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text_id stringlengths 22 22 | page_url stringlengths 31 389 | page_title stringlengths 1 250 | section_title stringlengths 0 4.67k | context_page_description stringlengths 0 108k | context_section_description stringlengths 1 187k | media list | hierachy list | category list |
|---|---|---|---|---|---|---|---|---|
projected-44496929-017 | https://en.wikipedia.org/wiki/Pacifism%20in%20the%20United%20States | Pacifism in the United States | 2000s | Pacifism has manifested in the United States in a variety of forms (such as peace movements), and in myriad contexts (such as opposition to the Civil War and to nuclear weapons). In general, it exists in contrast to an acceptance of the necessity of war for national defense. | C.F. Howlett (2005). History of the American peace movement 1890-2000: The emergence of a new scholarly discipline Edwin Mellen Press, New York | [] | [
"Published in 21st century",
"2000s"
] | [
"Pacifism in the United States"
] |
projected-44496929-018 | https://en.wikipedia.org/wiki/Pacifism%20in%20the%20United%20States | Pacifism in the United States | 2010s | Pacifism has manifested in the United States in a variety of forms (such as peace movements), and in myriad contexts (such as opposition to the Civil War and to nuclear weapons). In general, it exists in contrast to an acceptance of the necessity of war for national defense. | (About the 1940s-1970s) | [] | [
"Published in 21st century",
"2010s"
] | [
"Pacifism in the United States"
] |
projected-44496966-000 | https://en.wikipedia.org/wiki/Cold%20abscess | Cold abscess | Introduction | Cold abscess refers to an abscess that lacks the intense inflammation usually associated with infection. This may be associated with infections due to bacteria like tuberculosis and fungi like blastomycosis that do not tend to stimulate acute inflammation. Alternatively, cold abscesses are typical in persons with hyperimmunoglobulin E syndrome, even when infected with an organism like Staphylococcus aureus that causes abscesses with inflammation in others.
Signs of acute inflammation are absent, so the abscess is not hot and red as in a typical abscess filled with pus. Cold abscesses are generally painless cysts that may be subcutaneous, ocular, or in deep tissue such as the spine. | [] | [
"Introduction"
] | [
"Tuberculosis"
] | |
projected-44496966-001 | https://en.wikipedia.org/wiki/Cold%20abscess | Cold abscess | See also | Cold abscess refers to an abscess that lacks the intense inflammation usually associated with infection. This may be associated with infections due to bacteria like tuberculosis and fungi like blastomycosis that do not tend to stimulate acute inflammation. Alternatively, cold abscesses are typical in persons with hyperimmunoglobulin E syndrome, even when infected with an organism like Staphylococcus aureus that causes abscesses with inflammation in others.
Signs of acute inflammation are absent, so the abscess is not hot and red as in a typical abscess filled with pus. Cold abscesses are generally painless cysts that may be subcutaneous, ocular, or in deep tissue such as the spine. | Tuberculous cervical lymphadenitis | [] | [
"See also"
] | [
"Tuberculosis"
] |
projected-44496966-002 | https://en.wikipedia.org/wiki/Cold%20abscess | Cold abscess | References | Cold abscess refers to an abscess that lacks the intense inflammation usually associated with infection. This may be associated with infections due to bacteria like tuberculosis and fungi like blastomycosis that do not tend to stimulate acute inflammation. Alternatively, cold abscesses are typical in persons with hyperimmunoglobulin E syndrome, even when infected with an organism like Staphylococcus aureus that causes abscesses with inflammation in others.
Signs of acute inflammation are absent, so the abscess is not hot and red as in a typical abscess filled with pus. Cold abscesses are generally painless cysts that may be subcutaneous, ocular, or in deep tissue such as the spine. | Category:Tuberculosis | [] | [
"References"
] | [
"Tuberculosis"
] |
projected-44496973-000 | https://en.wikipedia.org/wiki/Vinu%20Udani%20Siriwardhana | Vinu Udani Siriwardhana | Introduction | Vinu Udani Siriwardana (Sinhala:විනු උදානි සිරිවර්ධන) (born March 10, 1992) is a Sri Lankan actress, model and TV presenter. In 2012 she participated in the "Derana Veet Miss Sri Lanka for Miss World 2012" pageant and succeeded in becoming the joint winner for the title 'Derana Veet Miss Sri Lanka for Miss World 2012' with Sumudu Prasadini (the latter represented Sri Lanka at the Miss World 2012 beauty pageant). | [] | [
"Introduction"
] | [
"1992 births",
"Living people",
"Sri Lankan film actresses",
"Sri Lankan television actresses",
"Sri Lankan beauty pageant winners"
] | |
projected-44496973-001 | https://en.wikipedia.org/wiki/Vinu%20Udani%20Siriwardhana | Vinu Udani Siriwardhana | Miss Sri Lanka for Miss World 2012 | Vinu Udani Siriwardana (Sinhala:විනු උදානි සිරිවර්ධන) (born March 10, 1992) is a Sri Lankan actress, model and TV presenter. In 2012 she participated in the "Derana Veet Miss Sri Lanka for Miss World 2012" pageant and succeeded in becoming the joint winner for the title 'Derana Veet Miss Sri Lanka for Miss World 2012' with Sumudu Prasadini (the latter represented Sri Lanka at the Miss World 2012 beauty pageant). | Error in calculation
Vinu won the 'Derana Veet Miss Sri Lanka for Miss World 2012' title at the official event held on 31 March 2012 at Blue Water, Wadduwa. On that day Sumudu Prasadini was chosen as the 1st runner- up of the beauty pageant. However, it was later revealed that a calculation error had occurred and on 4 April 2012, Sumudu Prasadini was crowned the winner of the pageant at a ceremony held at Galle Face Hotel, Colombo. It was concluded that both, Vinu and Sumudu would share the main title and that Sumudu would represent Sri Lanka at the Miss World 2012 pageant held in China on August 18, 2012.
