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text_id stringlengths 22 22 | page_url stringlengths 31 389 | page_title stringlengths 1 250 | section_title stringlengths 0 4.67k | context_page_description stringlengths 0 108k | context_section_description stringlengths 1 187k | media list | hierachy list | category list |
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projected-26724924-001 | https://en.wikipedia.org/wiki/Kavi%20Kant | Kavi Kant | Life | Manishankar Ratnji Bhatt (), popularly known as Kavi Kant () was a Gujarati poet, playwright and essayist. He is an innovator of Khandkavya, a typical Gujarati poetic form and narration of one episode. His book Purvalap (1923) is a landmark in Gujarati poetry. | Kavi Kant was born in Prashnora Brahman Family on 20 November 1867 in Chavand, a village in Amreli Prant of Baroda state, to Motibahen and Ratnaji Bhatt. His family's influence left him with a deep interest in both education and philosophy. He was a student of both Hindu and Biblical philosophy. He took his primary education at Mangrol, Morbi and Rajkot. He completed his Bachelor of Arts in 1888 from Bombay University with Logic and Moral philosophy subjects. He served as a teacher at Surat in 1889. From 1890 to 1898, he served as Professor and then Vice principal at Kalabhavan, Vadodara. He was on tour to Kashmir in 1923. While returning to Lahore from Rawalpindi in train, he died en route on 16 June 1923. | [] | [
"Life"
] | [
"Gujarati-language writers",
"Indian male dramatists and playwrights",
"19th-century Indian dramatists and playwrights",
"Gujarati-language poets",
"Indian male poets",
"Dramatists and playwrights from Gujarat",
"People from Amreli district",
"1867 births",
"1923 deaths",
"19th-century Indian essa... |
projected-26724924-002 | https://en.wikipedia.org/wiki/Kavi%20Kant | Kavi Kant | Conversion | Manishankar Ratnji Bhatt (), popularly known as Kavi Kant () was a Gujarati poet, playwright and essayist. He is an innovator of Khandkavya, a typical Gujarati poetic form and narration of one episode. His book Purvalap (1923) is a landmark in Gujarati poetry. | In 1891 his first wife Narmada died. The death of his wife affected Kant deeply, and he could not find solace in his own religion. His search for answers about life and death led him to the philosophy of Emanuel Swedenborg. His writings provided some relief for his grief and he converted to Christianity in 1898. His family and friends opposed his decision and due to public and political opposition, he had to give up his position as minister of education in the Bhavnagar State. The community shunned both him and his family. Kant took the decision to leave the community and his family, for the sake of his wife and children. Realizing the repercussions of Kant's decision, the King of Bhavnagar along with some of his friends formed an "intervention" of sorts to ask him to change his mind. He realized that he could not stand to see his family suffer because of this decision. He missed them dearly and did not want to be apart from them. | [] | [
"Life",
"Conversion"
] | [
"Gujarati-language writers",
"Indian male dramatists and playwrights",
"19th-century Indian dramatists and playwrights",
"Gujarati-language poets",
"Indian male poets",
"Dramatists and playwrights from Gujarat",
"People from Amreli district",
"1867 births",
"1923 deaths",
"19th-century Indian essa... |
projected-26724924-003 | https://en.wikipedia.org/wiki/Kavi%20Kant | Kavi Kant | Literary work | Manishankar Ratnji Bhatt (), popularly known as Kavi Kant () was a Gujarati poet, playwright and essayist. He is an innovator of Khandkavya, a typical Gujarati poetic form and narration of one episode. His book Purvalap (1923) is a landmark in Gujarati poetry. | He wrote one poetry book called Purvalap (1923) that was released on the day he died. He invented a form of poetry called "Khand-Kavya", one type of Narrative poetry, in Gujarati. He also wrote the plays Salimshah Athva Ashrumati, Roman-Swarajya, Dukhi Sansar and Guru Govindsinh between 1908 and 1914. | [
"Plato's Phaedrus translated by Manishankar Bhatt Kant into Gujarati.jpg"
] | [
"Literary work"
] | [
"Gujarati-language writers",
"Indian male dramatists and playwrights",
"19th-century Indian dramatists and playwrights",
"Gujarati-language poets",
"Indian male poets",
"Dramatists and playwrights from Gujarat",
"People from Amreli district",
"1867 births",
"1923 deaths",
"19th-century Indian essa... |
projected-20470325-000 | https://en.wikipedia.org/wiki/Ivan%20Serti%C4%87 | Ivan Sertić | Introduction | Ivan Sertić (born 27 February 1985) is a retired Croatian football forward. | [] | [
"Introduction"
] | [
"1985 births",
"Living people",
"Croatian footballers",
"Croatian expatriate footballers",
"Croatia youth international footballers",
"Croatian Football League players",
"First Professional Football League (Bulgaria) players",
"HNK Rijeka players",
"PFC Belasitsa Petrich players",
"NK Pomorac 1921... | |
projected-20470325-001 | https://en.wikipedia.org/wiki/Ivan%20Serti%C4%87 | Ivan Sertić | Career | Ivan Sertić (born 27 February 1985) is a retired Croatian football forward. | Sertić start to play football in NK Rijeka. Between 2001 and 2003 Sertić is a part of Croatia national under-17 football team.
In 2005, he is loaned in NK Novalja for six months.
In season 2007/08 the forward played for NK Pomorac.
In summer 2008 he signed a contract with Bulgarian Belasitsa Petrich. Sertić made his official debut for the Bulgarian club on 10 August 2008 in a match against CSKA Sofia as a 74th min substitute. On 8 November 2008 he scored his first goal for Belasitsa in a match against Litex Lovech.
In July 2015, Sertić returned to his former club HNK Orijent 1919. Two years later, in June 2017, he announced his retirement from football. | [] | [
"Career"
] | [
"1985 births",
"Living people",
"Croatian footballers",
"Croatian expatriate footballers",
"Croatia youth international footballers",
"Croatian Football League players",
"First Professional Football League (Bulgaria) players",
"HNK Rijeka players",
"PFC Belasitsa Petrich players",
"NK Pomorac 1921... |
projected-20470375-000 | https://en.wikipedia.org/wiki/Millennium%20Tower%20%28Abuja%29 | Millennium Tower (Abuja) | Introduction | The Millennium Tower and Cultural Centre project is one of a number of projects in the Central District of Nigeria's capital city of Abuja. At , it is the tallest artificial structure in Abuja. The tower was designed by Manfredi Nicoletti and is part of the Nigeria National Complex which also includes the Nigerian Cultural Centre, an eight-storey, low rise, pyramid shaped Cultural Centre. Construction for the tower started in 2006 and was topped out in 2014 whilst the cultural centre is still under construction.
The site is severed by a main road so the two structures will be linked via an underground arcade. The tower consists of three cylindrical concrete pillar-like structures varying in height and linked together near the towers first peak using a disc shaped section which is intended to house in its two floors, an observation deck and a viewing restaurant. Around the pillars of the tower three transparent stainless steel wings wrap around the base of the tower and gradually open outwards in a fan like fashion as they extend up the height of the tower. | [] | [
"Introduction"
] | [
"Abuja architecture",
"Buildings and structures under construction in Nigeria",
"Neo-futurism architecture"
] | |
projected-20470375-001 | https://en.wikipedia.org/wiki/Millennium%20Tower%20%28Abuja%29 | Millennium Tower (Abuja) | See also | The Millennium Tower and Cultural Centre project is one of a number of projects in the Central District of Nigeria's capital city of Abuja. At , it is the tallest artificial structure in Abuja. The tower was designed by Manfredi Nicoletti and is part of the Nigeria National Complex which also includes the Nigerian Cultural Centre, an eight-storey, low rise, pyramid shaped Cultural Centre. Construction for the tower started in 2006 and was topped out in 2014 whilst the cultural centre is still under construction.
The site is severed by a main road so the two structures will be linked via an underground arcade. The tower consists of three cylindrical concrete pillar-like structures varying in height and linked together near the towers first peak using a disc shaped section which is intended to house in its two floors, an observation deck and a viewing restaurant. Around the pillars of the tower three transparent stainless steel wings wrap around the base of the tower and gradually open outwards in a fan like fashion as they extend up the height of the tower. | List of towers | [] | [
"See also"
] | [
"Abuja architecture",
"Buildings and structures under construction in Nigeria",
"Neo-futurism architecture"
] |
projected-26724926-000 | https://en.wikipedia.org/wiki/Broadway%20to%20Cheyenne | Broadway to Cheyenne | Introduction | Broadway to Cheyenne is a 1932 American pre-Code Western film directed by Harry L. Fraser. The film is also known as From Broadway to Cheyenne (American poster title). The film successfully combines the Western with the gangster film and vigilante film. | [] | [
"Introduction"
] | [
"1932 films",
"1930s English-language films",
"American black-and-white films",
"1932 crime drama films",
"1932 Western (genre) films",
"1930s vigilante films",
"Monogram Pictures films",
"American Western (genre) films",
"American crime drama films",
"American vigilante films",
"Films set in Ma... | |
projected-26724926-001 | https://en.wikipedia.org/wiki/Broadway%20to%20Cheyenne | Broadway to Cheyenne | Plot | Broadway to Cheyenne is a 1932 American pre-Code Western film directed by Harry L. Fraser. The film is also known as From Broadway to Cheyenne (American poster title). The film successfully combines the Western with the gangster film and vigilante film. | A young and honest New York Police Department detective "Breezy" Kildare is attempting to arrest B.H. "Butch" Owens, the leader of a gang of criminals who attempted to bribe him. He is wounded in a shootout between Owens' gang and another gang in a Broadway night club.
His police chief allows him to recuperate and cool down in his thirst for justice back in his home of Wyoming where his father is a cattleman. Once arriving back home he soon discovers the gangsters who attempted to bribe and kill him are lying low there and diversifying by starting a Cattleman's Benevolent Association that is actually a protection racket protecting the cattlemen from such perils as having their cattle machine gunned.
