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projected-20467374-007 | https://en.wikipedia.org/wiki/Until%20They%20Sail | Until They Sail | See also | Until They Sail is a 1957 American black-and-white CinemaScope drama film directed by Robert Wise and starring Jean Simmons, Joan Fontaine, Paul Newman, Piper Laurie, and Sandra Dee. The screenplay by Robert Anderson, based on a story by James A. Michener included in his 1951 anthology Return to Paradise, focuses on four New Zealand sisters and their relationships with U.S. Marines during World War II. | List of American films of 1957
List of films set in New Zealand | [] | [
"See also"
] | [
"1957 films",
"American World War II films",
"Films set in New Zealand",
"1950s English-language films",
"American black-and-white films",
"Metro-Goldwyn-Mayer films",
"CinemaScope films",
"Films about the United States Marine Corps",
"1957 drama films",
"Films based on short fiction",
"Films di... |
projected-17330977-000 | https://en.wikipedia.org/wiki/Papatoetoe%20Wildcats | Papatoetoe Wildcats | Introduction | Papatoetoe Wildcats is an American football club established in 1986 in South Auckland, New Zealand. The club was founded as the Central Pirates by Pose Tafa, then the East Auckland Wildcats, but moved to South Auckland renaming them as the Papatoetoe Wildcats.
The club has produced some elite New Zealand based players who have since travelled abroad.
The Wildcats have a direct membership of approximately 40 Premier Men playing in the American Football Auckland competition under the auspices of the New Zealand American Football Association or the NZAFA, its national body. The Wildcats also have an Under 19s (Colts) team and an Under 16s (Junior) team. Most of the players come from various sporting codes, mainly from Rugby Union and Rugby League.
The Wildcats currently practice at the Manukau Sportsbowl and previous practice at Papatoetoe Intermediate and the Papatoetoe Panthers Rugby League club grounds.
The Wildcats have had a number of players play nationally and overseas:
Tyer Matia who played for the Coventry Jets in 2007 and in 2009 played Arena Football in the AF2 league for the Rio Grande Dorados in Texas USA. Tyler is assigned to play for the Dorados again in 2009. Tyler was also a part of the New Zealand under 21 Colts national team that beat Australia on home soil in 2003.
Joseph Taula is also playing a season in the USA for the Arena Football AF2 team the Tri Cities Fever in Washington and was then traded to the Stockton Lightning. He will be playing for the lightning again in 2009.. Joseph has played at all level s in New Zealand and represented New Zealand at the Colts and Senior Men's Ironblacks 2001 and 2003.
Albert Bernard has been assigned by AF@ Agent Jason Vaka to the Iowa BArnstormers for 2009. Albert represented New Zealand as an Ironblack in 2001 and 2003.
Thomas Wynne who played in a preseason game with the Coventry Jets in 2007 also joined the Coventry Jets with Tyler Matia for Britbowl XXII winning 33 to 32 against rivals the London Blitz. Thomas represented New Zealand as an Ironblack in 2001 and then in 2005.
The club has established an ongoing relationship with British American football club the Coventry Jets | [] | [
"Introduction"
] | [
"American football in New Zealand",
"1986 establishments in New Zealand",
"American football teams established in 1986",
"Ōtara-Papatoetoe Local Board Area"
] | |
projected-17330977-001 | https://en.wikipedia.org/wiki/Papatoetoe%20Wildcats | Papatoetoe Wildcats | Achievements | Papatoetoe Wildcats is an American football club established in 1986 in South Auckland, New Zealand. The club was founded as the Central Pirates by Pose Tafa, then the East Auckland Wildcats, but moved to South Auckland renaming them as the Papatoetoe Wildcats.
The club has produced some elite New Zealand based players who have since travelled abroad.
The Wildcats have a direct membership of approximately 40 Premier Men playing in the American Football Auckland competition under the auspices of the New Zealand American Football Association or the NZAFA, its national body. The Wildcats also have an Under 19s (Colts) team and an Under 16s (Junior) team. Most of the players come from various sporting codes, mainly from Rugby Union and Rugby League.
The Wildcats currently practice at the Manukau Sportsbowl and previous practice at Papatoetoe Intermediate and the Papatoetoe Panthers Rugby League club grounds.
The Wildcats have had a number of players play nationally and overseas:
Tyer Matia who played for the Coventry Jets in 2007 and in 2009 played Arena Football in the AF2 league for the Rio Grande Dorados in Texas USA. Tyler is assigned to play for the Dorados again in 2009. Tyler was also a part of the New Zealand under 21 Colts national team that beat Australia on home soil in 2003.
Joseph Taula is also playing a season in the USA for the Arena Football AF2 team the Tri Cities Fever in Washington and was then traded to the Stockton Lightning. He will be playing for the lightning again in 2009.. Joseph has played at all level s in New Zealand and represented New Zealand at the Colts and Senior Men's Ironblacks 2001 and 2003.
Albert Bernard has been assigned by AF@ Agent Jason Vaka to the Iowa BArnstormers for 2009. Albert represented New Zealand as an Ironblack in 2001 and 2003.
Thomas Wynne who played in a preseason game with the Coventry Jets in 2007 also joined the Coventry Jets with Tyler Matia for Britbowl XXII winning 33 to 32 against rivals the London Blitz. Thomas represented New Zealand as an Ironblack in 2001 and then in 2005.
The club has established an ongoing relationship with British American football club the Coventry Jets | 2002 Snr Kiwi Bowl XX Winners
2002 National Club III Winners
2002 U18 Kiwi Bowl IV Winners
2004 U18 Kiwi Bowl VI Winners
2008 Unified Kiwibowl XXVII Winners
2010 Unified Kiwibowl XXIX Winners
2011 Colts Unity Bowl Winners
2011 Unified Kiwibowl XXX Winners
2012 Colts Unity Bowl Winners
2014 Unified Kiwibowl XXXII Winners
2016 Unified Kiwibowl XXXIV Winners
2017 Unified Kiwibowl XXXV Winners | [] | [
"Achievements"
] | [
"American football in New Zealand",
"1986 establishments in New Zealand",
"American football teams established in 1986",
"Ōtara-Papatoetoe Local Board Area"
] |
projected-17330977-002 | https://en.wikipedia.org/wiki/Papatoetoe%20Wildcats | Papatoetoe Wildcats | See also | Papatoetoe Wildcats is an American football club established in 1986 in South Auckland, New Zealand. The club was founded as the Central Pirates by Pose Tafa, then the East Auckland Wildcats, but moved to South Auckland renaming them as the Papatoetoe Wildcats.
The club has produced some elite New Zealand based players who have since travelled abroad.
The Wildcats have a direct membership of approximately 40 Premier Men playing in the American Football Auckland competition under the auspices of the New Zealand American Football Association or the NZAFA, its national body. The Wildcats also have an Under 19s (Colts) team and an Under 16s (Junior) team. Most of the players come from various sporting codes, mainly from Rugby Union and Rugby League.
The Wildcats currently practice at the Manukau Sportsbowl and previous practice at Papatoetoe Intermediate and the Papatoetoe Panthers Rugby League club grounds.
The Wildcats have had a number of players play nationally and overseas:
Tyer Matia who played for the Coventry Jets in 2007 and in 2009 played Arena Football in the AF2 league for the Rio Grande Dorados in Texas USA. Tyler is assigned to play for the Dorados again in 2009. Tyler was also a part of the New Zealand under 21 Colts national team that beat Australia on home soil in 2003.
Joseph Taula is also playing a season in the USA for the Arena Football AF2 team the Tri Cities Fever in Washington and was then traded to the Stockton Lightning. He will be playing for the lightning again in 2009.. Joseph has played at all level s in New Zealand and represented New Zealand at the Colts and Senior Men's Ironblacks 2001 and 2003.
Albert Bernard has been assigned by AF@ Agent Jason Vaka to the Iowa BArnstormers for 2009. Albert represented New Zealand as an Ironblack in 2001 and 2003.
Thomas Wynne who played in a preseason game with the Coventry Jets in 2007 also joined the Coventry Jets with Tyler Matia for Britbowl XXII winning 33 to 32 against rivals the London Blitz. Thomas represented New Zealand as an Ironblack in 2001 and then in 2005.
The club has established an ongoing relationship with British American football club the Coventry Jets | New Zealand American Football Federation | [] | [
"See also"
] | [
"American football in New Zealand",
"1986 establishments in New Zealand",
"American football teams established in 1986",
"Ōtara-Papatoetoe Local Board Area"
] |
projected-17331035-000 | https://en.wikipedia.org/wiki/Lee%20Powell%20%28footballer%29 | Lee Powell (footballer) | Introduction | Lee Powell (born 2 June 1973) is a Welsh football forward, who played for Southampton. | [] | [
"Introduction"
] | [
"1973 births",
"Living people",
"Welsh footballers",
"Association football forwards",
"Premier League players",
"Southampton F.C. players",
"Hamilton Academical F.C. players",
"Yeovil Town F.C. players",
"Wales under-21 international footballers",
"Scottish Football League players"
] | |
projected-17331040-000 | https://en.wikipedia.org/wiki/List%20of%20number-one%20singles%20of%201955%20%28France%29 | List of number-one singles of 1955 (France) | Introduction | This is a list of the French singles and airplay chart reviews number-ones of 1955. | [] | [
"Introduction"
] | [
"1955 in France",
"1955 record charts",
"Lists of number-one songs in France"
] | |
projected-17331040-003 | https://en.wikipedia.org/wiki/List%20of%20number-one%20singles%20of%201955%20%28France%29 | List of number-one singles of 1955 (France) | See also | This is a list of the French singles and airplay chart reviews number-ones of 1955. | 1955 in music
List of number-one hits (France) | [] | [
"See also"
] | [
"1955 in France",
"1955 record charts",
"Lists of number-one songs in France"
] |
projected-17331040-004 | https://en.wikipedia.org/wiki/List%20of%20number-one%20singles%20of%201955%20%28France%29 | List of number-one singles of 1955 (France) | References | This is a list of the French singles and airplay chart reviews number-ones of 1955. | Number-one singles
France
1955 | [] | [
"References"
] | [
"1955 in France",
"1955 record charts",
"Lists of number-one songs in France"
] |
projected-17331056-000 | https://en.wikipedia.org/wiki/Dropship | Dropship | Introduction | Dropship or drop ship may refer to:
Drop shipping, a retailing practice of sending items from a manufacturer directly to a customer
Dropship (science fiction), a military landing craft in science fiction
Dropship: United Peace Force, a video game for the PlayStation 2
Dropship (software), a program to copy files from Dropbox accounts using their hashes | [] | [
"Introduction"
] | [] | |
projected-23574524-000 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Introduction | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | [] | [
"Introduction"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] | |
projected-23574524-001 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Background | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | By the end of the 1960s, Ornette Coleman had become one of the most influential musicians in jazz after pioneering its most controversial subgenre, free jazz, which jazz critics and musicians initially derided for its deviation from conventional structures of harmony and tonality. In the mid-1970s, he stopped recording free jazz, recruited electric instrumentalists, and pursued a new creative theory he called harmolodics. According to Coleman's theory, all the musicians are able to play individual melodies in any key, and still sound coherent as a group. He taught his young sidemen this new improvisational and ensemble approach, based on their individual tendencies, and discouraged them from being influenced by conventional styles. Coleman likened this group ethic to a spirit of "collective consciousness" that stresses "human feelings" and "biological rhythms", and said that he wanted the music, rather than himself, to be successful. He also started to incorporate elements from other styles into his music, including rock influences such as the electric guitar and non-Western rhythms played by Moroccan and Nigerian musicians.