In addition to the main title, Vinu also won the title 'Miss Talent' at one of the mini pageants held during the event and the title 'Sunday Observer Most Popular contestant' by receiving the highest number of public votes through the Sunday Observer newspaper. | [] | [
"Miss Sri Lanka for Miss World 2012"
] | [
"1992 births",
"Living people",
"Sri Lankan film actresses",
"Sri Lankan television actresses",
"Sri Lankan beauty pageant winners"
] |
projected-44496973-002 | https://en.wikipedia.org/wiki/Vinu%20Udani%20Siriwardhana | Vinu Udani Siriwardhana | Miss Tourism Queen of the Year International | Vinu Udani Siriwardana (Sinhala:විනු උදානි සිරිවර්ධන) (born March 10, 1992) is a Sri Lankan actress, model and TV presenter. In 2012 she participated in the "Derana Veet Miss Sri Lanka for Miss World 2012" pageant and succeeded in becoming the joint winner for the title 'Derana Veet Miss Sri Lanka for Miss World 2012' with Sumudu Prasadini (the latter represented Sri Lanka at the Miss World 2012 beauty pageant). | Vinu also represented Sri Lanka at 18th Miss Tourism Queen of the Year International pageant, which was held in Nanjing, China and competed for the main title as well as two mini titles - 'Best in Talent' and 'Best National Costume'. At this competition, she succeeded in making into the top ten finalists in 'Best in Talent' and top 25 in 'Best National Costume' titles. | [] | [
"Miss Tourism Queen of the Year International"
] | [
"1992 births",
"Living people",
"Sri Lankan film actresses",
"Sri Lankan television actresses",
"Sri Lankan beauty pageant winners"
] |
projected-44496973-003 | https://en.wikipedia.org/wiki/Vinu%20Udani%20Siriwardhana | Vinu Udani Siriwardhana | Acting career | Vinu Udani Siriwardana (Sinhala:විනු උදානි සිරිවර්ධන) (born March 10, 1992) is a Sri Lankan actress, model and TV presenter. In 2012 she participated in the "Derana Veet Miss Sri Lanka for Miss World 2012" pageant and succeeded in becoming the joint winner for the title 'Derana Veet Miss Sri Lanka for Miss World 2012' with Sumudu Prasadini (the latter represented Sri Lanka at the Miss World 2012 beauty pageant). | Vinu started her acting career through the teledrama Pipena Mal playing the supporting role of Parami. But her most notable performance as an actress was the character "Tharumalee" in the teledrama Tharumalee and Wes teledrama. In addition to acting in teledramas, Vinu has also proven her talent through acting in several music videos. | [] | [
"Acting career"
] | [
"1992 births",
"Living people",
"Sri Lankan film actresses",
"Sri Lankan television actresses",
"Sri Lankan beauty pageant winners"
] |
projected-44496973-005 | https://en.wikipedia.org/wiki/Vinu%20Udani%20Siriwardhana | Vinu Udani Siriwardhana | Personal life | Vinu Udani Siriwardana (Sinhala:විනු උදානි සිරිවර්ධන) (born March 10, 1992) is a Sri Lankan actress, model and TV presenter. In 2012 she participated in the "Derana Veet Miss Sri Lanka for Miss World 2012" pageant and succeeded in becoming the joint winner for the title 'Derana Veet Miss Sri Lanka for Miss World 2012' with Sumudu Prasadini (the latter represented Sri Lanka at the Miss World 2012 beauty pageant). | Vinu is the second in her family with an elder brother (Sanu) and a younger sister (Ruvi). She is a past pupil of Anula Vidyalaya. Currently she lives in Dehiwala with her family. She is married.
Recently she was awarded the Nelson Mendala Peace Awards 2019. In addition, she worked as the host of the Friday Hada Redi Peya program. She also plans to write a book.She got married to an Advance level Economics and Business studies lecturer Mr.Kasun Liyanage on 28th August 2020 | [] | [
"Personal life"
] | [
"1992 births",
"Living people",
"Sri Lankan film actresses",
"Sri Lankan television actresses",
"Sri Lankan beauty pageant winners"
] |
projected-06900885-000 | https://en.wikipedia.org/wiki/Asagiri-class%20destroyer | Asagiri-class destroyer | Introduction | The is a class of destroyer, serving with the Japan Maritime Self-Defense Force (JMSDF). It was the second class of first-generation general-purpose destroyers of the JMSDF. | [
"JS Umigiri（DD-158）.jpg"
] | [
"Introduction"
] | [
"Destroyer classes",
"Asagiri-class destroyers"
] | |
projected-06900885-001 | https://en.wikipedia.org/wiki/Asagiri-class%20destroyer | Asagiri-class destroyer | Background | The is a class of destroyer, serving with the Japan Maritime Self-Defense Force (JMSDF). It was the second class of first-generation general-purpose destroyers of the JMSDF. | The JMSDF started construction of a since FY1977. This was the first class of under the eight ships / eight helicopters concept. In this concept, each flotilla would be composed of one helicopter destroyer (DDH), five general-purpose destroyers (DD), and two guided-missile destroyers (DDG).
However, due to constraints such as budget, the design of the Hatsuyuki class was compelled to compromise in terms of C4I function, resistance, and durability. Thus, destroyers to be built after FY1983, Asagiri class were changed to an evolved design with expanded hull and enhanced equipment. | [] | [
"Background"
] | [
"Destroyer classes",
"Asagiri-class destroyers"
] |
projected-06900885-002 | https://en.wikipedia.org/wiki/Asagiri-class%20destroyer | Asagiri-class destroyer | Design | The is a class of destroyer, serving with the Japan Maritime Self-Defense Force (JMSDF). It was the second class of first-generation general-purpose destroyers of the JMSDF. | The hull is an enlarged type of Hatsuyuki class, and the hull form is of the shelter deck style. Also, as the latter batch of the Hatsuyuki class, the upper structure is made of steel, but since it was incorporated into the design from the beginning, the adverse effect on the movement performance was solved.
The engine room was greatly renovated. Instead of the COGOG propulsion system of the Hatsuyuki class, this class has the COGAG propulsion system with four Kawasaki-Rolls-Royce Spey SM1A gas turbines. With these powerful engines, it was possible to run at by driving only two of the four engines, and the benefits of tracking a submarine were especially great. An alternating arrangement was introduced to improve resistance and durability, as in the steam turbine driven destroyers. | [] | [
"Design"
] | [
"Destroyer classes",
"Asagiri-class destroyers"
] |
projected-06900885-003 | https://en.wikipedia.org/wiki/Asagiri-class%20destroyer | Asagiri-class destroyer | Equipment | The is a class of destroyer, serving with the Japan Maritime Self-Defense Force (JMSDF). It was the second class of first-generation general-purpose destroyers of the JMSDF. | The earlier batch was equipped with the OYQ-6 combat direction system (CDS). This system employed one AN/UYK-20 computer as the same as the OYQ-5 tactical data processing system of the Hatsuyuki class, but with expanded memories, it can exchange tactical data via Link-11, which the OYQ-5 does not support. Later, all OYQ-6 systems were upgraded to the OYQ-7, integrated with the OYQ-101 ASW Direction System. All ships of this class were later retrofitted with the terminal for the MOF system, the key operational C4I system of the JMSDF which uses the Superbird SHF-SATCOM.
The surface-search radars were replaced by OPS-28. The air-search radars were updated to OPS-14C in the earlier batch, and in the latter batch, OPS-24 3D radars were introduced. This was a maritime version of the land-based J/FPS-3 early-warning radar, and first shipboard active electronically scanned array radar in the world. In the latter batch, electronic warfare support measures systems were also replaced by NOLR-8, completely newly developed with emphasis on anti-ship missile defense.