When his father is shot in a drive-by shooting, Breezy leads the cattlemen against the well-armed gangsters who no longer have the power of a bribed administration or high-powered legal protection, but now have to face six-gun justice and lynch law. | [] | [
"Plot"
] | [
"1932 films",
"1930s English-language films",
"American black-and-white films",
"1932 crime drama films",
"1932 Western (genre) films",
"1930s vigilante films",
"Monogram Pictures films",
"American Western (genre) films",
"American crime drama films",
"American vigilante films",
"Films set in Ma... |
projected-26724926-002 | https://en.wikipedia.org/wiki/Broadway%20to%20Cheyenne | Broadway to Cheyenne | Cast | Broadway to Cheyenne is a 1932 American pre-Code Western film directed by Harry L. Fraser. The film is also known as From Broadway to Cheyenne (American poster title). The film successfully combines the Western with the gangster film and vigilante film. | Rex Bell as "Breezy" Kildare
Marceline Day as Ruth Carter
Matthew Betz as Joe Carter
Robert Ellis as B.H. "Butch" Owens
George 'Gabby' Hayes as Walrus
Huntley Gordon as New York City Dist. Atty. Brent
Roy D'Arcy as Jess Harvey
Gwen Lee as Mrs. Myrna Wallace
Harry Semels as Louie Walsh
Al Bridge as Al (Owens henchman)
John Elliott as Martin Kildare
Gordon De Main as Rancher
Earl Dwire as Cattleman | [] | [
"Cast"
] | [
"1932 films",
"1930s English-language films",
"American black-and-white films",
"1932 crime drama films",
"1932 Western (genre) films",
"1930s vigilante films",
"Monogram Pictures films",
"American Western (genre) films",
"American crime drama films",
"American vigilante films",
"Films set in Ma... |
projected-26724927-000 | https://en.wikipedia.org/wiki/Pseudolilliconus%20kuiperi | Pseudolilliconus kuiperi | Introduction | Pseudolilliconus kuiperi is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Pseudolilliconus",
"Gastropods described in 2006"
] | |
projected-26724927-001 | https://en.wikipedia.org/wiki/Pseudolilliconus%20kuiperi | Pseudolilliconus kuiperi | Description | Pseudolilliconus kuiperi is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of the shell attains 5.9 mm. | [] | [
"Description"
] | [
"Pseudolilliconus",
"Gastropods described in 2006"
] |
projected-26724927-002 | https://en.wikipedia.org/wiki/Pseudolilliconus%20kuiperi | Pseudolilliconus kuiperi | Distribution | Pseudolilliconus kuiperi is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs off Oman. | [] | [
"Distribution"
] | [
"Pseudolilliconus",
"Gastropods described in 2006"
] |
projected-26724927-003 | https://en.wikipedia.org/wiki/Pseudolilliconus%20kuiperi | Pseudolilliconus kuiperi | References | Pseudolilliconus kuiperi is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Moolenbeek R.G. 2006. Conus (Lilliconus) kuiperi spec. nov. (Gastropoda, Conidae), from the Sultanate of Oman. Basteria, supplement 3: 83–85 | [] | [
"References"
] | [
"Pseudolilliconus",
"Gastropods described in 2006"
] |
projected-26724930-000 | https://en.wikipedia.org/wiki/Conus%20kulkulcan | Conus kulkulcan | Introduction | Conus kulkulcan is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1980"
] | |
projected-26724930-001 | https://en.wikipedia.org/wiki/Conus%20kulkulcan | Conus kulkulcan | Distribution | Conus kulkulcan is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs in the Caribbean Sea off Belize, Honduras, Cuba and Panama | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1980"
] |
projected-26724930-002 | https://en.wikipedia.org/wiki/Conus%20kulkulcan | Conus kulkulcan | Description | Conus kulkulcan is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The maximum recorded shell length is 36 mm. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1980"
] |
projected-26724930-003 | https://en.wikipedia.org/wiki/Conus%20kulkulcan | Conus kulkulcan | Habitat | Conus kulkulcan is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Minimum recorded depth is 2 m. Maximum recorded depth is 15 m. | [] | [
"Habitat"
] | [
"Conus",
"Gastropods described in 1980"
] |
projected-26724930-004 | https://en.wikipedia.org/wiki/Conus%20kulkulcan | Conus kulkulcan | References | Conus kulkulcan is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Petuch, E. J. 1980. Nautilus. 94 (3): 117, figure 11–15.
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods. Hackenheim: Conchbooks. 296 pp.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [
"Conus kulkulcan 001.jpg"
] | [
"References"
] | [
"Conus",
"Gastropods described in 1980"
] |
projected-20470383-000 | https://en.wikipedia.org/wiki/Voices%20%28Henze%29 | Voices (Henze) | Introduction | Voices is a musical composition by the German composer Hans Werner Henze.
Written between January and June 1973, it is a collection of 22 independent songs which may be performed individually, with alterations to the instrumentation. In its full version, it is written for mezzo-soprano, tenor, electronics and fifteen instrumentalists who are required to play about 70 different instruments from all over the world. The piece consists of two parts (11 + 11 songs) and lasts 90 minutes. The polystylistic conception of "Voices" results from the different origin and message of the poems.
The songs set a diverse range of words, almost all of which are from the twentieth century, the linking theme being alienation and oppression. Henze has said: The voices of the title are those of young and old artists whose work is politically committed. These people are concerned with their fellow human beings, with the contemporary human condition within the world around them and with all the problems of race and class in which they themselves often seem fated to be embroiled. : „'Stimmen' für Hans Werner Henze. Die 22 Lieder aus 'Voices'“. Editor Peter Petersen, Hanns-Werner Heister and Hartmut Lück, Mainz, Schott 1996.
It was premiered on 4 January 1974 at the Queen Elizabeth Hall, London with soloists Paul Sperry and Rose Taylor, and the London Sinfonietta conducted by Henze. In 1978 it was recorded the same forces, except Sarah Walker who took the mezzo role. | [] | [
"Introduction"
] | [
"1973 compositions",
"Compositions by Hans Werner Henze"
] | |
projected-20470383-001 | https://en.wikipedia.org/wiki/Voices%20%28Henze%29 | Voices (Henze) | Songs | Voices is a musical composition by the German composer Hans Werner Henze.
Written between January and June 1973, it is a collection of 22 independent songs which may be performed individually, with alterations to the instrumentation. In its full version, it is written for mezzo-soprano, tenor, electronics and fifteen instrumentalists who are required to play about 70 different instruments from all over the world. The piece consists of two parts (11 + 11 songs) and lasts 90 minutes. The polystylistic conception of "Voices" results from the different origin and message of the poems.
The songs set a diverse range of words, almost all of which are from the twentieth century, the linking theme being alienation and oppression. Henze has said: The voices of the title are those of young and old artists whose work is politically committed. These people are concerned with their fellow human beings, with the contemporary human condition within the world around them and with all the problems of race and class in which they themselves often seem fated to be embroiled. : „'Stimmen' für Hans Werner Henze. Die 22 Lieder aus 'Voices'“. Editor Peter Petersen, Hanns-Werner Heister and Hartmut Lück, Mainz, Schott 1996.
It was premiered on 4 January 1974 at the Queen Elizabeth Hall, London with soloists Paul Sperry and Rose Taylor, and the London Sinfonietta conducted by Henze. In 1978 it was recorded the same forces, except Sarah Walker who took the mezzo role. | 'Los poetas cubanos ya no sueñan' ('Cuban Poets Do Not Sleep Anymore') (Heberto Padilla)
'Prison Song' (Ho Chi Minh)
'Keiner oder alle' ('All or None') (Bertolt Brecht)
'The electric cop' (Victor Hernandez Cruz)
'The distant drum' (Calvin C. Hernton)
'42 Schulkinder' (Schoolchildren) (Erich Fried)
'Caino' (Gino de Sanctis)
'Il Pasi' (Mario Tobino)
'Heimkehr' ('Homecoming') (Heinrich Heine)
'Grecia 1970' ('Greece 1970') (Giuseppe Ungaretti)
'Legende von der Enstehung des Buches Taoteking auf dem Weg des Laotse in die Emigration' ('Legend of the Origin of the Book Tao Te Ching on Lao Tzu's Way into Exile') (Brecht)
'Gedanken eines Revuemädchens während des Entkleidungsaktes' ('Thoughts of a Showgirl as She Strips') (Brecht)
'Das wirkliche Messer' ('The Real Knife') (Hans Magnus Enzensberger)
'Recht und Billig' ('A Fair Deal') (Fried)
'Patria' (Miguel Barnet)
'Screams - Interlude' (Walton Smith)
'The worker' (Richard W. Thomas)
'Para aconsejar a una dama' ('Advice to a Lady') (Padilla)
'Roses and revolutions' (Dudley Randall)
'Vermutung über Hessen' ('Conjecture about Hessen') (F.C. Delius)
'Schluss' ('An End') (Michalis Katsaros)
'Das Blumenfest' ('Carnival of Flowers') (Enzensberger) | [] | [
"Songs"
] | [
"1973 compositions",
"Compositions by Hans Werner Henze"
] |
projected-20470383-002 | https://en.wikipedia.org/wiki/Voices%20%28Henze%29 | Voices (Henze) | References | Voices is a musical composition by the German composer Hans Werner Henze.
Written between January and June 1973, it is a collection of 22 independent songs which may be performed individually, with alterations to the instrumentation. In its full version, it is written for mezzo-soprano, tenor, electronics and fifteen instrumentalists who are required to play about 70 different instruments from all over the world. The piece consists of two parts (11 + 11 songs) and lasts 90 minutes. The polystylistic conception of "Voices" results from the different origin and message of the poems.
The songs set a diverse range of words, almost all of which are from the twentieth century, the linking theme being alienation and oppression. Henze has said: The voices of the title are those of young and old artists whose work is politically committed. These people are concerned with their fellow human beings, with the contemporary human condition within the world around them and with all the problems of race and class in which they themselves often seem fated to be embroiled. : „'Stimmen' für Hans Werner Henze. Die 22 Lieder aus 'Voices'“. Editor Peter Petersen, Hanns-Werner Heister and Hartmut Lück, Mainz, Schott 1996.