Of Human Feelings was a continuation of the harmolodics approach Coleman had applied with Prime Time, an electric quartet introduced on his 1975 album Dancing in Your Head. The group comprised guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Ronald Shannon Jackson and Denardo Coleman, Ornette Coleman's son. Tacuma was still in high school when Coleman enlisted him, and first recorded with Prime Time in 1975 for the album Body Meta, which was released in 1978. Tacuma had played in an ensemble for jazz organist Charles Earland, but Earland dismissed him as he felt audiences gave excessive attention to his playing. Coleman found Tacuma's playing ideal for harmolodics and encouraged him not to change. Although Coleman's theory initially challenged his knowledge and perception of music, Tacuma came to like the unconventional role each band member was given as a soloist and melodist: "When we read Ornette's music we have his notes, but we listen for his phrases and phrase the way he wants to. I can take the same melody, then, and phrase it like I want to, and those notes will determine the phrasing, the rhythm, the harmony – all of that." | [
"Ornette at The Forum 1982.jpg"
] | [
"Background"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-002 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Recording and production | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | In March 1979, Coleman went to RCA Records' New York studio to produce an album with Prime Time by direct-to-disc recording. They had mechanical problems with the studio equipment and the recording was rejected. The failed session was a project under Phrase Text, Coleman's music publishing company. He wanted to set up his own record company with the same name, and chose his old friend Kunle Mwanga as his manager. In April, Mwanga arranged another session at CBS Studios in New York City, and Coleman recorded Of Human Feelings there on April 25; the session was originally titled Fashion Faces. Jackson did not record with the band; instead, Calvin Weston was hired in his place to play simultaneously with Denardo Coleman. They recorded all the album's songs on the first take without any equipment problems.
The album's recording session was captured using a Sony PCM-1600 two-track digital recorder, a rare item at the time. According to journalist Howard Mandel, the passages played by the band sounded neither very soft or loud on the album, because it had been mixed with a middle-frequency range and compressed dynamics. Because of the equipment used, Coleman did not embellish the album with added effects and avoided overdubbing, multi-tracking, and remixing. According to him, Of Human Feelings was the first jazz album to be digitally recorded in the United States. | [
"Jamaaladeen Tacuma.jpg"
] | [
"Recording and production"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-003 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Composition and performance | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | According to The Concise Oxford Dictionary of Music (2004), Of Human Feelings features jazz-funk, a type of music that developed at the turn of the 1970s and was characterized by intricate rhythmic patterns, a recurrent bass line, and Latin rhythmic elements. Lloyd Sachs of the Chicago Sun-Times wrote that, although Coleman was not viewed as a jazz fusion artist, the album can be described as such because of its combination of free jazz and funk. Glenn Kenny disagreed and felt its boisterous style had more in common with the no wave genre and the artists of New York City's downtown music scene such as John Zorn. Jazz writer Stuart Nicholson viewed it as the culmination of Coleman's musical principles that dated back to his free jazz music in 1960, but reappropriated with a funk-oriented backbeat. According to jazz critic Barry McRae, "it was as if Coleman was translating the concept of the famous double quartet" from his 1961 album Free Jazz to what was required to perform jazz-funk.
Coleman incorporated traditional structures and rhythms, and other elements from the rhythm and blues music he had played early his career. According to Mandel, the album's simple, brisk music was more comparable to a coherent R&B band than jazz fusion. Although Coleman still performed the melodies on a song, he employed two guitarists for contrast to make each pair of guitarist and drummer responsible for either the rhythm or melody. Ellerbee provided accented linear counterpoint and Nix played variations of the song's melody, while Denardo Coleman and Weston played both polyrhythms and backbeats. On songs such as "Jump Street" and "Love Words", Ellerbee incorporated distortion into his guitar playing, which gave the songs a thicker texture. Tacuma and Ornette Coleman's instrumental responses were played as the foreground to the less prominent guitars. McRae remarked that Coleman and Prime Time exchanged "directional hints" throughout the songs, as one player changed key and the others modulated accordingly. The band made no attempt to harmonize their radically different parts while playing.
Of Human Feelings features shorter and more distinct compositions than Dancing in Your Head. "Sleep Talk", "Air Ship", and "Times Square" were originally performed by Coleman during his concerts in 1978 under the names "Dream Talking", "Meta", and "Writing in the Streets", respectively. "What Is the Name of That Song?" was titled as a sly reference to two of his older compositions, "Love Eyes" and "Forgotten Songs" (also known as "Holiday for Heroes"), whose themes were played concurrently and transfigured by Prime Time. The theme from "Forgotten Songs", originally from Coleman's 1972 album Skies of America, was used as a refrain. "Jump Street" is a blues piece, "Air Ship" comprises a six-bar riff, and the atonal "Times Square" has futuristic dance themes. "Love Words" heavily uses polymodality, a central feature of harmolodics, and juxtaposes Coleman's extended solo against a dense, rhythmically complex backdrop. Nicholson observed West African rhythms and collective improvisation rooted in New Orleans jazz on "Love Words", and suggested that "Sleep Talk" was derived from the opening bassoon solo in Igor Stravinsky's 1913 orchestral work The Rite of Spring. The latter track is led off by Tacuma's bass playing and, according to Premier Guitar journalist Nick Millevoi, is an ideal example of Prime Time's aesthetic and sound. | [
"Ellerbie Coleman Nix.jpg"
] | [
"Composition and performance"
] | [
"1982 albums",
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"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
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"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-004 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Marketing and sales | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | A few weeks after Of Human Feelings was recorded, Mwanga went to Japan to negotiate a deal with Trio Records to have the album released on Phrase Text. Trio, who had previously released a compilation of Coleman's 1966 to 1971 live performances in Paris, prepared to press the album once Mwanga provided the label with the record stamper. Coleman was also set to perform his song "Skies of America" with the NHK Symphony Orchestra, but cancelled both deals upon Mwanga's return from Japan. Mwanga immediately quit after less than four months as Coleman's manager. In 1981, Coleman hired Stan and Sid Bernstein as his managers, who sold the album's recording tapes to Island Records. He signed with the record label that year, and Of Human Feelings was released in 1982 on Island's subsidiary jazz label Antilles Records. Billboard magazine published a front-page story at the time about its distinction as both the first digital album recorded in New York City and the first digital jazz album recorded by an American label.
According to jazz writer Francis Davis, "a modest commercial breakthrough seemed imminent" for Coleman, who appeared to be regaining his celebrity. German musicologist Peter Niklas Wilson said the album may have been the most tuneful and commercial-sounding of his career at that point. The album's clean mix and relatively short tracks were interpreted as an attempt for radio airplay by Mandel, who described its production as "the surface consistency that would put it in the pop sphere". Of Human Feelings had no success on the American pop charts, however, only charting on the Top Jazz Albums, where it spent 26 weeks and peaked at number 15. Because the record offered a middle ground between funk and jazz, McRae argued that it consequently appealed to neither demographic of listeners. Sound & Vision critic Brent Butterworth speculated that it was overlooked because it had electric instruments, rock and funk drumming, and did not conform to what he felt was the hokey image of jazz that many of the genre's fans preferred. The album later went out of print. | [] | [
"Marketing and sales"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-005 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Critical reception | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | Of Human Feelings received considerable acclaim from contemporary critics. Reviewing the album for Esquire in 1982, Gary Giddins hailed it as another landmark recording from Coleman and his most accomplished work of harmolodics, partly because of compositions which he found clearly expressed and occasionally timeless. In his opinion, the discordant keys radically transmute conventional polyphony and may be the most challenging part for listeners, who he said should concentrate on Coleman's playing and "let the maelstrom resolve itself around his center". Giddins also highlighted the melody of "Sleep Talk", deeming it among the best of the saxophonist's career. Kofi Natambu from the Detroit Metro Times wrote that Coleman's synergetic approach displays expressive immediacy rather than superficial technical flair while calling the record "a multi-tonal mosaic of great power, humor, color, wit, sensuality, compassion and tenderness". He found the songs inspirational, danceable, and encompassing developments in African-American music over the previous century. Robert Christgau called its "warm, listenable harmolodic funk" an artistic "breakthrough if not a miracle". He found its exchange of rhythms and simple melodies heartfelt and sophisticated, writing in The Village Voice, "the way the players break into ripples of song only to ebb back into the tideway is participatory democracy at its most practical and utopian."
Purist critics in jazz complained about the music's incorporation of danceable beats and electric guitar. In Stereo Review, Chris Albertson deemed the combination of saxophone and bizarre funk occasionally captivating but ultimately unfocused. Dan Sullivan of the Los Angeles Times believed the album's supporters in "hip rock circles" had overlooked flaws, arguing that Tacuma and Coleman's playing sound like a unique "beacon of clarity" amid an incessant background. Leonard Feather wrote in the Toledo Blade that the music is stylistically ambiguous, potentially controversial, and difficult to assess but interesting enough to warrant a listen.
At the end of 1982, Of Human Feelings the year's best album by Billboard editor Peter Keepnews, who viewed it as a prime example of fusing free jazz with modern funk. In year-end lists for The Boston Phoenix, James Hunter and Howard Hampton ranked the album number one and number four, respectively. It was voted 13th best in the Pazz & Jop, an annual poll of American critics nationwide, published in The Village Voice. Christgau, the poll's supervisor, ranked it number one in an accompanying list, and in 1990 he named it the second-best album of the 1980s. | [] | [
"Critical reception"
] | [
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"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-006 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Legacy | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | Coleman received $25,000 for the publishing rights to Of Human Feelings but said his managers sold it for less than the recording costs and that he did not receive any of its royalties. According to Stan Bernstein, Coleman had financial expectations that were "unrealistic in this business unless you're Michael Jackson". Antilles label executive Ron Goldstein felt the $25,000 Coleman received was neither a great nor a fair amount for someone in jazz. After he had gone over budget to record a follow-up album, Island did not release it nor pick up their option on him, and in 1983, he left the Bernstein Agency. He chose Denardo Coleman to manage his career while overcoming his reticence of public performance, which had been rooted in his distrust of doing business with a predominantly White music industry. According to Nicholson, "the man once accused of standing on the throat of jazz was welcomed back to the touring circuits with both curiosity and affection" during the 1980s. Coleman did not record another album for six years and instead performed internationally with Prime Time.
Retrospective appraisals have been favorable to Of Human Feelings. In a 1986 article for The New York Times on Coleman's work with Prime Time, Robert Palmer said the album was still innovative and radical by the standards of other music in 1982, three years after it was recorded. Because writers and musicians had heard its test pressing in 1979, the album's mix of jazz improvisation and gritty, punk and funk-derived energy sounded "prophetic" when it was released, Palmer explained. "The album is clearly the progenitor of much that has sounded radically new in the ongoing fusion of punk rock, black dance rhythms, and free jazz." AllMusic critic Scott Yanow said although Coleman's compositions never achieved popularity, they succeeded within the context of an album that showcased his distinctive saxophone style, which was high-brow yet catchy. Joshua Klein from The A.V. Club recommended Of Human Feelings as the best album for new listeners of Coleman's harmolodics-based music, while Chicago Tribune rock critic Greg Kot included it in his guide for novice jazz listeners; he named it one of the few albums that helped him both become a better listener of rock music and learn how to enjoy jazz. In 2008, New York magazine's Martin Johnson included it in his list of canonical albums from what he felt had been New York's sceneless yet vital jazz of the previous 40 years; Of Human Feelings exuded what he described as a spirit of sophistication with elements of funk, Latin, and African music, all of which were encapsulated by music that retained a jazz identity. | [
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"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
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] |
projected-23574524-007 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Track listing | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | All compositions were written by Ornette Coleman. | [] | [
"Track listing"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-008 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | Personnel | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | Credits are adapted from the album's liner notes.
