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3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
to talk to Angel. Gunn and Fred brainstorm the meaning of the little girl's words. Wesley reveals he has discovered the little girl was Wolfram and Hart's connection to the Senior Partners but she was also an entity named Mesektet. He explains that Mesektet was one of five totems in a group known as the Ra-Tet.
Fred finds out it was Ma'at, another totem of the Ra-tet. she felt she was in the body of someone talking to the Beast. Gwen arrives at the hotel to mixed feelings about her presence, but her experience with the Beast proves to be useful to them.
Fred discovers Gwen's client was another Ra-tet member, one composed of light. Needing to find and protect at least one of the two remaining | 6,126,000 |
3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
totems, Angel suggests he and Gwen go find Semkhet in Death Valley. Angel and Gwen sneak into the cave holding Semkhet, but find they're too late and the body has already been destroyed. As Angel wonders about the reason for the Beast killing off the Ra-tet, a rather ordinary man appears and explains that the beast is trying to stop the light of the sun. The man reveals himself to be Manjet, or Manny, the only surviving member of the Ra-tet, and keeper of the orb. Manny explains that the Beast is planning a ritual using the Ra-tet to eventually black out the whole world from the sun and turn the earth into a land for demons.
Angel brings Manny back to the hotel, but the gang quickly realizes | 6,126,001 |
3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
the hotel is not the safest place for them to protect Manny. Angel mentions to Cordelia that Gwen's money came from the Axis of Pythia he used to track Cordelia and then gave to Gwen.
The gang brainstorm about Manny being an orb keeper, and what could have been taken from him. Gwen reveals that the Beast took something out of the chest of the Shaman she was visiting, despite earlier having claimed to have seen nothing. The timing and stealthiness of the attack and the spiked drinks lead the gang to believe it was an inside job, but no definite suspect can be pinned down.
They return to the hotel and find information about the ritual from Lorne's research. Wesley and Fred announce they've discovered | 6,126,002 |
3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
what seems to be the only way to get rid of the Beast: opening a portal to send it through. Gunn reacts badly to this idea, but Fred reminds him it's their only option. Cordelia also senses she knew the person the Beast was talking to, leading them all to believe Connor is involved.
The Beast finds Connor at his warehouse and promptly throws him out the window. Angel and the gang pull up just in time, charging upstairs to stop the ritual. Wesley and Fred work on opening the portal while the others attack the Beast, who has already started the ritual. While the portal opens behind the Beast upstairs, outside Cordelia gets to see more of her vision and the sun begins to darken. With several consecutive | 6,126,003 |
3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
blows, Angel and the others manage to send the Beast through the portal and out of their world.
Upstairs, the Beast reappears behind the gang and speaks, saying he met Angelus in the past, and again offering an alliance of their evil. The beast grabs the orb and swallows it whole, then flies out the window. Cordelia figures out her vision was actually a memory from when she was a higher power and saw all of Angelus's actions over time. Angel doesn't remember such a meeting in the past, and he states that it's not something he'd forget, but Wesley suspects the Beast has been able to control Angel in some way. Wesley announces that the only one who may have the knowledge they need to defeat the | 6,126,004 |
3528327 | Long Day's Journey | https://en.wikipedia.org/w/index.php?title=Long%20Day's%20Journey | Long Day's Journey
ay. Wesley announces that the only one who may have the knowledge they need to defeat the Beast is Angelus, so they need him back.
# Writing.
- The episode is dedicated to Glenn Quinn, one of "Angel" original co-stars, who died on December 3, 2002 of a heroin overdose.
## Cultural references.
- "Long Day's Journey Into Night": The episode title refers to Eugene O'Neill's play.
## Continuity.
- Lorne says to a sulking Angel "When all's said and done, Connor will still be your son", referencing Connor's future transition into a new family with new parents at the end of the season.
- It is revealed that the Girl at Wolfram & Hart is actually a totem of the god Ra, one of the five Ra-Tet. | 6,126,005 |
3528336 | Awakening (Angel) | https://en.wikipedia.org/w/index.php?title=Awakening%20(Angel) | Awakening (Angel)
Awakening (Angel)
"Awakening" is episode 10 of season 4 in the television show "Angel".
# Plot synopsis.
In an attempt to locate the Beast and restore the sun to Los Angeles, Wesley brings in a dark mystic, named Wo-Pang, to extract Angel’s soul and release his evil alter-ego, Angelus, who apparently encountered the Beast centuries before and may know how to kill it. The gang build a large cage in the basement and tie Angel down within it. Wo-Pang begins to cast the spell.
Wo-Pang, however, is revealed to be a traitor, and attempts to kill Angel rather than remove his soul, and is subdued. Cordelia has a vision that shows the location of a sword that can kill the Beast - which is conveniently | 6,126,006 |
3528336 | Awakening (Angel) | https://en.wikipedia.org/w/index.php?title=Awakening%20(Angel) | Awakening (Angel)
below Los Angeles. Angel, Cordelia, Connor and Wesley venture to a subterranean tunnel filled with traps, and Angel acquires the sword. In the tunnels, Cordelia and Angel confess their feelings for one another. Connor witnesses the exchange and runs off, but after talking with Angel gives him their blessing.
The group return to the hotel, where they are attacked by the Beast. Angel orders the others away and fights, eventually persevering in stabbing and killing it. With the death of the Beast, the sun is restored. Against their better judgment, Cordelia and Angel make love, and as a result, Angel experiences a moment of true happiness after believing he finally won her heart.
As he loses | 6,126,007 |
3528336 | Awakening (Angel) | https://en.wikipedia.org/w/index.php?title=Awakening%20(Angel) | Awakening (Angel)
his soul, it turns out that this all took place in Wo-Pang's illusion, designed to make Angel achieve perfect happiness, and thus Angelus is awoken.
# Production details.
## Arc significance.
- Angel voluntarily gives up his soul and reverts to Angelus. He remains as such for the next several episodes.
## Cultural References.
- The group's adventure under the city bears many resemblances to scenes from the Indiana Jones saga, most obviously in Angel's utterance of "Wood. Why'd it have to be wood?"
## Continuity.
- This is the first true present-day appearance of Angelus since "Becoming", in season 2 of "Buffy the Vampire Slayer". Angel had temporarily taken on the behavior of Angelus | 6,126,008 |
3528336 | Awakening (Angel) | https://en.wikipedia.org/w/index.php?title=Awakening%20(Angel) | Awakening (Angel)
e Vampire Slayer". Angel had temporarily taken on the behavior of Angelus briefly during "Eternity", due to a drug-enhanced delusion of happiness, and had played the part of Angelus convincingly in "Enemies" in an orchestrated attempt to convince Faith that Angel had turned on Buffy. Other than Cordelia (and Wesley, if the incident from "Eternity" is considered), this is the first encounter any of the gang has had with Angelus' former self.
- This episode marks the second time a mystic is called upon to remove Angel's restored soul, the first (unsuccessful) attempt being "Enemies" from season three of "Buffy the Vampire Slayer". In both episodes the two mystics are dressed in similar robes. | 6,126,009 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
Apocalypse, Nowish
"Apocalypse, Nowish" is episode 7 of season 4 in the television show "Angel". Written by Steven S. DeKnight and directed by Vern Gillum, it was originally broadcast on November 17, 2002 on the WB network. The WB referred to this episode as "Rain of Fire" when it was first aired, which DeKnight attributes to "legal issues" over the title's reference to the 1979 film "Apocalypse Now".
In "Apocalypse, Nowish", Angel Investigations deals with a sudden wave of paranormal activity all over Los Angeles, portending the rise of the apocalyptic beast of whom Cordelia has been experiencing visions. As the Beast rises from the bowels of the Earth to bring a rain of fire over the city, | 6,126,010 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
Cordelia and Connor make love.
# Plot.
Cordelia tells Angel that she still loves him, but that during her time as a higher power she saw and felt all the carnage he formerly wrought as Angelus. She now needs him to give her time to sort out her feelings. When Lorne wants to learn what Cordelia remembers about her time as a higher power, Angel insists that they wait.
Connor comforts Cordelia after another nightmare featuring the demon from her visions. Meanwhile, as Angel Investigations is flooded with calls involving paranormal activity all over Los Angeles, Wesley returns home after fighting a bug infestation to find Lilah dressed as Fred for sexual role-playing.
Suddenly, Cordelia starts | 6,126,011 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
breathing hard and her eyes turn white as she warns Angel that "he's coming." Cordelia lies down and tells Angel and Connor what she remembers of her vision. Back at the hotel, Lorne picks up on the strained relationship between Fred and Gunn; since they jointly sought revenge on the man who sent Fred to a hell dimension, Fred has not been able to forgive Gunn for their actions. She leaves for the diner where she and Gunn are regulars.
Angel goes to Wolfram & Hart to demand that Lilah return the information the law firm sucked out of Lorne's head about the impending apocalypse. Cordelia and Connor walk to an alleyway that Cordelia recognizes as the place where Connor was born, where Darla staked | 6,126,012 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
herself. A large, horned demon bursts from the ground before them, knocking them both down. Connor attacks, but he takes a brutal beating before the demon strides away. Cordelia tends to Connor's wounds and finds that he has broken ribs.