It was premiered on 4 January 1974 at the Queen Elizabeth Hall, London with soloists Paul Sperry and Rose Taylor, and the London Sinfonietta conducted by Henze. In 1978 it was recorded the same forces, except Sarah Walker who took the mezzo role. | Category:1973 compositions
Category:Compositions by Hans Werner Henze | [] | [
"References"
] | [
"1973 compositions",
"Compositions by Hans Werner Henze"
] |
projected-20470395-000 | https://en.wikipedia.org/wiki/William%20McGill | William McGill | Introduction | William McGill is the name of:
William McGill (politician) (1814–1883), Scottish member of the Ontario Provincial Parliament
Willie McGill (1873–1944), American major league baseball pitcher
William J. McGill (1922–1997), American psychologist and university administrator
Bill McGill (1939–2014), basketball player
Bill McGill (baseball) (1880–1959), American baseball pitcher in Major League Baseball | [] | [
"Introduction"
] | [] | |
projected-20470395-001 | https://en.wikipedia.org/wiki/William%20McGill | William McGill | See also | William McGill is the name of:
William McGill (politician) (1814–1883), Scottish member of the Ontario Provincial Parliament
Willie McGill (1873–1944), American major league baseball pitcher
William J. McGill (1922–1997), American psychologist and university administrator
Bill McGill (1939–2014), basketball player
Bill McGill (baseball) (1880–1959), American baseball pitcher in Major League Baseball | William Gill (disambiguation)
McGill (surname) | [] | [
"See also"
] | [] |
projected-26724935-000 | https://en.wikipedia.org/wiki/Conus%20kuroharai | Conus kuroharai | Introduction | Conus kuroharai, common name Kurohara's cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1965"
] | |
projected-26724935-001 | https://en.wikipedia.org/wiki/Conus%20kuroharai | Conus kuroharai | Description | Conus kuroharai, common name Kurohara's cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of the shell varies between 35 mm and 72 mm. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1965"
] |
projected-26724935-002 | https://en.wikipedia.org/wiki/Conus%20kuroharai | Conus kuroharai | Distribution | Conus kuroharai, common name Kurohara's cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs off Japan, the Philippines and the Loyalty Islands. | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1965"
] |
projected-26724935-003 | https://en.wikipedia.org/wiki/Conus%20kuroharai | Conus kuroharai | References | Conus kuroharai, common name Kurohara's cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Tucker J.K. & Tenorio M.J. (2013) Illustrated catalog of the living cone shells. 517 pp. Wellington, Florida: MdM Publishing.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conus",
"Gastropods described in 1965"
] |
projected-26724936-000 | https://en.wikipedia.org/wiki/Conus%20lamberti | Conus lamberti | Introduction | Conus lamberti is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1877"
] | |
projected-26724936-001 | https://en.wikipedia.org/wiki/Conus%20lamberti | Conus lamberti | Description | Conus lamberti is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of the shell varies between 70 mm and 114 mm. The smooth shell is orange-brown, with large subtriangular white patches, mostly arranged so as to indicate three broad bands. | [] | [
"Description"
] | [
"Conus",
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projected-26724936-002 | https://en.wikipedia.org/wiki/Conus%20lamberti | Conus lamberti | Distribution | Conus lamberti is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs off New Caledonia | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1877"
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projected-26724936-003 | https://en.wikipedia.org/wiki/Conus%20lamberti | Conus lamberti | References | Conus lamberti is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Souverbie, [S.-M.] 1877. Descriptions d'espèces nouvelles de l'Archipel Calédonien. Journal de Conchyliologie 25:71–76, 2 pls. page(s): 71, pl. 1 fig. 1, pl. 2 fig. 7
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conus",
"Gastropods described in 1877"
] |
projected-20470403-000 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Introduction | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | [] | [
"Introduction"
] | [
"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
] | |
projected-20470403-002 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Candidates | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | Hamilton A. S. Bartlett
Bill McCollum, U.S. Representative | [] | [
"Republican primary",
"Candidates"
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"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
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projected-20470403-005 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Candidates | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | Newall Jerome Daughtrey, nominee for Florida State Comptroller in 1998
David B. Higginbottom, nominee for FL-10 in 1986 and 1988
Bill Nelson, State Treasurer and former U.S. Representative | [] | [
"Democratic primary",
"Candidates"
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"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
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projected-20470403-009 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Major | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | Bill McCollum (R), U.S. Representative
Bill Nelson (D), State Treasurer and former U.S. Representative | [] | [
"General election",
"Candidates",
"Major"
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projected-20470403-010 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Minor | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | Joel Deckard (Re), former U.S. Representative from Indiana
Willie Logan (I), State Representative
Andy Martin (I), perennial candidate
Darrell McCormick (I)
Joe Simonetta (NL)
Nikki Oldaker (WI) | [] | [
"General election",
"Candidates",
"Minor"
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"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
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projected-20470403-011 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Campaign | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | This election was in conjunction to the presidential election, where Bush narrowly defeated Gore after an intense recount. The Senate election was evenly matched, with two U.S. Congressmen named Bill in their mid-50s. Both parties heavily targeted this senate seat. The election became very nasty as Nelson called his opponent "an extremist who would sacrifice the elderly, the poor, and the working class to coddle the rich." McCollum called the Democrat "a liberal who would tax everything that moves, and some things that don't." The election advertisements were very negative, as both candidates talked more about each other than themselves.
Nelson raised only soft money, but had help from Gore and President Bill Clinton. Two days before the election, McCollum predicted he would win by a 6-point margin. On election day, he lost by a five-point margin. | [] | [
"Campaign"
] | [
"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
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projected-20470403-012 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | Debates | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | Complete video of debate, October 12, 2000 | [] | [
"Debates"
] | [
"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
] |
projected-20470403-014 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | See also | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | 2000 United States Senate elections | [] | [
"See also"
] | [
"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
] |
projected-20470403-015 | https://en.wikipedia.org/wiki/2000%20United%20States%20Senate%20election%20in%20Florida | 2000 United States Senate election in Florida | References | The 2000 United States Senate election in Florida was held on November 7, 2000, on the same date as the U.S. House of Representatives and presidential election. Incumbent Republican Senator Connie Mack III decided to retire instead of seeking a third term. Democrat Bill Nelson won the open seat, even as Republican presidential nominee George W. Bush narrowly triumphed over Al Gore in the state by a mere 537 votes. | 2000
Florida
Category:2000 Florida elections | [] | [
"References"
] | [
"United States Senate elections in Florida",
"2000 United States Senate elections",
"2000 Florida elections"
] |
projected-06902699-000 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Introduction | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | [] | [
"Introduction"
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... | |
projected-06902699-001 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Plot | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | In 1934, Chicago sheet-music salesman Arthur Parker (Steve Martin) is having a hard time, both in his business and at home with his wife Joan. His business and marriage are failing, and Joan (Jessica Harper) refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets schoolteacher Eileen (Bernadette Peters) and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who is desperate to keep him and agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Christopher Walken). Eileen is attracted to Tom's "badness", and he arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away with him. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo to whom Arthur had given a ride earlier in the film. The police's suspicions are confirmed by Joan, who reveals to them Arthur's sexual predilections to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We couldn't have gone through all that without a happy ending. Songs ain't like that, are they?" | [] | [
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... |
projected-06902699-002 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Cast | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | Steve Martin as Arthur Parker
Bernadette Peters as Eileen ("Lulu")
Jessica Harper as Joan Parker
Vernel Bagneris as Accordion man
John McMartin as Mr. Warner
John Karlen as Detective
Jay Garner as Banker
Robert Fitch as Al
Tommy Rall as Ed
Eliska Krupka as blind girl
Christopher Walken as Tom
Raleigh Bond as Mr. Barrett
Nancy Parsons as The Old Whore
Duke Stroud as Counterman
Will Hare as Father Everson | [] | [
"Cast"
] | [
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"1981 romantic drama films",
"American musical drama films",
"American romantic drama films",
"American romantic musical films",
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"Films about prostitution in the United States",
... |
projected-06902699-003 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Production | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | Pennies from Heaven was Martin's first dramatic role in a film. He had watched the original miniseries and considered it "the greatest thing [he'd] ever seen." He trained for six months learning to tap dance, while Christopher Walken, who had trained as a dancer as a young man, was able to use his dancing skills in the film.
According to a 1990 article in The Times, Metro-Goldwyn-Mayer had Potter rewrite the script 13 times and required him to buy back his copyright from the BBC, for which he paid the BBC "something over $100,000". In addition, MGM prohibited broadcast of the BBC's original production for 10 years. Around 1989, at the prompting of Alan Yentob, the controller of BBC2, producer Kenith Trodd was able to buy back the rights from MGM for "a very inconsiderable sum." In February 1990, the BBC rebroadcast the original Pennies from Heaven serial for the first time since 1978.
In the same Times article, Trodd stated that Bob Hoskins and Cheryl Campbell, the stars of the original series, "were terribly upset that they weren't considered for the film. I think they still blame Dennis and me in some way, but there was no way to argue the point with MGM."
The style of the movie balances the drab despair of the Depression era and the characters' sad lives with brightly colored dream-fantasy lavish musical sequences. The characters break into song and dance to express their emotions. For example, Eileen turns into a silver-gowned torch singer in her school-room, with her students lip-synching and dancing ("Love Is Good for Anything That Ails You"). Tom seduces Eileen with a tap dance/striptease routine on top of a bar ("Let's Misbehave"). Arthur and Eileen go to a film (Follow the Fleet) and wind up dancing in formal wear, first with, then in, a Fred Astaire-Ginger Rogers musical number from the film, "Let's Face the Music and Dance". All the songs are lip-synched, except Martin singing/speaking the title song at the end, but Arthur, Tom, and Eileen dance.
Four paintings are recreated as tableaux vivants in the film: Hudson Bay Fur Company and 20 Cent Movie by Reginald Marsh, and New York Movie and Nighthawks by Edward Hopper. Three of the four were painted after 1934, when the movie takes place, and all depict scenes in New York City rather than the Chicago setting of the movie. | [] | [
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... |
projected-06902699-005 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Box office | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | The film was a commercial failure, grossing slightly more than $9 million at the box office against a budget of $22 million.
When asked in Rolling Stone about the film's box office failure, Martin said: "I'm disappointed that it didn't open as a blockbuster and I don't know what's to blame, other than it's me and not a comedy. I must say that the people who get the movie, in general, have been wise and intelligent; the people who don't get it are ignorant scum."
David Begelman head of MGM called it "the most daring film we made. It took all these different textures and molded them... I didn't make that picture because I enjoy walking a tightrope. I made that picture because with every honest conviction you can bring to bear, I believed that film could become a film of such incredible celebrity it would enjoy very wide success. I was wrong. I was completely wrong."
It was Martin's second starring role in a film, following 1979's comedy hit The Jerk, and fans were confused to see Martin in a serious role. "You just can't do a movie like Pennies from Heaven after you have done The Jerk," Martin said in a BBC interview.
"Everything I had done until that time had been wildly successful," he recalled in 1987, "so that the commercial failure of the film caught me by surprise. I still think artistically it's a very good film. I've rarely seen a role that showed that kind of vulnerability in a man. It's a special film to me, and if I had to find fault, it would be that I think some of the music could have included more popular songs of the period." | [
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... |
projected-06902699-006 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Critical response | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | On Rotten Tomatoes the film holds an approval rating of 82% based on 28 reviews, with an average rating of 7/10. The website's critics consensus reads: "A complicated little musical, Pennies from Heaven is a dazzling, tragic spectacle."
