00:12,310 --> 00:00:14,55... | 1
00:00:02,690 --> 00:00:03,770
Adela frowns.
2
00:00:06,090 --> 00:00:08,180
As a motorbike crashes through the wooden door
3
00:00:08,220 --> 00:00:08,900
doing a wheelie,
4
00:00:08,900 --> 00:00:10,500
she pushes one out of its way.
5
00:00:14,660 --> 00:00:16,620
The guy skids his back wheel into her.
6
00:00... | 1
00:00:17,270 --> 00:00:18,270
Adela!
2
00:00:33,710 --> 00:00:34,880
Adela. Adela.
3
00:00:36,590 --> 00:00:38,310
- Adela.
- There he is. Grab him!
4
00:01:34,770 --> 00:01:35,770
Adela!
5
00:01:37,810 --> 00:01:38,940
Fucking whore!
| 1
00:00:06,930 --> 00:00:07,970
[shouts]
2
00:00:11,850 --> 00:00:12,930
[shouts]
3
00:00:13,020 --> 00:00:14,430
[grunts]
4
00:00:17,270 --> 00:00:18,270
Adela!
5
00:00:33,700 --> 00:00:34,870
Adela. Adela.
6
00:00:36,580 --> 00:00:38,300
- Adela.
- [purger 3] There he is. Grab him!
7
00:01:04,980 --> 00:01:06,6... | null | 6210.24 | 5272.96 | 118.68 |
the_forever_purge | tt10327252 | 0BLpOIU2MPez | 1
00:00:01,630 --> 00:00:03,430
Chiago hides behind a rock.
2
00:00:03,870 --> 00:00:06,110
The Goateed man wields his compound bow
3
00:00:06,150 --> 00:00:06,910
nearby.
4
00:00:07,430 --> 00:00:10,190
Chiago fires, taking down one of the Purgers.
5
00:00:10,830 --> 00:00:12,710
The Goateed Man shoots another.
6... | 1
00:00:03,470 --> 00:00:05,830
their shadows creeping across the sand behind them.
2
00:00:06,270 --> 00:00:08,870
Chiago and Joaquin wait, arrows poised.
3
00:00:13,710 --> 00:00:15,550
Their swift arrows kill two men.
4
00:00:15,590 --> 00:00:16,870
Chiago grabs the last one
5
00:00:16,870 --> 00:00:18,030
and s... | 1
00:00:20,260 --> 00:00:22,970
Call your people
and tell 'em you need help.
2
00:00:40,150 --> 00:00:42,070
Call out! Now!
3
00:00:45,780 --> 00:00:47,160
Fucking English!
4
00:00:54,920 --> 00:00:56,840
Translate! What are you saying?
5
00:00:57,750 --> 00:01:00,340
- Juan!
- I said speak English!
6
00:01:01,380... | 1
00:00:12,250 --> 00:00:13,540
[screams]
2
00:00:18,670 --> 00:00:20,170
[gasps]
3
00:00:20,250 --> 00:00:22,960
Call your people
and tell 'em you need help.
4
00:00:40,150 --> 00:00:42,070
Call out! Now!
5
00:00:45,780 --> 00:00:47,160
Fucking English!
6
00:00:54,910 --> 00:00:56,830
[militia leader]
Translate! ... | null | 6210.24 | 5403.36 | 124.18 |
the_impossible_2012 | tt1649419 | 3fEMG5MyP5Ya | 1
00:00:01,020 --> 00:00:02,420
Maria looks up from her book
2
00:00:02,420 --> 00:00:04,100
as a breeze ruffles her hair.
3
00:00:09,260 --> 00:00:11,340
Lucas goes to fetch the red ball.
4
00:00:11,620 --> 00:00:12,860
The wind picks up speed
5
00:00:12,860 --> 00:00:15,140
and blows a loose page out of Maria's b... | 1
00:00:00,260 --> 00:00:02,760
Maria looks up from her book with a frown.
2
00:00:09,280 --> 00:00:11,160
A gust of wind blows her loose.
3
00:00:11,200 --> 00:00:11,700
Page away
4
00:00:11,700 --> 00:00:12,950
and she runs after it.
5
00:00:13,330 --> 00:00:15,490
The red ball blows across the decking
6
00:00:1... | 1
00:00:05,500 --> 00:00:07,680
Oh no, go get it Lucas!
2
00:00:59,610 --> 00:01:01,630
Henry, the boys!
3
00:01:02,050 --> 00:01:04,970
- Lucas!
- Dad!
4
00:01:11,260 --> 00:01:12,990
Lucas!
| 1
00:00:05,240 --> 00:00:06,520
HENRY: Oh, no!
2
00:00:06,760 --> 00:00:08,090
Go get it, Lucas! Go on!
3
00:00:20,800 --> 00:00:22,690
(RUMBLING)
4
00:00:31,360 --> 00:00:33,120
(BIRDS SQUAWKING)
5
00:00:38,880 --> 00:00:40,480
(PEOPLE SCREAMING)
6
00:00:43,640 --> 00:00:45,560
(RUMBLING GETTING LOUDER)
7
00:00:... | null | 6817.54 | 768.86 | 158.18 |
the_impossible_2012 | tt1649419 | Ol1sPFJEkf2G | 1
00:00:01,400 --> 00:00:03,000
before pummelling the car.
2
00:00:07,560 --> 00:00:10,840
The SUV rolls over as the water rips through the area.
3
00:00:16,620 --> 00:00:18,540
Lucas is forced under by the wave
4
00:00:18,540 --> 00:00:20,100
and is buffeted by debris.
5
00:00:24,260 --> 00:00:25,660
He's tossed l... | 1
00:00:00,720 --> 00:00:03,690
knocking down anything that survived the first wave.
2
00:00:15,200 --> 00:00:15,700
Lucas.
3
00:00:15,700 --> 00:00:17,320
Ducks as the wave hits.
4
00:00:17,490 --> 00:00:19,830
He's thrown around violently underwater
5
00:00:19,830 --> 00:00:21,200
and is hit by debris.
6
00:00:2... | 1
00:00:49,210 --> 00:00:52,020
Mom! Dad!
2
00:01:02,320 --> 00:01:05,470
Mom, Mom.
3
00:01:16,210 --> 00:01:19,570
Mom!
4
00:01:23,990 --> 00:01:27,350
Please.
5
00:01:29,040 --> 00:01:31,680
Never do that to me again mom.
6
00:01:33,670 --> 00:01:37,020
- Never do that to me again mom.
- I'm here.
7
00:01:41,98... | 1
00:00:06,520 --> 00:00:07,600
MARIA: Lucas!
2
00:00:11,680 --> 00:00:13,010
Lucas, go under!
3
00:00:20,400 --> 00:00:21,520
(THUDDING)
4
00:00:41,880 --> 00:00:42,960
Mom!
5
00:00:43,880 --> 00:00:45,720
(SOBBING)
6
00:00:48,880 --> 00:00:50,040
Mom...
7
00:00:50,240 --> 00:00:51,400
Mom!
8
00:00:52,960 --> 0... | null | 6817.54 | 1091.26 | 179.98 |
the_impossible_2012 | tt1649419 | YtSE7spRmBhv | 1
00:00:03,990 --> 00:00:06,910
Maria comes to looking from side to side.
2
00:00:07,230 --> 00:00:10,670
More water is squeezed into her mouth as she struggles to swallow.
3
00:00:24,630 --> 00:00:28,070
Another elderly woman arrives carrying a basket of clothes.
4
00:00:28,310 --> 00:00:32,470
One of the women ten... | 1
00:00:00,840 --> 00:00:04,720
and Maria wakes, trying to catch the droplets of water in her mouth.
2
00:00:05,260 --> 00:00:09,150
She looks around at the people and Lucas standing with Daniel.
3
00:00:21,620 --> 00:00:22,250
Look at
4
00:00:23,420 --> 00:00:25,420
another woman approaches with a basket
5
00:00:2... | 1
00:00:15,720 --> 00:00:18,230
- Lucas?
- Mom, I'm here.
2
00:00:48,100 --> 00:00:49,290
Thank you.
3
00:00:57,450 --> 00:01:01,380
Thank you. Thank you.
4
00:01:05,320 --> 00:01:07,360
Thank you. Thank you so much.
5
00:01:13,140 --> 00:01:18,310
My boys. I can no longer see them.
My boys.
6
00:01:25,000 --> 00:... | 1
00:00:00,200 --> 00:00:02,720
(VILLAGERS
SPEAKING INDISTINCTLY)
2
00:00:13,840 --> 00:00:15,120
(WEAKLY) Lucas?
3
00:00:16,120 --> 00:00:17,930
- Lucas?
- Mom, I'm here.
4
00:00:30,440 --> 00:00:31,440
(GROANS)
5
00:00:47,520 --> 00:00:51,200
Thank you so much. Thank you.