Its weapon system is basically the same as the Hatsuyuki class except for the minor change on its FCS. However, a new SH-60J was installed as a shipboard helicopter, so a large capacity data link device was installed. The hangar is enlarged in order to accommodate two helicopters, but only one helicopter is used operationally. | [] | [
"Equipment"
] | [
"Destroyer classes",
"Asagiri-class destroyers"
] |
projected-06900885-004 | https://en.wikipedia.org/wiki/Asagiri-class%20destroyer | Asagiri-class destroyer | Ships in the class | The is a class of destroyer, serving with the Japan Maritime Self-Defense Force (JMSDF). It was the second class of first-generation general-purpose destroyers of the JMSDF. | Yamagiri and Asagiri have been converted into training vessels. | [] | [
"Ships in the class"
] | [
"Destroyer classes",
"Asagiri-class destroyers"
] |
projected-44496994-000 | https://en.wikipedia.org/wiki/The%20Football%20Club%20Social%20Alliance | The Football Club Social Alliance | Introduction | The Football Club Social Alliance (FCSA) is a network of professional European football clubs that team up for social change on a global level. The FCSA runs international projects in crisis- and development regions, and projects in disability football within Europe. | [] | [
"Introduction"
] | [
"Basel",
"Foundations based in Switzerland",
"Sports charities",
"Organizations established in 2007",
"2007 establishments in Switzerland",
"Association football organizations",
"Charities based in Switzerland",
"Sports organizations established in 2007"
] | |
projected-44496994-001 | https://en.wikipedia.org/wiki/The%20Football%20Club%20Social%20Alliance | The Football Club Social Alliance | History | The Football Club Social Alliance (FCSA) is a network of professional European football clubs that team up for social change on a global level. The FCSA runs international projects in crisis- and development regions, and projects in disability football within Europe. | The FCSA was established by the Scort Foundation, a politically and religiously independent non-profit foundation headquartered in Basel, Switzerland. The foundation was established according to Swiss foundation law on 27 January 2010.
In 2012, the Queens Park Rangers F.C. joined the FCSA's partnership programme.
In May 2016, the FCSA launched the young coach education programme in Jordan. In September 2017, the FCSA launched its programme in Lebanon in collaboration with the United Nations High Commissioner for Refugees (UNHCR) and the Lebanese Football Association. In March 2018, the 1. FSV Mainz 05 joined the FCSA's partnership programme. | [] | [
"History"
] | [
"Basel",
"Foundations based in Switzerland",
"Sports charities",
"Organizations established in 2007",
"2007 establishments in Switzerland",
"Association football organizations",
"Charities based in Switzerland",
"Sports organizations established in 2007"
] |
projected-44496994-002 | https://en.wikipedia.org/wiki/The%20Football%20Club%20Social%20Alliance | The Football Club Social Alliance | Description | The Football Club Social Alliance (FCSA) is a network of professional European football clubs that team up for social change on a global level. The FCSA runs international projects in crisis- and development regions, and projects in disability football within Europe. | The FCSA aim to empower young people from conflict and crisis regions and work with disadvantaged children. Experts of the football clubs train these young dedicated women and men together with local aid organisations to become certified “Young Coaches”– football coaches and social role models.
Scort Foundation is responsible for all conceptual and organisational tasks, including the project management, fundraising and partnerships of the FCSA. The curriculum of the Young Coach Education programme was developed by Scort. Evaluations ensure that programme quality is maintained, and social impact is maximised. | [] | [
"Description"
] | [
"Basel",
"Foundations based in Switzerland",
"Sports charities",
"Organizations established in 2007",
"2007 establishments in Switzerland",
"Association football organizations",
"Charities based in Switzerland",
"Sports organizations established in 2007"
] |
projected-44496994-003 | https://en.wikipedia.org/wiki/The%20Football%20Club%20Social%20Alliance | The Football Club Social Alliance | Partners | The Football Club Social Alliance (FCSA) is a network of professional European football clubs that team up for social change on a global level. The FCSA runs international projects in crisis- and development regions, and projects in disability football within Europe. | FC Basel 1893
SV Werder Bremen
Bayer 04 Leverkusen
FK Austria Wien
FC Schalke 04
1. FSV Mainz 05 (since 2018) | [] | [
"Partners"
] | [
"Basel",
"Foundations based in Switzerland",
"Sports charities",
"Organizations established in 2007",
"2007 establishments in Switzerland",
"Association football organizations",
"Charities based in Switzerland",
"Sports organizations established in 2007"
] |
projected-44496994-004 | https://en.wikipedia.org/wiki/The%20Football%20Club%20Social%20Alliance | The Football Club Social Alliance | Board of Directors | The Football Club Social Alliance (FCSA) is a network of professional European football clubs that team up for social change on a global level. The FCSA runs international projects in crisis- and development regions, and projects in disability football within Europe. | Gigi Oeri (President)
Pierino Lardi (Vice President)
Pierre Jaccoud
Claudio Sulser | [] | [
"Board of Directors"
] | [
"Basel",
"Foundations based in Switzerland",
"Sports charities",
"Organizations established in 2007",
"2007 establishments in Switzerland",
"Association football organizations",
"Charities based in Switzerland",
"Sports organizations established in 2007"
] |
projected-17329798-000 | https://en.wikipedia.org/wiki/Big%20Noise%20from%20Winnetka | Big Noise from Winnetka | Introduction | "Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc with lyrics by Gil Rodin and Bob Crosby, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938. That recording is remarkable for its unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a percussive bass solo. The original version was just bass and drums (with the bass player whistling), but many other arrangements have been performed, including one by the Bob Crosby big band with the band's vocal group.
After the success of the initial recording, Haggart and Bauduc performed the song frequently for the rest of their careers, including in several films, most notably in 1941's Let's Make Music and 1943's Reveille with Beverly. The original recording was featured on the soundtrack of Raging Bull. Nick Nolte and Debra Winger danced to a version credited to Bob Crosby and the Bobcats in the 1982 film Cannery Row. | [] | [
"Introduction"
] | [
"Bette Midler songs",
"Songs with music by Bob Haggart",
"1938 songs"
] | |
projected-17329798-001 | https://en.wikipedia.org/wiki/Big%20Noise%20from%20Winnetka | Big Noise from Winnetka | Composition | "Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc with lyrics by Gil Rodin and Bob Crosby, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938. That recording is remarkable for its unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a percussive bass solo. The original version was just bass and drums (with the bass player whistling), but many other arrangements have been performed, including one by the Bob Crosby big band with the band's vocal group.