The film was given a rapturous review by Pauline Kael in The New Yorker, writing "Pennies from Heaven is the most emotional movie musical I've ever seen. It's a stylized mythology of the Depression which uses the popular songs of the period as expressions of people's deepest longings—for sex, for romance, for money, for a high good time...there was never a second when I wasn't fascinated by what was happening on the screen." Kael further noted that "The dance numbers are funny, amazing, and beautiful all at once; several of them are just about perfection." Gary Arnold of The Washington Post called it "a rejuvenating, landmark achievement in the evolution of Hollywood musicals, and certainly the finest American movie of 1981. A brilliantly enhanced distillation of a 1978 British television play, 'Pennies' blends the astringent with the poignant and the fanciful. It appears as a belated Hollywood counterpart to Brecht and Weill's 'Three Penny Opera.'"
Other contemporary reviews were less positive. Roger Ebert gave the film two stars out of four and called it "all flash and style and no heart." Vincent Canby of The New York Times reported that he watched the film "with what might best be described as baffled interest." He wrote that "All of the musical numbers are good, and a couple are great...The movie, though, is not easy to respond to. It's chilly without being provocative in any intellectual way." Todd McCarthy of Variety wrote "'Pennies From Heaven' is one of the most hopelessly esoteric big-budget Hollywood pictures ever made, a lugubrious, neo-Brechtian musical exercise of notable pretension and virtually no artistic payoff...In short, it's 'Penny Gate.'" Dave Kehr of The Chicago Reader wrote that "ironic, alienating musicals have been tried before, but never with such lofty contempt for the form. [The film] drips with a sense of anger and betrayal that seems wildly out of scale to its cause - the discovery (less than original) that musicals don't reproduce social reality." Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote that "Martin ruins what could have been one of the year's freshest and most innovative films. With Martin hamming it up, 'Pennies From Heaven' is full of socko moments, but the entire film doesn't hold together." Kevin Thomas of the Los Angeles Times wrote that "it is like no other period musical. It is so far out, so unexpected, that it might well be described as experimental...As such, it's likely to elicit deeply divided reactions: Audiences will either love it or hate it."
Peters won the Golden Globe as Best Motion Picture Actress in a Comedy or Musical for her role as Eileen Everson, a schoolteacher turned prostitute. A review of the DVD reissue asserted, "Peters brought a cocky attitude and a sexy exuberance to the musical numbers."
Fred Astaire, who was powerless to prevent the reuse of the footage from his film Follow the Fleet, detested Pennies from Heaven: "I have never spent two more miserable hours in my life. Every scene was cheap and vulgar. They don't realize that the '30s were a very innocent age, and that [the film] should have been set in the '80s – it was just froth; it makes you cry it's so distasteful."
The film was nominated by the American Film Institute for its 2006 list of Greatest Movie Musicals. | [] | [
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... |
projected-06902699-007 | https://en.wikipedia.org/wiki/Pennies%20from%20Heaven%20%281981%20film%29 | Pennies from Heaven (1981 film) | Awards and nominations | Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Choreographed by Danny Daniels, the film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s–30s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
While positively received by critics, it was a box office bomb, grossing just a fraction of its budget. Potter received a nomination for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond. | Academy Awards
Best Writing, Screenplay Based on Material from Another Medium – Dennis Potter (nominated)
Best Costume Design – Bob Mackie (nominated)
Best Sound - Michael J. Kohut, Jay M. Harding, Richard Tyler and Al Overton Jr. (nominated)
Boston Society of Film Critics Awards
Best Cinematography – Gordon Willis (won)
Golden Globe Awards
Best Motion Picture Actress, Comedy/Musical – Bernadette Peters (won)
Best Motion Picture, Comedy/Musical (nominated)
Best Motion Picture Actor, Comedy/Musical – Steve Martin (nominated)
National Society of Film Critics Awards, USA
Best Cinematography – Gordon Willis (won) | [] | [
"Awards and nominations"
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"1981 romantic drama films",
"American musical drama films",
"American romantic drama films",
"American romantic musical films",
"Adultery in films",
"Films about banking",
"Films about prostitution in the United States",
... |
projected-26724939-000 | https://en.wikipedia.org/wiki/Profundiconus%20lani | Profundiconus lani | Introduction | display_parents = 3
}}Profundiconus lani''' is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies. Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23
Like all species within the genus Profundiconus, these cone snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all.
Description
The size of the shell varies between 41 mm and 54 mm.
Distribution
This marine species occurs off Taiwan, the Philippines, the Solomon Islands, the Loyalty Islands and New Caledonia; in the South China Sea.
References
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods.'' Hackenheim: Conchbooks. 296 pp. | [] | [
"Introduction"
] | [
"Profundiconus",
"Gastropods described in 1979"
] | |
projected-17334430-000 | https://en.wikipedia.org/wiki/Kenny%20Wollesen | Kenny Wollesen | Introduction | Kenny Wollesen (born 1966) is an American drummer and percussionist.
Wollesen has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups.
He grew up in Capitola, California, studying at Aptos High School, and spending many teenage years playing with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. He also arranges and studied vibraphone at Cabrillo. | [] | [
"Introduction"
] | [
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"Jewish American musicians",
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"1966 births",
"20th-century American drummers",
"American male drummers",
"20th-century American male musicians",
"American male jazz musicians",
"The Lounge Lizards members",
"Sexmob members",
... | |
projected-17334430-002 | https://en.wikipedia.org/wiki/Kenny%20Wollesen | Kenny Wollesen | As leader or co-leader | Kenny Wollesen (born 1966) is an American drummer and percussionist.
Wollesen has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups.
He grew up in Capitola, California, studying at Aptos High School, and spending many teenage years playing with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. He also arranges and studied vibraphone at Cabrillo. | Pitch, Rhythm and Consciousness (New Artists, 2011)
The Gnostic Preludes: Music of Splendor (Tzadik, 2012)
John Zorn: The Mysteries (Tzadik, 2013)
Rasa Rasa (Tzadik, 2014)
With the Himalayas
Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys (ANTI-, 2013)
With Myra Melford
2000 Dance Beyond the Color, Myra Melford's Crush
2004 Where the Two Worlds Touch, Myra Melford's the Tent
With New Klezmer Trio
Masks and Faces (Nine Winds, 1991 / Tzadik, 1996)
Melt Zonk Rewire (Tzadik, 1995)
Short for Something (Tzadik, 2000)
With Sexmob
1998 Din of Inequity
2000 Solid Sender
2000 Theatre & Dance
2001 Sex Mob Does Bond
2003 Dime Grind Palace
2006 Sexotica
2013 Cinema, Circus & Spaghetti: Sexmob Plays Fellini
2009 Sex Mob Meets Medeski: Live in Willisau
With others
1997 Interpretations of Lessness, Andy Laster's Lessness
1997 The Loan, Brad Shepik
1998 At Home, Slow Poke
1998 Fabulous, Drop Curlew
2000 Hidden Gardens, Lan Xang
2000 Redemption, Slow Poke
2006 Ways Not to Lose, The Wood Brothers | [] | [
"Discography",
"As leader or co-leader"
] | [
"American jazz drummers",
"Jewish American musicians",
"Living people",
"Avant-garde jazz drummers",
"1966 births",
"20th-century American drummers",
"American male drummers",
"20th-century American male musicians",
"American male jazz musicians",
"The Lounge Lizards members",
"Sexmob members",
... |
projected-17334430-003 | https://en.wikipedia.org/wiki/Kenny%20Wollesen | Kenny Wollesen | As sideman | Kenny Wollesen (born 1966) is an American drummer and percussionist.
Wollesen has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups.