At the diner, a waitress tries to advise Fred on her relationship troubles, until an earthquake shatters the diner's windows. Meanwhile, unable to locate Fred, Gunn is restless and tries to leave to find her, but Wesley appears and interrupts his departure. Aware of all the strange occurrences around town, he offers to work with them to deal with this problem, but Gunn's too angry with Wesley to even consider the idea. Angel stops them all from leaving because | 6,126,013 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
he has information from Lilah that they must study to prevent the end of the world. The trio examine the pages containing information stolen earlier from Lorne's brain. Another call is taken by Lorne and Angel instructs him to start mapping the locations from where the calls originate. The pages make no sense until Gunn sees that the pages fit together like a puzzle. Rearranging the sheets reveals a symbol shaped like a square with an "X" inside representing the "Eye of Fire." Lorne makes another discovery: the mapped locations of strange occurrences form the same pattern. Angel and the gang determine that the location on the map that appears at the middle of the X is a popular club on a high | 6,126,014 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
rooftop. They arrive at the club to find a mass of dead bodies and the Beast waiting for them.
Angel and the team take on the demon but are overpowered. Crossbows, axes, and swords don't have much impact, so Wesley tries a series of guns that also fail. Angel renews the battle and manages to send the demon to its knees, until the demon stakes him in the neck. The demon sends Angel flying off the roof to the city street. The demon forms the Eye of Fire using the dead bodies and sets them ablaze. Angel rips the stake from his neck and slowly begins to recover.
The fire on the roof rises towards the sky and soon fire starts to rain down as Connor and Cordelia watch. Connor blames himself for | 6,126,015 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
the whole situation, but Cordelia comforts and reassures him that he's not to blame. Cordelia kisses Connor and offers him the chance to feel something real. While everyone else watches the fire, fearing the future that awaits them, Connor and Cordelia have sex. Connor is seeking comfort in her arms. Angel is shown to be observing through the window on top of a nearby building.
# Production.
Executive producer Jeffrey Jackson Bell employed the effects shop Almost Human to design Vladimir Kulich's costuming and make-up. Almost Human makeup designer Chris Burdett says it took 2–3 days for four people to sculpt the costume and another 7 hours to fill and shape the huge fiberglass mold; a life | 6,126,016 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
cast was made of Kulich so that the suit would fit him exactly. The night before shooting was to begin, the crew finally established the costume's paint scheme. Kulich went through an eight-hour make-up process to transform him into the character of the Beast, including prosthetics and fiberglass body suit, but "The worst part was the contact lenses...[that] cover the entire eyeball," the actor said. However, the isolating nature of the 50 lb costume meant that "I was able to search a little deeper for material while I was in the character because I was cocooned off...It was liberating." Writer Steven S. DeKnight says all the full-suit shots of the Beast feature stunt double Scott Workman. They | 6,126,017 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
cut to Kulich only for the close-ups.
According to director Vern Gillum, "J. August Richards is terrified by rats, just like his character. This is the nicest guy in the world and it was just torment for him beyond anything you could imagine." In the final fight scene, which took two full days to film, Charisma Carpenter had to be careful doing her stunts, as she was pregnant.
## Arc significance.
- After appearing for a split second in Cordelia's vision in the previous episode, the Beast fully appears in this episode and becomes one of Angel Investigations' most powerful foes.
- Upon rising, the Beast reacts to Cordelia, foreshadowing her future role in the season.
- Wesley officially | 6,126,018 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
rejoins the team, having been just the occasional helper since he kidnapped Connor in Season 3.
- The Jasmine-possessed Cordelia's tryst with Connor will have severe ramifications, leading to her pregnancy, the eventual birth of Jasmine in embodied form, and ultimately, Cordelia's death.
- Connor calls Angel "dad" for the second time, showing his growing affection for Angel (the first was his initial appearance from Quor-Toth, when he said "hi, dad")
- Cordelia rejects Angel because of his actions as Angelus, but that was deception as she was had already put in motion her plans to be impregnated by Connor.
## Continuity.
- Gunn's fear of rats was first mentioned in "Heartthrob".
- Fred | 6,126,019 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
previously went to the diner in "Couplet" and "Loyalty", both times with Gunn.
- Gunn's home-made axe (made from a vehicle hubcap) is crushed by the Beast in the ensuing fight. The axe was first seen in the season 2 episode "Dear Boy" and made numerous appearances over the next two seasons.
- Cordelia dreams about The Beast attacking her, even though she is actually possessed by Jasmine.
- Two of the three prophecies given to Wesley by the Loa in the previous season are fulfilled at the end of the episode. The earth shakes and the air rains fire. The sky turning to blood is fulfilled a few episodes later when the Beast blots out the sun.
## Cultural references.
- "Apocalypse Now": The name | 6,126,020 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
of this episode is a play on the name of the 1979 film, which the Scooby Gang watch in the Buffy episode "Restless."
- "Jaws": Lorne's line, "I'm gonna need a bigger arrow" may be an allusion to Brody's line "You're gonna need a bigger boat" in the 1975 film.
- The final fight scene with the Beast references many classic cinematic fighting styles, including "The Matrix" (the Beast deflecting arrows while the camera does a slow motion circular pan), the films of John Woo (Wesley firing two handguns while moving laterally), and "" (Wesley pushing the Beast backwards with repeated shotgun blasts).
# Reception.
Writer Steven DeKnight says, "One of the biggest things this year has been the reaction | 6,126,021 |
3528299 | Apocalypse, Nowish | https://en.wikipedia.org/w/index.php?title=Apocalypse,%20Nowish | Apocalypse, Nowish
backwards with repeated shotgun blasts).
# Reception.
Writer Steven DeKnight says, "One of the biggest things this year has been the reaction to "Apocalypse, Nowish." Everybody loved the show, basically giving it five stars then taking three away because of the very end." When fans speculated why Cordelia would sleep with Angel's son, DeKnight cautions, "There is a bigger reason for it that will become apparent as well... You have to remember it's a long story arc." Many people were disturbed that Cordelia slept with Connor, and Charisma Carpenter agrees: "I hear a lot of "ewwww," and I agree. It is ewwwy. Only something deplorable and devilish and truly evil could do something so horrid." | 6,126,022 |
3528337 | Colombia at the 1988 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201988%20Summer%20Olympics | Colombia at the 1988 Summer Olympics
Colombia at the 1988 Summer Olympics
Colombia competed at the 1988 Summer Olympics in Seoul, Korea. 40 competitors, 34 men and 6 women, took part in 34 events in 10 sports.
# Athletics.
Men's 10.000 metres
- Pedro Ortiz
- First Round — 29:08.25 (→ did not advance)
Men's Marathon
- Pedro Ortiz
- Final — 2:23.34 (→ 39th place)
Men's 20 km Walk
- Hector Moreno
- Final — 1:27.06 (→ 33rd place)
- Querubín Moreno
- Final — did not finish (→ no ranking)
Men's 50 km Walk
- Hector Moreno
- Final — 4:01.31 (→ 30th place)
Women's 100 metres
- Amparo Caicedo
- First Round — 11.59
- Quarter-Finals — 11.65 (→ did not advance)
Women's 200 metres
- Norfalia Carabali
- First Round — 23.78
- | 6,126,023 |
3528337 | Colombia at the 1988 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201988%20Summer%20Olympics | Colombia at the 1988 Summer Olympics
Quarter-Finals — 23.96 (→ did not advance)
- Ximena Restrepo
- First Round — 24.00 (→ did not advance)
Women's 400 metres
- Norfalia Carabali
- First Round — 53.27
- Quarter-Finals — 51.76
- Semi-Finals — 52.65 (→ did not advance)
Women's 4×100 metres Relay
- Amparo Caicedo, Norfalia Carabali, Olga Escalante, and Ximena Restrepo
- First Round — 45.46 (→ did not advance)
Women's 4×400 metres Relay
- Olga Escalante, Norfalia Carabali, Amparo Caicedo, and Ximena Restrepo
- Heat — DSQ (→ did not advance, no ranking)
Women's Discus Throw
- María Isabel Urrutia
- Qualification — 53.82m (→ did not advance)
Women's Shot Put
- María Isabel Urrutia
- Qualification — 15.13m (→ did not | 6,126,024 |
3528337 | Colombia at the 1988 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201988%20Summer%20Olympics | Colombia at the 1988 Summer Olympics
advance)
# Boxing.
Men's Flyweight (– 51 kg)
- Simon Morales
- First Round — Lost to Setsuo Segawa (JPN), 1:4
Men's Bantamweight (– 54 kg)
- Jorge Julio Rocha → Bronze Medal
- First Round — Defeated Michael Hormillosa (PHI), RSC-3
- Second Round — Defeated Felix Nieves (PUR), 5:0
- Third Round — Defeated René Breitbarth (GDR), 4:1
- Quarterfinals — Defeated Katsuyoki Matsushima (JPN), 3:2
- Semifinals — Lost to Aleksandar Khristov (BUL), 2:3
# Cycling.
Seven cyclists, all men, represented Colombia in 1988.