After the success of the initial recording, Haggart and Bauduc performed the song frequently for the rest of their careers, including in several films, most notably in 1941's Let's Make Music and 1943's Reveille with Beverly. The original recording was featured on the soundtrack of Raging Bull. Nick Nolte and Debra Winger danced to a version credited to Bob Crosby and the Bobcats in the 1982 film Cannery Row. | The song was a spontaneous composition, created at the Blackhawk in Chicago in 1938. When some of the band were late getting back from a break, Haggart and Bauduc started free improvising while they waited and "Big Noise" was the result. It was a joint composition, later formalized by arranger Haggart. Later, lyrics were written by Gil Rodin and Bob Crosby.
Winnetka is a North Shore suburb located approximately 16 miles (26 km) north of downtown Chicago. | [] | [
"Composition"
] | [
"Bette Midler songs",
"Songs with music by Bob Haggart",
"1938 songs"
] |
projected-17329798-002 | https://en.wikipedia.org/wiki/Big%20Noise%20from%20Winnetka | Big Noise from Winnetka | Performances | "Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc with lyrics by Gil Rodin and Bob Crosby, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938. That recording is remarkable for its unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a percussive bass solo. The original version was just bass and drums (with the bass player whistling), but many other arrangements have been performed, including one by the Bob Crosby big band with the band's vocal group.
After the success of the initial recording, Haggart and Bauduc performed the song frequently for the rest of their careers, including in several films, most notably in 1941's Let's Make Music and 1943's Reveille with Beverly. The original recording was featured on the soundtrack of Raging Bull. Nick Nolte and Debra Winger danced to a version credited to Bob Crosby and the Bobcats in the 1982 film Cannery Row. | 1959: Jazz drummer Gene Krupa covered the song on his live album Big Noise from Winnetka.
1959: Jack Teagarden with drummer Ronnie Greb covered the song on his live album At the Roundtable.
1962: Kenny Ball, on his Midnight in Moscow album
1963: Jazz drummer Cozy Cole's version Bubbled Under in the American Billboard Charts at position 121.
1963: Eddy Mitchell sang a French version ("Quand une Fille me plaît") on his album Voici Eddy... c'était le soldat Mitchell.
1965: Chico Hamilton recorded his own version on the album The Dealer.
1966: Kenny Clare & Ronnie Stephenson, Drum Spectacular
1970: Scottish progressive rock band Clouds (60s rock band) performed a version on their album "Up Above Our Heads".
1974-1975 Spaghetti Head (Leslie George, William Hurdle) underground disco/house instrumental on Private Stock Records
1979: The song was covered by Bette Midler for her album Thighs and Whispers and released as a 12" single, the song lasting 6:56, and it peaked at No. 98 on the U.S. Dance Charts. The song was also performed in her concert film Divine Madness and is included on the soundtrack album (3:52). The song was included during her Las Vegas show, The Showgirl Must Go On (2008–2010).
1980: The song was featured in the field repertoire of the Bridgemen Drum & Bugle Corps (Bayonne, New Jersey). The Bridgemen missed winning that season's Drum Corps International world championship title by 0.55.
1984: The Australian teenage indie band the Lighthouse Keepers recorded a version of "Big Noise" featuring a C melody sax on their album Tales of the Unexpected.
1999: A cover of the opening few seconds of the song are sung by the character Phoebe Sparrow in episode 56 of the British TV series Goodnight Sweetheart, "Something Fishie".
2002: The Japanese jazz group Ego-Wrappin' covered the song on their album Night Food.
2005: Bassist Kyle Eastwood recorded an arrangement on his album Paris Blue.
2008: The Austin, Texas band Asylum Street Spankers covered the song on their album What? And Give Up Show Biz?.
2009: In the UK, the song has been used in advertisements for direct.gov.uk.
2013: Miss Florida did a baton routine to the song in the Miss America pageant.
2013: The song was featured in the Macy's Thanksgiving Day Parade by the University of Massachusetts Minuteman Marching Band.
2015: Christine Ebersole, a singer and actress, brought her show Big Noise from Winnetka back to the Chicago area. The show included the jazz song and stories from her life in Winnetka, Illinois. | [] | [
"Performances"
] | [
"Bette Midler songs",
"Songs with music by Bob Haggart",
"1938 songs"
] |
projected-17329798-003 | https://en.wikipedia.org/wiki/Big%20Noise%20from%20Winnetka | Big Noise from Winnetka | In popular culture | "Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc with lyrics by Gil Rodin and Bob Crosby, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938. That recording is remarkable for its unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a percussive bass solo. The original version was just bass and drums (with the bass player whistling), but many other arrangements have been performed, including one by the Bob Crosby big band with the band's vocal group.
After the success of the initial recording, Haggart and Bauduc performed the song frequently for the rest of their careers, including in several films, most notably in 1941's Let's Make Music and 1943's Reveille with Beverly. The original recording was featured on the soundtrack of Raging Bull. Nick Nolte and Debra Winger danced to a version credited to Bob Crosby and the Bobcats in the 1982 film Cannery Row. | According to an interview with Canadian animator Danny Antonucci, the theme song for his hit Cartoon Network show Ed, Edd n Eddy was inspired by "Big Noise" and includes a similar baseline and whistled melody. | [] | [
"In popular culture"
] | [
"Bette Midler songs",
"Songs with music by Bob Haggart",
"1938 songs"
] |
projected-44497011-000 | https://en.wikipedia.org/wiki/Patanotis | Patanotis | Introduction | Patanotis is a genus of moths in the family Momphidae. The species of this genus are found in Sri Lanka. | [] | [
"Introduction"
] | [
"Momphidae",
"Moths of Sri Lanka"
] | |
projected-44497011-001 | https://en.wikipedia.org/wiki/Patanotis | Patanotis | Species | Patanotis is a genus of moths in the family Momphidae. The species of this genus are found in Sri Lanka. | Patanotis harmosta Meyrick, 1913
Patanotis metallidias Meyrick, 1913 | [] | [
"Species"
] | [
"Momphidae",
"Moths of Sri Lanka"
] |
projected-44497011-002 | https://en.wikipedia.org/wiki/Patanotis | Patanotis | References | Patanotis is a genus of moths in the family Momphidae. The species of this genus are found in Sri Lanka. | ftp.funet.fr
Category:Momphidae
Category:Moths of Sri Lanka | [] | [
"References"
] | [
"Momphidae",
"Moths of Sri Lanka"
] |
projected-44497051-000 | https://en.wikipedia.org/wiki/Suku%20Park | Suku Park | Introduction | Suck-Woo Park (born 1947), also known as Suku Park , is a South Korean contemporary ceramic artist and a council member of the International Academy of Ceramics (IAC). | [] | [
"Introduction"
] | [
"1947 births",
"Living people",
"South Korean artists",
"Seoul National University alumni",
"South Korean expatriates in Finland"
] | |
projected-44497051-001 | https://en.wikipedia.org/wiki/Suku%20Park | Suku Park | Early life and education | Suck-Woo Park (born 1947), also known as Suku Park , is a South Korean contemporary ceramic artist and a council member of the International Academy of Ceramics (IAC). | Park was born in Seoul in 1947 and attended the Fine Arts College of the Seoul National University in South Korea (1966–1970) before moving to Stockholm, Sweden in 1974 to graduate from the Swedish State School of Arts & Design (Konstfack). | [] | [
"Early life and education"
] | [
"1947 births",
"Living people",
"South Korean artists",
"Seoul National University alumni",
"South Korean expatriates in Finland"
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projected-44497051-002 | https://en.wikipedia.org/wiki/Suku%20Park | Suku Park | Work | Suck-Woo Park (born 1947), also known as Suku Park , is a South Korean contemporary ceramic artist and a council member of the International Academy of Ceramics (IAC). | In early 1980s Suku Park was the art director for Pentik and lived with his family in Posio, Finland. He worked there 1984-1987 and has since his international career returned to Posio in 2011. In 1984 Suku Park moved his studio and his family to Espoo, and later in 1997 was one of the first members of Onoma (The Cooperative of Artisans, Designers and Artists in Fiskars).