6
00:00:56,960 --> 00:00:58,370
Thank yo... | null | 6817.54 | 2104.54 | 147.19 |
the_impossible_2012 | tt1649419 | 8Fz6L6pVTZql | 1
00:00:03,120 --> 00:00:05,600
The nurse approaches and kneels beside him.
2
00:00:10,120 --> 00:00:12,120
Shaking, Lucas turns to her.
3
00:00:17,160 --> 00:00:18,760
She writes on a clipboard.
4
00:00:36,480 --> 00:00:37,680
His chin quivers.
5
00:00:47,570 --> 00:00:50,010
Lucas looks away as his eyes well up.
... | 1
00:00:04,570 --> 00:00:07,570
The doctor approaches and sits down.
2
00:00:47,740 --> 00:00:48,990
Lucas looks away.
3
00:01:05,010 --> 00:01:11,720
The doctor puts a small white sticker on Lucas t shirt with his name written in English and Thai writing under it.
4
00:01:12,100 --> 00:01:13,850
He looks down at he... | 1
00:00:08,730 --> 00:00:09,830
What's your name?
2
00:00:14,240 --> 00:00:17,400
- What's your name?
- Lucas Bennett.
3
00:00:18,270 --> 00:00:22,330
Where were you staying?
4
00:00:26,260 --> 00:00:30,000
In uh, the beach resort in Khaolak.
5
00:00:30,020 --> 00:00:32,220
Was somebody else traveling with you?
6
... | 1
00:00:08,720 --> 00:00:10,370
What's your name?
2
00:00:13,880 --> 00:00:15,480
What's your name?
3
00:00:16,200 --> 00:00:17,200
Lucas Bennett.
4
00:00:19,880 --> 00:00:21,850
Where were you staying?
5
00:00:23,520 --> 00:00:26,810
In the, uh, the Orchid...
6
00:00:26,880 --> 00:00:29,850
The Orchid Beach Resor... | null | 6817.54 | 3100.58 | 155.51 |
the_impossible_2012 | tt1649419 | v_83XdkCpF88 | 1
00:00:04,620 --> 00:00:06,460
Karl takes a cell phone from his bag
2
00:00:06,460 --> 00:00:07,820
and holds it out to Henry.
3
00:00:21,620 --> 00:00:22,420
Henry dials
4
00:00:22,420 --> 00:00:23,940
and puts the phone to his ear.
5
00:00:24,100 --> 00:00:27,060
He purses his lips as tears roll down his cheeks.... | 1
00:00:05,460 --> 00:00:09,300
The man with the support on his leg takes out a small mobile phone.
2
00:00:22,230 --> 00:00:23,480
Henry dials
3
00:00:23,480 --> 00:00:25,270
and holds the phone to his ear.
4
00:01:16,490 --> 00:01:17,740
Henry hangs up.
5
00:01:18,070 --> 00:01:19,780
The woman beside him comfort... | 1
00:00:00,810 --> 00:00:04,070
- Have you called home yet?
- I can't find a phone.
2
00:00:11,090 --> 00:00:14,850
I'm saving my battery,
just in case, my family calls.
3
00:00:14,880 --> 00:00:17,150
Please.
4
00:00:18,180 --> 00:00:21,260
Thank you. It will be
very quick, I promise.
5
00:00:32,160 --> 00:00:34,0... | 1
00:00:01,040 --> 00:00:04,170
- Have you called home yet?
- I can't find a phone.
2
00:00:10,680 --> 00:00:14,450
KARL: I'm saving my battery.
Just in case my family calls.
3
00:00:16,040 --> 00:00:17,200
Please.
4
00:00:18,560 --> 00:00:21,210
Thank you. I'll be very quick, I promise.
5
00:00:32,680 --> 00:00:34... | null | 6817.54 | 3910.50 | 165.19 |
the_impossible_2012 | tt1649419 | ceAethAawO90 | 1
00:00:02,040 --> 00:00:03,410
A tree rustles in the wind
2
00:00:03,410 --> 00:00:07,170
and people huddle around campfires on a huge boulder.
3
00:00:07,170 --> 00:00:10,130
Simon, resting his head on his brother's leg, looks up.
4
00:00:18,450 --> 00:00:19,890
Thomas strokes Simon's head
5
00:00:19,890 --> 00:0... | 1
00:00:05,040 --> 00:00:08,460
Fires burn outside shelters in a camp in the mountains.
2
00:00:09,130 --> 00:00:12,050
Simon lies with his head on Thomas leg.
3
00:00:20,100 --> 00:00:22,720
Thomas pulls the blanket over Simon's shoulders
4
00:00:22,850 --> 00:00:26,310
and looks up at the small, bright stars in th... | 1
00:00:13,660 --> 00:00:16,080
I'm afraid.
2
00:00:16,100 --> 00:00:18,550
Close of you eyes,
think of something nice.
3
00:00:29,360 --> 00:00:31,180
May I sit with you?
4
00:00:48,400 --> 00:00:49,730
How old are you?
5
00:00:52,670 --> 00:00:56,020
Almost seventy-four. And you?
6
00:00:56,380 --> 00:00:57,750
... | 1
00:00:13,950 --> 00:00:15,280
SIMON: I'm scared.
2
00:00:15,350 --> 00:00:18,280
Close your eyes. Think of something nice.
3
00:00:29,550 --> 00:00:30,840
WOMAN: May I sit with you?
4
00:00:48,630 --> 00:00:50,040
How old are you?
5
00:00:52,470 --> 00:00:55,320
Almost 74. And you?
6
00:00:56,190 --> 00:00:57,24... | null | 6817.54 | 4076.22 | 139.32 |
the_impossible_2012 | tt1649419 | OOnDb6DSZ9cg | 1
00:00:00,730 --> 00:00:03,830
Lucas spins in a circle, frantically looking around.
2
00:00:14,270 --> 00:00:16,030
Lucas slowly turns around.
3
00:00:24,790 --> 00:00:27,070
The brothers run to each other at full speed.
4
00:00:35,630 --> 00:00:37,710
Thomas jumps into Lucas's arms.
5
00:00:40,870 --> 00:00:42,23... | 1
00:00:01,060 --> 00:00:03,400
Lucas spins round and round.
2
00:00:15,040 --> 00:00:19,370
Lucas slowly turns towards the truck parked on the road behind him.
3
00:00:25,840 --> 00:00:27,710
The boys run towards each other
4
00:00:27,710 --> 00:00:30,430
and the children on the truck stand up to watch.
5
00:00:36... | 1
00:00:05,630 --> 00:00:07,700
Dad!
2
00:00:08,550 --> 00:00:10,370
It's Lucas!
3
00:00:11,560 --> 00:00:19,560
- Lucas! Lucas!
- Lucas! Lucas!
4
00:00:20,760 --> 00:00:22,910
- Lucas!
- Lucas!
5
00:00:22,930 --> 00:00:28,070
- Simon! Thomas!
- Lucas! Lucas!
6
00:01:05,360 --> 00:01:06,650
Are you okay?
7
00:01:... | 1
00:00:05,270 --> 00:00:07,160
Dad!
2
00:00:08,310 --> 00:00:09,440
It's Lucas.
3
00:00:10,950 --> 00:00:15,950
- Lucas!
- Lucas!
4
00:00:22,830 --> 00:00:25,120
Simon! Thomas!
5
00:00:25,870 --> 00:00:27,790
Lucas! Lucas!
6
00:00:28,030 --> 00:00:29,030
Lucas!
7
00:00:29,190 --> 00:00:30,560
Thomas! Simon!
8
0... | null | 6817.54 | 5065.66 | 132.10 |
the_impossible_2012 | tt1649419 | qcTNVqBpTknA | 1
00:00:00,120 --> 00:00:02,040
Lucas gently rouses his mother.
2
00:00:07,080 --> 00:00:08,760
Maria slowly opens her eyes
3
00:00:08,760 --> 00:00:11,120
and Henry places his hand on her head.
4
00:00:22,040 --> 00:00:24,080
Thomas kisses Maria on her cheek
5
00:00:24,080 --> 00:00:25,680
and she turns towards hi... | 1
00:00:07,420 --> 00:00:09,670
Maria weekly opens her eyes
2
00:00:09,710 --> 00:00:11,630
as Henry puts his hand to her head
3
00:00:11,630 --> 00:00:12,590
and looks at her.
4
00:00:22,810 --> 00:00:24,480
Simon kisses her other cheek
5
00:00:24,480 --> 00:00:25,770
and she turns to him.
6
00:00:30,030 --> 00:0... | 1
00:00:01,750 --> 00:00:06,720
Mom, look who's here.
2
00:00:14,490 --> 00:00:19,170
Hey. Hey, my darling.
3
00:00:28,220 --> 00:00:29,220
Mom.
4
00:00:32,150 --> 00:00:35,290
- Is everyone okay?
- We are all okay.
5
00:00:44,290 --> 00:00:47,650
- I'm gonna die.
- No, no.