Musicians
Denardo Coleman – drums
Ornette Coleman – alto saxophone, production
Charlie Ellerbee – guitar
Bern Nix – guitar
Jamaaladeen Tacuma – bass guitar
Calvin Weston – drums
Additional personnel
Susan Bernstein – cover painting
Peter Corriston – cover design
Joe Gastwirt – mastering
Ron Saint Germain – engineering
Ron Goldstein – executive direction
Harold Jarowsky – second engineering
Steven Mark Needham – photography
Ken Robertson – tape operation | [] | [
"Personnel"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-23574524-009 | https://en.wikipedia.org/wiki/Of%20Human%20Feelings | Of Human Feelings | See also | Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk.
Following a change in his management, Coleman signed with Island Records, and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records. Critics generally praised the album's expressive music and harmolodic approach, but it made little commercial impact and went out of print. Coleman enlisted his son Denardo as manager after a dispute with his former managers over the album's royalties, a change that inspired him to perform publicly again during the 1980s. | Loft jazz
Punk jazz | [] | [
"See also"
] | [
"1982 albums",
"Antilles Records albums",
"Ornette Coleman albums",
"Jazz-funk albums",
"Funk albums by American artists",
"Jazz fusion albums by American artists",
"Instrumental albums",
"Albums recorded at CBS 30th Street Studio"
] |
projected-17331060-000 | https://en.wikipedia.org/wiki/Eamonn%20Keane%20%28weightlifter%29 | Eamonn Keane (weightlifter) | Introduction | Eamonn Keane is an Irish primary school teacher from Louisburgh, County Mayo who specialises in endurance weightlifting. | [] | [
"Introduction"
] | [
"Irish schoolteachers",
"Irish male weightlifters",
"Living people",
"World record holders in weightlifting",
"Sportspeople from County Mayo",
"Year of birth missing (living people)"
] | |
projected-17331060-001 | https://en.wikipedia.org/wiki/Eamonn%20Keane%20%28weightlifter%29 | Eamonn Keane (weightlifter) | Media coverage | Eamonn Keane is an Irish primary school teacher from Louisburgh, County Mayo who specialises in endurance weightlifting. | His bench press record is mentioned in the 2005 edition of Guinness World Records. and later mentioned in the 2008 book World's Stupidest Athletes by Barb Karg and Rick Sutherland and in the 2013 book Weight Lifting and Weight Training by Noah Daniels.
Eamonn was the subject of a Cogar documentary called Éamonn Ó Cathain – An Fear Iarainn on Ireland's Irish Language Station TG4 released 6 November 2011. In the documentary, Eamonn goes in search of his ultimate goal in weightlifting by attempting to become the only man ever to achieve a career "grand slam" of world records in 12 different endurance weightlifting disciplines.
His 13th record was ratified in December 2011.
One of his records was included in Guinness World Records 2012, mentioning his arm-curled weight in an hour.
Four of his records were included in Guinness World Records 2013, pertaining to the most weighted lifted in an hour in the bench press, barbell row, dumbbell row and lateral raise.
He is also included in the 2015 edition. | [] | [
"Media coverage"
] | [
"Irish schoolteachers",
"Irish male weightlifters",
"Living people",
"World record holders in weightlifting",
"Sportspeople from County Mayo",
"Year of birth missing (living people)"
] |
projected-17331060-002 | https://en.wikipedia.org/wiki/Eamonn%20Keane%20%28weightlifter%29 | Eamonn Keane (weightlifter) | Guinness World Records | Eamonn Keane is an Irish primary school teacher from Louisburgh, County Mayo who specialises in endurance weightlifting. | He has also previously held world weightlifting records in at least 4 other categories. | [] | [
"Guinness World Records"
] | [
"Irish schoolteachers",
"Irish male weightlifters",
"Living people",
"World record holders in weightlifting",
"Sportspeople from County Mayo",
"Year of birth missing (living people)"
] |
projected-17331060-003 | https://en.wikipedia.org/wiki/Eamonn%20Keane%20%28weightlifter%29 | Eamonn Keane (weightlifter) | References | Eamonn Keane is an Irish primary school teacher from Louisburgh, County Mayo who specialises in endurance weightlifting. | Category:Irish schoolteachers
Category:Irish male weightlifters
Category:Living people
Category:World record holders in weightlifting
Category:Sportspeople from County Mayo
Category:Year of birth missing (living people) | [] | [
"References"
] | [
"Irish schoolteachers",
"Irish male weightlifters",
"Living people",
"World record holders in weightlifting",
"Sportspeople from County Mayo",
"Year of birth missing (living people)"
] |
projected-17331064-000 | https://en.wikipedia.org/wiki/Lee%20Powell | Lee Powell | Introduction | Lee Powell may refer to:
Lee Powell (actor) (1908–1944), U.S. film actor
Lee Powell (footballer) (born 1973), Welsh footballer | [] | [
"Introduction"
] | [] | |
projected-17331064-001 | https://en.wikipedia.org/wiki/Lee%20Powell | Lee Powell | See also | Lee Powell may refer to:
Lee Powell (actor) (1908–1944), U.S. film actor
Lee Powell (footballer) (born 1973), Welsh footballer | Lee Howells (born 1968), British footballer and manager
Les Powell (disambiguation)
Lew Powell ( 1974–2012), an American journalist, author, and newspaper editor
Powell v Lee (1908), an English contract law case | [] | [
"See also"
] | [] |
projected-26722786-000 | https://en.wikipedia.org/wiki/Amy%20Brandon%20Thomas | Amy Brandon Thomas | Introduction | Amy Marguerite Brandon Thomas (9 March 1890 – 6 May 1974) was an English film and stage actress. She was the daughter of the playwright Brandon Thomas. She is also known as Amy Brandon-Thomas. | [] | [
"Introduction"
] | [
"1890 births",
"1974 deaths",
"English film actresses",
"English stage actresses",
"Actresses from London",
"20th-century English actresses"
] | |
projected-26722786-001 | https://en.wikipedia.org/wiki/Amy%20Brandon%20Thomas | Amy Brandon Thomas | Life and career | Amy Marguerite Brandon Thomas (9 March 1890 – 6 May 1974) was an English film and stage actress. She was the daughter of the playwright Brandon Thomas. She is also known as Amy Brandon-Thomas. | Amy Brandon Thomas was born in London, the daughter of the playwright Brandon Thomas and his wife Marguerite, and was educated privately. She married William Deane Barnes-Brand.
Thomas joined the stage professionally in 1907, playing Alice Ormerod in A Lancashire Sailor at the Theatre Royal, Preston, where she also played Ela Delahay in her father's comedy, Charley's Aunt. She appeared in London that Christmas at the New Royalty Theatre in the same two plays, although this time she played Kitty Verdun in Charley's Aunt. She was next seen at the Garrick Theatre in 1908, as Lucy Lorirner in A Pair of Spectacles, with Sir John Hare, subsequently touring with him. In 1909 she was at the Royal Court Theatre in London as Kate Dalliscm in Strangers Within the Gates and then toured with Johnston Forbes-Robertson as Vivien O' Hussy in The Passing of the Third Floor Back at the Haymarket Theatre. That Christmas, she was Barbara Tracy in Might is Right. In 1910, she first played Portia in The Merchant of Venice at the Court Theatre, then appearing at His Majesty's Theatre with Sir Herbert Beerbohm Tree as Olivia in Twelfth Night, then touring as Portia with Arthur Phillips's company. That autumn, she was at the Lyceum Theatre, London, as Millie Anderson in The Sins of London, finishing the year at the London Pavilion as Nan in Good for Nothing. The next year, she was at Wyndham's Theatre as Lady Margaret Beauchamp in Mr. Jarvis and later at the Palace Theatre as Odette in The Choice.
In 1912, she was back at His Majesty's, playing Elizabeth Sydenham in Drake. The next year, at the Theatre Royal, Drury Lane, she reprised the role of Vivien in The Passing of the Third Floor Back. Then, at His Majesty's, she again played Olivia in Twelfth Night. In the Autumn, at the New Theatre, Manchester, she was Renee de Cochefordt in Under the Red Robe. In 1914, she played Mabel Chiltern in An Ideal Husband at the St. James's Theatre. Then, at His Majesty's, she reappeared as Elizabeth Sydenham in Drake. The next year, she was Madame Pasquier de la Man in Peter Ibbetson. In 1916, at the Comedy Theatre, she played in Half-Past Eight. In 1917, at the Haymarket, she played Evelyn Garland in Felix Gets a Month, ending the year at the St. James's in Charley's Aunt, again as Kitty. The next year, she was at the Queen's Theatre as Marion Fenton in Lot 79 and at the Lyric Theatre as Valentine Boudet in The Purple Mask. In 1919, at the Garrick, she played Mary Willmore in The Purse Strings. She had engagements in variety theatres during 1920 in The Odds. In 1921, she was back at St. James's as Lady Emma Jones in Emma. The next year at the Ambassadors' Theatre, she was Lady Eleanor Davys in Charles I, ending the year as Lady Mabel in The Secret Agent at the Prince of Wales's Theatre. In 1923, she was Lady Amy Ducksworth in So This Is London. Later roles included Sue in Is Zat So? at the Apollo Theatre (1926) and Lady Featherstone in Blue Eyes at the Piccadilly Theatre (1928).
Beginning during World War I, and until the 1930s, she made several films, most notably as the defending counsel in Alfred Hitchcock's Murder! Thomas enjoyed reading, sewing and motoring.
In later life, Thomas and her husband lived in Surrey, where the architect Oliver Hill designed two houses for them: Woodhouse Copse in Holmbury St Mary, built in 1926, and Burrows Wood in Gomshall in 1939. He also built them a house for speculative (resale) purposes, Raikes Hollow in Abinger, in 1930. Thomas discovered an interest in gardening after Hill introduced her to garden designer Gertrude Jekyll. She became a frequent visitor to Jekyll's house, Munstead Wood, and Jekyll designed the planting for the gardens at Woodhouse Copse.
Her husband William Deane Barnes-Brand died on 30 December 1945. Oliver Hill carried out the remodelling of Madgehole Farm, Shamley Green, for her around 1957. She died in London in 1974 at the age of 84. | [] | [
"Life and career"
] | [
"1890 births",
"1974 deaths",
"English film actresses",
"English stage actresses",
"Actresses from London",
"20th-century English actresses"
] |
projected-26722786-002 | https://en.wikipedia.org/wiki/Amy%20Brandon%20Thomas | Amy Brandon Thomas | Selected filmography | Amy Marguerite Brandon Thomas (9 March 1890 – 6 May 1974) was an English film and stage actress. She was the daughter of the playwright Brandon Thomas. She is also known as Amy Brandon-Thomas. | Partners at Last (1916)
The Profligate (1917)
The Cry for Justice (1919)
The English Rose (1920)
At the Villa Rose (1930)
Murder! (1930)
Java Head (1934)
Vintage Wine (1935) | [] | [
"Selected filmography"
] | [
"1890 births",
"1974 deaths",
"English film actresses",
"English stage actresses",
"Actresses from London",
"20th-century English actresses"
] |
projected-17331072-000 | https://en.wikipedia.org/wiki/Georgios%20Gazis | Georgios Gazis | Introduction | Georgios Gazis (born 25 May 1981) is a Greek amateur boxer. He competed at the 2008 Summer Olympics in the men's middleweight division.