He grew up in Capitola, California, studying at Aptos High School, and spending many teenage years playing with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. He also arranges and studied vibraphone at Cabrillo. | With Steve Beresford
Signals for Tea (Avant, 1995)
With David Byrne
Grown Backwards (Elektra/Nonesuch, 2004)
With Nels Cline
Lovers (Blue Note, 2016)
With Crash Test Dummies
I Don't Care That You Don't Mind (Cha-Ching, 2001)
Jingle All the Way (Cha-Ching, 2002)
With Sylvie Courvoisier
Double Windsor (Tzadik, 2014)
With Trevor Dunn's trio-convulsant
Debutantes & Centipedes (Buzz, 1998)
With Bill Frisell
Blues Dream (Elektra/Nonesuch, 2001)
Unspeakable (Elektra/Nonesuch, 2004)
East/West (Elektra/Nonesuch, 2005)
Further East/Further West (Elektra/Nonesuch, 2005)
History, Mystery (Elektra/Nonesuch, 2008)
All We Are Saying (Savoy Jazz, 2011)
The Kentucky Derby Is Decadent and Depraved (2012)
Guitar in the Space Age! (OKeh, 2014)
With Ben Goldberg
The Relative Value of Things (33¼, 1992)
Orphic Machine (2015)
With Jesse Harris
2003 The Secret Sun
2004 While the Music Lasts
2006 Mineral
2010 Cosmo
With Rickie Lee Jones
2003 The Evening of My Best Day (2003)
2009 Balm in Gilead
With Julian Lage
ARCLIGHT (Mack Avenue, 2016)
Modern Lore (Mack Avenue, 2018)
With Sean Lennon
Into the Sun (Grand Royal, 1998)
With Rudy Linka
2002 Simple Pleasures
2007 Beyond the New York City Limits
With Kate McGarry
2001 Show Me
2005 Mercy Streets
With Ruper Ordorika
Dabilen Harria (Nuevos Medios, 1999)
Hurrengo goizean (Metak, 2002)
Kantuok jartzen ditut (Metak, 2004)
Memoriaren Mapan (Elkar, 2006)
Haizea Garizumakoa (Elkar, 2009)
Hodeien azpian (Elkar, 2011)
Lurrean etzanda (Elkar, 2014)
Guria ostatuan (Elkar, 2016)
Amour et toujours (Elkar, 2021)
With Ellen Reid
2001 Cinderellen (Mr. Friendly)
With Carrie Rodriguez/Chip Taylor
2005 Red Dog Tracks
2006 Seven Angels on a Bicycle
2007 Live from the Ruhr Triennale
2010 The New Bye & Bye
With Jenny Scheinman
2002 The Rabbi's Lover
2004 Shalagaster
2008 Crossing the Field
2008 Jenny Scheinman
With Tony Scherr
2002 Come Around
2007 Twist in the Wind
With John Scofield
2000 Bump
With Leni Stern
2000 Kindness of Strangers
2004 When Evening Falls
With Rufus Wainwright
2003 Want One
2007 Release the Stars
With Tom Waits
1993 The Black Rider (Island)
With John Zorn
Bar Kokhba (Tzadik, 1994–96)
Filmworks VIII: 1997 (Tzadik, 1998)
Filmworks XIII: Invitation to a Suicide (Tzadik, 2002)
Filmworks XIV: Hiding and Seeking (Tzadik, 2003)
50th Birthday Celebration Volume 4 (Tzadik, 2004) with Electric Masada
Voices in the Wilderness (Tzadik, 2003)
Electric Masada: At the Mountains of Madness (Tzadik, 2005) with Electric Masada
Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls (Tzadik, 2006)
Filmworks XVIII: The Treatment (Tzadik, 2006)
The Dreamers (Tzadik, 2008)
Filmworks XXI: Belle de Nature/The New Rijksmuseum (Tzadik, 2008)
O'o (Tzadik, 2009) with The Dreamers
Filmworks XXIV: The Nobel Prizewinner (Tzadik, 2010)
Ipos: Book of Angels Volume 14 (Tzadik, 2010) with The Dreamers
Baal: Book of Angels Volume 15 (Tzadik, 2010) with Ben Goldberg Quartet
In Search of the Miraculous (Tzadik, 2010)
Dictée/Liber Novus (Tzadik, 2010)
Interzone (Tzadik, 2010)
The Goddess – Music for the Ancient of Days (Tzadik, 2010)
The Satyr's Play / Cerberus (Tzadik, 2011)
Nova Express (Tzadik, 2011) with the Nova Quartet
At the Gates of Paradise (Tzadik, 2011)
A Dreamers Christmas (Tzadik, 2011) with The Dreamers
Mount Analogue (Tzadik, 2012)
The Gnostic Preludes (Tzadik, 2012) with the Gnostic Trio
Rimbaud (Tzadik, 2012)
A Vision in Blakelight (Tzadik, 2012)
Music and Its Double (Tzadik, 2012)
The Concealed (Tzadik, 2012)
The Mysteries (Tzadik, 2013) with the Gnostic Trio
Dreamachines (Tzadik, 2013) with the Nova Quartet
In Lambeth (Tzadik, 2013) with the Gnostic Trio
On Leaves of Grass (Tzadik, 2014) with the Nova Quartet
The Testament of Solomon (Tzadik, 2014) with the Gnostic Trio
Pellucidar: A Dreamers Fantabula (Tzadik, 2015) with The Dreamers
The Mockingbird (2016)
The Painted Bird (2016)
With others
1990 And Then There's This, Jessica Williams
1996 Dreamland, Madeleine Peyroux
1996 The Sun Died, Ellery Eskelin
1998 Dopamine, Mitchell Froom
1999 Thoroughfare, Rebecca Martin
1999 Work in Progress 89-98, Wolfgang Muthspiel
2000 Shebang, Steve Cardenas
2001 Buttermilk Channel, Adam Levy
2002 Come Away with Me, Norah Jones
2008 The Living and the Dead, Jolie Holland
2009 Trombone Tribe, Roswell Rudd
2011 Everything is Alive, Hank Roberts
2011 Graylen Epicenter, David Binney
2012 Howie 61, Wayne Krantz
2013 Another Life, James Maddock
2013 Ghost on Ghost, Iron & Wine
2014 Natalie Merchant, Natalie Merchant
2015 Didn't He Ramble, Glen Hansard | [] | [
"Discography",
"As sideman"
] | [
"American jazz drummers",
"Jewish American musicians",
"Living people",
"Avant-garde jazz drummers",
"1966 births",
"20th-century American drummers",
"American male drummers",
"20th-century American male musicians",
"American male jazz musicians",
"The Lounge Lizards members",
"Sexmob members",
... |
projected-17334430-004 | https://en.wikipedia.org/wiki/Kenny%20Wollesen | Kenny Wollesen | References | Kenny Wollesen (born 1966) is an American drummer and percussionist.
Wollesen has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups.
He grew up in Capitola, California, studying at Aptos High School, and spending many teenage years playing with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. He also arranges and studied vibraphone at Cabrillo. | Category:American jazz drummers
Category:Jewish American musicians
Category:Living people
Category:Avant-garde jazz drummers
Category:1966 births
Category:20th-century American drummers
Category:American male drummers
Category:20th-century American male musicians
Category:American male jazz musicians
Category:The Lounge Lizards members
Category:Sexmob members
Category:Trevor Dunn's Trio-Convulsant members
Category:21st-century American Jews
Category:American jazz vibraphonists | [] | [
"References"
] | [
"American jazz drummers",
"Jewish American musicians",
"Living people",
"Avant-garde jazz drummers",
"1966 births",
"20th-century American drummers",
"American male drummers",
"20th-century American male musicians",
"American male jazz musicians",
"The Lounge Lizards members",
"Sexmob members",
... |
projected-26724943-000 | https://en.wikipedia.org/wiki/Conus%20laterculatus | Conus laterculatus | Introduction | Conus laterculatus is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species with the superfamily Conoidea, these snails are predatory and venomous. They are capable of "stinging" humans; therefore, live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Molluscs described in 1870"
] | |
projected-26724943-001 | https://en.wikipedia.org/wiki/Conus%20laterculatus | Conus laterculatus | Description | Conus laterculatus is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species with the superfamily Conoidea, these snails are predatory and venomous. They are capable of "stinging" humans; therefore, live ones should be handled carefully or not at all. | The size of an adult shell varies between 33 mm and 64 mm.
The shell is distantly channeled throughout, the interstices usually plane, sometimes minutely granular. The channels are narrow, longitudinally striated. The spire is much elevated, acuminated, striate, sometimes obscurely minutely coronated. The color of the shell is yellowish brown, with light chestnut longitudinal short irregular lines, and clouds of the same color forming three obscure interrupted bands. | [] | [
"Description"
] | [
"Molluscs described in 1870"
] |
projected-26724943-002 | https://en.wikipedia.org/wiki/Conus%20laterculatus | Conus laterculatus | Distribution | Conus laterculatus is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species with the superfamily Conoidea, these snails are predatory and venomous. They are capable of "stinging" humans; therefore, live ones should be handled carefully or not at all. | This marine species is found off the Philippines, Borneo and Vietnam. | [] | [
"Distribution"
] | [
"Molluscs described in 1870"
] |
projected-26724943-003 | https://en.wikipedia.org/wiki/Conus%20laterculatus | Conus laterculatus | References | Conus laterculatus is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species with the superfamily Conoidea, these snails are predatory and venomous. They are capable of "stinging" humans; therefore, live ones should be handled carefully or not at all. | Sowerby, G.B. Jr. (1870). Descriptions of Forty-eight new Species of Shells. Proc. Zool. Soc. Lond. (1870): 249–259
Filmer R.M. (2001). A Catalogue of Nomenclature and Taxonomy in the Living Conidae 1758 – 1998. Backhuys Publishers, Leiden. 388pp
Tucker J.K. (2009). Recent cone species database. September 4, 2009 Edition
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods. Hackenheim: Conchbooks. 296 pp
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Molluscs described in 1870"
] |
projected-06902707-000 | https://en.wikipedia.org/wiki/Gao%20Hongmiao | Gao Hongmiao | Introduction | Gao Hongmiao (born 17 March 1974) is a Chinese race walker. | [] | [
"Introduction"
] | [
"1974 births",
"Living people",
"Chinese female racewalkers",
"Olympic athletes of China",
"Athletes (track and field) at the 1996 Summer Olympics",
"World Athletics Championships athletes for China",
"Asian Games gold medalists for China",
"Asian Games medalists in athletics (track and field)",
"At... | |
projected-06902707-002 | https://en.wikipedia.org/wiki/Gao%20Hongmiao | Gao Hongmiao | References | Gao Hongmiao (born 17 March 1974) is a Chinese race walker. | Category:1974 births
Category:Living people
Category:Chinese female racewalkers
Category:Olympic athletes of China
Category:Athletes (track and field) at the 1996 Summer Olympics
Category:World Athletics Championships athletes for China
Category:Asian Games gold medalists for China
Category:Asian Games medalists in athletics (track and field)
Category:Athletes (track and field) at the 1994 Asian Games
Category:Medalists at the 1994 Asian Games
Category:Universiade medalists in athletics (track and field)
Category:Universiade gold medalists for China
Category:World Athletics Race Walking Team Championships winners
Category:Medalists at the 2001 Summer Universiade | [] | [
"References"
] | [
"1974 births",
"Living people",
"Chinese female racewalkers",
"Olympic athletes of China",
"Athletes (track and field) at the 1996 Summer Olympics",
"World Athletics Championships athletes for China",
"Asian Games gold medalists for China",
"Asian Games medalists in athletics (track and field)",
"At... |
projected-71479988-000 | https://en.wikipedia.org/wiki/Las%20Saetas | Las Saetas | Introduction | Las Saetas is one of the great examples of Pueblo Revival architecture in the American Southwest. Rebuilt in 1935 from the ruins of the 1873 Post Traders Store the design-build project was led by Dutch-born artist Charles Bolsius, with Nan and Pete Bolsius. The project included hand-carved doors, exposed beams, carved corbels, adobe fireplaces, hand-hammered tin, and a heightened sense of romanticism. The property and its transformation over a 150-year-span reflect the changing culture and economic milieu of Southern Arizona and the American West.
Las Saetas was originally built as the Fort Lowell Post Traders Store in 1870 from unstabilized mud adobe in a territorial style. The building served as a store, saloon, and gambling hall. After the closure and decommissioning of the Fort, the property had successive owners and uses including a farm headquarters and tuberculous sanatorium - health ranch before falling to ruin. The rambling property was purchased by the Bolsius Family in 1934. Nan and Pete Bolsius and Artist Charles Bolsius reimagined the property as a Pueblo Revival hacienda and hand reconfigured and reconstructed the building. Las Saetas is located in the Fort Lowell Historic District in east-central Tucson, Arizona. | [] | [
"Introduction"
] | [
"Buildings and structures completed in 1873",
"Buildings and structures in Tucson, Arizona",
"Historic districts on the National Register of Historic Places in Arizona",
"National Register of Historic Places in Tucson, Arizona"
] | |
projected-71479988-001 | https://en.wikipedia.org/wiki/Las%20Saetas | Las Saetas | History | Las Saetas is one of the great examples of Pueblo Revival architecture in the American Southwest. Rebuilt in 1935 from the ruins of the 1873 Post Traders Store the design-build project was led by Dutch-born artist Charles Bolsius, with Nan and Pete Bolsius. The project included hand-carved doors, exposed beams, carved corbels, adobe fireplaces, hand-hammered tin, and a heightened sense of romanticism. The property and its transformation over a 150-year-span reflect the changing culture and economic milieu of Southern Arizona and the American West.