Park's international career began from Posio and he has since exhibited in multiple countries with collections amongst others in the Nationalmuseum in Stockholm, Museum of Painting and Sculpture in Istanbul and Musée Ariana in Geneva. Park was a professor at Sangmyung University in Seoul, South Korea from early 2000 and has since moved back to Finland and Lapland where he lives and works.
On Posio and living in Finland affecting his work, Park stated that "My language of form and expression is not Korean, but a reaction inside myself to form things with my own hands in order to give an object its own character. When I'm designing I'm thinking function, but I'm thinking humour too". He continues that his works is influenced by the environment and was fascinated with Posio and the focus he could have there.
Park is the council member of IAC in Geneva, Switzerland, member of Konsthantverkarna, Stockholm, Sweden, Ceramic Group Kuusi, Finland. | [] | [
"Work"
] | [
"1947 births",
"Living people",
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projected-44497051-003 | https://en.wikipedia.org/wiki/Suku%20Park | Suku Park | Exhibitions | Suck-Woo Park (born 1947), also known as Suku Park , is a South Korean contemporary ceramic artist and a council member of the International Academy of Ceramics (IAC). | Park's selected solo exhibitions include: Anthony Shaw Gallery, London, United Kingdom (1978); Lotte Gallery, Seoul, South Korea (1980); Retretti Art Center, Retretti, Finland (1985); Illums Bolighus, Copenhagen, Denmark (1985); Norway Design Center, Oslo, Norway (1985); Konsthantverkarna, Stockholm, Sweden (1986, 1989); Andrew Shire Gallery, Los Angeles, United States (1990); Mikimoto Art Hall, Ginza, Tokyo, Japan (1989, 1992); SSamjigil Seoul, South Korea; Gallery Park Ryusook Seoul, South Korea; Reuchinhaus, Pforzheim, Germany and Galerie Marian Heller Sandhausen, Germany; Mokkumto Gallery, Seoul, South Korea; and Tong-in Gallery, New York City, United States. | [] | [
"Exhibitions"
] | [
"1947 births",
"Living people",
"South Korean artists",
"Seoul National University alumni",
"South Korean expatriates in Finland"
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projected-44497051-004 | https://en.wikipedia.org/wiki/Suku%20Park | Suku Park | Collections | Suck-Woo Park (born 1947), also known as Suku Park , is a South Korean contemporary ceramic artist and a council member of the International Academy of Ceramics (IAC). | Park's contemporary ceramic art pieces are held at:
The Victoria and Albert Museum, London, United Kingdom
The British Crafts Council, London, United Kingdom
National Museum of Scotland, Edinburgh, United Kingdom
Nationalmuseum, Stockholm, Sweden
National Museum Of Contemporary Art, Seoul, South Korea
Malmö Museum, Malmo, Sweden
Röhsska Museum, Gothenburg, Sweden
Museum Of Painting and Sculpture, Istanbul, Turkey
Musée Ariana, Geneva, Switzerland
Museum of Decorative Art, Prague, Czech Republic
Museum of International Ceramics, Bechyne, Czech Republic
Museum of Porcelain, Loket, Czech Republic
Iris Collection, Porvoo, Finland
Coffee Cup Museum, Posio, Finland
Youngone Plaza, Seoul, South Korea
Total Museum, Seoul, South Korea
Daeyoo Cultural Foundation, South Korea
Royal Ontario Museum, Toronto, Canada
Ceramic and Glass Gallery, Waterloo, Canada | [] | [
"Collections"
] | [
"1947 births",
"Living people",
"South Korean artists",
"Seoul National University alumni",
"South Korean expatriates in Finland"
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projected-20467095-000 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | Introduction | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | [] | [
"Introduction"
] | [
"Buildings and structures completed in 1935",
"Wells Coates buildings",
"Modernist architecture in England",
"Grade II* listed buildings in Brighton and Hove",
"Art Deco architecture in England"
] | |
projected-20467095-001 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | History | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | At the junction of Western Street and Kings Road on Brighton seafront, just on the Brighton side of the ancient parish boundary between Brighton and Hove, stood a 19th-century villa called Western House. Owners included Waldorf Astor, 2nd Viscount Astor and the drag king Vesta Tilley. In 1930 the site was chosen for redevelopment and the building and its grounds were demolished. Nothing took its place immediately, though, except for a temporary racetrack and miniature golf course. Developers Maddox Properties acquired the site and in 1934 enlisted Wells Coates, a Modernist architect responsible for the striking Isokon building in London earlier that year, to design a block of luxury flats as a speculative development. Embassy Court was completed in 1935. Its reinforced concrete structure and steel-framed doors and windows were distinctive features, and other facilities included a ground-floor bank, partly enclosed balconies to every one of the 72 flats, and England's first penthouse suites. These occupied the top (11th) floor; the other ten storeys had seven flats each. Each flat was "all-electric", including the space heating in the form of ceiling panels. A constant hot water supply was achieved by generating and storing it in a thermal energy storage system in the basement. Coates commented: "Old ideas have been discarded and a new building has arisen to greet a new age that thinks of happiness in terms of health".