Gazis lost his qualifier semi to Jean-Mickaël Raymond but won the decisive third place bout against Victor Cotiujanschi.
At the Olympics, he defeated Herry Saliku Biembe but lost to southpaw Carlos Góngora (1:12). | [] | [
"Introduction"
] | [
"Living people",
"Sportspeople from Kozani",
"Middleweight boxers",
"1981 births",
"Olympic boxers of Greece",
"Boxers at the 2004 Summer Olympics",
"Boxers at the 2008 Summer Olympics",
"Greek male boxers",
"Mediterranean Games bronze medalists for Greece",
"Competitors at the 2001 Mediterranean ... | |
projected-23574542-000 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | Introduction | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | [] | [
"Introduction"
] | [
"1924 births",
"2020 deaths",
"20th-century Russian male writers",
"20th-century Russian short story writers",
"People from Orsk",
"Eleventh convocation members of the Soviet of Nationalities",
"Maxim Gorky Literature Institute alumni",
"Heroes of Socialist Labour",
"Lenin Prize winners",
"Recipie... | |
projected-23574542-001 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | Biography | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | Bondarev took part in World War II as an artillery officer and became a member of the CPSU in 1944. He graduated in 1951 from the Maxim Gorky Literature Institute. His first collection of stories entitled On a Large River was published in 1953.
His first successes in literature, the novels The Battalions Request Fire (1957) and The Last Salvoes (1959) were part of a new trend of war fiction which dispensed with pure heroes and vile villains in favor of emphasizing the true human cost of war. The Last Salvos was adapted for the cinema in 1961. His next novels Silence (1962), The Two (1964) and Relatives (1969) established him as a leading Soviet writer. His novel Silence became a landmark as the first work to depict a citizen who had been wrongly sentenced to the Gulag. His novels generally cover topics of ethics and personal choices.
In the novel The Hot Snow (1969) he again used the theme of war, creating an epic canvas dealing with the Battle of Stalingrad from the viewpoint of its many participants including common soldiers and military commanders. In his novel The Shore (1975), a Soviet writer learns that a German woman, with whom he had a passionate love affair as a young officer, still loves him. He dies before reaching the promised "shore" of his youthful dream. In The Choice (1980) a terminally ill expatriate kills himself on a visit to Moscow so that he can be buried in the city of his youth. His fate causes an old Soviet friend of his to engage in a painful exploration of existential questions.
Bondarev did also much work for the cinema. Besides adapting his own novels for the screen, he co-authored the script for the serial film Liberation.
In political life during the early 1990s, Bondarev participated in Russia's national-communist opposition politics, belonging to the National Salvation Front leadership. Bondarev was a member of the central committee of the hardline Communist Party of the RSFSR at the end of the Mikhail Gorbachev era; in July 1991 he signed the anti-Perestroika declaration "A Word to the People".
Bondarev died on 29 March 2020 in Moscow at the age of 96. | [] | [
"Biography"
] | [
"1924 births",
"2020 deaths",
"20th-century Russian male writers",
"20th-century Russian short story writers",
"People from Orsk",
"Eleventh convocation members of the Soviet of Nationalities",
"Maxim Gorky Literature Institute alumni",
"Heroes of Socialist Labour",
"Lenin Prize winners",
"Recipie... |
projected-23574542-002 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | Awards | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | Hero of Socialist Labour
Order of Lenin, twice
Order of the Red Banner of Labour
Order of the October Revolution
Order of the Patriotic War, 2nd class
Order of the Badge of Honour
Medal For Courage, twice (14 October 1943, 21 June 1944)
Honorary Citizen of the Hero City of Volgograd
Alexander Fadeyev Medal for Military Literature
State Prize of the USSR, 1977, for his novel The Shore
State Prize of the USSR, 1983, for his novel The Choice
State Prize of the RSFSR Vasiliev brothers (1975) – a script for the movie "Hot Snow" (1972)
Alexander Dovzhenko Gold Medal for the screenplay of The Hot Snow (1972)
Leo Tolstoy Award for Literature
Mikhail Sholokov Award for Literature
Medal "For the Defence of Stalingrad"
Medal "For the Victory over Germany in the Great Patriotic War 1941–1945"
Lenin Prize (1972) – script for epic Liberation
National Award "Stalingrad".
Medal of the CPRF Central Committee, 90 years of the Great October Socialist Revolution.
Award CCF (1984) – a script for the film The Coast (1983)
In 1994 he refused to accept the award of Order of Friendship of Peoples from Boris Yeltsin. | [
"HeroOfSocialistLabour.jpg"
] | [
"Awards"
] | [
"1924 births",
"2020 deaths",
"20th-century Russian male writers",
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"People from Orsk",
"Eleventh convocation members of the Soviet of Nationalities",
"Maxim Gorky Literature Institute alumni",
"Heroes of Socialist Labour",
"Lenin Prize winners",
"Recipie... |
projected-23574542-003 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | English translations | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | Silence, Houghton Mifflin, 1966.
The Last Shots, Foreign Languages Publishing House, 1970.
The Hot Snow, Progress Publishers, 1976.
The Vigil, from Anthology of Soviet Short Stories, Vol 2, Progress Publishers, 1976.
The Shore, Raduga Publishers, 1984.
The Choice, Raduga Publishers, 1984.
On Craftsmanship, Raduga Publishers, 1984. | [] | [
"English translations"
] | [
"1924 births",
"2020 deaths",
"20th-century Russian male writers",
"20th-century Russian short story writers",
"People from Orsk",
"Eleventh convocation members of the Soviet of Nationalities",
"Maxim Gorky Literature Institute alumni",
"Heroes of Socialist Labour",
"Lenin Prize winners",
"Recipie... |
projected-23574542-004 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | Filmography (writer) | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | The Last Salvos (1961)
Silence (1963)
Liberation (1968–71) | [] | [
"Filmography (writer)"
] | [
"1924 births",
"2020 deaths",
"20th-century Russian male writers",
"20th-century Russian short story writers",
"People from Orsk",
"Eleventh convocation members of the Soviet of Nationalities",
"Maxim Gorky Literature Institute alumni",
"Heroes of Socialist Labour",
"Lenin Prize winners",
"Recipie... |
projected-23574542-005 | https://en.wikipedia.org/wiki/Yuri%20Bondarev | Yuri Bondarev | References | Yuri Vasilyevich Bondarev (, 15 March 1924 — 29 March 2020) was a Soviet and Russian writer and screenwriter. He was best known for co-authoring the script for the serial film franchise Liberation (1968–71). | Category:1924 births
Category:2020 deaths
Category:20th-century Russian male writers
Category:20th-century Russian short story writers
Category:People from Orsk
Category:Eleventh convocation members of the Soviet of Nationalities
Category:Maxim Gorky Literature Institute alumni
Category:Heroes of Socialist Labour
Category:Lenin Prize winners
Category:Recipients of the Medal "For Courage" (Russia)
Category:Recipients of the Order of Friendship of Peoples
Category:Recipients of the Order of Lenin
Category:Recipients of the Order of the Red Banner of Labour
Category:Recipients of the USSR State Prize
Category:Recipients of the Vasilyev Brothers State Prize of the RSFSR
Category:Russian male novelists
Category:Russian male short story writers
Category:Russian male writers
Category:Russian non-fiction writers
Category:20th-century Russian screenwriters
Category:Male screenwriters
Category:Socialist realism writers
Category:Soviet male writers
Category:Soviet military personnel of World War II
Category:Soviet non-fiction writers
Category:Soviet novelists
Category:Soviet screenwriters
Category:Soviet short story writers
Category:Burials in Troyekurovskoye Cemetery | [] | [
"References"
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"Eleventh convocation members of the Soviet of Nationalities",
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"Heroes of Socialist Labour",
"Lenin Prize winners",
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projected-23574550-000 | https://en.wikipedia.org/wiki/Bonstorf%20Barrows | Bonstorf Barrows | Introduction | The Bonstorf Barrows () are the remains of a much larger barrow cemetery on the Lüneburg Heath in north Germany dating to the late Neolithic or early Bronze Age. They are located east of the village of Bonstorf, part of the municipality of Hermannsburg in the Lower Saxon district of Celle. The site comprises six, closely packed burial mounds or barrows.
The largest barrow was located originally in a field, but due to its vulnerable location it was dug out in 1973 and reconstructed nearby. Of interest are the internal stones which were found in the burial mound. The barrow was surrounded by a stone circle.
Under the earth mound was a wooden chamber, in which a man had been buried in an east–west orientation. Grave items included an earthenware jar, a palstave, a sword and bronze dagger.
On the northern perimeter of the mound a woman was interred on a stone bed. She wore two, seven-ribbed bangles and a headdress made of clusters of small, sheet bronze pipes. Furthermore, a round bronze needle (Radnadel) lay on her chest. It is very likely that the woman had a personal relationship to the interred man.
The grave finds are characteristic of the old Bronze Age (i.e. from about 1500 to 1200 B.C.) in the Lüneburg Heath. | [] | [
"Introduction"
] | [
"Prehistoric sites in Germany",
"Archaeological sites in Germany",
"Tumuli in Germany",
"Neolithic Germany",
"Indo-European archaeological sites",
"Bronze Age sites in Europe",
"Lüneburg Heath",
"Celle (district)",
"Bronze Age Germany",
"Archaeology of Lower Saxony"
] | |
projected-23574550-002 | https://en.wikipedia.org/wiki/Bonstorf%20Barrows | Bonstorf Barrows | Sources | The Bonstorf Barrows () are the remains of a much larger barrow cemetery on the Lüneburg Heath in north Germany dating to the late Neolithic or early Bronze Age. They are located east of the village of Bonstorf, part of the municipality of Hermannsburg in the Lower Saxon district of Celle. The site comprises six, closely packed burial mounds or barrows.
The largest barrow was located originally in a field, but due to its vulnerable location it was dug out in 1973 and reconstructed nearby. Of interest are the internal stones which were found in the burial mound. The barrow was surrounded by a stone circle.
Under the earth mound was a wooden chamber, in which a man had been buried in an east–west orientation. Grave items included an earthenware jar, a palstave, a sword and bronze dagger.
On the northern perimeter of the mound a woman was interred on a stone bed. She wore two, seven-ribbed bangles and a headdress made of clusters of small, sheet bronze pipes. Furthermore, a round bronze needle (Radnadel) lay on her chest. It is very likely that the woman had a personal relationship to the interred man.