6
00:00:53,930 --> 00:00:55,490
Is it ok... | 1
00:00:01,660 --> 00:00:03,870
Mom? Mom.
2
00:00:05,380 --> 00:00:06,540
Look who's here.
3
00:00:07,100 --> 00:00:08,710
(WHEEZES)
4
00:00:14,660 --> 00:00:15,870
Hey.
5
00:00:17,940 --> 00:00:19,230
Hey, my darling.
6
00:00:20,180 --> 00:00:21,550
Hey.
7
00:00:28,180 --> 00:00:29,180
SIMON: Mom.
8
00:00:32,06... | null | 6817.54 | 5209.63 | 160.89 |
the_impossible_2012 | tt1649419 | x1tRBXeKpcUa | 1
00:00:10,190 --> 00:00:14,470
The tsunami strikes the resort, taking out everyone and everything in its path.
2
00:00:22,550 --> 00:00:25,110
Maria braces herself against the glass wall.
3
00:00:30,960 --> 00:00:32,720
Submerged in the churning water.
4
00:00:32,720 --> 00:00:35,240
Debris strikes Maria from all d... | 1
00:00:01,790 --> 00:00:04,040
Maria's eyes slowly close
2
00:00:04,670 --> 00:00:05,460
the hotel
3
00:00:05,460 --> 00:00:08,590
viewed from above as the tsunami approaches.
4
00:00:11,270 --> 00:00:15,230
The surge of water sweeps up the beach and through the first villas,
5
00:00:15,230 --> 00:00:18,440
it sla... | 1
00:00:10,180 --> 00:00:11,860
(PEOPLE CLAMORING)
2
00:00:21,220 --> 00:00:22,380
HENRY: Lucas!
3
00:00:22,460 --> 00:00:23,790
LUCAS: Dad!
4
00:00:26,820 --> 00:00:28,100
(SCREAMS)
5
00:00:48,340 --> 00:00:50,020
(MUFFLED BEEPING)
6
00:00:52,740 --> 00:00:53,740
(CLANGING)
7
00:01:15,380 --> 00:01:17,060
(BRANC... | null | 6817.54 | 5561.76 | 175.43 | |
the_impossible_2012 | tt1649419 | EM5h2AFh4JDF | 1
00:00:04,210 --> 00:00:07,330
Lucas peels the name sticker off his soiled tank top.
2
00:00:11,450 --> 00:00:13,490
Henry pulls a piece of paper from his pocket
3
00:00:13,490 --> 00:00:15,050
as Maria looks at her arm.
4
00:00:15,170 --> 00:00:17,830
And the name Muriel Barnes written in bold on it.
5
00:00:21,3... | 1
00:00:01,920 --> 00:00:03,840
Lucas looks down at his t shirt
2
00:00:03,840 --> 00:00:07,590
and peels off the sticker with his name on it that the doctor put on him.
3
00:00:15,280 --> 00:00:19,660
Henry takes out the list of names his friend gave him when he searched the hospital.
4
00:00:20,490 --> 00:00:23,83... | 1
00:00:32,290 --> 00:00:35,820
WE ARE AT THE BEACH
2
00:00:50,700 --> 00:00:53,010
Its all right.
| 1
00:00:02,790 --> 00:00:04,480
(AIRPLANE TAXIING)
2
00:00:40,030 --> 00:00:41,400
(RUMBLING)
3
00:00:50,950 --> 00:00:53,240
It's okay. It's only the plane.
4
00:01:57,910 --> 00:01:59,320
(SOBBING)
5
00:01:59,350 --> 00:02:01,350
(ENGLISH US - SDH)
| null | 6817.54 | 5985.18 | 165.05 |
the_invisible_man_2020 | tt1051906 | HRN_VKeNbG1o | 1
00:00:01,080 --> 00:00:02,000
then stops.
2
00:00:04,040 --> 00:00:06,160
She turns to find a dog behind her.
3
00:00:10,130 --> 00:00:11,770
Cecilia backs away from him.
4
00:00:13,690 --> 00:00:15,450
The Doberman Pinscher stands firm
5
00:00:15,450 --> 00:00:16,850
and she looks conflicted.
6
00:00:20,210 -->... | 1
00:00:05,010 --> 00:00:06,730
She turns to see a Doberman?
2
00:00:14,250 --> 00:00:15,970
Zeus watches her curiously.
3
00:00:16,010 --> 00:00:17,130
His ears pricked up.
4
00:00:24,010 --> 00:00:27,930
As she struggles to undo his electric shock collar, Zeus bumps the car.
5
00:00:30,970 --> 00:00:32,330
She ma... | 1
00:00:07,670 --> 00:00:10,670
Zeus, I'm sorry.
I can't take you with me.
2
00:00:12,420 --> 00:00:13,840
I'm sorry.
3
00:00:17,010 --> 00:00:20,970
Shit. I'm not gonna leave you
with that thing on. Okay.
4
00:00:21,050 --> 00:00:23,470
Come here. It's okay.
Good boy.
5
00:00:23,560 --> 00:00:24,720
Come here.
The... | 1
00:00:03,700 --> 00:00:04,700
(GASPS)
2
00:00:07,660 --> 00:00:10,660
Zeus, I'm sorry.
I can't take you with me.
3
00:00:12,420 --> 00:00:13,830
I'm sorry.
4
00:00:14,330 --> 00:00:15,340
(ZEUS WHINES)
5
00:00:17,000 --> 00:00:20,970
Shit. I'm not gonna leave you
with that thing on. Okay.
6
00:00:21,050 --> 00:0... | null | 7463.58 | 459.10 | 175.50 |
the_invisible_man_2020 | tt1051906 | VQKVUKEXGz6s | 1
00:00:00,750 --> 00:00:01,830
Fry in a pan.
2
00:00:36,430 --> 00:00:39,830
As Cecilia sets down a large chef's knife and leaves the room,
3
00:00:40,030 --> 00:00:43,790
the blade moves off the counter and out of view without her noticing.
4
00:00:49,010 --> 00:00:51,970
The flame beneath the pan of bacon and egg... | 1
00:00:00,640 --> 00:00:01,560
Fry in a pan.
2
00:00:37,440 --> 00:00:39,640
Cecilia finishes chopping mushrooms,
3
00:00:39,640 --> 00:00:41,520
then places the kitchen knife on the counter
4
00:00:41,520 --> 00:00:43,080
and strolls out of the kitchen.
5
00:00:43,280 --> 00:00:45,520
The knife lifts off the coun... | 1
00:00:02,740 --> 00:00:05,530
Morning.
You want some breakfast?
2
00:00:05,910 --> 00:00:07,530
No. No, I gotta go.
3
00:00:08,240 --> 00:00:11,040
You know, I'm a little hungover,
believe it or not.
4
00:00:11,120 --> 00:00:13,080
Oh. Me too.
5
00:00:13,750 --> 00:00:15,750
Champagne does that
to me every time.
... | 1
00:00:02,730 --> 00:00:05,530
Morning.
You want some breakfast?
2
00:00:05,900 --> 00:00:07,530
No. No, I gotta go.
3
00:00:08,240 --> 00:00:11,030
You know, I'm a little hungover,
believe it or not.
4
00:00:11,120 --> 00:00:13,080
Oh. Me too.
5
00:00:13,740 --> 00:00:15,740
Champagne does that
to me every time.
... | null | 7463.58 | 1526.72 | 108.69 |
the_invisible_man_2020 | tt1051906 | eaNzFju74Bdg | 1
00:00:00,910 --> 00:00:02,510
The covers slide off of them.
2
00:00:12,150 --> 00:00:16,630
A light flashes several times, briefly illuminating the slumbering pair.
3
00:00:21,710 --> 00:00:23,430
Cecilia begins to stir.
4
00:00:29,670 --> 00:00:31,230
She rolls onto her back.
5
00:00:32,750 --> 00:00:35,790
Open... | 1
00:00:02,310 --> 00:00:04,870
The covers are dragged off their sleeping bodies.
2
00:00:14,910 --> 00:00:17,630
A light flashes at intervals, illuminating them.
3
00:00:27,830 --> 00:00:30,270
Cecilia stirs and reaches for the cover.
4
00:00:30,710 --> 00:00:34,550
She opens her eyes and sees a silhouetted human f... | 1
00:02:28,620 --> 00:02:29,620
James! James!
2
00:02:29,710 --> 00:02:31,580
James! James!
3
00:02:31,670 --> 00:02:33,520
Yeah. What happened?
What happened? What?
4
00:02:33,540 --> 00:02:34,940
I saw something right there.
Right there.
5
00:02:34,960 --> 00:02:36,670
There were footprints.
I saw it!
6
00:02:36... | 1
00:00:37,840 --> 00:00:39,050
(BREATHING HEAVILY)
2
00:01:16,960 --> 00:01:18,550
(SOFT CREAKING)
3
00:01:46,370 --> 00:01:48,790
(BREATHING HEAVILY)
4
00:02:27,530 --> 00:02:28,530
(CLATTERING)
5
00:02:28,620 --> 00:02:29,620
CECILIA: James! James!