The building's height and bold appearance, "something like a great ocean liner", contrasted with the Regency-style terraces to the east, west and north—in particular the 110-year-old "palace-fronted terraces" of Brunswick Terrace, "as grand as anything in St Petersburg", and the monumental Brunswick Square behind it. It received much praise at first: a 1936 edition of the Architects' Journal claimed that the building "thrill[ed] one to the marrow", and Alderman Sir Herbert Carden, "the maker of modern Brighton" who was responsible for many interwar improvements in the Borough of Brighton, was so taken with its Modernist style that he campaigned for every other building along the seafront to be demolished and replaced with Embassy Court-style housing, all the way from Hove to Kemp Town. Writing in 1935, in a piece accompanied by a large illustration of Embassy Court-style buildings along Kings Road, he wrote "Embassy Court ... has shown us the way to build for the new age. Along our waterfront new buildings such as this must come". This "pre-war indifference to the historic fabric of the town" resulted in the first of many local conservation societies, the Regency Society, being formed, and prompted a greater appreciation of Brighton's 19th-century architectural heritage.
All 72 flats were initially rented out rather than sold to owner-occupiers. Rents varied between £150 and £500 per year—expensive for that time, and similar to the cost of a house in Brighton. The ground-floor bank branch lasted until February 1948, when it was converted into a restaurant; this was only in use for five years. Major renovations were then carried out in the 1960s: new doors, windows and lifts were installed.
The building's high-class status declined from the 1970s when the freehold changed hands frequently and many flats were acquired by absentee landlords. Many leaseholders built up long-term rent arrears, and lack of clarity over ownership made raising money for refurbishment difficult. Embassy Court gradually fell into disrepair. The freeholder until 1997 was a company called Portvale; it was put into liquidation when a court case resulted in a demand to spend £1.5 million on maintenance. The Crown Estate Commissioners then took possession of the freehold, but Embassy Court's leaseholders established a company, Bluestorm Ltd, to buy it; this was achieved after another court case.
The first plans for refurbishing the building were announced in April 1998. The leaseholders' association commissioned local architects Alan Phillips and Matthew Lloyd to undertake design work and Ove Arup and Partners for their structural engineering expertise. Work was expected to cost £3 million to £4 million, of which a grant from the Government's Single Regeneration Budget would have covered £1.4 million. The project depended on the Sanctuary Housing Association acquiring the leases to 26 flats and the Crown Estate Commissioners transferring ownership of the freehold to the leaseholders' association. The proposed work was described as a "complete refurbishment" and would have lasted until 2000.
No action was taken, though, and the building continued to deteriorate. Architect Alan Phillips, who had continued his association with the building during the "impasse in negotiations" which had characterised the previous three years, described Embassy Court as being "on the cusp between demolition and renovation" at a debate in November 2001, at which he announced a new plan to convert the lower storeys into a hotel. Money generated by this could then be used to improve the upper storeys, which would remain residential. The nearby Bedford Hotel provided a model of a mixed-use tower block with hotel accommodation below residential flats.
Another court case began in November 2002. Bluestorm and Portvale Holdings made claims against each other in relation to paying for the building's restoration. By this stage Bluestorm estimated the cost of a full refurbishment would be £4.5 million. Portvale Holdings stated it intended to sell the flats it owned, and a former director of the liquidated Portvale company later stated he did not wish to buy the freehold back from Bluestorm. The case was adjourned after two weeks and was decided in March 2003 in favour of Bluestorm. The chairman of Brighton and Hove City Council said he "welcomed the decision". Portvale Holdings appealed against the decision in February 2004, but a judge at the Royal Courts of Justice upheld the original verdict. This brought to a conclusion a long and complex period of legal action; the judge observed that the ongoing battles between leaseholders, landlords and freeholders had been "more suited to a nursery school playground".
In July 2003, Bluestorm announced a new refurbishment plan, this time involving Sir Terence Conran's Conran Group architectural consultancy. The scheme architect was Paul Zara. Conran Group undertook a structural survey which showed that the concrete walls had not deteriorated as badly as expected: its director said that the building was in "a very poor state [but] perfectly salvageable". The expected cost was £5 million, and various sources of funding were proposed: money received from Portvale Holdings and from the leaseholders was to be used alongside National Lottery and European Union regeneration grants for which Bluestorm would apply. No grants or Lottery funding were ever received. Also commissioned alongside Conran Group were structural engineering firm F.J. Samuely, whose founder Felix Samuely had worked on the building originally, and some other specialist companies. By September 2003, Conran had assembled a working group of engineers, designers and other professionals, and the plans included provision of a swimming pool and public facilities such as a restaurant, museum and art gallery by making use of underused areas of the building.
Work began in December 2003. First, the communal areas and lobby were deep-cleaned and exterior hoardings were put up; other early priorities included new electrical and heating systems. The overall timescale of the project was stated to be three years. At that time, the leaseholders were told they would have to fund the entire £5 million estimated cost themselves: some would have to pay around £100,000+ each. Also, the project leader indicated that the planned swimming pool, art gallery and other new features would be "put on hold until 2007". By February 2004, the bulk of the work was expected to start in summer 2004. Bluestorm raised a planning application, and Brighton and Hove City Council granted outline permission in June 2004. New windows, doors, plumbing and heating, repairs to the concrete structure and re-rendering the exterior were all prioritised at this time.
The first part of the refurbishment project was completed on time and on budget. After a delay caused by poor weather, the exterior hoardings and scaffolding were removed in early April 2005 to reveal new windows and a "smart cream concrete façade".
The second phase involved repairs at the rear, the promised replacement plumbing and heating systems, new lifts and new front doors, and was due to finish in September 2005. The longer-term proposal for a basement swimming pool remained, and other ideas suggested at this time included a gymnasium, reinstatement of the original 1930s foyer decor including a mural by Edward McKnight Kauffer, and the conversion of one flat into a 1930s-style showpiece. Bluestorm organised a party on the Brunswick Lawns outside Embassy Court in September 2006 to celebrate the completion of the work. Local record label Skint Records led a separate private party on the top floor of the building. Public tours were also conducted later in the month. The earlier problems of poor security had been overcome, and Embassy Court was no longer "a haven for drunks, drug addicts and homeless people".
The apartment building is also featured in the opening scene of the film ‘Angus, Thongs and Perfect Snogging’. | [
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"Embassy Court, Brighton (Entrance) (July 2010).JPG"
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projected-20467095-002 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | Architecture and facilities | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | Embassy Court represented a transition from the pure Art Deco style which had been popular in the early 1930s, towards a "simplistic and plain" interpretation of Modernism. In this respect it is similar to the Grand Ocean Hotel at nearby Saltdean; and the style appears again further west in Hove, albeit in brick, in the form of the mansion block at 4 Grand Avenue and the "severely Moderne" Viceroy Lodge. The Pevsner Architectural Guides describe Embassy Court as "Brighton's most prominent example of early Modernism at its most polished". There are similarities with Coates' Isokon building, but on a larger scale and in a more "nautical, streamlined" style. Coates was influenced by the designs of architect Erich Mendelsohn during a visit to Germany in 1931–32, and some of the building's design features recall Mendelsohn's work.