The grave finds are characteristic of the old Bronze Age (i.e. from about 1500 to 1200 B.C.) in the Lüneburg Heath. | E. L.Voss: Ein reichhaltiger Grabhügel der älteren Bronzezeit von Bonstorf, Kr. Celle 1975 S. 59-83
GDMP: Bonstorf Barrows - Relax And Be Free, ambient video, amazon 2017
Category:Prehistoric sites in Germany
Category:Archaeological sites in Germany
Category:Tumuli in Germany
Category:Neolithic Germany
Category:Indo-European archaeological sites
Category:Bronze Age sites in Europe
Category:Lüneburg Heath
Category:Celle (district)
Category:Bronze Age Germany
Category:Archaeology of Lower Saxony | [] | [
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"Archaeological sites in Germany",
"Tumuli in Germany",
"Neolithic Germany",
"Indo-European archaeological sites",
"Bronze Age sites in Europe",
"Lüneburg Heath",
"Celle (district)",
"Bronze Age Germany",
"Archaeology of Lower Saxony"
] |
projected-23574556-000 | https://en.wikipedia.org/wiki/Assemble%20Head%20in%20Sunburst%20Sound | Assemble Head in Sunburst Sound | Introduction | Assemble Head in Sunburst Sound is a psychedelic rock band formed in San Francisco, California, in the early 2000s. Originally consisting of a trio – Michael Lardas, Jefferson Marshall, and Charlie Saufley – Assemble Head in Sunburst Sound grew to a five-piece by 2009 with the additions of multi-instrumentalists Anderson Landbridge and Camilla Saufley
Following the band's self-released 2005 debut, which was limited to 500 copies, they signed to Tee Pee Records and have since released three studio albums: Ekranoplan (2007), When Sweet Sleep Returned (2009), and Manzanita (2012). | [] | [
"Introduction"
] | [
"Musical groups from San Francisco",
"Psychedelic rock music groups from California"
] | |
projected-23574556-001 | https://en.wikipedia.org/wiki/Assemble%20Head%20in%20Sunburst%20Sound | Assemble Head in Sunburst Sound | Discography | Assemble Head in Sunburst Sound is a psychedelic rock band formed in San Francisco, California, in the early 2000s. Originally consisting of a trio – Michael Lardas, Jefferson Marshall, and Charlie Saufley – Assemble Head in Sunburst Sound grew to a five-piece by 2009 with the additions of multi-instrumentalists Anderson Landbridge and Camilla Saufley
Following the band's self-released 2005 debut, which was limited to 500 copies, they signed to Tee Pee Records and have since released three studio albums: Ekranoplan (2007), When Sweet Sleep Returned (2009), and Manzanita (2012). | Assemble Head in Sunburst Sound (2005)
Ekranoplan (2007)
When Sweet Sleep Returned (2009)
Manzanita (2012) | [] | [
"Discography"
] | [
"Musical groups from San Francisco",
"Psychedelic rock music groups from California"
] |
projected-23574556-002 | https://en.wikipedia.org/wiki/Assemble%20Head%20in%20Sunburst%20Sound | Assemble Head in Sunburst Sound | References | Assemble Head in Sunburst Sound is a psychedelic rock band formed in San Francisco, California, in the early 2000s. Originally consisting of a trio – Michael Lardas, Jefferson Marshall, and Charlie Saufley – Assemble Head in Sunburst Sound grew to a five-piece by 2009 with the additions of multi-instrumentalists Anderson Landbridge and Camilla Saufley
Following the band's self-released 2005 debut, which was limited to 500 copies, they signed to Tee Pee Records and have since released three studio albums: Ekranoplan (2007), When Sweet Sleep Returned (2009), and Manzanita (2012). | Category:Musical groups from San Francisco
Category:Psychedelic rock music groups from California | [] | [
"References"
] | [
"Musical groups from San Francisco",
"Psychedelic rock music groups from California"
] |
projected-20467381-000 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Introduction | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | [] | [
"Introduction"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
] | |
projected-20467381-001 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Psychological process | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | The phenomenon of overchoice occurs when many equivalent choices are available. Making a decision becomes overwhelming due to the many potential outcomes and risks that may result from making the wrong choice. Having too many approximately equally good options is mentally draining because each option must be weighed against alternatives to select the best one. The satisfaction of choices by number of options available can be described by an inverted "U" model. In this model, having no choice results in very low satisfaction. Initially more choices lead to more satisfaction, but as the number of choices increases it then peaks and people tend to feel more pressure, confusion, and potentially dissatisfaction with their choice. Although larger choice sets can be initially appealing, smaller choice sets lead to increased satisfaction and reduced regret. Another component of overchoice is the perception of time. Extensive choice sets can seem even more difficult with a limited time constraint.
Examples of overchoice include increased college options, career options, and prospective romantic relationships. Many of these increased options can be attributed to modern technology. In today's society we have easy access to more information, products and opportunities. | [] | [
"Psychological process"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
] |
projected-20467381-002 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Preconditions | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | Choice overload is not a problem in all cases, there are some preconditions that must be met before the effect can take place. First, people making the choice must not have a clear prior preference for an item type or category. When the choice-maker has a preference, the number of options has little impact on the final decision and satisfaction. Second, there must not be a clearly dominant option in the choice set, meaning that all options must be perceived of equivalent quality. One option cannot stand out as being better from the rest. The presence of a superior option and many less desirable options will result in a more satisfied decision. Third, there is a negative relationship between choice assortment (quantity) and satisfaction only in people less familiar with the choice set. This means that if the person making a choice has expertise in the subject matter, they can more easily sort through the options and not be overwhelmed by the variety. | [] | [
"Preconditions"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
] |
projected-20467381-003 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Psychological implications | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | Decision-makers in large choice situations enjoy the decision process more than those with smaller choice sets, but feel more responsible for their decisions. Despite this, more choices result with more dissatisfaction and regret in decisions. The feeling of responsibility causes cognitive dissonance when presented with large array situations. In this situation, cognitive dissonance results when there is a mental difference between the choice made and the choice that should have been made. More choices lead to more cognitive dissonance because it increases the chance that the decision-maker made the wrong decision. These large array situations cause the chooser to feel both enjoyment as well as feel overwhelmed with their choices. These opposing emotions contribute to cognitive dissonance, and causes the chooser to feel less motivated to make a decision. This also disables them from using psychological processes to enhance the attractiveness of their own choices.
The amount of time allotted to make a decision also has an effect on an individual's perception of their choice. Larger choice sets with a small amount of time results in more regret with the decision. When more time is provided, the process of choosing is more enjoyable in large array situations and results in less regret after the decision has been made. | [] | [
"Psychological implications"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
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projected-20467381-004 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Reversal when choosing for others | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | Choice overload is reversed when people choose for another person. Polman has found that overload is context dependent: choosing from many alternatives by itself is not demotivating.
Polman found that it is not always a case of whether choices differ for the self and others at risk, but rather “according to a selective focus on positive and negative information."
Evidence shows there is a different regulatory focus for others compared to the self in decision-making. Therefore, there may be substantial implications for a variety of psychological processes in relation to self-other decision-making.
Among personal decision-makers, a prevention focus is activated and people are more satisfied with their choices after choosing among few options compared to many options, i.e. choice overload. However, individuals experience a reverse choice overload effect when acting as proxy decision-makers. | [] | [
"Reversal when choosing for others"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
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projected-20467381-005 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | In an economic setting | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | The psychological phenomenon of overchoice can most often be seen in economic applications. There are limitless products currently on the market. Having more choices, such as a vast amount of goods and services available, appears to be appealing initially, but too many choices can make decisions more difficult. According to Miller (1956), a consumer can only process seven items at a time. After that the consumer would have to create a coping strategy to make an informed decision. This can lead to consumers being indecisive, unhappy, and even refrain from making the choice (purchase) at all. Alvin Toffler noted that as the choice turns to overchoice, "freedom of more choices" becomes the opposite—the "unfreedom". Often, a customer makes a decision without sufficiently researching his choices, which may often require days. When confronted with too many choices especially under a time constraint, many people prefer to make no choice at all, even if making a choice would lead to a better outcome.
The existence of over choice, both perceived and real, is supported by studies as early as the mid-1970s. Numbers of various brands, from soaps to cars, have been steadily rising for over half a century. In just one example—different brands of soap and detergents—the numbers of choices offered by an average US supermarket went from 65 in 1950, through 200 in 1963, to over 360 in 2004. The more choices tend to increase the time it requires to make a decision. | [] | [
"In an economic setting"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
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projected-20467381-006 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Variety and complexity | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | There are two steps involved in making a choice to purchase. First, the consumer selects an assortment. Second, the consumer chooses an option within the assortment. Variety and complexity vary in their importance in carrying out these steps successfully, resulting in the consumer deciding to make a purchase.
Variety is the positive aspect of assortment. When selecting an assortment during the perception stage, the first stage of deciding, consumers want more variety.
Complexity is the negative aspect of assortment. Complexity is important for the second step in making a choice—when a consumer needs to choose an option from an assortment. When making a choice for an individual item within an assortment, too much variety increases complexity. This can cause a consumer to delay or opt out of making a decision.
Images are processed as a whole when making a purchasing decision. This means they require less mental effort to be processed which gives the consumer a sense that the information is being processed faster. Consumers prefer this visual shortcut to processing, termed "visual heuristic" by Townsend, no matter how big the choice set size. Images increase our perceived variety of options. As previously stated, variety is good when making the first step of choosing an assortment. On the other hand, verbal descriptions are processed in a way that the words that make up a sentence are perceived individually. That is, our minds string words along to develop our understanding. In larger choice sets where there is more variety, perceived complexity decreases when verbal descriptions are used. | [] | [
"In an economic setting",
"Variety and complexity"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
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projected-20467381-007 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | See also | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | Analysis paralysis
Buyer's remorse
Choice architecture
Information overload
Market cannibalism
Satisficing
The Paradox of Choice: Why More Is Less, a 2004 book by Barry Schwartz
Tyranny of small decisions | [] | [
"See also"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
] |
projected-20467381-009 | https://en.wikipedia.org/wiki/Overchoice | Overchoice | Further reading | Overchoice or choice overload is a cognitive impairment in which people have a difficult time making a decision when faced with many options. The term was first introduced by Alvin Toffler in his 1970 book, Future Shock. This phenomenon in particular has come under some criticism due to increased scrutiny of scientific research related to the replication crisis and has not been adequately reproduced by subsequent research, thereby calling into question its validity. | Schwartz, Barry (2004). "Choice overload burdens daily life". USA Today.
Category:Sociological terminology
Category:Cognitive psychology
Category:Consumer behaviour
Category:Decision theory | [] | [
"Further reading"
] | [
"Sociological terminology",
"Cognitive psychology",
"Consumer behaviour",
"Decision theory"
] |
projected-23574564-000 | https://en.wikipedia.org/wiki/Burj%20Attari | Burj Attari | Introduction | Burj Attari is a town located only 14 km from Lahore at Lahore-Jaranwala Road, Pakistan and 12 km from Shahdara, but it is in the Sheikhupura District, Punjab (Pakistan).
Burj Attari is famous for agriculture products and fruits like guavas, leechee and strawberries. It is a very ancient village from since 1400 A.D.
Noorewala Road a 6 km long sub-road leads to a small village Noor-e-wala and Khanpur Canal (Bann), further goes village Bansi-Nagar and Battiyanwala (located at Lahore-Shekhupura road) making a total length of 13.2 km. Burj road connects village Burj with the M-2 motorway. Noorewala Road also goes to Nankana Sahib. | [] | [
"Introduction"
] | [
"Populated places in Sheikhupura District"
] | |
projected-23574564-001 | https://en.wikipedia.org/wiki/Burj%20Attari | Burj Attari | Education | Burj Attari is a town located only 14 km from Lahore at Lahore-Jaranwala Road, Pakistan and 12 km from Shahdara, but it is in the Sheikhupura District, Punjab (Pakistan).
Burj Attari is famous for agriculture products and fruits like guavas, leechee and strawberries. It is a very ancient village from since 1400 A.D.