6
00:02:29,700 --> 00:02:31,580
James! James!
7
00:02:31,660 -... | null | 7463.58 | 1933.34 | 189.85 |
the_invisible_man_2020 | tt1051906 | voDa1QiH0LyV | 1
00:00:03,610 --> 00:00:05,170
Cecilia doesn't look at her.
2
00:00:09,330 --> 00:00:11,010
Sydney kneels down beside her
3
00:00:11,010 --> 00:00:12,770
and regards her sympathetically.
4
00:00:13,810 --> 00:00:17,130
Wiping away tears, the pale blonde locks eyes with Sydney.
5
00:00:33,530 --> 00:00:35,330
Grinn... | 1
00:00:06,480 --> 00:00:09,920
Sydney kneels on the rug in front of Cecilia, who lies still.
2
00:00:16,120 --> 00:00:17,680
Cecilia wipes her face.
3
00:00:35,000 --> 00:00:37,080
Cecilia chuckles and rubs her eye.
4
00:00:44,400 --> 00:00:46,960
As they move to get up, Cydney's knocked flying.
5
00:01:45,320 -->... | 1
00:00:01,420 --> 00:00:02,900
Cee?
2
00:00:18,480 --> 00:00:19,820
It's okay, Syd.
3
00:00:21,440 --> 00:00:23,280
You... You know
what I think we need?
4
00:00:23,650 --> 00:00:24,660
Um...
5
00:00:25,450 --> 00:00:27,740
I think we could
kick Dad out
6
00:00:29,160 --> 00:00:31,160
and have a little
girls' nig... | 1
00:00:01,420 --> 00:00:02,900
- (LIGHT SWITCH CLICKS)
- SYDNEY: Cee?
2
00:00:15,100 --> 00:00:16,100
(CECILIA SNIFFLES)
3
00:00:18,480 --> 00:00:19,810
It's okay, Syd.
4
00:00:21,440 --> 00:00:23,270
You... You know
what I think we need?
5
00:00:23,650 --> 00:00:24,650
Um...
6
00:00:25,440 --> 00:00:27,740
I thi... | null | 7463.58 | 2805.60 | 187.32 |
the_invisible_man_2020 | tt1051906 | J_W8EhRvfDds | 1
00:00:04,000 --> 00:00:08,720
The paint spreads over an invisible human shaped figure standing at the top of the ladder,
2
00:00:08,720 --> 00:00:09,960
and she recoils.
3
00:00:13,840 --> 00:00:17,920
Cowering on the floor of the dark attic, Cecilia gradually moves forward.
4
00:00:22,560 --> 00:00:24,720
She loo... | 1
00:00:03,270 --> 00:00:05,030
It splashes over the empty space,
2
00:00:05,030 --> 00:00:09,510
moulding to the contours of an invisible human figure standing at the top of the ladder.
3
00:00:13,230 --> 00:00:16,710
Cowering inside the attic, Cecilia moves closer to the edge.
4
00:00:23,830 --> 00:00:25,070
The l... | 1
00:00:02,240 --> 00:00:03,240
(GASPS)
2
00:00:04,030 --> 00:00:05,030
(CLATTERING)
3
00:00:05,490 --> 00:00:06,490
(THUDDING)
4
00:00:30,220 --> 00:00:31,220
(CLATTERING)
5
00:00:40,150 --> 00:00:41,150
(GRUNTS)
6
00:00:44,940 --> 00:00:46,110
(BREATHING SHAKILY)
7
00:01:25,440 --> 00:01:26,690
(VEHICLE PASSING... | null | 7463.58 | 3381.15 | 232.73 | |
the_invisible_man_2020 | tt1051906 | 8D1b17Xfz5JV | 1
00:00:00,600 --> 00:00:03,040
as the figure continues to materialise.
2
00:00:05,800 --> 00:00:10,240
A view through its semi-transparent form shows her astonished expression.
3
00:00:10,880 --> 00:00:15,560
Hundreds of tiny cameras covering an all black full body suit become visible.
4
00:00:21,160 --> 00:00:22,9... | 1
00:00:01,380 --> 00:00:03,620
held up by the clamps attached to the frame.
2
00:00:03,980 --> 00:00:05,980
Cecilia hesitantly approaches.
3
00:00:10,820 --> 00:00:12,780
White hexagonal scales appear,
4
00:00:12,780 --> 00:00:15,700
then start to melt away, revealing patches of black.
5
00:00:16,180 --> 00:00:19,... | 1
00:00:42,240 --> 00:00:43,240
(ZEUS BARKING)
2
00:00:50,710 --> 00:00:53,130
(FOOTSTEPS)
3
00:01:52,770 --> 00:01:54,730
(FLOORBOARDS CREAKING SOFTLY)
4
00:02:38,480 --> 00:02:39,860
(BARKING)
| null | 7463.58 | 3936.99 | 165.40 | |
the_invisible_man_2020 | tt1051906 | 9Ao7BsavGwpn | 1
00:00:00,930 --> 00:00:01,410
Emily
2
00:00:02,010 --> 00:00:03,410
Emily leans forward.
3
00:00:35,570 --> 00:00:38,810
The chef's knife from James's house slits Emily's throat,
4
00:00:38,810 --> 00:00:40,870
then flies into Cecilia's hand.
5
00:00:41,190 --> 00:00:43,310
A customer notices Emily's corpse.
6
0... | 1
00:00:02,950 --> 00:00:04,310
The two women lean in.
2
00:00:34,470 --> 00:00:35,790
A knife hovers in the air.
3
00:00:35,830 --> 00:00:37,030
It slits Emily's throat
4
00:00:37,030 --> 00:00:38,880
and ends up in Cecilia's hand.
5
00:00:40,760 --> 00:00:42,360
Emily slumps on the table.
6
00:00:46,160 --> 00:0... | 1
00:00:00,780 --> 00:00:02,030
Emily...
2
00:00:05,660 --> 00:00:07,870
I went to his house today.
3
00:00:07,950 --> 00:00:10,080
- You went to Adrian's house?
- Yes.
4
00:00:11,460 --> 00:00:12,830
I just walked right in.
5
00:00:13,420 --> 00:00:18,170
I found something that can prove
what I'm experiencing.
6
... | 1
00:00:00,770 --> 00:00:02,030
Emily...
2
00:00:05,650 --> 00:00:07,870
I went to his house today.
3
00:00:07,950 --> 00:00:10,080
- You went to Adrian's house?
- Yes.
4
00:00:11,450 --> 00:00:12,830
I just walked right in.
5
00:00:13,410 --> 00:00:18,170
I found something that can prove
what I'm experiencing.
6
... | null | 7463.58 | 4275.30 | 105.30 |
the_invisible_man_2020 | tt1051906 | 6466TIH5Rw15 | 1
00:00:05,520 --> 00:00:06,800
She scowls at him.
2
00:00:15,240 --> 00:00:16,680
Her mouth falls open.
3
00:01:00,380 --> 00:01:02,380
The attorney takes out his cell phone.
4
00:01:23,860 --> 00:01:26,420
With a tortured grimace, she locks eyes with him.
5
00:01:27,100 --> 00:01:29,740
Tom pointedly glances down... | 1
00:00:06,190 --> 00:00:07,910
Scowling, she lifts her gaze.
2
00:01:25,320 --> 00:01:27,320
She curls her lip with disgust.
3
00:01:27,600 --> 00:01:30,080
Tom's eyes flick from her to the paperwork.
4
00:01:34,160 --> 00:01:36,600
Cecilia hangs her head, frowning bitterly,
5
00:01:36,880 --> 00:01:39,120
then sw... | 1
00:00:00,410 --> 00:00:02,460
Or there's one option
2
00:00:03,620 --> 00:00:05,710
where this all goes away.
3
00:00:08,500 --> 00:00:10,300
Agree to have the baby
4
00:00:13,430 --> 00:00:15,050
and go back to him.
5
00:00:18,050 --> 00:00:21,980
You really think he didn't know you were
secretly using birth con... | 1
00:00:00,410 --> 00:00:02,450
(WHISPERING)
Or there's one option
2
00:00:03,620 --> 00:00:05,710
where this all goes away.
3
00:00:08,500 --> 00:00:10,290
Agree to have the baby
4
00:00:13,420 --> 00:00:15,050
and go back to him.
5
00:00:18,050 --> 00:00:21,970
You really think he didn't know you were
secretly us... | null | 7463.58 | 4913.22 | 129.20 |
the_invisible_man_2020 | tt1051906 | wRsJXuxOfKWo | 1
00:00:06,210 --> 00:00:08,890
With a sneer, she slices her wrist with the pen.
2
00:00:10,730 --> 00:00:12,650
The invisible man grips her arm
3
00:00:12,650 --> 00:00:13,850
and she grabs him.
4
00:00:17,530 --> 00:00:18,610
She stabs him.