The building is tall, wide and rises to 11 storeys. Reinforced concrete painted a pale cream colour is the main building material. It is -shaped but with a distinctively curved southeastern corner. The east (Western Street) façade is longer. Both faces (towards Kings Road and towards Western Street) have a strongly horizontal emphasis formed by the continuous bands of cantilevered balconies on each floor. The horizontal emphasis is partly offset by the "nice vertical rhythm" of the slightly curving windows of the sun rooms; this effect is most noticeable on the east elevation. The cream-coloured render was lost for many years because of the building's deteriorating condition, but it was restored during the Conran Partners' work and the exterior now looks as it did in the 1930s.
To the rear, the cantilevered effect is maintained, forming "access decks" which sweep diagonally upwards at the ends to house the external staircases. The lift shafts also punctuate the mostly horizontal tiers. The upper storeys (from ninth floor level upwards) are slightly recessed; the architectural theory of contextualism would suggest that this device would have been more effective had it started at fifth-floor level, matching the height of neighbouring Brunswick Terrace.
Embassy Court was the first building in England to feature penthouse suites. Other pioneering features included open-fronted balconies, lock-up garages and what the original managing agents Dudley Samuel and Harrison described as "sun-admitting Vista-Glass sun parlours". Many of the "sun rooms" have been integrated into the flats to create extra living space. Another unique feature was a mural by Edward McKnight Kauffer in the foyer. It was created by a new method in which a series of black-and-white photographs were printed on a light-sensitive cellulose surface. The flats had built-in steel-framed tubular furniture (manufactured by Pel Ltd) and woodwork by D. Burkle & Son. | [
"Embassy Court, Kings Road, Brighton (NHLE Code 1318645) (October 2013, viewed from Western Street) (1).JPG"
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"Grade II* listed buildings in Brighton and Hove",
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projected-20467095-003 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | Reception and legacy | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | Embassy Court has been a controversial building and "has divided opinion across the city" since it was built. "Unashamedly modern and different" from its surroundings, it was "the first challenge to the Georgian[-era] architecture of Brighton". Architectural historians Antony Dale and Nikolaus Pevsner both observed that Embassy Court is "a good building in the wrong place", in relation to its position adjoining the Brunswick Town development. Dale noted that the latter's "carefully regulated proportions" are overpowered by the unsympathetic form of its 11-storey neighbour, making Embassy Court "a glaring example of architectural bad manners and worse town planning". Nevertheless, he described it as "a good building of its period" and compared favourably with most blocks of flats built subsequently. Pevsner called Embassy Court "a good and historically interesting" building", "well designed in itself"—but criticised it as acting as a "bad neighbour" to the "serious Neoclassical [architecture]" of Brunswick Town. Likewise, Brighton historian Clifford Musgrave contrasted Embassy Court with its near-contemporary, Marine Gate, to the east beyond Kemp Town; although it was "another white concrete block of flats", he considered it more elegant and better because it did not intrude directly on any 19th-century architectural set-pieces. It is an example of early Modernist architecture in England, and "one of the very few [such buildings] in the Sussex area". Former Mayor of Brighton Lord Lewis Cohen said in 1953: "It stands as a monument for all time to the lack of foresight of those who permitted such a conglomeration of architecture on our seafront."
Embassy Court was Brighton's first tower block. Although "it seemed to some that the era of skyscrapers had started" locally—especially in the light of Herbert Carden's proposals for the seafront—it was only in the 1960s that multi-storey towers began to dominate the skyline of Brighton and Hove. Journalist Adam Trimingham has commented that these postwar buildings have been characteristically "drab" and that "nothing was built to match Embassy Court".
By the start of the 21st century, public perception of Embassy Court was particularly poor: it was considered to be an "embarrassing eyesore", "a filthy blot on the seafront", a "grimy, rotting structure" and "like something from the Third World". Windows were falling out; wind, damp and noise were constant problems; and on one occasion some exterior cladding fell off and landed in the street. The third edition of The Cheeky Guide to Brighton, published in 2003, claimed Embassy Court looked like "Michael Jackson's face on a bad day". Meanwhile, the views articulated by Pevsner continued to find support. Writing in 2002, Anthony Seldon condemned both Embassy Court for "dwarf[ing] and insult[ing] its neighbours" and Herbert Carden for considering it "the ideal seafront building". Although Seldon placed it in his list of "the city's ten best 20th-century buildings"—describing it as "elegant", "vibrant and visually exciting"—and compared it favourably to the contemporary Marine Gate flats further along the seafront, he observed that it was "utterly out of place on the seafront" and should have been lower by three storeys. Furthermore, in a section consisting of ideas for the future of Brighton and Hove, he suggested "knock[ing] down Embassy Court, Hilton West Pier and other excrescences along the seafront [and] hold[ing] a series of parties to celebrate"—recalling the demolition campaigns seen in some Majorcan seaside resorts.
Artist and musician Chris Dooks released a concept album inspired by Embassy Court in 2005. After discovering the building by chance when browsing the internet, he became interested in its history and contacted Bluestorm Ltd. He became Embassy Court's artist-in-residence and produced a four-track EP called Sycamore Tubs. Its name and all four tracks are anagrams of Embassy Court, as is As Ruby's Comet—an artwork he produced at the same time. The 2005 fantasy film MirrorMask was filmed partly at Embassy Court.
Embassy Court was listed at Grade II* on 19 July 1984. As of February 2001, it was one of 70 Grade II*-listed buildings and structures, and 1,218 listed buildings of all grades, in the city of Brighton and Hove. | [
"Embassy Court, Kings Road, Brighton (NHLE Code 1318645) (October 2013, viewed from Kings Road) (6).JPG"
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"Wells Coates buildings",
"Modernist architecture in England",
"Grade II* listed buildings in Brighton and Hove",
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projected-20467095-004 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | Notable residents | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | Keith Waterhouse moved into the building in 1983 and occupied a ninth-floor flat, but left in 1992 and moved to Bath. He drew comparison between Embassy Court and "an East End slum". Brighton-born comedian Max Miller and actor Rex Harrison were two early residents; Sir Terence Rattigan rented a flat there as well from 1960, but disliked it and soon moved to Marine Parade. | [] | [
"Notable residents"
] | [
"Buildings and structures completed in 1935",
"Wells Coates buildings",
"Modernist architecture in England",
"Grade II* listed buildings in Brighton and Hove",
"Art Deco architecture in England"
] |
projected-20467095-005 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | See also | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | Grade II* listed buildings in Brighton and Hove | [] | [
"See also"
] | [
"Buildings and structures completed in 1935",
"Wells Coates buildings",
"Modernist architecture in England",
"Grade II* listed buildings in Brighton and Hove",
"Art Deco architecture in England"
] |
projected-20467095-009 | https://en.wikipedia.org/wiki/Embassy%20Court | Embassy Court | Bibliography | Embassy Court is an 11-storey block of flats on the seafront in Brighton, part of the English city of Brighton and Hove. It has been listed at Grade II* by English Heritage. Wells Coates' "extremely controversial" piece of Modernist architecture has "divided opinion across the city" since its completion in 1935, and continues to generate strong feelings among residents, architectural historians and conservationists.