Noorewala Road a 6 km long sub-road leads to a small village Noor-e-wala and Khanpur Canal (Bann), further goes village Bansi-Nagar and Battiyanwala (located at Lahore-Shekhupura road) making a total length of 13.2 km. Burj road connects village Burj with the M-2 motorway. Noorewala Road also goes to Nankana Sahib. | Burj Attari has a number of government and private schools but no any colleges. | [] | [
"Education"
] | [
"Populated places in Sheikhupura District"
] |
projected-23574564-002 | https://en.wikipedia.org/wiki/Burj%20Attari | Burj Attari | Government institutes | Burj Attari is a town located only 14 km from Lahore at Lahore-Jaranwala Road, Pakistan and 12 km from Shahdara, but it is in the Sheikhupura District, Punjab (Pakistan).
Burj Attari is famous for agriculture products and fruits like guavas, leechee and strawberries. It is a very ancient village from since 1400 A.D.
Noorewala Road a 6 km long sub-road leads to a small village Noor-e-wala and Khanpur Canal (Bann), further goes village Bansi-Nagar and Battiyanwala (located at Lahore-Shekhupura road) making a total length of 13.2 km. Burj road connects village Burj with the M-2 motorway. Noorewala Road also goes to Nankana Sahib. | Vocational Training Institute, Noorewala Road, Burj Attari
Govt. High School for Boys, Burj Attari
Govt. High School for Girls, Burj Attari | [] | [
"Education",
"Government institutes"
] | [
"Populated places in Sheikhupura District"
] |
projected-23574564-003 | https://en.wikipedia.org/wiki/Burj%20Attari | Burj Attari | Well-known historical figures | Burj Attari is a town located only 14 km from Lahore at Lahore-Jaranwala Road, Pakistan and 12 km from Shahdara, but it is in the Sheikhupura District, Punjab (Pakistan).
Burj Attari is famous for agriculture products and fruits like guavas, leechee and strawberries. It is a very ancient village from since 1400 A.D.
Noorewala Road a 6 km long sub-road leads to a small village Noor-e-wala and Khanpur Canal (Bann), further goes village Bansi-Nagar and Battiyanwala (located at Lahore-Shekhupura road) making a total length of 13.2 km. Burj road connects village Burj with the M-2 motorway. Noorewala Road also goes to Nankana Sahib. | The history of Burj-Attari is filled with tales of people who had a great influence and effect in their times and are still recalled to this day. Worth mentioning are people like:
Malik Maula Baksh Chohan (marhoom)
Malik Shah Muhammad Chohan (marhoom)
Zail Dar
Ch. Feroz-ul-Din'''(marhoom)(ex-member dist. board Skp.) son of Ch. Allah Bakhsh (marhoom)
Malik Zakir Khan Chohan (marhoom)
Ch. Muhammad Ismail Dohta (marhoom)
Malik Muhammad Afzal Chohan (marhoom)(ex-chairman UC Burj Attari)
Malik Mehmood Ahmed Khan Chohan (marhoom)(ex-chairman UC Burj Attari)
Ch. Barkat Ali Dohta (marhoom)(ex-chairman UC Burj Attari, ex_chairman Markaz Council Sharaqpur Sharif) son of Ch. Muhammad Ismail Dohta (marhoom)
Ch. Asghar Ali Dhota son of Ch. Muhammad Ismail Dhota (ex-chairman U.C Burj Attari)
Ch. Riaz Ahmed Sapal (marhoom)(ex-chairman UC Burj Attari)
Baba Nazeer Ahmed (marhoom)(ex-member UC Burj Attari)
Ch. Jalil Ahmed adv.(marhoom) grandson of Ch. Allah Bakhsh (Arrayin Saghi)(marhoom)
Malik Ahmad Khan Chohan | [] | [
"Well-known historical figures"
] | [
"Populated places in Sheikhupura District"
] |
projected-23574564-004 | https://en.wikipedia.org/wiki/Burj%20Attari | Burj Attari | Localities | Burj Attari is a town located only 14 km from Lahore at Lahore-Jaranwala Road, Pakistan and 12 km from Shahdara, but it is in the Sheikhupura District, Punjab (Pakistan).
Burj Attari is famous for agriculture products and fruits like guavas, leechee and strawberries. It is a very ancient village from since 1400 A.D.
Noorewala Road a 6 km long sub-road leads to a small village Noor-e-wala and Khanpur Canal (Bann), further goes village Bansi-Nagar and Battiyanwala (located at Lahore-Shekhupura road) making a total length of 13.2 km. Burj road connects village Burj with the M-2 motorway. Noorewala Road also goes to Nankana Sahib. | Chohana pher (Main Bazar)
Noorywala Road
Madina Block
Hassan Pora
Shaik Colony
Quarter
chabil
Category:Populated places in Sheikhupura District | [] | [
"Localities"
] | [
"Populated places in Sheikhupura District"
] |
projected-23574574-000 | https://en.wikipedia.org/wiki/Bandele%20Omoniyi | Bandele Omoniyi | Introduction | Bandele Omoniyi (6 November 1884 – 1913) was a Nigerian nationalist who is best known for his book A Defence of the Ethiopian Movement (1908), which urged for political reforms in the colonies, warning that otherwise a revolution in Africa might end British rule. According to Hakim Adi, he is one of the earliest examples of the politically active West African student in Britain. | [] | [
"Introduction"
] | [
"1884 births",
"1913 deaths",
"Alumni of the University of Edinburgh",
"19th-century Nigerian people",
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"Nigerian expatriates in the United Kingdom",
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"Yoruba writers",
"Prisoners and detainees of Brazil",
"Nigerian expatriates in Brazil",
"En... | |
projected-23574574-001 | https://en.wikipedia.org/wiki/Bandele%20Omoniyi | Bandele Omoniyi | Biography | Bandele Omoniyi (6 November 1884 – 1913) was a Nigerian nationalist who is best known for his book A Defence of the Ethiopian Movement (1908), which urged for political reforms in the colonies, warning that otherwise a revolution in Africa might end British rule. According to Hakim Adi, he is one of the earliest examples of the politically active West African student in Britain. | Bandele Omoniyi was born in Lagos, in present-day Nigeria, and his parents sold their land to finance his studies in Britain, where Omoniyi first went in 1905. Enrolling at Edinburgh University in 1906 to study law, he eventually gave up his studies as he became increasingly involved in political activities, taking up anti-imperial journalism in socialist, Scottish and Nigerian publications. He wrote to various British politicians, including the Prime Minister, Henry Campbell-Bannerman, and the future Labour Party leader Ramsay MacDonald, demanding representation for Africans in the colonies. In 1907 Omoniyi criticised colonial rule in a series of letters to the Edinburgh Magazine. He also wrote articles for the West African press, and in 1908 published his major work, A Defence of the Ethiopian Movement, in Edinburgh, dedicating it "to The Right Honourable and Honourable Members of the British Parliament".
Omoniyi later moved to Brazil around 1910, where he was subsequently arrested for his political activities. He refused assistance from the British Consul. Imprisoned, he contracted beriberi and died, aged 28. | [] | [
"Biography"
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"1913 deaths",
"Alumni of the University of Edinburgh",
"19th-century Nigerian people",
"20th-century Nigerian writers",
"Nigerian expatriates in the United Kingdom",
"Writers from Lagos",
"Yoruba writers",
"Prisoners and detainees of Brazil",
"Nigerian expatriates in Brazil",
"En... |
projected-23574574-002 | https://en.wikipedia.org/wiki/Bandele%20Omoniyi | Bandele Omoniyi | References | Bandele Omoniyi (6 November 1884 – 1913) was a Nigerian nationalist who is best known for his book A Defence of the Ethiopian Movement (1908), which urged for political reforms in the colonies, warning that otherwise a revolution in Africa might end British rule. According to Hakim Adi, he is one of the earliest examples of the politically active West African student in Britain. | Category:1884 births
Category:1913 deaths
Category:Alumni of the University of Edinburgh
Category:19th-century Nigerian people
Category:20th-century Nigerian writers
Category:Nigerian expatriates in the United Kingdom
Category:Writers from Lagos
Category:Yoruba writers
Category:Prisoners and detainees of Brazil
Category:Nigerian expatriates in Brazil
Category:English-language writers from Nigeria
Category:Nigerian critics
Category:Anti-imperialism in Africa
Category:Nigerian nationalists
Category:People of colonial Nigeria
Category:Black British history
Category:Prisoners who died in Brazilian detention | [] | [
"References"
] | [
"1884 births",
"1913 deaths",
"Alumni of the University of Edinburgh",
"19th-century Nigerian people",
"20th-century Nigerian writers",
"Nigerian expatriates in the United Kingdom",
"Writers from Lagos",
"Yoruba writers",
"Prisoners and detainees of Brazil",
"Nigerian expatriates in Brazil",
"En... |
projected-17331087-000 | https://en.wikipedia.org/wiki/Surbiton%20Trophy | Surbiton Trophy | Introduction | The Surbiton Trophy is a tennis tournament for male and female professional players played on grass courts. The event was held annually in Surbiton, England, from 1997 through 2008 as part of the ATP Challenger Series and ITF Women's Circuit. In 2009, it was replaced by the Aegon Trophy in Nottingham. In 2015, the event resumed on both the ATP Challenger Tour and ITF Women's Circuit.
The tournament was not held in 2020 and 2021 because of the COVID-19 pandemic, but returned in 2022.
Jim Thomas is the doubles record holder with four titles, while Kristina Brandi is the singles record holder with three titles, including back to back wins.
As of 2022, no player has won both the singles and doubles titles in the same year. | [] | [
"Introduction"
] | [
"Aegon Surbiton Trophy",
"Tennis tournaments in England",
"Grass court tennis tournaments",
"ATP Challenger Tour",
"ITF Women's World Tennis Tour",
"1997 establishments in England",
"Recurring sporting events established in 1997",
"Sport in the Royal Borough of Kingston upon Thames",
"Surbiton"
] | |
projected-17331087-006 | https://en.wikipedia.org/wiki/Surbiton%20Trophy | Surbiton Trophy | See also | The Surbiton Trophy is a tennis tournament for male and female professional players played on grass courts. The event was held annually in Surbiton, England, from 1997 through 2008 as part of the ATP Challenger Series and ITF Women's Circuit. In 2009, it was replaced by the Aegon Trophy in Nottingham. In 2015, the event resumed on both the ATP Challenger Tour and ITF Women's Circuit.
The tournament was not held in 2020 and 2021 because of the COVID-19 pandemic, but returned in 2022.
Jim Thomas is the doubles record holder with four titles, while Kristina Brandi is the singles record holder with three titles, including back to back wins.