Las Saetas was originally built as the Fort Lowell Post Traders Store in 1870 from unstabilized mud adobe in a territorial style. The building served as a store, saloon, and gambling hall. After the closure and decommissioning of the Fort, the property had successive owners and uses including a farm headquarters and tuberculous sanatorium - health ranch before falling to ruin. The rambling property was purchased by the Bolsius Family in 1934. Nan and Pete Bolsius and Artist Charles Bolsius reimagined the property as a Pueblo Revival hacienda and hand reconfigured and reconstructed the building. Las Saetas is located in the Fort Lowell Historic District in east-central Tucson, Arizona. | Las Saetas, was originally built by Post-Trader, Gen. John B. “Pie” Allen at the entrance to the new Camp Lowell, six and a half miles northeast of Tucson in 1873. The rambling large sun-dried mud adobe complex was constructed as the installation's Post-Trader's Store or Sutler's Store to supply general merchandise to the officers and enlisted men stationed at the camp. The building was demised into two uses: public rooms to the east and the post trader's private residence, store rooms, and corrals to the west. The two zones were separated by a large arched open breezeway that extended through the building from north to south. At the time of construction, the building looked north across the fertile desert floodplain, over the dense green bosque hugging the banks of the Rillito River to the expansive views of the Santa Catalina Mountain Range.
The south facade of Las Saetas is the principal public view of the property. The facade is characterized by large irregular geometric massing of mud adobe walls rendered in lime plaster. The 1873 building was originally an exposed adobe structure with a flat roof and parapet. The simple territorial design featured a front portál (veranda/porch) with a wood shingle roof and mill-sawn posts that extended along the eastern half of the facade and wrapped the building to the east. Elongated metal canales funneled water off the roof across the veranda. The facade had minimal ornamental detailing but included carved decorative cross beams on the veranda. The windows were trimmed in wood and included the territorial style triangular-shaped pedimented lintel, featuring either a plain fascia or one augmented by combinations of moldings. The primary entryway to the building was an open arched zaguán which served as a central entry hall / breezeway which connected to the large public rooms. West of this program were private living quarters and service, storage, and farm rooms.
By the 1930s the building had been stuccoed in lime plaster. When the building was reconstructed in the mid-1930s, the Bolsius trio used the adobe shell which lent itself to the Pueblo Revival idiom. Having spent time in New Mexico they took inspiration from the romanticized architectural traditions of the southwest and infused a high artistic style into the project which elevated it into an extraordinary example of regional design. As part of the transformation, they continued the lime plaster stucco treatment which softened and rounded edges and installed beautifully hand-carved wood doors, hand-carved corbels, vigas, and lintels. They used the extant territorial windows painted blue and enclosed the zaguán into a sala (living room). As part of the reconstruction, they used numerous conventions typical of Spanish colonial and pueblo revival architecture in the Southwest including adding alacena (cupboards built into an interior adobe wall), bancos (adobe benches built at the base of a wall), nichos (niche in interior adobe wall used for display of santos and artworks) and redesigned and installed fogon (comer fireplaces). As part of the redesign they retained the original south facade volume and basic detailing including the retention of the south-facing portion of original portál. A wall was added connecting the main house with the gatehouse punctuated by a decorative carved gate topped with an espadana and bell.
The Bolsius used the house to host cultural events, programs, art exhibits and served as the locus of the Fort Lowell art colony.
In 1974, the house was purchased from Pete Bolsius by New Yorkers Peggy and Ben Sackheim. They undertook a major renovation of the property which included additions and alterations. The major changes included the enclosure of the portál into an entrada and galleria, the addition of a master bathroom on the northeast corner of the house, the addition of the dining room, which more substantially connected the west wing to the main house, the enlargement of the west wing rooms to the north, and the addition of a three-bay carport behind the connecting wall towards the gatehouse. On the interior, they removed the living room fireplace and banco and added lofts to two rooms. The changes maintained the pueblo revival character and no major modifications have occurred since.
Las Saetas was designated a contributing property to the Pima County Fort Lowell Historic District in 1976 and was individually listed in the National Register of Historic Places under the Fort Lowell Multi-Cultural District in April 1978. The property is today included in the City of Tucson Fort Lowell Historic Preservation Zone, designated in 1981. | [] | [
"History"
] | [
"Buildings and structures completed in 1873",
"Buildings and structures in Tucson, Arizona",
"Historic districts on the National Register of Historic Places in Arizona",
"National Register of Historic Places in Tucson, Arizona"
] |
projected-71479988-002 | https://en.wikipedia.org/wiki/Las%20Saetas | Las Saetas | References | Las Saetas is one of the great examples of Pueblo Revival architecture in the American Southwest. Rebuilt in 1935 from the ruins of the 1873 Post Traders Store the design-build project was led by Dutch-born artist Charles Bolsius, with Nan and Pete Bolsius. The project included hand-carved doors, exposed beams, carved corbels, adobe fireplaces, hand-hammered tin, and a heightened sense of romanticism. The property and its transformation over a 150-year-span reflect the changing culture and economic milieu of Southern Arizona and the American West.
Las Saetas was originally built as the Fort Lowell Post Traders Store in 1870 from unstabilized mud adobe in a territorial style. The building served as a store, saloon, and gambling hall. After the closure and decommissioning of the Fort, the property had successive owners and uses including a farm headquarters and tuberculous sanatorium - health ranch before falling to ruin. The rambling property was purchased by the Bolsius Family in 1934. Nan and Pete Bolsius and Artist Charles Bolsius reimagined the property as a Pueblo Revival hacienda and hand reconfigured and reconstructed the building. Las Saetas is located in the Fort Lowell Historic District in east-central Tucson, Arizona. | Category:Buildings and structures completed in 1873
Category:Buildings and structures in Tucson, Arizona
Category:Historic districts on the National Register of Historic Places in Arizona
Category:National Register of Historic Places in Tucson, Arizona | [] | [
"References"
] | [
"Buildings and structures completed in 1873",
"Buildings and structures in Tucson, Arizona",
"Historic districts on the National Register of Historic Places in Arizona",
"National Register of Historic Places in Tucson, Arizona"
] |
projected-26724945-000 | https://en.wikipedia.org/wiki/Conus%20leekremeri | Conus leekremeri | Introduction | Conus leekremeri is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1987"
] | |
projected-26724945-001 | https://en.wikipedia.org/wiki/Conus%20leekremeri | Conus leekremeri | Description | Conus leekremeri is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Original description: "Shell thin, elongated, with high widely scalariform spire; body whorl shiny, highly polished, ornamented with numerous low, rounded spiral cords; cords become large and more numerous around the anterior end; spire whorls ornamented with 4 large, spiral threads; spire whorls concave, producing canaliculated whorls; canaliculate spire edged with low, rounded carina along edge of shoulder; carina follows edge of suture on canaliculate spire whorls; sides of body whorl distinctly concave and indented, producing an emaciated, waisted appearance; aperture long and very narrow; body whorl, spire, and interior of aperture pure white; periostracum thin, transparent yellow."
The maximum recorded shell length is 30 mm. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1987"
] |
projected-26724945-002 | https://en.wikipedia.org/wiki/Conus%20leekremeri | Conus leekremeri | Distribution | Conus leekremeri is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Locus typicus: "Southern coast of Grand Bahama Island."
This marine species occurs off the Bahamas. | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1987"
] |
projected-26724945-003 | https://en.wikipedia.org/wiki/Conus%20leekremeri | Conus leekremeri | Habitat | Conus leekremeri is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Minimum recorded depth is 240 m. Maximum recorded depth is 240 m. | [] | [
"Habitat"
] | [
"Conus",
"Gastropods described in 1987"
] |
projected-26724945-004 | https://en.wikipedia.org/wiki/Conus%20leekremeri | Conus leekremeri | References | Conus leekremeri is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Petuch, E. J. 1987. New Caribbean Molluscan Faunas. 54, plate 9, figure 7–8.
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods. Hackenheim: Conchbooks. 296 pp.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conus",
"Gastropods described in 1987"
] |
projected-26724946-000 | https://en.wikipedia.org/wiki/Putnam%20Park%20%28disambiguation%29 | Putnam Park (disambiguation) | Introduction | Putnam Park may refer to
Putnam Park, a natural area owned by the University of Wisconsin–Eau Claire
Putnam Memorial State Park, in Redding, Connecticut
Helen Putnam Regional Park, a regional park southwest of Petaluma, California | [] | [
"Introduction"
] | [] | |
projected-26724948-000 | https://en.wikipedia.org/wiki/Conus%20legatus | Conus legatus | Introduction | Conus legatus, common name the ambassador cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1810"
] | |
projected-26724948-001 | https://en.wikipedia.org/wiki/Conus%20legatus | Conus legatus | Description | Conus legatus, common name the ambassador cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of the shell varies between 22 mm and 63 mm. The shell is small and rather narrow, with strong longitudinal chocolate markings over the reticulations. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1810"
] |
projected-26724948-002 | https://en.wikipedia.org/wiki/Conus%20legatus | Conus legatus | Distribution | Conus legatus, common name the ambassador cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs off Western Thailand, Okinawa, Japan; off French Polynesia; in the Indian Ocean off Mozambique, Seychelles, Mauritius and Réunion; off Australia (Queensland, Western Australia). | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1810"
] |
projected-26724948-003 | https://en.wikipedia.org/wiki/Conus%20legatus | Conus legatus | References | Conus legatus, common name the ambassador cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Lamarck, J.B.P.A. de M. 1810. Suite des espèces du genre Cône. Annales du Muséum National d'Histoire Naturelle. Paris 15: 263–286, 422–442
Sowerby, G.B. (1st) 1833. Conus. pls 24–37 in Sowerby, G.B. (2nd) (ed). The Conchological Illustrations or coloured figures of all the hitherto unfigured recent shells. London : G.B. Sowerby (2nd).
Reeve, L.A. 1843. Monograph of the genus Conus. pls 1–39 in Reeve, L.A. (ed.). Conchologica Iconica. London : L. Reeve & Co. Vol. 1.