- Men's road race
- Juan Arias
- Nelson Rodríguez Serna
- Dubán Ramírez
- Men's team time trial
- Ángel Noé Alayón
- Pedro Bonilla
- Orlando Castillo
- Julio Cesar Rodríguez
# | 6,126,025 |
3528337 | Colombia at the 1988 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201988%20Summer%20Olympics | Colombia at the 1988 Summer Olympics
e trial
- Ángel Noé Alayón
- Pedro Bonilla
- Orlando Castillo
- Julio Cesar Rodríguez
# Fencing.
Five fencers, all men, represented Colombia in 1988.
- Men's épée
- Mauricio Rivas
- Juan Miguel Paz
- Joaquin Pinto
- Men's team épée
- Oscar Arango, William González, Juan Miguel Paz, Joaquin Pinto, Mauricio Rivas
# Swimming.
Men's 100m Breaststroke
- Pablo Restrepo
- Heat — 1:04.43 (→ did not advance, 19th place)
Men's 200m Breaststroke
- Pablo Restrepo
- Heat — 2:19.58 (→ did not advance, 20th place)
# See also.
- Sports in Colombia
- Colombia at the 1987 Pan American Games
# External links.
- Official Olympic Reports
- International Olympic Committee results database | 6,126,026 |
3528333 | Bifidobacteriales | https://en.wikipedia.org/w/index.php?title=Bifidobacteriales | Bifidobacteriales
Bifidobacteriales
Bifidobacteriales is an order of bacteria, in the subclass of Actinobacteridae.
# Family and genera.
- Bifidobacteriaceae
- "Aeriscardovia"
- "Alloscardovia"
- "Bifidobacterium"
- "Bombiscardovia"
- "Galliscardovia"
- "Gardnerella"
- "Neoscardovia"
- "Parascardovia"
- "Pseudoscardovia"
- "Scardovia"
- incertae sedis
- "Ca. Ancillula"
- "Ca. Ancillula trichonymphae"
# Genomics.
In a phylogenetic tree for the order "Bifidobacteriales", based on RpoB, RpoC, and DNA Gyrase B, "Gardnerella vaginalis" branches between different "Bifidobacterium" species, which makes the genus "Bifidobacterium" polyphyletic. The genus could be made monophyletic if "G. vaginalis" was | 6,126,027 |
3528333 | Bifidobacteriales | https://en.wikipedia.org/w/index.php?title=Bifidobacteriales | Bifidobacteriales
placed within "Bifidobacterium". Comparative analysis of aligned protein sequences has led to the discovery of two conserved signature indels which are specific for the order "Bifidobacteriales". The first indel, a 1 amino acid deletion in ribosomal protein L13, is found in all "Bifidobacteriales" species and no other "Actinobacteria", providing a potential molecular marker for the entire "Bifidobacteriales" order. The second indel that has been identified is a 1 amino acid insertion in glucose-6-phosphate dehydrogenase found in all "Bifidobacterium" species and "G. vaginalis", but not in any other "Actinobacteria". This indel is thus characteristic of the clade consisting of "Bifidobacterium" | 6,126,028 |
3528333 | Bifidobacteriales | https://en.wikipedia.org/w/index.php?title=Bifidobacteriales | Bifidobacteriales
racteristic of the clade consisting of "Bifidobacterium" species and "G. vaginalis" and can be used to distinguish these genera from the rest of the order "Bifidobacteriales". 16 conserved signature proteins have also been identified which are unique to the order "Bifidobacteriales" and can be used as molecular markers for this order. Additionally, 6 conserved signature proteins which are unique to "Bifidobacterium" and "Gardnerella" have been identified, providing further evidence that species from these two genera are closely related and providing molecular markers for the clade consisting of these genera.
# External links.
- Systema Naturae 2000 / Classification- Order Bifidobacteriales | 6,126,029 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
The Beautiful People (song)
"The Beautiful People" is a song by American rock band Marilyn Manson. It was released as the lead single from the band's second studio album, "Antichrist Superstar" in September 1996. Classified as alternative metal, the song was written by frontman Marilyn Manson and Twiggy Ramirez, and was produced by Trent Reznor, Dave Ogilvie and Manson.
The title of the song comes from Marilyn Bender's 1967 book "The Beautiful People", which exposed the world of scandal within the "jet-set" lifestyle of the 1960s, and the culture of beauty as it pertained to fashion and politics. In the context of the album's concept, the song refers to the privileged class of elites whom the | 6,126,030 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
titular character, a populist demagogue called "Antichrist Superstar", fulminate against. Lyrically, it discusses what Manson refers to as "the culture of beauty".
The single peaked at number 26 on the Modern Rock Tracks chart and remains known as one of Marilyn Manson's most famous and most successful original songs; in a 2004 review, Richard Banks of the BBC called the track "still the most impressive" in the band's catalogue, and in 2006 it was ranked at number 28 on VH1's 40 Greatest Metal Songs.
# Song information.
## Origins.
"The Beautiful People" was written in 1994, with lyrics by Marilyn Manson and music by Twiggy Ramirez. The original demo version was written in a hotel room while | 6,126,031 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
on tour, and recorded to four-track by Manson, Ramirez, and drummer Ginger Fish. Manson recalled to "Kerrang!" magazine in May 2005: "It was somewhere in the South, which is ironic. I remember playing the drum beat on the floor and then having my drummer duplicate that on the drum machine. It happened in one day pretty much".
## Composition and lyrical content.
The song is preceded with a few seconds of backwards-guitar feedback and electronic noise. It includes a heavily distorted spoken sample by Tex Watson, declaring "[We would] swoop down on the town. . . [and] kill everyone that wasn't beautiful".
The song is written in drop D tuning, and is built primarily out of power chords based | 6,126,032 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
on the notes of a diminished triad. It also incorporates extensive use of guitar distortion, and the use of palm muting creates a highly rhythmic, driving style amplified by a heavy percussion track. The song's characteristic element is its repetitive drum beat: a five-beat common time pattern played on floor toms, with a shuffle note each measure creating a triplet feel.
Sean Beavan, who mixed and co-produced "Antichrist Superstar", is credited with "descending horn guitar" on the track. Beavan can be heard playing a repeated descending figure with a brass instrument-like sound using a guitar synthesizer.
Lyrically, it is entwined with the "Antichrist Superstar" album's overarching theme, | 6,126,033 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
a semi-narrative examination of the Nietzschean Übermensch. Within this context, "The Beautiful People" deals explicitly with the destructive manifestation of the Will to Power ("There's no time to discriminate / hate every motherfucker that's in your way"), while also exploring Nietzsche's view of master-slave morality ("It's not your fault that you're always wrong / The weak ones are there to justify the strong"), particularly the concept's connection with Social Darwinism and its relation to various political and economic systems such as capitalism and fascism ("Capitalism has made it this way/Old-fashioned fascism will take it away").
## Notable performances.
"The Beautiful People" was | 6,126,034 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
performed sporadically during the 1995–1996 Smells Like Children Tour, frequently in abbreviated form as part of the "Portrait of an American Family" song "My Monkey". It was "officially" premiered on October 3, 1996, at the State Theatre in Kalamazoo – the second show of the band's Dead to the World Tour.
The band took two weeks off following the last European show of their year-long Dead to the World Tour and, on September 4, flew to New York City and performed as the grand finale of the 1997 MTV Video Music Awards. The song had reached №26 on the "Billboard" Modern Rock Tracks chart and its music video was nominated at the show for Best Rock Video.
Preceded by a marching band playing "Hail | 6,126,035 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
to the Chief", Manson entered the stage in a full-body black fur coat flanked by mock United States Secret Service agents, and delivered a speech to the audience of Hollywood celebrities from a microphone-covered lectern emblazoned with the phrase 'Antichrist Superstar' in classical Latin script and the band's "Shock" logo fashioned to look like the Seal of the President of the United States:
After the speech the band launched into "The Beautiful People", with Manson striking rigid poses as he sang. Manson removed his coat midway thru to reveal a second costume underneath that consisted of a leather corset and g-string which revealed his bare buttocks, a pair of thigh-high fishnet hosiery attached | 6,126,036 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
to a leather garter belt and knee-high leather boots. The performance came to its climax as the band smashed their instruments at the end of the song. As the show closed, host Chris Rock teasingly yelled for the audience to "Run to church right now! Get your asses into church, or you're going to hell!". Despite their extremely negative review of the program as a whole, "Rolling Stone" singled out the performance as "riveting".
Marilyn Manson and Twiggy Ramirez joined The Smashing Pumpkins at Mountain View, California's Shoreline Amphitheatre for an acoustic performance of "The Beautiful People" during the venue's annual Bridge School Benefit on October 18, 1997. Nine Inch Nails also performed | 6,126,037 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
"The Beautiful People", with frontman Trent Reznor on bass guitar and Marilyn Manson on lead vocals, on May 9, 2000 at Madison Square Garden. Manson had been a surprise guest at the concert, appearing unannounced on stage during Nine Inch Nails' "Starfuckers, Inc."; this performance was filmed and released as a bonus feature on "And All That Could Have Been" in 2002. At the 2012 Echo Awards, Rammstein performed the song, with Marilyn Manson standing in for lead singer Till Lindemann. On October 31, 2014 in a special setup on Halloween night, Manson performed the song with Johnny Depp on guitar and Ninja (from Die Antwoord) as a background vocalist, in the club Roxy in West Hollywood.