5
00:00:19,970 --> 00:00:22,890
His suit glitches making him momentarily ... | 1
00:00:07,280 --> 00:00:09,240
Nostrils flaring and jaw clenched,
2
00:00:09,240 --> 00:00:11,040
she stabs her wrist with the nib
3
00:00:11,040 --> 00:00:12,920
and drags it down her inner forearm.
4
00:00:13,240 --> 00:00:15,200
The invisible man grabs her good arm.
5
00:00:18,240 --> 00:00:19,680
She stabs him... | 1
00:00:01,010 --> 00:00:02,880
You won't get the baby.
2
00:00:04,510 --> 00:00:06,390
And you won't get me.
3
00:00:16,100 --> 00:00:17,150
There you are.
4
00:00:24,950 --> 00:00:26,870
Fuck you!
5
00:00:34,210 --> 00:00:35,580
Get back in bed, now.
6
00:01:06,990 --> 00:01:07,990
Hey!
7
00:01:09,070 --> 00:01... | 1
00:00:01,000 --> 00:00:02,880
You won't get the baby.
2
00:00:04,510 --> 00:00:06,380
And you won't get me.
3
00:00:09,260 --> 00:00:10,260
(GRUNTING)
4
00:00:16,100 --> 00:00:17,140
There you are.
5
00:00:21,060 --> 00:00:22,070
(GRUNTING)
6
00:00:24,940 --> 00:00:26,860
Fuck you!
7
00:00:31,240 --> 00:00:32,3... | null | 7463.58 | 5189.44 | 179.31 |
the_invisible_man_2020 | tt1051906 | UcJfOpPBEHbX | 1
00:00:02,420 --> 00:00:04,100
She briefly spots her assailant
2
00:00:04,100 --> 00:00:04,820
and shoots.
3
00:00:06,460 --> 00:00:10,260
Sneaking ahead, she crouches down behind a police cruiser in the parking lot.
4
00:00:13,620 --> 00:00:15,340
She peers through the vehicle's window,
5
00:00:15,380 --> 00:00:1... | 1
00:00:00,670 --> 00:00:03,270
She stops and takes aim at his flickering suit.
2
00:00:07,230 --> 00:00:08,790
She shoots out a car's window
3
00:00:08,790 --> 00:00:11,230
and loses her target's rain spotted outline.
4
00:00:11,590 --> 00:00:13,750
She creeps towards the parked vehicles
5
00:00:13,750 --> 00:00:1... | 1
00:00:52,110 --> 00:00:53,200
She's over here!
2
00:00:54,200 --> 00:00:56,490
- You go left!
- All right.
3
00:02:11,650 --> 00:02:13,860
You think you're learning
how to beat me,
4
00:02:13,940 --> 00:02:16,280
so I'm gonna
truly teach you something.
5
00:02:16,360 --> 00:02:18,950
If you fight me,
I won't ever... | 1
00:00:42,600 --> 00:00:44,100
(THUDDING)
2
00:00:52,110 --> 00:00:53,190
GUARD: She's over here!
3
00:00:54,190 --> 00:00:56,490
- You go left!
- All right.
4
00:01:14,960 --> 00:01:16,170
(BREATHING HEAVILY)
5
00:02:11,650 --> 00:02:13,860
ADRIAN: You think you're learning
how to beat me,
6
00:02:13,940 --> 00:... | null | 7463.58 | 5427.04 | 211.00 |
the_popes_exorcist | tt13375076 | BzhKlCp2xLBK | 1
00:00:04,330 --> 00:00:08,490
Amorth observes his red rimmed eyes and sallow, sweat covered skin.
2
00:00:09,120 --> 00:00:10,640
The young man clenches his muscles
3
00:00:10,640 --> 00:00:11,800
and grits his teeth.
4
00:00:16,840 --> 00:00:18,080
Amorth crosses himself
5
00:00:18,080 --> 00:00:20,440
and sets ... | 1
00:00:02,210 --> 00:00:07,450
Amorth finds a skinny teenage boy tied to a bed, his face in a rictus of torment.
2
00:00:10,880 --> 00:00:11,280
Are.
3
00:00:16,840 --> 00:00:19,360
Crossing himself, Amorth opens his case.
4
00:00:34,320 --> 00:00:36,160
Amorth, take something from the case.
5
00:00:36,160 --> 00:... | 1
00:00:20,590 --> 00:00:23,720
I am legion.
2
00:00:25,430 --> 00:00:27,230
I am Satan.
3
00:00:29,960 --> 00:00:33,770
I am foulmouthed behemoth.
4
00:00:40,270 --> 00:00:41,540
You doubt me?
5
00:00:52,250 --> 00:00:55,820
You will find out
soon enough.
6
00:00:59,160 --> 00:01:00,330
You mock me?!
7
00:01:18,... | 1
00:00:02,030 --> 00:00:03,930
[WHEEZING GASPS]
2
00:00:10,700 --> 00:00:12,610
[WHEEZING GASPS]
3
00:00:12,740 --> 00:00:15,910
[DEEP GROWLING, YELLING]
4
00:00:20,580 --> 00:00:23,720
I am legion.
5
00:00:23,850 --> 00:00:25,290
[WHEEZING GASPS]
6
00:00:25,420 --> 00:00:27,220
I am Satan.
7
00:00:27,350 --> 00... | null | 6211.23 | 224.48 | 144.10 |
the_popes_exorcist | tt13375076 | 8QogG4tA8KWx | 1
00:00:01,500 --> 00:00:05,810
a little understanding,
and sometimes...
2
00:00:05,940 --> 00:00:07,780
a little theater.
3
00:00:07,910 --> 00:00:11,350
Cardinal Sullivan,
in my observation,
4
00:00:11,480 --> 00:00:14,720
98% of the cases that
are assigned to Father Amorth
5
00:00:14,850 --> 00:00:17,590
are the... | 1
00:00:01,500 --> 00:00:05,800
a little understanding,
and sometimes...
2
00:00:05,940 --> 00:00:07,770
a little theater.
3
00:00:07,900 --> 00:00:11,340
Cardinal Sullivan,
in my observation,
4
00:00:11,470 --> 00:00:14,710
98% of the cases that
are assigned to Father Amorth
5
00:00:14,840 --> 00:00:17,580
are the... | null | 6211.23 | 973.76 | 42.80 | ||
the_popes_exorcist | tt13375076 | HaaiKVWSGdFJ | 1
00:00:12,440 --> 00:00:13,800
Amorth opens his eyes,
2
00:00:13,840 --> 00:00:14,800
then stands.
3
00:00:15,120 --> 00:00:16,320
He takes out his medallion
4
00:00:16,320 --> 00:00:18,800
and waves it slowly in front of the boy's face.
5
00:00:19,240 --> 00:00:21,480
Henry glares and frowns at the medallion.
6
... | 1
00:00:03,890 --> 00:00:06,250
(Henry's bloodshot eyes flick open.
2
00:00:14,520 --> 00:00:15,880
Standing over the boy.
3
00:00:15,920 --> 00:00:18,760
Amorth holds the medal in front of his face.
4
00:00:22,280 --> 00:00:24,080
As he moves it left and right.
5
00:00:24,120 --> 00:00:25,720
(Henry's eyes follow ... | 1
00:00:08,260 --> 00:00:11,100
Your prayers are worthless here.
2
00:00:45,260 --> 00:00:46,630
Who are you?
3
00:00:46,770 --> 00:00:49,370
Your worst fear.
4
00:00:49,500 --> 00:00:51,370
I am your demise.
5
00:00:52,640 --> 00:00:54,510
Why are you possessing
this boy?
6
00:00:54,640 --> 00:00:59,980
'Cause it... | 1
00:00:00,650 --> 00:00:02,950
[PRAYING OUR FATHER IN ITALIAN]
2
00:00:06,820 --> 00:00:08,120
[CONTINUES PRAYING]
3
00:00:08,250 --> 00:00:11,090
[DEMONIC VOICE]
Your prayers are worthless here.
4
00:00:20,270 --> 00:00:22,230
[LOW GROWLING]
5
00:00:25,400 --> 00:00:27,070
[LOW GROWLING]
6
00:00:32,580 --> 00:00... | null | 6211.23 | 2019.42 | 221.12 |
the_popes_exorcist | tt13375076 | gFb87_ctA2uG | 1
00:00:18,100 --> 00:00:19,500
Amorth leans forward.
| 1
00:00:01,060 --> 00:00:05,300
I'm not some stupid fuck
you convince to get into a pig.
2
00:00:05,430 --> 00:00:08,400
So you won't
tell me your name.
3
00:00:08,530 --> 00:00:12,070
My name is blasphemy.
4
00:00:12,210 --> 00:00:16,140
My name is nightmare.
5
00:00:17,440 --> 00:00:18,740
Huh.
6
00:00:22,220 --... | 1
00:00:01,050 --> 00:00:05,290
I'm not some stupid fuck
you convince to get into a pig.