Hinton, A. 1972. Shells of New Guinea and the Central Indo-Pacific. Milton : Jacaranda Press xviii 94 pp.
Salvat, B. & Rives, C. 1975. Coquillages de Polynésie. Tahiti : Papéete Les editions du pacifique, pp. 1–391.
Drivas, J.; Jay, M. (1987). Coquillages de La Réunion et de l'Île Maurice. Collection Les Beautés de la Nature. Delachaux et Niestlé: Neuchâtel. . 159 pp.
Wilson, B. 1994. Australian Marine Shells. Prosobranch Gastropods. Kallaroo, WA : Odyssey Publishing Vol. 2 370 pp.
Röckel, D., Korn, W. & Kohn, A.J. 1995. Manual of the Living Conidae. Volume 1: Indo-Pacific Region. Wiesbaden : Hemmen 517 pp.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conus",
"Gastropods described in 1810"
] |
projected-71480045-000 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | Introduction | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | [] | [
"Introduction"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] | |
projected-71480045-001 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | Background and release | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | On July 22, NewJeans released the music video for "Attention" as a surprise release, without previously revealing the members' identities or the group concept. The choreography video was released on the same day, and followed swiftly by the announcement of the quintet's debut self-titled extended play (EP), which was confirmed to contain four tracks, including two additional singles. | [] | [
"Background and release"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] |
projected-71480045-002 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | Composition | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | "Attention" was described as having "a groovy je ne sais quoi highlighted by a bustling beat" and "key changes that jump between major and minor which keeps its early 2000s R&B-influenced instrumentation minimal". NewJeans member Danielle participated in writing lyrics for the track. | [] | [
"Composition"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] |
projected-71480045-003 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | Critical reception | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | Jang Jun-hwan wrote for IZM that "it aims for a comfortable listening experience, but will never be boring" and "satisfies the concept and significance of debut in many ways". | [] | [
"Critical reception"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] |
projected-71480045-004 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | Commercial performance | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | "Attention" debuted at number one and number two on the Billboards South Korea Songs and on the Circle Digital Chart, respectively. It peaked at number one on the Circle Digital Chart in the chart issue dated August 14–20. Overseas, it debuted at number 26 on the RMNZ Hot Singles on the chart issue dated August 8, 2022. On the Global 200 the song peaked at 56. In Singapore and Vietnam the song debuted at eleven. | [] | [
"Commercial performance"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] |
projected-71480045-010 | https://en.wikipedia.org/wiki/Attention%20%28NewJeans%20song%29 | Attention (NewJeans song) | References | "Attention" is the debut single recorded by South Korean girl group NewJeans for their debut extended play (EP) New Jeans. It was released by ADOR as the first single from the EP on July 22, 2022. | Category:NewJeans songs
Category:2022 songs
Category:2022 debut singles
Category:Korean-language songs
Category:Billboard Korea K-Pop number-one singles
Category:Hybe Corporation singles | [] | [
"References"
] | [
"NewJeans songs",
"2022 songs",
"2022 debut singles",
"Korean-language songs",
"Billboard Korea K-Pop number-one singles",
"Hybe Corporation singles"
] |
projected-71480054-000 | https://en.wikipedia.org/wiki/Antonio%20Cavalli | Antonio Cavalli | Introduction | Antonio Cavalli (12 September 1889 – 20 December 1965) was an Italian politician who served as Mayor of Bergamo (1945–1946), member of the Constituent Assembly (1946–1948) and Deputy for two legislatures (1948–1958). | [] | [
"Introduction"
] | [
"1889 births",
"1965 deaths",
"Mayors of Bergamo",
"Deputies of Legislature I of Italy",
"Deputies of Legislature II of Italy",
"Members of the Constituent Assembly of Italy",
"Christian Democracy (Italy) politicians"
] | |
projected-71480054-001 | https://en.wikipedia.org/wiki/Antonio%20Cavalli | Antonio Cavalli | References | Antonio Cavalli (12 September 1889 – 20 December 1965) was an Italian politician who served as Mayor of Bergamo (1945–1946), member of the Constituent Assembly (1946–1948) and Deputy for two legislatures (1948–1958). | Category:1889 births
Category:1965 deaths
Category:Mayors of Bergamo
Category:Deputies of Legislature I of Italy
Category:Deputies of Legislature II of Italy
Category:Members of the Constituent Assembly of Italy
Category:Christian Democracy (Italy) politicians | [] | [
"References"
] | [
"1889 births",
"1965 deaths",
"Mayors of Bergamo",
"Deputies of Legislature I of Italy",
"Deputies of Legislature II of Italy",
"Members of the Constituent Assembly of Italy",
"Christian Democracy (Italy) politicians"
] |
projected-20470456-000 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | Introduction | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | [] | [
"Introduction"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] | |
projected-20470456-001 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | History | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | The reservation was established by a treaty at Washington, D.C. dated March 16, 1854. By this treaty, the Omaha Nation sold the majority of its land west of the Missouri River to the United States, but was authorized to select an area of to keep as a permanent reservation. The Omaha Nation chose an area around the Blackbird Hills and obtained the President's approval on May 11, 1855.
In a treaty on March 6, 1865, the Omaha Nation agreed to sell the northern part of the reservation to the United States for the use of Ho-Chunk refugees from Crow Creek, South Dakota who became the Winnebago Tribe of Nebraska, establishing the Winnebago Reservation just north of the Omaha Reservation. The Omahas later conveyed an additional 12,348 acres of timber land to the Winnebago Reservation through an act of Congress on June 22, 1874 and a deed dated July 31, 1874. This reduced the Omaha Reservation to its present size.
Federal legislation in the late nineteenth century caused the reservation to be allotted, ultimately enabling white settlers to buy most of the land on the reservation. An act on June 10, 1872, authorized the survey and sale of land on the western end of the reservation, but the property initially failed to attract buyers, resulting in the sale of only the first year.
Through the lobbying efforts of anthropologist Alice Cunningham Fletcher, Congress passed another act on August 7, 1882, that divided the eastern portion of the reservation into individual allotments for Omaha tribal members, while authorizing the sale of land west of the Sioux City and Nebraska Railroad to settlers and speculators. Fletcher personally oversaw the allotments, allocating to 954 tribal members and leaving about in tribal ownership. The 1882 act on the Omaha Reservation served as a model for the Dawes Act of 1887, which authorized the similar allotment of land on reservations nationwide. An additional act on March 3, 1893 allotted most of the remaining Omaha tribal land to individual women and children who had been left out of the 1882 legislation.
The sale of land on the reservation has led to numerous jurisdictional disputes between the Omaha Nation and the white-led government of Thurston County, which is entirely within the Omaha and Winnebago reservations. Special legislation in 1916 empowered the county to assess property tax on Omaha allotments, forcing a large number of tribal members to sell or mortgage their allotment land to outsiders in order to pay back taxes. The county continued to tax tribal trust land until the 1970s, when federal courts ruled that the tribe could not be taxed without its consent. | [] | [
"History"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-20470456-002 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | Geography | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | According to the United States Census Bureau, the reservation has a total area of , of which is land and is water.
Due to allotments in the late nineteenth century, much of the reservation is no longer tribally-owned. According to the Bureau of Indian Affairs, the Omaha Nation's trust land amounts to , or about 14.2% of the total reservation land area. | [
"US75 Blackbird Overlook 1.JPG"
] | [
"Geography"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-20470456-003 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | Demographics | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | As of the census of 2020, the population of the Omaha Reservation was 4,526. The population density was . There were 1,563 housing units at an average density of . The racial makeup of the reservation was 47.6% Native American, 47.5% White, 0.3% Asian, 0.2% Black or African American, 0.1% Pacific Islander, 1.6% from other races, and 2.7% from two or more races. Ethnically, the population was 4.1% Hispanic or Latino of any race. | [] | [
"Demographics"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-20470456-004 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | Boundary disputes | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | Boundary claims and areas of jurisdiction have continued to be issues for the Omaha Indian Reservation. In the late nineteenth century, Congress authorized sales of land to non-Omaha in the western portion of the reservation, where European-American farmers had settled. Due to the sales and federal legislation subsequent to the treaty establishing the reservation, a Nebraska state court in 2000 ruled that the western boundary of the reservation ended at railroad tracks east of Pender, Nebraska.
The Omaha Tribe contends that Pender is within tribal jurisdiction, as Congress did not change the boundaries of reservation, which includes most of Thurston County. The tribe says that the state does not have the power to redefine the boundary set by the Omaha treaty with the US government in 1865. It holds that although Congress authorized land sales in this area, it did not diminish the jurisdiction of the tribe within the reservation boundaries. "Under Supreme Court precedent, only Congress can diminish a reservation."
Asked for its opinion on a related matter related to the Omaha Tribe's law that liquor merchants on the reservation had to pay tribal license fees and sales taxes (see section below), the Nebraska state attorney general noted its opinion, based on Congressional laws and a field ruling during the Ronald Reagan administration, that Pender was outside the reservation boundaries. It also noted that ultimately this was a matter of federal jurisdiction.
There have been continuing issues related to tribal jurisdiction in Pender and other areas along its western boundary. For instance, in 2003 the tribal police tried to stop non-Omaha people from entering the reservation from Pender. The tribe negotiated with the state in 2003–2004 related to its policing functions in this area, but the parties signed no agreement. Prior to this period, the state generally had policing functions on the roads and in Pender.
On March 22, 2016, the United States Supreme Court held, in a unanimous decision, that Pender is within the reservation's boundaries. | [] | [
"Boundary disputes"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-20470456-005 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | Current issues | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | In December 2006, the Omaha Tribe issued notices to the seven liquor stores in Pender (which has a population of 1,000), as well as those in Rosalie and Walthill, Nebraska, informing them that as of January 1, 2007, the merchants would have to pay the Omaha Tribe liquor licensing fees and a 10 percent sales tax to continue to operate within the reservation. The executive director of the Nebraska State Liquor Commission said that he would be consulting with the state attorney general on the issue. Ben Thompson, an Omaha attorney who represents the tribe, notes that it has the legal right to establish such laws within the reservation. The Nebraska Attorney General offered the opinion that the Omaha Tribe had the authority to regulate liquor sales on its reservation and it did not interfere with the Nebraska Liquor Commission. While offering an opinion, he said the tribal boundary was a federal jurisdictional issue.