In live | 6,126,038 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
performances, Manson frequently incorporates the lyric "How does it feel to be one of the beautiful people?" from The Beatles' "Baby, You're a Rich Man" into the song, either shouted over its instrumental break or as a lead-in to the introductory drums.
## Versions and releases.
In addition to the version on the "Antichrist Superstar" album and the version on the single (which differ only in the length of the introductory noise) a radio edit also exists, which removes the profanity. The phrase "hate every motherfucker" has been replaced by the alternate lyric "hate every other hater", and the word "shit" has been excised. This radio edit is the version used in the music video for "The Beautiful | 6,126,039 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
People".
Three official remixes of "The Beautiful People" have been released. The first, "The Horrible People", was created by Danny Saber and appears on the 1997 "Remix & Repent" EP; the remix features a fast-tempo drum n bass backing track, and accents the original song's swing jazz-inflected rhythm with brass and piano samples. J. G. Thirlwell's "The Not-So-Beautiful People" is a straight industrial reworking of the track, with rhythmic vocal samples and churning, filtered synthesizers. It was used as the opening theme for "WWF RAW is WAR" for only a few weeks in March 1997. Later an edited version of the song was used as the opening theme for "WWE SmackDown!" from 2001 to 2003, and a remix | 6,126,040 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
of it was included on "WWF Forceable Entry" and a 10-inch picture disc single of the song.
Marilyn Manson's 2004 greatest hits compilation, "", contains a slightly reworked version of the track. The longer introduction from the single version has been restored, and certain musical elements (most notably, an organ-like sound not noticeable in the previously released versions) have been made more pronounced.
In 1997, MTV News reported that Manson had expressed interest in collaborating with Snoop Dogg to produce a rock/rap version of "The Beautiful People". It is unknown if the collaboration ever actually occurred, although in his September 4, 1997 keynote address at the CMJ Music Marathon, | 6,126,041 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
the singer referred to the project as "something I would still love to do" and blamed the hectic touring schedules of both his own band and the rapper for the delay. To date the remix has never materialized.
The song has been made available as downloadable content for "Guitar Hero 5" and is included on the "Rock Band 3" soundtrack.
The song also features on the soundtrack to the Australian film, Boys In The Trees by Nicholas Verso.
# Music video.
Floria Sigismondi directed what has been described as "the creepiest of creepy videos" for "The Beautiful People". The clip, filmed in the then abandoned Gooderham and Worts distillery in Toronto, Canada, depicts the band performing the song in | 6,126,042 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
a classroom-like area decorated with medical prostheses and laboratory equipment. Intercut with these performance clips are scenes of lead singer Marilyn Manson in a long gown-like costume and aviator goggles, wearing stilts and prosthetic makeup which make him appear bald and grotesquely tall; after being placed in this costume by similarly attired attendants, he appears to a cheering crowd through a window in a scene reminiscent of a fascist rally, and later stands in the center of a circle while people march around him pumping their fists into the air. Other fast cut scenes include extreme close-ups of crawling earthworms, mannequin heads and hands, and the boots of people marching; and shots | 6,126,043 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
of the individual band members bizarrely costumed, including Manson in back and neck braces, a leather aviator cap and an orthodontic cheek retractor, exposing metallic teeth.
The video premiered on MTV on September 22, 1996 and was nominated for two 1997 MTV Video Music Awards: Best Rock Video and Best Special Effects.
# Reception.
The single was generally praised on its release. AllMusic's Stephen Thomas Erlewine highly praised the song, stating that "With its mock menace and pummeling metal triplets, it was the first Manson song with an oversized hook -- the kind of song that even the group's detractors couldn't get out of their heads". In its 1996 review of "Antichrist Superstar", "Rolling | 6,126,044 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
Stone" magazine described "The Beautiful People" as "suspense-filled", with "a zombielike, repetitive quality [and] ghostly electronic sounds. . .", adding that in his vocal delivery, "Manson hisses his lines, punctuating certain words with a shrill, insane pitch, others with a retching scream".
In the United States, the single managed to reach number 29 on the "Billboard" Mainstream Rock Tracks chart and number 26 on the Modern Rock Tracks chart. In the UK, it reached number 18 on the UK Singles Chart, peaking on June 7, 1997. In Sweden, it was certified gold. Although the single only peaked at number 42 on the Australian ARIA singles chart, it spent 56 weeks in the top 100 and became the | 6,126,045 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
89th highest-selling single of 1997 in Australia.
## Accolades.
According to Acclaimedmusic.net "The Beautiful People" is the 21st best song of 1996, the 349th greatest song released during the 1990s and the 2,451st greatest of all-time. In 2002, "Kerrang!" ranked "The Beautiful People" 5th in their "100 Greatest Singles of All Time". In 2003, "Q" ranked "The Beautiful People" 192nd in their "The 1001 Best Songs Ever". "Q" also included "The Beautiful People" under the Metal Tracks category of their "Ultimate Music Collection" in 2005. The music video for the single would be nominated in three categories at the 1997 MTV Video Music Awards namely, "Best Rock Video", "Best Art Direction" and | 6,126,046 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
"Best Special Effects".
In 2011, Both the original version and the Scala and Kolacny cover would be used as the theme music for the "7" Scarezone at Universal Orlando's Halloween Horror Nights 21 Event
# Cover versions.
The song has been covered by various artists, including the jazz trumpeter Lester Bowie, on his Brass Fantasy's 1999 "Odyssey of Funk & Popular Music, Volume 1"; metalcore band Eighteen Visions, on the 2006 compilation "Punk Goes 90s"; the Scala & Kolacny Brothers girls' choir on their 2007 album "One Winged Angel"; and heavy metal band Soulfly on "" and a special edition of their album "Conquer".
Samples from "The Beautiful People" have been used in two songs of the same | 6,126,047 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
title, one by rapper Apathy, one by Christina Aguilera for the "Burlesque" soundtrack. Pop punk singer Avril Lavigne sang the song in a medley with her own song "Bad Girl" (which features guest vocals from Manson) during The Avril Lavigne Tour in 2014.
# Formats and track listings.
- Australian and European CD single
- 2. "The Beautiful People" (album version)
- 3. "Cryptorchid"
- 4. "Snake Eyes and Sissies"
- UK CD single 1
- 2. "The Beautiful People" (single version)
- 3. "The Horrible People"
- 4. "Sweet Dreams (Are Made of This)"
- 5. "Cryptorchid"
- UK CD single 2
- 2. "The Beautiful People" (album version)
- 3. "The Not-So-Beautiful People"
- 4. "Snake Eyes and Sissies"
- | 6,126,048 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
5. "Deformography"
- European Enhanced CD single
- 2. "The Beautiful People" (single version)
- 3. "The Horrible People"
- 4. "Sweet Dreams (Are Made of This)"
- 5. "Cryptorchid"
- 6. "The Beautiful People" (video)
- 7. "Sweet Dreams (Are Made of This)" (video)
- 10" vinyl single (remixes)
- 2. "The Horrible People"
- 3. "The Not-So-Beautiful People"
- Japanese CD single
- 2. "The Beautiful People" (single version)
- 3. "The Horrible People"
- 4. "Sweet Dreams (Are Made of This)" (LP version)
- 5. "Cryptorchid"
- 6. "The Not-So-Beautiful People"
- U.S. promotional CD single
- 2. "The Beautiful People" (clean version)
- 3. "The Beautiful People" (LP version)
# Production credits.
Musicians:
- | 6,126,049 |
3528218 | The Beautiful People (song) | https://en.wikipedia.org/w/index.php?title=The%20Beautiful%20People%20(song) | The Beautiful People (song)
oduction credits.
Musicians:
- Marilyn Manson – vocals, lyrics
- Twiggy Ramirez – guitar, bass guitar, music
- Sean Beavan – descending horn guitar
- Ginger Fish – drums
Production:
- Trent Reznor – producer
- Dave "Rave" Ogilvie – producer
- Marilyn Manson – co-producer
- Sean Beavan – mixing
- Chris Vrenna – editing and programming
- Charlie Clouser – editing and programming
## "The Horrible People".
As original version, with
- Damian Savage – additional bass
- John X – "sonic rape and pillage"
- Danny Saber – remix
- Gabe and Jim – engineers
## "The Not-So-Beautiful People".
As original version, with
- J. G. Thirlwell – remix
# See also.
- Marilyn Manson discography | 6,126,050 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
Flute sonata
A flute sonata is a sonata usually for flute and piano, though occasionally other accompanying instruments may be used. Flute sonatas in the Baroque period were very often accompanied in the form of basso continuo.