2
00:00:05,420 --> 00:00:08,390
So you won't
tell me your name.
3
00:00:08,530 --> 00:00:12,060
My name is blasphemy.
4
00:00:12,200 --> 00:00:16,140
My name is nightmare.
5
00:00:17,440 --> 00:00:18,740
Huh.
6
00:00:20,370 --... | null | 6211.23 | 2146.94 | 28.45 | |
the_popes_exorcist | tt13375076 | oATPRcESciU8 | 1
00:00:00,660 --> 00:00:01,860
The scent of heaven.
2
00:00:51,530 --> 00:00:52,970
They stand before the bed.
3
00:01:15,280 --> 00:01:17,640
Henry convulses and flops backward.
4
00:01:17,680 --> 00:01:19,320
Esquibel approaches the boy.
5
00:01:29,800 --> 00:01:30,880
The lights go out.
6
00:01:31,040 --> 00:0... | 1
00:01:29,880 --> 00:01:31,720
Writhing Henry collapses in the bed,
2
00:01:31,720 --> 00:01:33,680
and the power abruptly fails.
3
00:01:39,080 --> 00:01:41,000
By the flickering flame of his lighter.
4
00:01:41,040 --> 00:01:43,520
Amorth shares an uneasy look with Esquibel.
5
00:01:46,880 --> 00:01:48,120
Glanc... | 1
00:00:02,900 --> 00:00:05,870
I see you've brought
your friend.
2
00:00:06,000 --> 00:00:09,200
He looks a little scared, Gabe.
3
00:00:09,340 --> 00:00:14,440
Mind if I call you Gabe, Gabe?
4
00:00:15,540 --> 00:00:17,610
Readying for battle?
5
00:00:17,740 --> 00:00:19,780
You ran out on me
last time,
6
00:00:... | 1
00:00:00,490 --> 00:00:02,760
[IN ITALIAN]
2
00:00:02,890 --> 00:00:05,860
DEMON:
I see you've brought
your friend.
3
00:00:05,990 --> 00:00:09,200
He looks a little scared, Gabe.
4
00:00:09,330 --> 00:00:14,430
Mind if I call you Gabe, Gabe?
5
00:00:15,540 --> 00:00:17,600
Readying for battle?
6
00:00:17,740 --... | null | 6211.23 | 2667.26 | 226.19 |
the_popes_exorcist | tt13375076 | osVOu3NYE_cU | 1
00:00:02,950 --> 00:00:04,710
Henry wakes and bites his ear,
2
00:00:04,750 --> 00:00:06,710
ripping part of it off with his teeth.
3
00:00:09,430 --> 00:00:10,550
He spits out the ear
4
00:00:10,550 --> 00:00:11,950
and shoves the Priest away.
5
00:00:17,230 --> 00:00:19,950
In her room, Amy listens under the co... | 1
00:00:02,510 --> 00:00:03,430
Henry springs up
2
00:00:03,430 --> 00:00:05,590
and bites a chunk out of Esquibel ear.
3
00:00:19,430 --> 00:00:22,790
Amy tentatively lifts the sheet from over her head.
4
00:00:24,510 --> 00:00:26,750
The force throws her against the opposite wall
5
00:00:26,750 --> 00:00:28,070
a... | 1
00:00:06,720 --> 00:00:09,650
No one's getting out
of here alive.
2
00:00:12,120 --> 00:00:13,260
No one.
3
00:01:10,080 --> 00:01:12,320
Let's see what secrets
you are hiding.
4
00:01:36,340 --> 00:01:37,440
What happened?
5
00:01:45,480 --> 00:01:47,520
Go!
6
00:02:02,300 --> 00:02:04,040
Help me!
Amorth!
7
0... | 1
00:00:05,380 --> 00:00:06,580
[ESQUIBEL YELLS]
2
00:00:06,710 --> 00:00:09,650
No one's getting out
of here alive.
3
00:00:09,780 --> 00:00:11,980
[SPITS]
[WHIMPERING]
4
00:00:12,120 --> 00:00:13,250
No one.
5
00:00:13,380 --> 00:00:15,290
[SNARLING LAUGH]
6
00:00:23,830 --> 00:00:25,100
[AMY SCREAMING]
7
00:00... | null | 6211.23 | 3272.38 | 144.68 |
the_popes_exorcist | tt13375076 | Q1WLwApsLBx6 | 1
00:00:00,900 --> 00:00:02,020
She grips the syringe
2
00:00:02,020 --> 00:00:03,260
and hides it behind her back
3
00:00:03,300 --> 00:00:05,060
as she steps into (Henry's room.
4
00:00:07,380 --> 00:00:07,820
Amy
5
00:00:08,180 --> 00:00:11,380
Amy sits beside her brother, holding his hand and smiling.
6
00:00:... | 1
00:00:01,780 --> 00:00:06,380
Concealing the syringe, Julia opens (Henry's door to find Amy on the bed with him.
2
00:00:10,180 --> 00:00:12,140
Amy and Henry move in unison.
3
00:00:39,940 --> 00:00:44,500
Amorth finds a round, folded up map tucked inside the cover of the ancient book.
4
00:01:21,090 --> 00:01:21... | 1
00:00:07,370 --> 00:00:08,370
Amy?
2
00:00:12,710 --> 00:00:14,580
Henry.
3
00:00:14,720 --> 00:00:16,520
It's okay, Mommy.
4
00:00:16,650 --> 00:00:18,380
Henry's okay.
5
00:00:18,520 --> 00:00:20,750
Oh, that's great.
6
00:00:20,890 --> 00:00:23,260
Listen, Amy, why don't you
come downstairs with me?
7
00:00:... | 1
00:00:07,370 --> 00:00:08,370
Amy?
2
00:00:08,430 --> 00:00:09,740
[LAUGHING]
3
00:00:12,710 --> 00:00:14,570
Henry.
4
00:00:14,710 --> 00:00:16,510
AMY & HENRY:
It's okay, Mommy.
5
00:00:16,640 --> 00:00:18,380
Henry's okay.
6
00:00:18,510 --> 00:00:20,750
Oh, that's great.
7
00:00:20,880 --> 00:00:23,250
List... | null | 6211.23 | 4065.09 | 162.33 |
the_popes_exorcist | tt13375076 | 7ul_ReM_MLOr | 1
00:00:28,500 --> 00:00:29,100
Shakes.
2
00:00:29,100 --> 00:00:30,060
The lights flicker
3
00:00:30,060 --> 00:00:32,060
and wind swirls around the room.
4
00:01:00,810 --> 00:01:03,890
(Henry's jaw and hinges, and his mouth elongates.
5
00:01:04,050 --> 00:01:05,930
He collapses back onto the bed.
6
00:01:06,25... | 1
00:01:04,330 --> 00:01:08,850
(Henry's jaw distends inhumanly wide than he collapses, inert onto the bed.
| 1
00:00:00,170 --> 00:00:02,140
Asmodeus!
2
00:00:02,280 --> 00:00:03,980
Asmodeus, king of Gehenna,
3
00:00:04,110 --> 00:00:06,280
this is the Cross of the Lord!
4
00:00:06,410 --> 00:00:07,950
Release this child
5
00:00:08,080 --> 00:00:10,920
and flee from the light of God!
6
00:00:11,050 --> 00:00:12,450
See ... | 1
00:00:00,170 --> 00:00:02,130
Asmodeus!
[GROWLING]
2
00:00:02,270 --> 00:00:03,970
Asmodeus, king of Gehenna,
3
00:00:04,100 --> 00:00:06,270
this is the Cross of the Lord!
4
00:00:06,410 --> 00:00:07,940
[SNARLING]
Release this child
5
00:00:08,070 --> 00:00:10,910
and flee from the light of God!
6
00:00:11,040... | null | 6211.23 | 4721.47 | 70.54 |
the_popes_exorcist | tt13375076 | 8VTruqu19BH1 | 1
00:00:00,910 --> 00:00:05,070
Wounds shaped like words begin to appear on (Henry's emaciated torso.
2
00:00:07,390 --> 00:00:08,270
The words read.
3
00:00:08,470 --> 00:00:10,150
God is not here.
4
00:00:15,030 --> 00:00:20,430
The omnipotent Amorth, Esquibel and Julia turn to Amy.
5
00:00:20,470 --> 00:00:22,99... | 1
00:00:06,870 --> 00:00:09,750
The cuts spell the phrase God is not here.
2
00:00:18,830 --> 00:00:19,710
Julia turns
3
00:00:19,710 --> 00:00:22,630
as behind her Amy snarls, her eyes blood red.
4
00:00:31,180 --> 00:00:32,820
Her limbs articulating backwards.
5
00:00:32,820 --> 00:00:34,420
Amy drops to all four... | 1
00:00:05,340 --> 00:00:06,770
What's happening?
2
00:00:11,580 --> 00:00:12,740
Oh, my God.