As of 2022, no player has won both the singles and doubles titles in the same year. | List of tennis tournaments | [] | [
"See also"
] | [
"Aegon Surbiton Trophy",
"Tennis tournaments in England",
"Grass court tennis tournaments",
"ATP Challenger Tour",
"ITF Women's World Tennis Tour",
"1997 establishments in England",
"Recurring sporting events established in 1997",
"Sport in the Royal Borough of Kingston upon Thames",
"Surbiton"
] |
projected-23574581-000 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | Introduction | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | [] | [
"Introduction"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] | |
projected-23574581-001 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | Route | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | The line runs from the northwest of the canton of Zürich from Winterthur and heads for Schaffhausen. | [] | [
"Route"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574581-002 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | Stations | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | Winterthur Hauptbahnhof
Hettlingen
Henggart
Andelfingen
Marthalen
Dachsen
Schloss Laufen am Rheinfall
Neuhausen
Schaffhausen | [] | [
"Stations"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574581-003 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | Rolling stock | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | All services are operated by THURBO rolling stock. | [] | [
"Rolling stock"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574581-004 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | Scheduling | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | The train frequency is usually 30 minutes and the trip takes 33 minutes. | [] | [
"Scheduling"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574581-005 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | See also | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | Rail transport in Switzerland
Trams in Zürich | [] | [
"See also"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574581-006 | https://en.wikipedia.org/wiki/S33%20%28ZVV%29 | S33 (ZVV) | References | The S33 is a regional railway line of the S-Bahn Zürich on the Zürcher Verkehrsverbund (ZVV), Zürich transportation network, and is one of the network's lines connecting the cantons of Zürich and Schaffhausen. | ZVV official website: Routes & zones
Category:Zürich S-Bahn lines
Category:Canton of Schaffhausen
Category:Transport in the canton of Zürich | [] | [
"References"
] | [
"Zürich S-Bahn lines",
"Canton of Schaffhausen",
"Transport in the canton of Zürich"
] |
projected-23574582-000 | https://en.wikipedia.org/wiki/Ekranoplan%20%28album%29 | Ekranoplan (album) | Introduction | Ekranoplan is the second studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in March 2007 on Tee Pee Records. | [] | [
"Introduction"
] | [
"2007 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] | |
projected-23574582-001 | https://en.wikipedia.org/wiki/Ekranoplan%20%28album%29 | Ekranoplan (album) | Track list | Ekranoplan is the second studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in March 2007 on Tee Pee Records. | "Ekranoplan" – 3:17
"Mosquito Lantern" – 3:51
"Rudy on the Corner" – 3:44
"Summon the Vardig" – 6:09
"Occult Roots" – 4:15
"Message by Mistral and Thunderclap" – 3:45
"D. Brown" – 5:36
"The Chocolate Maiden's Misty Summer Morning" – 4:15
"Gemini 9" – 3:29 | [] | [
"Track list"
] | [
"2007 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] |
projected-23574582-002 | https://en.wikipedia.org/wiki/Ekranoplan%20%28album%29 | Ekranoplan (album) | References | Ekranoplan is the second studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in March 2007 on Tee Pee Records. | Category:2007 albums
Category:Assemble Head in Sunburst Sound albums
Category:Tee Pee Records albums | [] | [
"References"
] | [
"2007 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] |
projected-23574584-000 | https://en.wikipedia.org/wiki/Zalia | Zalia | Introduction | Zalia may refer to:
Zalia, West Virginia
Manuel Zelaya (born 1952), Honduran businessman & politician | [] | [
"Introduction"
] | [] | |
projected-23574584-001 | https://en.wikipedia.org/wiki/Zalia | Zalia | See also | Zalia may refer to:
Zalia, West Virginia
Manuel Zelaya (born 1952), Honduran businessman & politician | Zulia (disambiguation) | [] | [
"See also"
] | [] |
projected-17331109-000 | https://en.wikipedia.org/wiki/The%20Prophet%20Returns | The Prophet Returns | Introduction | The Prophet Returns is a posthumous compilation album by American hip hop artist Tupac Shakur, released on October 3, 2005 by Death Row Records and Koch Records. It features mostly songs from Shakur's 1996 album, All Eyez on Me. | [] | [
"Introduction"
] | [
"2005 compilation albums",
"Tupac Shakur compilation albums",
"Albums produced by Daz Dillinger",
"Death Row Records compilation albums",
"Compilation albums published posthumously"
] | |
projected-17331109-001 | https://en.wikipedia.org/wiki/The%20Prophet%20Returns | The Prophet Returns | Track listing | The Prophet Returns is a posthumous compilation album by American hip hop artist Tupac Shakur, released on October 3, 2005 by Death Row Records and Koch Records. It features mostly songs from Shakur's 1996 album, All Eyez on Me. | Category:2005 compilation albums
Category:Tupac Shakur compilation albums
Category:Albums produced by Daz Dillinger
Category:Death Row Records compilation albums
Category:Compilation albums published posthumously | [] | [
"Track listing"
] | [
"2005 compilation albums",
"Tupac Shakur compilation albums",
"Albums produced by Daz Dillinger",
"Death Row Records compilation albums",
"Compilation albums published posthumously"
] |
projected-23574587-000 | https://en.wikipedia.org/wiki/Richard%20Costain | Richard Costain | Introduction | Richard Costain (1839–1902) was the founder of Costain Group, one of the United Kingdom's largest, oldest and best-known construction businesses. | [] | [
"Introduction"
] | [
"1839 births",
"1902 deaths",
"19th-century English businesspeople",
"People from Crosby, Merseyside",
"20th-century English businesspeople",
"British construction businesspeople"
] | |
projected-23574587-001 | https://en.wikipedia.org/wiki/Richard%20Costain | Richard Costain | Career | Richard Costain (1839–1902) was the founder of Costain Group, one of the United Kingdom's largest, oldest and best-known construction businesses. | Born and raised in the Isle of Man, Richard Costain moved to Crosby, Merseyside where, in 1865, he founded a small but well-equipped construction business. In the early days of the business, he worked in partnership with his brother-in-law William Kneen and together they expanded the business until it was operating both in Lancashire and on the Isle of Man. Kneen and Costain purchased tracts of land, then built many houses on them. Masons and joiners were recruited from Arbory on the Isle of Man.
Richard Costain later lived at Blundellsands, located near Crosby.
He died in West Derby in 1902 leaving the business, by then known as Richard Costain Limited, to his son William Percy Costain. | [] | [
"Career"
] | [
"1839 births",
"1902 deaths",
"19th-century English businesspeople",
"People from Crosby, Merseyside",
"20th-century English businesspeople",
"British construction businesspeople"
] |
projected-23574587-002 | https://en.wikipedia.org/wiki/Richard%20Costain | Richard Costain | Family | Richard Costain (1839–1902) was the founder of Costain Group, one of the United Kingdom's largest, oldest and best-known construction businesses. | In 1866, Costain married Margaret Kneen. | [] | [
"Family"
] | [
"1839 births",
"1902 deaths",
"19th-century English businesspeople",
"People from Crosby, Merseyside",
"20th-century English businesspeople",
"British construction businesspeople"
] |
projected-23574587-003 | https://en.wikipedia.org/wiki/Richard%20Costain | Richard Costain | References | Richard Costain (1839–1902) was the founder of Costain Group, one of the United Kingdom's largest, oldest and best-known construction businesses. | Category:1839 births
Category:1902 deaths
Category:19th-century English businesspeople
Category:People from Crosby, Merseyside
Category:20th-century English businesspeople
Category:British construction businesspeople | [] | [
"References"
] | [
"1839 births",
"1902 deaths",
"19th-century English businesspeople",
"People from Crosby, Merseyside",
"20th-century English businesspeople",
"British construction businesspeople"
] |
projected-23574596-000 | https://en.wikipedia.org/wiki/In%20the%20Springtime%20of%20the%20Year | In the Springtime of the Year | Introduction | In the Springtime of the Year is a 1973 novel by Susan Hill. Hill has stated that the book was inspired by the sudden death of a man to whom she had been close for eight years. | [
"InTheSpringtimeOfTheYear.jpg"
] | [
"Introduction"
] | [
"Novels by Susan Hill",
"1973 British novels",
"Hamish Hamilton books"
] | |
projected-23574596-001 | https://en.wikipedia.org/wiki/In%20the%20Springtime%20of%20the%20Year | In the Springtime of the Year | Reception | In the Springtime of the Year is a 1973 novel by Susan Hill. Hill has stated that the book was inspired by the sudden death of a man to whom she had been close for eight years. | A 1974 book review by Kirkus Reviews concluded; "Susan Hill is the most uncompromising of writers and this is a monochrome of rural England where lives proceed in synergistic harmony with the natural world around them were it not for that whim of fate... Once again Miss Hill's novel achieves a consummate simplicity—we cannot fault its deliberate tonelessness without acknowledging its universality." | [] | [
"Reception"
] | [
"Novels by Susan Hill",
"1973 British novels",
"Hamish Hamilton books"
] |
projected-23574596-002 | https://en.wikipedia.org/wiki/In%20the%20Springtime%20of%20the%20Year | In the Springtime of the Year | References | In the Springtime of the Year is a 1973 novel by Susan Hill. Hill has stated that the book was inspired by the sudden death of a man to whom she had been close for eight years. | Category:Novels by Susan Hill
Category:1973 British novels
Category:Hamish Hamilton books | [] | [
"References"
] | [
"Novels by Susan Hill",
"1973 British novels",
"Hamish Hamilton books"
] |
projected-17331127-000 | https://en.wikipedia.org/wiki/JK%2096%20helmet | JK 96 helmet | Introduction | JK 96 Light Steel Helmet () is a Chinese copy of the American Personnel Armor System for Ground Troops helmet. The liner is a copy of the American Riddel suspension system. Being manufactured since 1996 for Chinese service only
The Chinese PASGT-style helmet is not made of composite material, but rather from light steel.
The helmet is worn by some elements of the People's Liberation Army and police SWAT teams in China to replace Soviet-era headgear.
The JK 96b is a version of the JK 96a with a different nylon lining. | [] | [
"Introduction"
] | [
"Combat helmets of the People's Republic of China"
] | |
projected-17331127-001 | https://en.wikipedia.org/wiki/JK%2096%20helmet | JK 96 helmet | Users | JK 96 Light Steel Helmet () is a Chinese copy of the American Personnel Armor System for Ground Troops helmet. The liner is a copy of the American Riddel suspension system. Being manufactured since 1996 for Chinese service only
The Chinese PASGT-style helmet is not made of composite material, but rather from light steel.
The helmet is worn by some elements of the People's Liberation Army and police SWAT teams in China to replace Soviet-era headgear.
The JK 96b is a version of the JK 96a with a different nylon lining. | : Imported from China. | [] | [
"Users"
] | [
"Combat helmets of the People's Republic of China"
] |
projected-23574602-000 | https://en.wikipedia.org/wiki/When%20Sweet%20Sleep%20Returned | When Sweet Sleep Returned | Introduction | When Sweet Sleep Returned is the third studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in April 2009 on Tee Pee Records. | [] | [
"Introduction"
] | [
"2009 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] | |
projected-23574602-001 | https://en.wikipedia.org/wiki/When%20Sweet%20Sleep%20Returned | When Sweet Sleep Returned | Track listing | When Sweet Sleep Returned is the third studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in April 2009 on Tee Pee Records. | "Two Stage Rocket" – 3:27
"Two Birds" – 7:37
"Drunken Leaves" – 4:18
"The Slumbering Ones" – 4:50
"Kolob Canyon" – 5:55
"By the Ripping Green" – 5:07
"Clive and the Lyre" – 3:51
"End Under Down" – 5:36 | [] | [
"Track listing"
] | [
"2009 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] |
projected-23574602-002 | https://en.wikipedia.org/wiki/When%20Sweet%20Sleep%20Returned | When Sweet Sleep Returned | References | When Sweet Sleep Returned is the third studio album by American psychedelic rock band Assemble Head in Sunburst Sound, released in April 2009 on Tee Pee Records. | Category:2009 albums
Category:Assemble Head in Sunburst Sound albums
Category:Tee Pee Records albums | [] | [
"References"
] | [
"2009 albums",
"Assemble Head in Sunburst Sound albums",
"Tee Pee Records albums"
] |
projected-20467404-000 | https://en.wikipedia.org/wiki/Defensor%20minor | Defensor minor | Introduction | The Defensor minor is a work by Marsilius of Padua written around 1342. The Defensor minor is a restatement and defense of Marsilius's best known work, the Defensor pacis.