# List of flute sonatas.
- George Antheil
- Sonata for flute and piano (1951)
- Malcolm Arnold
- Sonata for flute and piano, Op.121 (1977)
- Carl Philipp Emanuel Bach
- Sonata in A minor for solo flute (H. (Helm) 562/Wq. (Wotquenne) 132) (1747)
- 14 sonatas for flute and continuo
- Sonata in G minor for flute and harpsichord, BWV 1020
- Johann Christian Bach
- Sonatas for keyboard with flute or violin, Op. 16
- Johann Sebastian Bach
- Sonata in B minor for | 6,126,051 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
flute and harpsichord, BWV 1030
- Sonata in E-flat major for flute and harpsichord, BWV 1031
- Sonata in A major for flute and harpsichord, BWV 1032
- Sonata in C major for flute and basso continuo, BWV 1033
- Sonata in E minor for flute and basso continuo, BWV 1034
- Sonata in E major for flute and basso continuo, BWV 1035
- Partita in A minor for solo flute, BWV 1013
- Arnold Bax
- Sonata for flute and harp (1928)
- Lennox Berkeley
- Sonata for flute and piano (1978)
- Ludwig van Beethoven (attributed)
- Flute Sonata in B-flat major, Anh 4
- Flint Juventino Beppe
- Flute Sonata No.1 Op.40 (1998)
- Pierre Boulez
- Sonatina for flute and piano (1946) (1 serial movement)
- York | 6,126,052 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
Bowen
- Flute Sonata, Op. 120 (1946)
- Robert J. Bradshaw
- Sonata No. 2 In My Collection for flute and piano
- Edison Denisov
- Sonata for flute and piano (1960)
- Sonata for flute and guitar (1977)
- Sonata for flute solo (1982)
- Sonata for flute and harp (1983)
- Pierre Max Dubois
- Sonata for flute and piano
- Henri Dutilleux
- Sonatina for flute and piano (1943)
- Jindřich Feld
- Sonata for flute and piano (1957)
- César Franck
- Sonata for Violin and Piano in A major (transcribed for flute) (1886)
- Glenn Gould
- Sonata for Flute and Piano (1950).
This work is an arrangement of Gould's Sonata for Bassoon and Piano.
- Jorge Grundman
- Warhol in Springtime. Sonata for | 6,126,053 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
Flute and Piano (2011)
- George Frideric Handel
- Sonata for flute in E minor, Op. 1, No.1A
- Sonata for flute in E minor, Op. 1, No.1B
- Sonata for Flute in G major Op. 1, No.5
- Sonata for Flute in B minor Op. 1, No.9
- Hans Werner Henze
- Sonatina for flute and piano (1947)
- Paul Hindemith
- Sonata for flute and piano (1936)
- Bertold Hummel
- Sonatina for flute and piano, Op. 107a (2001)
- Johann Nepomuk Hummel
- Sonata in D, Op. 50 (c1810–14)
- Sonata in A, Op. 64 (c1814–15)
- Philipp Jarnach
- Sonatina for flute and piano, Op. 12 (1919)
- Sándor Jemnitz
- Sonata for flute and piano, Op. 27 (1930–31)
- Paul Juon
- Sonata for flute and piano in F, Op. 78 (1924)
- Sigfrid | 6,126,054 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
Karg-Elert
- Sonata for flute and piano in B flat, Op. 121 (1918)
- "Sonata Appassionata" for flute solo in F sharp, Op.140 (1917)
- Charles Koechlin
- Sonata for flute and piano, Op.52 (1911-13)
- Sonata for 2 flutes, Op.75 (1918-20)
- Three sonatines for solo flute, Op.184 (1942)
- Jean-Marie Leclair
- Sonata for flute and harpsichord No.1 in B major, Book 1, No.2
- Sonata for flute and harpsichord No.2 in E minor, Book 1, No.6
- Sonata for flute and harpsichord No.3 in E minor, Book 2, No. 1
- Sonata for flute and harpsichord No.4 in C major, Book 2, No. 3
- Sonata for flute and harpsichord No.5 in G major, Book 2, No. 5
- Sonata for flute and harpsichord No.6 in B minor, Book | 6,126,055 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
2, No. 11
- Sonata for flute and harpsichord No.7 in E minor, Book 4, No. 2
- Sonata for flute and harpsichord No.8 in G major, Book 4, No. 7
- Dieter Lehnhoff
- Sonata Porteña for flute and piano, Op. 35 (2013)
- Bohuslav Martinů
- Sonata for flute and piano, Halbreich 306 (1945)
- Peter Mieg
- Sonata for flute and piano (1963)
- Darius Milhaud
- Sonatina for flute and piano, Op. 76 (1922)
- Ignaz Moscheles
- Sonata for flute and piano in A, Op. 44 (1819)
- Sonata for flute and piano in G, Op. 79 (1828)
- Wolfgang Amadeus Mozart
- Sonata in B-flat for Keyboard and Violin or Flute, K. 10
- Sonata in G for Keyboard and Violin or Flute, K. 11
- Sonata in A for Keyboard and Violin | 6,126,056 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
or Flute, K. 12
- Sonata in F for Keyboard and Violin or Flute, K. 13
- Sonata in C for Keyboard and Violin or Flute, K. 14
- Sonata in B-flat for Keyboard and Violin or Flute, K. 15
- Jules Mouquet
- "La Flûte de Pan", Sonata, Op. 15
- Robert Muczynski
- Sonata for flute and piano, Op. 14 (1961)
- Gabriel Pierné
- Sonata for flute and piano, Op. 36 (1900)
- Willem Pijper
- Sonata for flute and piano (1925)
- Walter Piston
- Sonata for flute and piano (1930)
- Francis Poulenc
- Flute sonata, Schmidt 164 (1956–7)
- Sergei Prokofiev
- Flute sonata in D, Op. 94 (1943)
- Einojuhani Rautavaara
- Sonata for flute and guitar (1975)
- Carl Reinecke
- "Undine", Flute sonata, Op. | 6,126,057 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
167 (1882)
- Ferdinand Ries
- Flute Sonata in G major, Op. 48 (pub. 1815)
- Divertimento for Piano and Flute in G major, Op.62 (1815, pub. 1819)
- Flute Sonata in C major, Op. 76, No. 1 (1816, pub. ca 1817/18)
- Flute Sonata in G major, Op. 76, No. 2 (1817, pub. ca 1817/18)
- Flute Sonata in G major, Op. 87 (pub. 1819)
- Flute Sonata in E-flat major, Op. 169 "Sonate sentimentale" (1814, pub. 1834)
- R. Murray Schafer
- Sonatina for flute and harpsichord (or piano) (1976)
- Erwin Schulhoff
- Sonata for flute and piano (1927)
- Leo Smit
- Sonata for flute and piano (1939-43)
- Otar Taktakishvili
- Sonata for flute and piano (1968)
- Hiroki Yamada
- Flute Sonata (2010-12)
# See | 6,126,058 |
3528339 | Flute sonata | https://en.wikipedia.org/w/index.php?title=Flute%20sonata | Flute sonata
in G major, Op. 48 (pub. 1815)
- Divertimento for Piano and Flute in G major, Op.62 (1815, pub. 1819)
- Flute Sonata in C major, Op. 76, No. 1 (1816, pub. ca 1817/18)
- Flute Sonata in G major, Op. 76, No. 2 (1817, pub. ca 1817/18)
- Flute Sonata in G major, Op. 87 (pub. 1819)
- Flute Sonata in E-flat major, Op. 169 "Sonate sentimentale" (1814, pub. 1834)
- R. Murray Schafer
- Sonatina for flute and harpsichord (or piano) (1976)
- Erwin Schulhoff
- Sonata for flute and piano (1927)
- Leo Smit
- Sonata for flute and piano (1939-43)
- Otar Taktakishvili
- Sonata for flute and piano (1968)
- Hiroki Yamada
- Flute Sonata (2010-12)
# See also.
- Flute concerto
- Flute repertory | 6,126,059 |
3528342 | Swedish Transport Workers' Union | https://en.wikipedia.org/w/index.php?title=Swedish%20Transport%20Workers'%20Union | Swedish Transport Workers' Union
Swedish Transport Workers' Union
The Swedish Transport Worker's Union (abbreviated to Transport) was created in 1897 on initiative by Charles Lindley (1865–1957) and is today part of the Swedish Trade Union Confederation (referred to as LO in Sweden).
The union's motto is: "The collective agreement defends you if you defend the collective agreement!" ("Kollektivavtalet försvarar dig om du försvarar kollektivavtalet!").
There are 30 local chapters around Sweden that assists members. The union leader is Lars Lindgren.
The headquarters are located on Olof Palmes street 29, right across from the so-called LO-castle around Norra Bantorget in Stockholm.