In April 2007, liquor merchants in Pender (later joined by the village) filed a federal lawsuit challenging the tribe's authority to demand the liquor taxes, based on their contention that Pender was outside the reservation boundaries. In October 2007 the US District Court ordered the parties first to take their challenge to the Omaha Tribal Courts, as part of the tribal exhaustion doctrine, and denied the plaintiffs' request for dismissal. Judge Richard Kopf said he may not be bound by the tribal court, but wanted to hear their opinion. He required the parties to report back to him regularly until a ruling was made by the Omaha Tribal Courts. While the case was pending, the judge ordered a temporary stay on the merchants' paying the liquor sales tax.
In January 2012, the plaintiffs in Pender v. Omaha Tribe filed a request with the Omaha Tribal Courts for a summary judgment due to the length of time the case had taken. The defendants had requested that no hearing be held before June 2012. The plaintiffs had submitted a report to them by an expert witness on transactions related to Pender and the western boundary. In 2008 the village had voted for a five-year, 1% sales tax to finance its lawsuit on the boundary and liquor tax, as well as to promote economic development in the town. Residents voted in May 2012 on whether to renew the sales tax, as the boundary issue continued. | [] | [
"Current issues"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-20470456-006 | https://en.wikipedia.org/wiki/Omaha%20Reservation | Omaha Reservation | See also | The Omaha Reservation () of the federally recognized Omaha tribe is located mostly in Thurston County, Nebraska, with sections in neighboring Cuming and Burt counties, in addition to Monona County in Iowa. As of the 2020 federal census, the reservation population was 4,526. The tribal seat of government is in Macy. The villages of Rosalie, Pender and Walthill are located within reservation boundaries, as is the northernmost part of Bancroft. Due to land sales in the area since the reservation was established, Pender has disputed tribal jurisdiction over it, to which the Supreme Court ruled unanimously in 2016 that "the disputed land is within the reservation’s boundaries." | Native American tribes in Nebraska
Dr. Susan LaFlesche Picotte Memorial Hospital
Omaha Nation Public Schools | [] | [
"See also"
] | [
"Geography of Burt County, Nebraska",
"Geography of Cuming County, Nebraska",
"Geography of Monona County, Iowa",
"Geography of Thurston County, Nebraska",
"American Indian reservations in Nebraska",
"Omaha (Native American) people",
"1854 establishments in Nebraska Territory"
] |
projected-71480067-000 | https://en.wikipedia.org/wiki/The%20Cathedral%20%28Summit%20County%2C%20Utah%29 | The Cathedral (Summit County, Utah) | Introduction | The Cathedral is a mountain summit located in Summit County, Utah, United States. | [] | [
"Introduction"
] | [
"Mountains of Utah",
"Features of the Uinta Mountains",
"Mountains of Summit County, Utah",
"North American 3000 m summits",
"Wasatch-Cache National Forest"
] | |
projected-71480067-001 | https://en.wikipedia.org/wiki/The%20Cathedral%20%28Summit%20County%2C%20Utah%29 | The Cathedral (Summit County, Utah) | Description | The Cathedral is a mountain summit located in Summit County, Utah, United States. | The Cathedral is set within the High Uintas Wilderness on land managed by Uinta-Wasatch-Cache National Forest. It is situated in the Uinta Mountains which are a subset of the Rocky Mountains, and it ranks as the 87th-highest summit in Utah. Topographic relief is significant as the summit rises 2,000 feet (610 meters) in one mile. Neighbors include Ostler Peak 3.7 miles to the southwest, Mount Beulah two miles northeast, Yard Peak 1.6 mile to the south, and Dead Horse Peak is 2.4 miles to the south-southeast. Precipitation runoff from this mountain drains north to the East Fork Bear River. This mountain's toponym has been officially adopted by the United States Board on Geographic Names. | [
"The Cathedral, Allsop Lake.jpg"
] | [
"Description"
] | [
"Mountains of Utah",
"Features of the Uinta Mountains",
"Mountains of Summit County, Utah",
"North American 3000 m summits",
"Wasatch-Cache National Forest"
] |
projected-71480067-002 | https://en.wikipedia.org/wiki/The%20Cathedral%20%28Summit%20County%2C%20Utah%29 | The Cathedral (Summit County, Utah) | Climate | The Cathedral is a mountain summit located in Summit County, Utah, United States. | Based on the Köppen climate classification, The Cathedral is located in a subarctic climate zone with cold snowy winters and mild summers. Tundra climate characterizes the summit and highest slopes. | [] | [
"Climate"
] | [
"Mountains of Utah",
"Features of the Uinta Mountains",
"Mountains of Summit County, Utah",
"North American 3000 m summits",
"Wasatch-Cache National Forest"
] |
projected-71480067-003 | https://en.wikipedia.org/wiki/The%20Cathedral%20%28Summit%20County%2C%20Utah%29 | The Cathedral (Summit County, Utah) | See also | The Cathedral is a mountain summit located in Summit County, Utah, United States. | Geology of the Uinta Mountains | [] | [
"See also"
] | [
"Mountains of Utah",
"Features of the Uinta Mountains",
"Mountains of Summit County, Utah",
"North American 3000 m summits",
"Wasatch-Cache National Forest"
] |
projected-26724952-000 | https://en.wikipedia.org/wiki/Conus%20lemniscatus | Conus lemniscatus | Introduction | Conus lemniscatus, common name the ribbon cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Subspecies
Conus lemniscatus carcellesi Martins, 1945 (synonym: Lamniconus lemniscatus carcellesi (Martins, 1945)): synonym of Conus carcellesi Martins, 1945
Conus lemniscatus lemniscatus Reeve, 1849 (synonym: Lamniconus lemniscatus lemniscatus (Reeve, 1849)): synonym of Conus lemniscatus Reeve, 1849
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1849"
] | |
projected-26724952-001 | https://en.wikipedia.org/wiki/Conus%20lemniscatus | Conus lemniscatus | Description | Conus lemniscatus, common name the ribbon cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Subspecies
Conus lemniscatus carcellesi Martins, 1945 (synonym: Lamniconus lemniscatus carcellesi (Martins, 1945)): synonym of Conus carcellesi Martins, 1945
Conus lemniscatus lemniscatus Reeve, 1849 (synonym: Lamniconus lemniscatus lemniscatus (Reeve, 1849)): synonym of Conus lemniscatus Reeve, 1849
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of an adult shell varies between 20 mm and 65 mm. The shell shows slightly contracted sides. The spire is acuminated with strong growth lines. The body whorl is delicately ridged throughout. The color of the shell is whitish, maculated with chestnut, and with every alternate ridge chestnut-spotted. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1849"
] |
projected-26724952-002 | https://en.wikipedia.org/wiki/Conus%20lemniscatus | Conus lemniscatus | Distribution | Conus lemniscatus, common name the ribbon cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Subspecies
Conus lemniscatus carcellesi Martins, 1945 (synonym: Lamniconus lemniscatus carcellesi (Martins, 1945)): synonym of Conus carcellesi Martins, 1945
Conus lemniscatus lemniscatus Reeve, 1849 (synonym: Lamniconus lemniscatus lemniscatus (Reeve, 1849)): synonym of Conus lemniscatus Reeve, 1849
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This species occurs in the Caribbean Sea and in the Western Atlantic Ocean off Brazil and Argentina. | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1849"
] |
projected-26724952-003 | https://en.wikipedia.org/wiki/Conus%20lemniscatus | Conus lemniscatus | References | Conus lemniscatus, common name the ribbon cone, is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Subspecies
Conus lemniscatus carcellesi Martins, 1945 (synonym: Lamniconus lemniscatus carcellesi (Martins, 1945)): synonym of Conus carcellesi Martins, 1945
Conus lemniscatus lemniscatus Reeve, 1849 (synonym: Lamniconus lemniscatus lemniscatus (Reeve, 1849)): synonym of Conus lemniscatus Reeve, 1849
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Sowerby, G. B., II. 1865. Descriptions of two new species of Conus from the collection of H. Cuming, ESQ., and two from the collection of the late Mr. Denisson. Proceedings of the Zoological Society of London 1865:518–519, pl. 32
Filmer R.M. (2001). A Catalogue of Nomenclature and Taxonomy in the Living Conidae 1758 – 1998. Backhuys Publishers, Leiden. 388pp
Tucker J.K. (2009). Recent cone species database. September 4, 2009 Edition
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods. Hackenheim: Conchbooks. 296 pp.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conus",
"Gastropods described in 1849"
] |
projected-71480099-000 | https://en.wikipedia.org/wiki/Benjamin%20Werndl | Benjamin Werndl | Introduction | Benjamin Werndl (born 20 July 1984) is a German dressage rider. Werndl competed at the 2022 World Championships in Herning, where he won a bronze medal with the German team and became 4th in the individual Freestyle final. Werndl also competed at the 2019 World Cup Finals in Gothenburg, where he finished 12th in the finals.
Benjamin Werndl is the brother of Jessica von Bredow-Werndl, who won double gold at the 2020 Olympic Games in Tokyo. Together they run a dressage stable Aubenhausen in Germany. | [] | [
"Introduction"
] | [
"Living people",
"1984 births",
"German dressage riders",
"German male equestrians"
] | |
projected-71480099-001 | https://en.wikipedia.org/wiki/Benjamin%20Werndl | Benjamin Werndl | References | Benjamin Werndl (born 20 July 1984) is a German dressage rider. Werndl competed at the 2022 World Championships in Herning, where he won a bronze medal with the German team and became 4th in the individual Freestyle final. Werndl also competed at the 2019 World Cup Finals in Gothenburg, where he finished 12th in the finals.
Benjamin Werndl is the brother of Jessica von Bredow-Werndl, who won double gold at the 2020 Olympic Games in Tokyo. Together they run a dressage stable Aubenhausen in Germany. | Category:Living people
Category:1984 births
Category:German dressage riders
Category:German male equestrians | [] | [
"References"
] | [
"Living people",
"1984 births",
"German dressage riders",
"German male equestrians"
] |
projected-26724954-000 | https://en.wikipedia.org/wiki/Conus%20lenavati | Conus lenavati | Introduction | Conus lenavati is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conus",
"Gastropods described in 1982"
] | |
projected-26724954-001 | https://en.wikipedia.org/wiki/Conus%20lenavati | Conus lenavati | Description | Conus lenavati is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | The size of the shell varies between 38 mm and 91 mm. | [] | [
"Description"
] | [
"Conus",
"Gastropods described in 1982"
] |
projected-26724954-002 | https://en.wikipedia.org/wiki/Conus%20lenavati | Conus lenavati | Distribution | Conus lenavati is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conus, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | This marine species occurs off the Philippines and in the South China Sea | [] | [
"Distribution"
] | [
"Conus",
"Gastropods described in 1982"
] |