The text discusses civil and ecclesiastical jurisdiction, the confession, penance, indulgences, the Crusades, pilgrimages, plenitudo potestatis, legislative power, the origin of the sovereignty, wedding, and divorce. | [] | [
"Introduction"
] | [
"Medieval literature",
"Political philosophy"
] | |
projected-20467404-001 | https://en.wikipedia.org/wiki/Defensor%20minor | Defensor minor | Civil jurisdiction | The Defensor minor is a work by Marsilius of Padua written around 1342. The Defensor minor is a restatement and defense of Marsilius's best known work, the Defensor pacis.
The text discusses civil and ecclesiastical jurisdiction, the confession, penance, indulgences, the Crusades, pilgrimages, plenitudo potestatis, legislative power, the origin of the sovereignty, wedding, and divorce. | With regard to jurisdiction, Marsilius distinguishes between divine and human laws, the first event which is independent of any human will and on the conduct of man in view of the afterlife, the second which determines the will of the people, endowed with coercive power and not modifiable by any clergyman.
This applies also to the Pope that even with his decrees may waive the law, manifestation of the people's sovereignty. While the beneficiaries of the two laws are identical, its object and purpose are different. The one seeks the good of the soul and the other cares for earthly well-being, with the result that the church is denied the power to make laws, even in the persistent silence of human legislation. The same applies to amendments and changes, which should remain solely with the people. The only thing that is relevant to the clergy is the non-legal rules that affect morality and resolve themselves into simple counsels and take effect with counsellors. | [] | [
"Civil jurisdiction"
] | [
"Medieval literature",
"Political philosophy"
] |
projected-20467404-002 | https://en.wikipedia.org/wiki/Defensor%20minor | Defensor minor | The clergy | The Defensor minor is a work by Marsilius of Padua written around 1342. The Defensor minor is a restatement and defense of Marsilius's best known work, the Defensor pacis.
The text discusses civil and ecclesiastical jurisdiction, the confession, penance, indulgences, the Crusades, pilgrimages, plenitudo potestatis, legislative power, the origin of the sovereignty, wedding, and divorce. | The task and the main function of the clergy is to teach the sacred texts and preparing souls for the afterlife. The Church has repeatedly stated that for the sinner there is no other system of redemption from sin but confession. Marsilius, in an effort to bring man to God, regardless of any broker, says that confession should be done directly to God and that salvation comes only by true repentance. This anticipates what will be one of the tenets of Protestantism. The necessity of this Sacrament, that is only recommended and not required, is not detected from the Holy Scriptures. Only sincere repentance to the outside of any denominational can give that peace in the soul that is the prelude of eternal salvation. Absolution from sin belongs only to God and the priest, who may do so, does so only within the Church. Sufficit soli Deo confiteri peccata ipsa, videlicet recognoscendo, et de ipsis poenitendo cum proposito talia alterius non committendi.
These words can be regarded as harbingers of what will be the principles of the Lutheran Reformation.
Marsilio does not exclude absolutely confession: he says only that it is useful but not essential, which it would be if it were a precept, therefore he also denies the priestly power to inflict penalties.
Only contrition frees from sin, not repentance of any material or spiritual character almost like a compensation for the sin. | [] | [
"The clergy"
] | [
"Medieval literature",
"Political philosophy"
] |
projected-20467404-009 | https://en.wikipedia.org/wiki/Defensor%20minor | Defensor minor | References | The Defensor minor is a work by Marsilius of Padua written around 1342. The Defensor minor is a restatement and defense of Marsilius's best known work, the Defensor pacis.
The text discusses civil and ecclesiastical jurisdiction, the confession, penance, indulgences, the Crusades, pilgrimages, plenitudo potestatis, legislative power, the origin of the sovereignty, wedding, and divorce. | Category:Medieval literature
Category:Political philosophy | [] | [
"References"
] | [
"Medieval literature",
"Political philosophy"
] |
projected-23574603-000 | https://en.wikipedia.org/wiki/Bie%C8%99ti | Biești | Introduction | Biești is a commune in Orhei District, Moldova. It is composed of three villages: Biești, Cihoreni and Slobozia-Hodorogea. | [] | [
"Introduction"
] | [
"Communes of Orhei District"
] | |
projected-23574603-001 | https://en.wikipedia.org/wiki/Bie%C8%99ti | Biești | Notable people | Biești is a commune in Orhei District, Moldova. It is composed of three villages: Biești, Cihoreni and Slobozia-Hodorogea. | Andrei Hodorogea (1878 in Slobozia-Hodorogea – 1917 in Chișinău) was a politician from Bessarabia
Protosinghelul Dosoftei Vîrlan (?–1933)
Gheorghe Andronache (1883–?)
Teodor Vicol (1888–?)
Nicanor Crocos (1890–1977)
Stela Popescu (1935–2017), actress
Andrei Munteanu (born 1939) | [] | [
"Notable people"
] | [
"Communes of Orhei District"
] |
projected-23574603-002 | https://en.wikipedia.org/wiki/Bie%C8%99ti | Biești | References | Biești is a commune in Orhei District, Moldova. It is composed of three villages: Biești, Cihoreni and Slobozia-Hodorogea. | Category:Communes of Orhei District | [] | [
"References"
] | [
"Communes of Orhei District"
] |
projected-17331151-000 | https://en.wikipedia.org/wiki/Wrestling%20at%20the%201920%20Summer%20Olympics%20%E2%80%93%20Men%27s%20Greco-Roman%20featherweight | Wrestling at the 1920 Summer Olympics – Men's Greco-Roman featherweight | Introduction | The men's Greco-Roman featherweight was a Greco-Roman wrestling event held as part of the Wrestling at the 1920 Summer Olympics programme. It was the second appearance of the event. Featherweight was the lightest category, including wrestlers weighing up to 60 kilograms.
A total of 21 wrestlers from 12 nations competed in the event, which was held from August 16 to August 20, 1920. | [] | [
"Introduction"
] | [
"Wrestling at the 1920 Summer Olympics",
"Greco-Roman wrestling"
] | |
projected-17331151-006 | https://en.wikipedia.org/wiki/Wrestling%20at%20the%201920%20Summer%20Olympics%20%E2%80%93%20Men%27s%20Greco-Roman%20featherweight | Wrestling at the 1920 Summer Olympics – Men's Greco-Roman featherweight | Notes | The men's Greco-Roman featherweight was a Greco-Roman wrestling event held as part of the Wrestling at the 1920 Summer Olympics programme. It was the second appearance of the event. Featherweight was the lightest category, including wrestlers weighing up to 60 kilograms.
A total of 21 wrestlers from 12 nations competed in the event, which was held from August 16 to August 20, 1920. | Category:Wrestling at the 1920 Summer Olympics
Category:Greco-Roman wrestling | [] | [
"Notes"
] | [
"Wrestling at the 1920 Summer Olympics",
"Greco-Roman wrestling"
] |
projected-23574604-000 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | Introduction | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | [] | [
"Introduction"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] | |
projected-23574604-002 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | Disc one | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | "Opening Prayer" (Chick Corea) – 2:03
"Hymn of the Seventh Galaxy" (Corea) – 3:43
"Vulcan Worlds" (Stanley Clarke) – 13:45
"Sorceress" (Lenny White) – 11:22
"Song to the Pharaoh Kings" (Corea) – 27:13
Al's Solo, including – 8:54
"Children's Song #3" (Corea) duet with Chick Corea
"Passion Grace & Fire" (di Meola)
"Mediterranean Sundance" (di Meola)
"Café 1930"(Astor Piazzolla)
"Spain"(Corea, Joaquín Rodrigo) duet with Chick Corea
"No Mystery" (Corea) – 8:52 | [] | [
"CD track listing",
"Disc one"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] |
projected-23574604-003 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | Disc two | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | "Friendship" (Corea) Chick's Solo, including "Solar" (Miles Davis) – 8:52
"Romantic Warrior" (Corea) – 7:19
"El Bayo de Negro" Stanley's Solo (Clarke) – 11:25
"Lineage" Lenny's Solo (White) – 7:39
"Romantic Warrior" (continued) (Corea) – 3:03
"Duel of the Jester and the Tyrant" (Corea) – 14:03
Bonus tracks
"500 Miles High" (Corea) – 12:48
BBC Lifetime Achievement Award to RTF as presented by Sir George Martin, including a performance of "Romantic Warrior" – 8:20
Recorded at the:
Ruth Eckerd Hall, Clearwater, Florida, US, 31 July 2008 (tracks 1.1–2.5)
Bank of America Pavilion, Boston, Massachusetts, US, 6 August 2008 (track 2.6)
Stravinski Auditorium, Montreux Jazz Festival, Switzerland, 18 July 2008 (track 2.7) | [] | [
"CD track listing",
"Disc two"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] |
projected-23574604-004 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | Video track listing | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | Main show – Stravinski Auditorium, Montreux Jazz Festival, Switzerland, 18 July 2008
Introduction
"Hymn of the Seventh Galaxy" (Chick Corea)
"Vulcan Worlds" (Stanley Clarke)
"Sorceress" (Lenny White)
"Song to the Pharaoh Kings" (Corea)
Al's solo
"No Mystery" (Corea)
"Chick's Solo
"Romantic Warrior" (Corea)
"El Bayo de Negro" (Stanley's solo)
"Lineage" (Lenny's solo)
"Romantic Warrior" (conclusion) (Corea)
Bonus tracks – Ruth Eckerd Hall, Clearwater, Florida, 31 July 2008
"Lineage" (Lenny's solo)
Al's solo
"Friendship" (Chick's solo)
"El Bayo de Negro" (Stanley's solo)
"Duel of the Jester and the Tyrant" (Corea) | [] | [
"Video track listing"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] |
projected-23574604-005 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | Personnel | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | Chick Corea – Yamaha grand piano C3MP, Rhodes Midi Piano Mark V, synthesizers (Minimoog Voyager, Sequential Circuits Prophet-5, Yamaha Motif)
Al Di Meola – acoustic and electric guitar
Stanley Clarke – electric and acoustic bass
Lenny White – drums | [] | [
"Personnel"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] |
projected-23574604-006 | https://en.wikipedia.org/wiki/Returns%20%28album%29 | Returns (album) | CD recording credits | Returns is a live album by the fusion band Return to Forever. Released in 2009 by Eagle Records, it is the first recording by the band after a hiatus of 32 years. Also in 2009 a video recording of the band's live performances from the "Returns" tour at Montreux, Switzerland and (bonus material) Clearwater, Florida was released by Eagle Rock Entertainment as Return to Forever – Returns: Live at Montreux 2008. | Artist coordination: Julie Rooney
Consultant: Bob Belden
Cover design: Marc Bessant
Drum technician: Gary Grimm
Engineer: Bernie Kirsh
Executive producer: Terry Shand, Claude Nobs
Guitar technician: Andy Brauer
Keyboard technician: Brian Alexander
Liner notes: Russell Davis
Management: Bill Rooney
Poetry: Neville Potter
Production coordination: Terry Cooley
Wardrobe design: Claudio Lugli | [] | [
"Personnel",
"CD recording credits"
] | [
"Return to Forever albums",
"2009 live albums",
"Live jazz fusion albums"
] |