# Membership.
The union has today () 72 | 6,126,060 |
3528342 | Swedish Transport Workers' Union | https://en.wikipedia.org/w/index.php?title=Swedish%20Transport%20Workers'%20Union | Swedish Transport Workers' Union
The union has today () 72 000 members who work in many different fields, such as:
- Surveillance and security (Security guards, Airport security personnel, Parking attendants)
- Dockyard workers
- Newspaper delivery
- Advertisement distributors
- Automobile towing
- Tire shops
- Gas stations
- Airport personnel (Loaders, mechanics)
- Road transport
# International cooperation.
The union also support an active international union cooperation and is a member of several international labor organizations:
- Nordic Transport Workers Federation (NTF)
- European Transport Workders Federation (ETF)
- Union Network International (UNI)
- International Transport Workers' Federation (ITF) | 6,126,061 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
Calvary (Angel)
"Calvary" is episode 12 of season 4 in the television show "Angel". The gang scrambles to locate Angel’s soul, while Angelus tells the group that the Beast is controlled by a higher being further up.
# Plot.
Connor, Wesley and Cordelia force their way into the Shaman's chambers and question him about Angel's soul, only to find that Angel's soul still remains in its container, although he warns them that if the container is broken and the soul isn't being controlled, the soul will cease to exist, Angelus will get out, and they'll "be screwed." Angelus continues to taunt the gang, angering Gunn over his relationship with Fred. Lilah sneaks in, emerging from the sewers holding | 6,126,062 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
a crowbar and attempts a deal with Angelus, revealing that the Beast has murdered everyone affiliated with Wolfram and Hart except for her. Gunn finally spots Lilah on the video monitor and rushes downstairs to put a tranquilizer dart in Angelus, while Lilah runs off. While the others question Lilah's intentions, Wesley chases and catches her. He thumbs through her copy of "Rhinehardt's Compendium", finding information his copy does not contain. Lilah had received her copy on the pan-dimensional black market, and Wesley determines someone had erased the information in this dimension.
Angelus wakes up and informs the gang that the Beast actually works for someone or something. Wesley returns | 6,126,063 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
with Lilah, but the gang are extremely suspicious of her and drill her about her intentions. Gunn leaves to keep watch on Angelus, who pushes Gunn's buttons again over his relationship with Fred and the gang. He mentions Dr. Seidel's death (from "Supersymmetry"), which he knows about because "even Angel's not "that" stupid." He offers to keep what Fred did a secret, but Gunn corrects him that Fred didn't kill Seidel, prompting Angelus to praise him for "steppin' up and bein' the "man"!" Angelus mock-commiserates with Gunn about Fred's affections shifting to Wesley, citing Wesley's recent descent into more violent behavior as the cause; "for once in your life," Angelus teases, "you just weren't | 6,126,064 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
"dark" enough." Gunn responds with a blast from his flame thrower, and Angelus crows that there's "hope" for Gunn yet.
Fred informs Wesley that she's no longer with Gunn. Wesley takes the news as an opportunity to make another move on Fred, though he's interrupted by Cordelia and Lilah. Lilah and the gang argue about the possibility of saving the world, but then Cordelia gets a vision that allows her to see how to get Angel's soul back. Fred goes downstairs to inform Wesley about Cordy's vision, and she exchanges barbs with Angelus. While mock-praising Wesley, Angelus casually mentions his sexual liaisons with Lilah - another shock for Fred. Gunn and Connor dig up the grave of a soul eater, | 6,126,065 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
the skull of which is needed to return Angel's soul. Once they hit the coffin, the soul eater proves to be more active than dead and attacks the duo. With Connor incapacitated, Gunn is able to chop the demon to bits and retrieve the head.
Meanwhile, the Beast offers a gift to its unseen master; a knife made of his bones. Cordelia and Fred present the talismans they built for the spell while Gunn and Connor return with the fresh demon head. The spell is set up in the basement while Angelus tries to discourage them from trying. Wesley chants and a white soul-like mist emerges from the skull, passes through the talismans and surrounds Angelus in the cage. Angel's soul seems to be returned and | 6,126,066 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
once Angel sings for Lorne, it's concluded that his soul really has returned. Still worried, Angel decides to stay in the cage and direct the others. Cordelia refuses to take his orders because he's acting like a coward and convinces him that he needs to be out of the cage. Free, Angel grabs Cordy, revealing that the spell did not work and that he is still Angelus. Cordy fights back and tries to hide in the cage, but Angelus knocks her out and heads upstairs to continue his Angel charade.
Angelus drops in on Fred, and the others are still fooled by him, but they don't get long to chat as he leaves, spouting an excuse about going out to save the world. Spotting an unconscious Cordy in the cage, | 6,126,067 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
they realize Angelus lied and depart to find him. A consensus is reached that they won't be saving Angelus, they'll be killing him on sight now. Angelus roams the crazy streets of LA, but can't find anything but dead bodies and vampires, and he doubles back to the hotel. Lilah fires a round of bullets at him and Cordy tries to shoot him with the crossbow, but none of the attempts are successful. Angelus throws the crossbow bolt back at Cordelia's leg, taking her down and leaving him to deal with Lilah. Connor tracks Angelus back to the hotel. Angelus stalks Lilah until he finally finds her trying to hide. He takes her ax from her, but before he can kill her with it, she tosses him over a stair | 6,126,068 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
railing and runs off. Cordelia stabs Lilah in the neck (using the dagger the beast offered to its master earlier in the episode), informing a dying Lilah that she let Angelus out for a reason.
# Writing.
During the episode, Lilah references sending in the "cavalry" (a group of warriors), which is often confused with the episode's title, "Calvary." The Calvary, or Golgotha, was the site near Jerusalem where Jesus was crucified.
## Arc significance.
- Lilah is murdered by Cordelia, who is under the possession of the being later known as Jasmine. Her possession becomes apparent as she uses the bone knife given by the beast to his master earlier in the episode.
- This episode signals the end | 6,126,069 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
of Gunn and Fred's relationship.
- Angelus reveals that the Beast is not acting of his own accord. He is following orders.
## Continuity.
- Wesley and Lilah's relationship is revealed.
- Gunn mentions that the Chumash Indians buried the soul-eater that they're digging up. The Chumash previously featured prominently in the "Buffy" episode "Pangs."
- Angelus echoes Faith's words when she is posing as Buffy in the "Buffy" episode "Who Are You" when he says "being evil is wrong."
- When Fred and Wesley are researching methods to restore Angel's soul, she references The orb of Thesulah. The orb of Thesulah was first introduced in the "Buffy" episode "Passion". It is seen again in "Buffy" at | 6,126,070 |
3528355 | Calvary (Angel) | https://en.wikipedia.org/w/index.php?title=Calvary%20(Angel) | Calvary (Angel)
ured prominently in the "Buffy" episode "Pangs."
- Angelus echoes Faith's words when she is posing as Buffy in the "Buffy" episode "Who Are You" when he says "being evil is wrong."
- When Fred and Wesley are researching methods to restore Angel's soul, she references The orb of Thesulah. The orb of Thesulah was first introduced in the "Buffy" episode "Passion". It is seen again in "Buffy" at the season two finale when Willow successfully restores Angel's soul. It is seen later in this season.
## Cultural references.
- Gunn references "Star Wars" when he calls Angelus 'Darth Vampire'.
- Cordelia also tells Angel that 'you might be their only hope, Obi-Wan,' again referencing "Star Wars". | 6,126,071 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
Soulless (Angel)
"Soulless" is episode 11 of season 4 in the television show "Angel". Written by Elizabeth Craft and Sarah Fain and directed by actor Sean Astin, it was originally broadcast on February 5, 2003 on the WB network. In "Soulless", Angel’s soul has been locked away in an office safe so that his alter ego Angelus can be interrogated about the Beast. After taunting Wesley, Gunn, and Fred about their faults and revealing damaging secrets he, as Angel, knew, Cordelia strikes a deal with Angelus so that he will share information about the Beast.
# Plot.
At the Hyperion Hotel, the gang carefully put Angel's contained soul away in the safe, discussing the great risk they all face in dealing | 6,126,072 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
with Angelus. Meanwhile, an unchained Angelus sits alone in the basement cage. Wesley cautiously approaches the cage and starts up a discussion with Angelus. Angelus plays games with Wesley, avoiding the important information about The Beast in favor of taunting Wesley about his romantic interest in Fred while the rest of the gang watch the conversation from the lobby via video feed. Angelus continues to be difficult, raising issues of Wesley's failure with Faith and Connor. Connor returns to receive strange looks in the aftermath of Angelus's news, but misinterprets the looks as everyone still thinking he's connected to the Beast.
Gunn and Fred bring Angelus a glass of blood and Angelus happily | 6,126,073 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
takes advantage of the opportunity to taunt the couple about the sounds Angel could hear coming from Fred's room at night. Fred pushes a cart towards the cage and Angelus takes the glass, but also shoves the cart into Fred and grabs her when she falls towards the cage. Gunn moves in to rescue Fred, but it's Wesley who shoots Angelus with tranquilizer darts, freeing Fred and knocking Angelus out cold. In Wesley's office, Fred thanks him for saving her, but the conversation takes a turn for the romantic as Wesley kisses Fred. Gunn walks in and, after realizing that something just happened between them, he gets furious. The two men begin to fight until Gunn accidentally hits Fred when she tries | 6,126,074 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
to stop them. Angelus is pleased with the discord he has created.