3
00:00:12,880 --> 00:00:14,080
Holy shit.
4
00:00:14,210 --> 00:00:17,050
The omnipotent.
5
00:00:23,520 --> 00:00:24,720
It's in them both.
6
00:00:33,230 --> 00:00:35,470
Amy.
7
00:01:02,730 --> 00:01:04,160
Give me w... | 1
00:00:01,030 --> 00:00:02,430
[GASPING]
2
00:00:05,330 --> 00:00:06,760
What's happening?
3
00:00:11,570 --> 00:00:12,740
Oh, my God.
4
00:00:12,870 --> 00:00:14,070
Holy shit.
5
00:00:14,210 --> 00:00:17,040
[IN ENGLISH]
The omnipotent.
6
00:00:17,180 --> 00:00:18,740
[LOW, DEEP GROWLING]
7
00:00:23,510 --> 00... | null | 6211.23 | 4848.64 | 221.47 |
the_popes_exorcist | tt13375076 | qN_er0R_SjA7 | 1
00:00:03,250 --> 00:00:05,250
Dark veins surround his eyes.
2
00:00:11,960 --> 00:00:14,360
Black liquid bursts from Amorth mouth.
3
00:00:14,560 --> 00:00:16,560
He crashes into a pile of boxes
4
00:00:16,560 --> 00:00:18,400
and an overhead light explodes
5
00:00:19,600 --> 00:00:20,400
outside.
6
00:00:22,040... | 1
00:00:12,200 --> 00:00:15,280
His eyes turn blood red as he coughs up black fluid.
2
00:00:18,440 --> 00:00:20,160
Esquibel leads the others out.
3
00:00:27,360 --> 00:00:29,960
Julia, Amy and Henry scramble into their car.
4
00:00:34,240 --> 00:00:39,120
As Esquibel watches them leave, Amorth wrestles with Asmode... | 1
00:00:06,040 --> 00:00:08,010
I knew you would
sacrifice yourself
2
00:00:08,140 --> 00:00:11,380
to save those children,
and now you are mine.
3
00:00:20,520 --> 00:00:22,220
Come on. Hurry.
4
00:00:24,160 --> 00:00:25,420
The boy, he's safe now.
5
00:00:25,560 --> 00:00:27,160
Just get away from here.
6
00:00:... | 1
00:00:01,630 --> 00:00:02,900
[GASPING]
2
00:00:06,030 --> 00:00:08,000
ASMODEUS:
I knew you would
sacrifice yourself
3
00:00:08,130 --> 00:00:11,370
to save those children,
and now you are mine.
4
00:00:12,670 --> 00:00:14,540
[CHOKING]
5
00:00:14,670 --> 00:00:17,180
[SCREAMING]
6
00:00:20,510 --> 00:00:22,210... | null | 6211.23 | 5100.22 | 176.84 |
the_popes_exorcist | tt13375076 | i_iCDy5gwKz_ | 1
00:00:11,380 --> 00:00:11,900
So
2
00:00:12,620 --> 00:00:15,820
Amorth makes a walking motion with his fingers run along.
3
00:00:42,650 --> 00:00:44,570
Smoke billows from the throne.
4
00:01:04,450 --> 00:01:07,650
Amorth levitates, his eyes dark red and bloodshot.
5
00:01:13,930 --> 00:01:14,690
In Latin.
6
... | 1
00:00:00,220 --> 00:00:01,820
The Mort leans forward.
2
00:00:01,860 --> 00:00:03,940
Asmodeus speaks through him.
3
00:01:04,570 --> 00:01:07,330
Amorth eyes bulge, his expression tortured.
4
00:01:14,210 --> 00:01:15,730
Esquibel recites in Latin.
5
00:01:15,730 --> 00:01:16,930
God by your name.
6
00:01:16,93... | 1
00:00:04,830 --> 00:00:07,100
You're too late, Tomás.
2
00:00:07,230 --> 00:00:11,240
He's gone, your friend.
Gone.
3
00:00:11,370 --> 00:00:12,640
So...
4
00:00:14,780 --> 00:00:15,910
...run along.
5
00:00:17,480 --> 00:00:19,480
It would be my great pleasure
6
00:00:19,610 --> 00:00:24,620
to excoriate your s... | 1
00:00:04,830 --> 00:00:07,100
ASMODEUS:
You're too late, Tomás.
2
00:00:07,230 --> 00:00:11,230
He's gone, your friend.
Gone.
3
00:00:11,370 --> 00:00:12,630
So...
4
00:00:14,770 --> 00:00:15,900
...run along.
5
00:00:16,040 --> 00:00:17,340
[ASMODEUS CHUCKLING]
6
00:00:17,470 --> 00:00:19,470
It would be my gre... | null | 6211.23 | 5306.37 | 136.98 |
the_popes_exorcist | tt13375076 | _3JdLegH1Hmi | 1
00:00:01,700 --> 00:00:03,500
Esquibel picks up the crucifix.
2
00:00:04,420 --> 00:00:07,460
He tosses it to Amorth, who holds it to Rosario's head.
3
00:00:13,900 --> 00:00:16,540
Her forehead burns and her eyes glow yellow.
4
00:00:17,620 --> 00:00:19,300
She flies back into the pool.
5
00:00:21,740 --> 00:00:... | 1
00:00:03,940 --> 00:00:07,060
Gabriel Amorth holds it to Rosaria's head.
2
00:00:22,420 --> 00:00:25,860
She flies back into the pool, which bursts into flames.
3
00:00:32,530 --> 00:00:33,370
Stripped of flesh.
4
00:00:33,410 --> 00:00:36,770
Asmodeus has sucked down into the pool, which explodes.
5
00:00:44,250... | 1
00:00:03,960 --> 00:00:05,660
Gabriele!
2
00:00:07,460 --> 00:00:10,060
Asmodeus! In the name
of the Holy Mother!
3
00:00:10,200 --> 00:00:12,970
See thee beneath God.
4
00:00:14,970 --> 00:00:17,670
See thee beneath God!
5
00:00:19,410 --> 00:00:21,610
Tomás, pray the final rites.
6
00:00:23,210 --> 00:00:24,68... | 1
00:00:00,110 --> 00:00:01,380
[ASMODEUS GRUNTING]
2
00:00:03,950 --> 00:00:05,650
Gabriele!
3
00:00:07,450 --> 00:00:10,060
Asmodeus! In the name
of the Holy Mother!
4
00:00:10,190 --> 00:00:12,960
See thee beneath God.
5
00:00:14,960 --> 00:00:17,660
See thee beneath God!
6
00:00:17,800 --> 00:00:19,270
[YELLS]... | null | 6211.23 | 5486.66 | 72.12 |
the_purge_anarchy_2014 | tt2975578 | LfLguP2LIfB0 | 1
00:00:14,200 --> 00:00:18,200
A man knocks into Shane, wearing a hoodie and with his face painted white,
2
00:00:18,240 --> 00:00:20,040
a black cross adorns his forehead.
3
00:00:20,570 --> 00:00:23,450
More black makeup gives his eyes a sunken appearance.
4
00:00:23,810 --> 00:00:25,810
He peers at Shane, then a... | 1
00:00:15,240 --> 00:00:18,750
A hooded man with a sinister painted face suddenly slams into Shane
2
00:00:18,750 --> 00:00:21,040
and leans over the car with a menacing glare.
3
00:00:21,460 --> 00:00:23,090
Liz defiantly stares back at him
4
00:00:23,090 --> 00:00:24,300
and he slowly turns away
5
00:00:24,300 -... | 1
00:00:01,560 --> 00:00:03,560
Do you have the keys?
2
00:00:03,720 --> 00:00:04,930
Yeah.
3
00:00:05,160 --> 00:00:06,450
Handy?
4
00:00:06,800 --> 00:00:07,930
Right here.
5
00:00:08,800 --> 00:00:10,090
Can you unlock
the car, please?
6
00:00:10,160 --> 00:00:11,320
It's unlocked.
7
00:00:11,720 --> 00:00:12,... | 1
00:00:01,560 --> 00:00:03,560
Do you have the keys?
2
00:00:03,720 --> 00:00:04,930
Yeah.
(KEYS JANGLING)
3
00:00:05,160 --> 00:00:06,450
Handy?
4
00:00:06,800 --> 00:00:07,930
Right here.
5
00:00:08,800 --> 00:00:10,090
Can you unlock
the car, please?
6
00:00:10,160 --> 00:00:11,320
It's unlocked.
7
00:00:11,7... | null | 6205.68 | 624.61 | 82.90 |
the_purge_anarchy_2014 | tt2975578 | fWvGZh1wU67F | 1
00:00:00,240 --> 00:00:01,400
as Eva joins her.
2
00:00:24,720 --> 00:00:25,760
In the armoured car.
3
00:00:36,280 --> 00:00:38,000
The brawny man turns off the radio.
4
00:00:38,040 --> 00:00:40,040
Large screens display the broadcast.