Connor approaches Angelus, who tells Connor that his mother Darla and his adoptive father Holtz were eager to get away from Connor. Connor calmly replies that he knows that Angelus is his real father. Angelus thinks he can take advantage of this and encourages Connor to approach, but Cordelia interrupts and sends Connor away. She then turns off the video camera and offers herself in exchange for all of Angelus's information on the Beast. Angelus is reluctant to take her offer, but later Cordelia informs the gang that Angelus is willing to talk, although she refuses to tell them what she did to get Angelus to talk. Wesley goes | 6,126,075 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
downstairs and begins to ask questions. Angelus explains that in 1789, the Beast tried to bribe Angelus into helping him kill three priestesses who were attempting to banish the Beast. Angelus refused to help, and then the priestesses appeared and banished the Beast. Gunn finds that the women live nearby.
Wesley, Cordelia, and Connor find the priestesses and their families have already been murdered by the Beast. After seeing a "Daddy's Birthday" reminder on the family's calendar, Connor runs outside to be sick. Cordelia chases after him and she tries to talk to him, but some vampires interrupt the moment, sending the gang into battle mode. Connor disposes of one and Wesley gets the car for | 6,126,076 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
them to escape in. They return to the hotel and everyone realizes that without useful information from Angelus, they need to turn him back into Angel. Cordelia goes downstairs and, despite Angelus's enthusiasm to have her, Cordelia tells him the deal is off since they didn't get to save the world and that they're putting his soul back. Angelus doesn't seem too worried about that, as he's confident he'll get to see the apocalypse come to life. Cordelia returns to the office only to find bad news: the container holding Angel's soul is gone.
# Production.
"Soulless" was directed by actor Sean Astin, who played Samwise Gamgee in Peter Jackson's "The Lord of the Rings". After Astin told writer/director | 6,126,077 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
and close friend Doug Petrie about his "fervent desire to be directing episodic television," he shadowed producers David Greenwalt and Tim Minear for several weeks to get a feel for the series before he was given this episode to direct. "Television sort of mandates that you keep moving," Astin says, "but you don't want to stop. Angelus [has] so many layers and so many different shades and qualities, you want to keep exploring them and mining them and pulling them out. It's such a rich, meaty character for him to do. He's good at evil. It's a little creepy."
# Cultural references.
- Angelus refers to the Ancient Greek tragedy "Oedipus Rex" when he tells Connor, "I mean, when you think about | 6,126,078 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
it, the first woman you boned is the closest thing you've ever had to a mother. Doing your mom and trying to kill your dad. There should be a play."
- He also refers to Fred and Gunn as Othello and Desdemona, and the line "Bodies, bodies everywhere, and not a drop to drink," is a reference to a similar line in "The Rime of the Ancient Mariner".
- Angelus's reference to the "foul rag-and-bone shop of the heart" comes from the William Butler Yeats poem "The Circus Animals' Desertion", and that animalistic element is also present in his choice of music in his cage at the beginning, "The Teddy Bears' Picnic", a song which, later in the lyric, promises good things to the good, but also speaks of | 6,126,079 |
3528344 | Soulless (Angel) | https://en.wikipedia.org/w/index.php?title=Soulless%20(Angel) | Soulless (Angel)
bodies everywhere, and not a drop to drink," is a reference to a similar line in "The Rime of the Ancient Mariner".
- Angelus's reference to the "foul rag-and-bone shop of the heart" comes from the William Butler Yeats poem "The Circus Animals' Desertion", and that animalistic element is also present in his choice of music in his cage at the beginning, "The Teddy Bears' Picnic", a song which, later in the lyric, promises good things to the good, but also speaks of watching them (the bears) and "catch them unawares".
- Angelus also wonders out loud why Angel is fond of "Raiders of the Lost Ark", referring to his Indiana Jones-style adventure in the alternate reality in the previous episode. | 6,126,080 |
3528359 | Bifidobacteriaceae | https://en.wikipedia.org/w/index.php?title=Bifidobacteriaceae | Bifidobacteriaceae
Bifidobacteriaceae
The Bifidobacteriaceae are the only family of bacteria, in the order of Bifidobacteriales. According to the 16S rRNA-based LTP release 106 published by 'The All-Species Living Tree' Project, the order Bifidobacteriales is a clade nested within the suborder Micrococcineae, also the genus "Bifidobacterium" is paraphyletic to the other genera within the family, i.e. the other genera are nested within "Bifidobacterium".
# Phylogeny.
The currently accepted taxonomy is based on the List of Prokaryotic names with Standing in Nomenclature (LPSN) and National Center for Biotechnology Information (NCBI) and the phylogeny is based on 16S rRNA-based LTP release 106 by 'The All-Species | 6,126,081 |
3528359 | Bifidobacteriaceae | https://en.wikipedia.org/w/index.php?title=Bifidobacteriaceae | Bifidobacteriaceae
occineae, also the genus "Bifidobacterium" is paraphyletic to the other genera within the family, i.e. the other genera are nested within "Bifidobacterium".
# Phylogeny.
The currently accepted taxonomy is based on the List of Prokaryotic names with Standing in Nomenclature (LPSN) and National Center for Biotechnology Information (NCBI) and the phylogeny is based on 16S rRNA-based LTP release 106 by 'The All-Species Living Tree' Project.
Notes:
♠ Strains found at the National Center for Biotechnology Information (NCBI) but not listed in the List of Prokaryotic names with Standing in Nomenclature (LPSN)
# External links.
- Systema Naturae 2000 / Classification - Family Bifidobacteriaceae | 6,126,082 |
3528370 | Release (Angel) | https://en.wikipedia.org/w/index.php?title=Release%20(Angel) | Release (Angel)
Release (Angel)
"Release" is episode 14 of season four in the television show "Angel".
# Plot.
As a battered and bloodied Faith recovers at Wesley's apartment after her showdown with the Beast, they wonder why Angelus would suddenly kill the Beast and allow the sun to return to Los Angeles. At a demon bar, Angelus is spoken to by a deep disembodied voice, which turns out to originate from Cordelia, projecting from the hotel. Angelus then surprises Fred at the hotel, claiming he is immune to the protection spell. He demands information on the Beast's master and steals her research materials. Fred tries to shoot him with a tranquilizer dart but accidentally hits Lorne instead. Connor attempts | 6,126,083 |
3528370 | Release (Angel) | https://en.wikipedia.org/w/index.php?title=Release%20(Angel) | Release (Angel)
to stop Angelus, but is repelled by the demon protection spell.
Angelus is contacted again by Cordelia telepathically, and this time she threatens to restore his soul if he refuses to help. Fred's mood worsens as she feels inadequate to fight Angelus. Fred and Gunn kiss, but part, unsure about their feelings. Meanwhile, Cordelia convinces Connor to keep her sudden pregnancy a secret from everyone else. Faith and Wesley try to track Angelus at the demon bar. There they encounter human junkies, who get high on the vampire bites. Faith smacks one around, but Wesley finally gets the needed info by stabbing the woman. They are able to track Angelus to a deserted museum where Faith has another showdown | 6,126,084 |
3528370 | Release (Angel) | https://en.wikipedia.org/w/index.php?title=Release%20(Angel) | Release (Angel)
t high on the vampire bites. Faith smacks one around, but Wesley finally gets the needed info by stabbing the woman. They are able to track Angelus to a deserted museum where Faith has another showdown with him. The fight is long and brutal, with Faith eventually seeming to have beaten Angelus into submission - only to have him suddenly leap on her and bite her neck.
# Acting.
- After over 40 guest appearances, Andy Hallett joins the regular cast and is now billed in the opening credits.
# Writing.
## Arc significance.
- Connor's attack on Angelus is repelled by the sanctuary spell, leading him to wonder if he is a demon.
- Both Angelus and Wesley refer to the events of "Five by Five". | 6,126,085 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
Salvage (Angel)
"Salvage" is episode 13 of season 4 in the television show "Angel", originally broadcast on the WB television network. After discovering Lilah’s dead body, a grieving Wesley breaks rogue slayer Faith out of prison so she can help track down Angelus. Meanwhile, Lorne performs a sanctuary spell to keep Angelus out of the hotel while Cordelia—secretly revealed to be the big evil controlling the Beast—confides in Connor that she is pregnant.
# Plot.
Angelus, who has been stalking Lilah, is disappointed when he finds her already dead. Wesley and Gunn discover him holding her body, drinking whatever is left of her blood; he escapes through a window, allowing the two to assume he | 6,126,086 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
killed her. Downstairs, when Wesley and Gunn return to the lobby with news of Lilah's death, Lorne suggests protecting the hotel with the same magic that forbids violence at his club. When the group realizes that Angelus could have turned Lilah into a vampire, Wesley offers to prevent her potential rising.
Angelus visits a demon bar—where he is raucously received—to question the patrons on the whereabouts of the Beast. In the basement, Wesley prepares to behead Lilah. After an imaginary conversation where he apologizes for their "not-a-relationship", he finally brings down the ax. Connor intends to destroy Angelus despite Cordelia's protests, but when he starts to leave, Cordelia faints mid-speech | 6,126,087 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
and Connor stops to care for her.
Meanwhile, Slayer Faith works out in prison until another prisoner threatens her with a knife. Faith efficiently knocks the woman out. As the corrections officer hauls the other prisoner away, reassuring Faith they saw how she was attacked, Faith notices the ornate Bringer knife that was used. Angelus follows the scent of Lilah's blood to the weapon used to kill her, in the Beast's possession. The Beast says Angelus is a part of his master's plans, but Angelus refuses to take orders and leaves. Cordelia—revealed as the Beast's master—is disappointed. The Beast apologizes for his failures and she forgives him, then the two kiss.
Lorne performs the protection | 6,126,088 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
spell, and Wesley returns from the basement saying he intends to restore Angel's soul. Wesley visits Faith at the prison to ask for her help; although initially disinterested, upon learning that Angelus has "returned," she crashes through the glass, knocks out the prison guards, and jumps out of the high window with Wesley. (The clear implication is that Faith could have escaped prison any time she liked and only remained there as part of her self-imposed redemption efforts.) Faith tells him that she won't kill Angelus because of Angel's crucial role in her life and Wesley admits that's precisely why he chose her for the job. When they arrive at the hotel, Faith asserts herself as commander. | 6,126,089 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
Connor is displeased with her decision to rescue Angelus, not kill him, but Faith makes it clear her plan is the only plan.
Angelus, after overhearing a Slayer is in town, immediately calls Buffy Summers's house. When Dawn Summers confirms her sister is still in Sunnydale, he realizes Faith must be the Slayer on the loose. Connor leads Faith, Wesley and Gunn into a factory (where Angelus has, with typical sardonic intent, erected a "Welcome, Faith" banner) and despite Faith's orders, beheads the first vampire that crosses his path. Faith yells at the teen for disobeying her and then tells him to go home because he refuses to listen to her. The two fight, but Faith is clearly stronger and eventually | 6,126,090 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
holds a crossbow to Connor's throat in warning. Connor returns to the hotel with Gunn, as Wesley and Faith split up to search the factory.
Faith finds Angelus with the Beast; she is badly beaten by the creature until Angelus stabs the Beast with a dagger made of the Beast's flesh, killing the demon and restoring the sun. Faith knocks out a large window, flooding the room with sunlight, forcing Angelus to keep his distance. At the hotel, the gang rejoices in the return of the sun and Connor goes upstairs to tell Cordelia. Connor sings Faith's praises until Cordy interrupts with news that she's pregnant with his child.
# Production details.
## Writing.
Writer David Fury was pleased to write | 6,126,091 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
for Faith's character again: "I love her voice. And for whatever reason, her voice just comes to me," he says. "She has an attitude that is fun to write, saying things that are provocative or dirty or slightly off-color... That's the stuff that's most comfortable for me to do." However, he found writing the scene between Lilah and Wesley challenging because he'd never written for Lilah before, although it "turned out better than I imagined," Fury says.
## Arc significance.
- Faith escapes from prison to help the Angel Investigations team find Angelus.
- Angelus kills the Beast and the sun returns.
- It is revealed that "Cordelia" is the master of the Beast, and she reveals to Connor that | 6,126,092 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
she is pregnant with his child.
## Continuity.
- Crossover with "Buffy the Vampire Slayer": While in prison, Faith is attacked by an inmate hired by the Bringers, agents of the First Evil who try to eliminate the Slayer line in Season Seven of "Buffy the Vampire Slayer". The inmate, Debbie, is played by Spice Williams-Crosby, who previously played a human assassin working for the demonic Order of Taraka in "What's My Line, Part One"; it could be inferred that the two demon-employed criminals are in fact the same person, but the episode offers no clarification on this point.
- When Angelus calls Buffy's house, he talks to Dawn Summers. This phone call is not shown in any "Buffy" episode. Furthermore, | 6,126,093 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
the phone call represents the only interaction between Angel / Angelus and Dawn in either "Buffy" or "Angel".
- This episode also reconciles Wesley and Faith for the first time to finally work together as Watcher and Slayer. In Season Three of "Buffy" Wesley had been sent to Sunnydale to officially replace Rupert Giles as both Buffy and Faith's watcher, which never worked out as Faith never worked with him or Giles since she had her own agenda set up as a rogue Slayer, which later turned her into a rogue criminal for hire. Their other brief encounter since Sunnydale had seen Wesley abducted and brutally tortured by Faith when she was hired to kill Angel by Wolfram & Hart, and her departure | 6,126,094 |
3528363 | Salvage (Angel) | https://en.wikipedia.org/w/index.php?title=Salvage%20(Angel) | Salvage (Angel)
fy" or "Angel".
- This episode also reconciles Wesley and Faith for the first time to finally work together as Watcher and Slayer. In Season Three of "Buffy" Wesley had been sent to Sunnydale to officially replace Rupert Giles as both Buffy and Faith's watcher, which never worked out as Faith never worked with him or Giles since she had her own agenda set up as a rogue Slayer, which later turned her into a rogue criminal for hire. Their other brief encounter since Sunnydale had seen Wesley abducted and brutally tortured by Faith when she was hired to kill Angel by Wolfram & Hart, and her departure in the next episode by voluntarily turning herself to the authorities in search of redemption. | 6,126,095 |
3528378 | Colombia at the 1976 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201976%20Summer%20Olympics | Colombia at the 1976 Summer Olympics
Colombia at the 1976 Summer Olympics
Colombia competed at the 1976 Summer Olympics in Montreal, Quebec, Canada. 35 competitors, 32 men and 3 women, took part in 30 events in 7 sports.
# Athletics.
Men's 5.000 metres
- Tibaduiza Reyes
- Heat — 13:49.49 (→ did not advance)
Men's 10.000 metres
- Victor Mora García
- Heat — 30:26.57 (→ did not advance)
- Tibaduiza Reyes
- Heat — 29:28.17 (→ did not advance)
Men's 400m Hurdles
- Jesus Villegas Candelo
- Heat — did not finish (→ did not advance)
Men's Marathon
- Jairo Cubillog Rauirez — 2:29:04 (→ 48th place)
- Rafael Mora Zamora — did not finish (→ no ranking)
Men's 20 km Race Walk
- Ernesto Alfaro Bermudez — 1:33:13 (→ 19th place)
- | 6,126,096 |
3528378 | Colombia at the 1976 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201976%20Summer%20Olympics | Colombia at the 1976 Summer Olympics
Rafael Vega Hernández — 1:37:27 (→ 31st place)
# Boxing.
Men's Flyweight (– 51 kg)
- Virgilio Palomo
- First Round — Bye
- Second Round — Lost to Toshinori Koga (JPN), 0:5
# Cycling.
Eleven cyclists represented Colombia in 1976.
- Individual road race
- Álvaro Pachón — 4:49:01 (→ 22nd place)
- Luis Manrique — 4:49:01 (→ 23rd place)
- Miguel Samacá — did not finish (→ no ranking)
- Abelardo Ríos — did not finish (→ no ranking)
- Team time trial
- Cristóbal Pérez
- Álvaro Pachón
- Luis Manrique
- Julio Rubiano
- Sprint
- Julio Echevarry — 11th place
- Individual pursuit
- José Jaime Galeano — 26th place
- Team pursuit
- José Jaime Galeano
- Jorge Hernández
- Carlos Mesa
- | 6,126,097 |
3528378 | Colombia at the 1976 Summer Olympics | https://en.wikipedia.org/w/index.php?title=Colombia%20at%20the%201976%20Summer%20Olympics | Colombia at the 1976 Summer Olympics
lomo
- First Round — Bye
- Second Round — Lost to Toshinori Koga (JPN), 0:5
# Cycling.
Eleven cyclists represented Colombia in 1976.
- Individual road race
- Álvaro Pachón — 4:49:01 (→ 22nd place)
- Luis Manrique — 4:49:01 (→ 23rd place)
- Miguel Samacá — did not finish (→ no ranking)
- Abelardo Ríos — did not finish (→ no ranking)
- Team time trial
- Cristóbal Pérez
- Álvaro Pachón
- Luis Manrique
- Julio Rubiano
- Sprint
- Julio Echevarry — 11th place
- Individual pursuit
- José Jaime Galeano — 26th place
- Team pursuit
- José Jaime Galeano
- Jorge Hernández
- Carlos Mesa
- Jhon Quiceno
# See also.
- Sports in Colombia
# External links.
- Official Olympic Reports | 6,126,098 |
3528362 | Henderson Land Development | https://en.wikipedia.org/w/index.php?title=Henderson%20Land%20Development | Henderson Land Development
Henderson Land Development
Henderson Land Development Co. Ltd. () is a listed property company based in Hong Kong and a constituent of the Hang Seng Index. The company's principal activities are property development and investment, project management, construction, hotel operation, department store operation, finance, investment holding and infrastructure. It is the third largest Hong Kong real estate developer by market capitalisation. The company is controlled by Dr Lee Shau Kee, who speaks for approximately 70.17% of the share capital as at June 2015.
# History.
Founded by Li Shau-kee, the company was taken public in 1981 by Sun Hung Kai Securities. The shares were introduced at HK$4 by | 6,126,099 |
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