5
00:01:03,810 --> 00:01:06,330
Shane and the brunette jog through an empty ... | 1
00:00:36,660 --> 00:00:38,250
Sergeant switches off his radio
2
00:00:38,250 --> 00:00:40,080
and glides through the dark streets.
3
00:01:05,900 --> 00:01:09,780
As the alarm sounds, Shane and Liz run helplessly through empty streets.
4
00:01:10,150 --> 00:01:11,440
Eva gets up from the sofa
5
00:01:11,440 --> 0... | 1
00:00:02,030 --> 00:00:03,800
News 13 wishes anyone
2
00:00:03,870 --> 00:00:07,200
who is not participating in this
year's Purge a safe evening
3
00:00:07,270 --> 00:00:10,760
and for those releasing the
beast, a successful cleanse.
4
00:00:10,830 --> 00:00:11,880
Good luck.
5
00:00:11,950 --> 00:00:13,400
Shoul... | 1
00:00:02,030 --> 00:00:03,800
NEWSREADER:
News 13 wishes anyone
2
00:00:03,870 --> 00:00:07,200
who is not participating in this
year's Purge a safe evening
3
00:00:07,270 --> 00:00:10,760
and for those releasing the
beast, a successful cleanse.
4
00:00:10,830 --> 00:00:11,880
Good luck.
5
00:00:11,950 --> 00:00:... | null | 6205.68 | 1112.42 | 179.24 |
the_purge_anarchy_2014 | tt2975578 | 4qdhOAk768RA | 1
00:00:01,430 --> 00:00:01,790
Get
2
00:00:02,910 --> 00:00:04,590
Cali grabs on to a street sign.
3
00:00:06,750 --> 00:00:08,470
Her captor throws her to the street,
4
00:00:10,030 --> 00:00:11,030
watching intently.
5
00:00:11,030 --> 00:00:13,150
The brawny man brings his car to a stop.
6
00:00:16,110 --> 00:... | 1
00:00:07,040 --> 00:00:09,380
Sergeant sees Cali clinging to a lamppost
2
00:00:09,380 --> 00:00:11,210
and violently flung to the floor.
3
00:00:11,420 --> 00:00:14,050
He pulls up a short distance behind the black lorry.
4
00:00:30,020 --> 00:00:32,110
Sergeant lays a handgun on the dashboard.
5
00:00:32,150 --... | 1
00:00:01,470 --> 00:00:03,840
Get the fuck off me!
2
00:00:03,990 --> 00:00:05,520
Please!
3
00:00:05,630 --> 00:00:06,680
Leave my daughter alone!
4
00:00:14,350 --> 00:00:16,320
Please, don't.
Please, please, please.
5
00:00:22,910 --> 00:00:26,200
Just drive. Just drive.
Just drive.
6
00:00:35,550 --> 00:00:3... | 1
00:00:01,470 --> 00:00:03,840
Get the fuck off me!
2
00:00:03,990 --> 00:00:05,520
EVA: Please!
(GRUNTING)
3
00:00:05,630 --> 00:00:06,680
Leave my daughter alone!
4
00:00:07,070 --> 00:00:08,520
(BOTH SCREAMING)
5
00:00:09,110 --> 00:00:10,560
(INDISTINCT)
6
00:00:14,350 --> 00:00:16,320
EVA: Please, don't.
Ple... | null | 6205.68 | 1906.82 | 185.41 |
the_purge_anarchy_2014 | tt2975578 | ffGUhGc8TA2w | 1
00:00:13,370 --> 00:00:15,490
Eva turns at an intersection.
2
00:00:15,490 --> 00:00:16,770
A man runs into view.
3
00:00:18,330 --> 00:00:20,290
He collapses as Shane watches.
4
00:00:20,290 --> 00:00:20,810
Fearfully.
5
00:00:20,810 --> 00:00:23,090
The masked bikers surround the fallen man.
6
00:00:23,570 -->... | 1
00:00:00,100 --> 00:00:04,110
Sergeant leads the group across the street to take shelter underneath a small awning.
2
00:00:13,950 --> 00:00:16,740
Eva looks back and sees a man lurch from a side street
3
00:00:16,740 --> 00:00:18,330
and collapse at a crossroads.
4
00:00:24,460 --> 00:00:26,710
Three masked motor... | 1
00:00:00,910 --> 00:00:06,360
In flaming fire, I take the heads
of them that know not God.
2
00:00:06,710 --> 00:00:09,230
We're gonna go down Fifth. Your
friend's building is close.
3
00:00:09,430 --> 00:00:10,600
Go through
the business district,
4
00:00:10,630 --> 00:00:12,910
stay away from
the gangs downtown.... | 1
00:00:00,910 --> 00:00:06,360
In flaming fire, I take the heads
of them that know not God.
2
00:00:06,710 --> 00:00:09,230
We're gonna go down Fifth. Your
friend's building is close.
3
00:00:09,430 --> 00:00:10,600
Go through
the business district,
4
00:00:10,630 --> 00:00:12,910
stay away from
the gangs downtown.... | null | 6205.68 | 2528.06 | 103.82 |
the_purge_anarchy_2014 | tt2975578 | UIBYLVzuWR3t | 1
00:00:05,040 --> 00:00:07,720
As Tanya leans over her brother in law, Lorraine steps away.
2
00:00:10,680 --> 00:00:12,080
The brawny man joins Eva.
3
00:01:00,280 --> 00:01:01,680
Eva gives a sad nod,
4
00:01:02,120 --> 00:01:02,840
lifting her chin.
5
00:01:02,840 --> 00:01:03,930
She shakes her head.
6
00:01:... | 1
00:01:28,850 --> 00:01:29,890
Sergeant storms off
2
00:01:29,890 --> 00:01:30,810
and puts on his coat
3
00:01:30,810 --> 00:01:32,140
as Cali approaches him.
4
00:01:59,040 --> 00:01:59,920
Go behind them.
5
00:01:59,920 --> 00:02:01,380
Lorraine holds a pistol.
6
00:02:13,060 --> 00:02:14,100
Lorraine punches ... | 1
00:00:03,830 --> 00:00:05,510
Come
on, you want to dance?
2
00:00:06,070 --> 00:00:07,400
Why not?
3
00:00:07,550 --> 00:00:09,390
Liven up the party,
come on.
4
00:00:09,910 --> 00:00:12,910
Let's dance.
Let's dance!
5
00:00:13,110 --> 00:00:14,920
Okay, I gotta go.
I need the car.
6
00:00:15,910 --> 00:00:17,6... | 1
00:00:03,830 --> 00:00:05,510
(MUSIC PLAYING) Come
on, you want to dance?
2
00:00:06,070 --> 00:00:07,400
Why not?
3
00:00:07,550 --> 00:00:09,390
Liven up the party,
come on.
4
00:00:09,910 --> 00:00:12,910
Let's dance. (CHUCKLING)
Let's dance!
5
00:00:13,110 --> 00:00:14,920
Okay, I gotta go.
I need the car.
6... | null | 6205.68 | 3800.38 | 206.01 |
the_purge_anarchy_2014 | tt2975578 | XNiP_0ujYTBv | 1
00:00:03,050 --> 00:00:04,570
The other captives split off.
2
00:00:08,530 --> 00:00:08,770
Tim!
3
00:00:08,770 --> 00:00:10,210
Lampposts, turn on.
4
00:00:13,730 --> 00:00:15,970
The group of five hides behind a short wall.
5
00:00:23,130 --> 00:00:25,810
Pairs of neon green lights emerge from the darkness,
6
... | 1
00:00:00,250 --> 00:00:02,370
Then bright spotlights shine down on them.
2
00:00:08,500 --> 00:00:12,170
Dim lights switch on, illuminating an ornate indoor garden.
3
00:00:23,810 --> 00:00:27,940
Sergeant peeks over a wall to see the purges enter wearing traditional hunting garb,
4
00:00:27,940 --> 00:00:30,480
a... | 1
00:00:04,610 --> 00:00:06,530
Stay close to me.
2
00:00:06,810 --> 00:00:08,730
Follow me. Move.
3
00:00:09,890 --> 00:00:11,380
Get down.
4
00:00:11,930 --> 00:00:14,380
Get down, get down.
5
00:00:14,530 --> 00:00:15,660
Wait.
6
00:00:17,210 --> 00:00:18,540
What is this?
7
00:00:18,690 --> 00:00:20,060
We're... | 1
00:00:04,610 --> 00:00:06,530
Stay close to me.
2
00:00:06,810 --> 00:00:08,730
Follow me. Move.
3
00:00:09,890 --> 00:00:11,380
Get down.
4
00:00:11,930 --> 00:00:14,380
Get down, get down.
5
00:00:14,530 --> 00:00:15,660
Wait.
6
00:00:15,730 --> 00:00:17,020
(BREATHING HEAVILY)
7
00:00:17,210 --> 00:00:18,540... | null | 6205.68 | 4543.36 | 159.43 |
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