The flats were originally let at high rents to wealthy residents, including Max Miller, Rex Harrison and Terence Rattigan, and features such as enclosed balconies and England's first penthouse suites made the 72-apartment, 11-storey building "one of the most desirable and sought-after addresses in Brighton and Hove". Its fortunes changed dramatically from the 1970s, though, as a succession of complex court cases set leaseholders, freeholders and landlords against each other while the building rotted. By the start of the 21st century it was an "embarrassing eyesore" which was close to being demolished, despite its listed status. Proposals to refurbish the block came to nothing until the court cases concluded in 2004 and Sir Terence Conran's architectural practice was brought in. With an investment of £5 million, raised entirely by the residents, Embassy Court was overhauled: by 2006 it had been restored to its original status as a high-class residence, in contrast to its poor late-20th-century reputation. | Category:Buildings and structures completed in 1935
Category:Wells Coates buildings
Category:Modernist architecture in England
Category:Grade II* listed buildings in Brighton and Hove
Category:Art Deco architecture in England | [] | [
"Bibliography"
] | [
"Buildings and structures completed in 1935",
"Wells Coates buildings",
"Modernist architecture in England",
"Grade II* listed buildings in Brighton and Hove",
"Art Deco architecture in England"
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projected-56566671-000 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Introduction | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | [] | [
"Introduction"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] | |
projected-56566671-001 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Competition Format | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | Twenty four reams compete in the initial group stages of the championship – the top ranked twelve teams compete in the Senior A Group and the second ranked twelve teams compete in the Senior B Group. Eight teams from the Senior A Group and four teams from the Senior B Group progress to the knockout stage. The competition format is explained further in each of the championship rounds in the sections below. | [] | [
"Competition Format"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-003 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior A | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | Senior A consists of 12 teams divided into two groups of 6. The top two teams from each group automatically qualify for the quarter finals. The third and fourth teams from each group play in the preliminary quarter finals. The bottom two teams from each group play-off with the losing team relegated to playing in the following year's Senior B Section. | [] | [
"Group Stage",
"Senior A"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-004 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior A - Group 1 | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||} | [] | [
"Group Stage",
"Senior A",
"Senior A - Group 1"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-005 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior A - Group 2 | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||} | [] | [
"Group Stage",
"Senior A",
"Senior A - Group 2"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-007 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior B | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | Senior B consists of 12 teams divided into two groups of 6. The winners of each group qualify for the 2018 preliminary quarter finals and compete in the following year's Senior A competition. The four second and third placed teams play-off with the two winners also qualifying for the 2018 preliminary quarter finals. | [] | [
"Senior B"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-008 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior B - Group 1 | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||} | [] | [
"Senior B",
"Senior B - Group 1"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-009 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior B - Group 2 | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||} | [] | [
"Senior B",
"Senior B - Group 2"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-010 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior B - Playoffs | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | The second team in Senior B Group 1 plays the third team in Senior B Group 2 and the third team in Senior B Group 1 plays the second team in Senior B Group 2. The two winning teams qualify for the 2018 senior preliminary quarter finals. The two losing teams are eliminated from this year's senior championship. | [] | [
"Senior B",
"Senior B - Playoffs"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-011 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior B - Relegation | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | The losing team is relegated to the following year's intermediate championship. | [] | [
"Senior B",
"Senior B - Relegation"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-013 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior Preliminary Quarter Finals | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | The four teams who finished third and fourth in the two Senior A Groups play the four Senior B teams who qualified (the two winners of the two Senior B Groups plus the two winners of the Senior B play-offs). | [] | [
"Senior Knockout Stage",
"Senior Preliminary Quarter Finals"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-014 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | Senior Quarter Finals | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | The four teams who finished first and second in the two Senior A groups play the four winners of the senior preliminary quarter finals. | [] | [
"Senior Knockout Stage",
"Senior Quarter Finals"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-56566671-017 | https://en.wikipedia.org/wiki/2018%20Galway%20Senior%20Hurling%20Championship | 2018 Galway Senior Hurling Championship | References | The 2018 Galway Senior Hurling Championship was the 121st staging of the Galway Senior Hurling Championship since its establishment in 1887.
The winners St. Thomas' were presented with the Tom Callanan Cup having beaten Liam Mellows in the final on 18 November.
Liam Mellows were the reigning champions. Ballinderreen participated in the senior championship having been promoted from the intermediate competition in 2017. | Galway Senior Hurling Championship
Category:Galway Senior Hurling Championship | [] | [
"References"
] | [
"2018 senior hurling county championships",
"Galway Senior Hurling Championship"
] |
projected-20467134-000 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | Introduction | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | [] | [
"Introduction"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] | |
projected-20467134-001 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | Description | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | The codex contains some parts of the Matthew 5-26; Mark 6-16, on 47 parchment leaves (29.5 cm by 22 cm). It is written in two columns per page, 23 lines per page, in uncial letters. It is a palimpsest, the upper text contains a lectionary 2094.
Currently it is dated by the INTF to the 9th century. | [] | [
"Description"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-20467134-002 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | Contents | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | Matt 5:17-29; 8:4-19; 12:4-13:41; 13:55-14:15; 25:28-16:19; 21:20-43; 22:13-24:24; 25:6-36; 26:24-39;
Mark 6:22-36; 7:15-37; 8:33-11:22; 14:21-16:12. | [] | [
"Contents"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-20467134-003 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | Text | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | The Greek text of this codex is a representative of the Byzantine text-type. Aland placed it in Category V. | [] | [
"Text"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-20467134-004 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | Location | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | Currently the codex is housed at the Monastery of Agiou Nikanoros (2, ff. 1-16, 289-319) in Zavorda. | [] | [
"Location"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-20467134-005 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | See also | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | List of New Testament uncials
Textual criticism | [] | [
"See also"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-20467134-006 | https://en.wikipedia.org/wiki/Uncial%200257 | Uncial 0257 | References | Uncial 0257 (in the Gregory-Aland numbering), is a Greek uncial manuscript of the New Testament. Paleographically it has been assigned to the 9th century. | Category:Greek New Testament uncials
Category:Palimpsests
Category:9th-century biblical manuscripts | [] | [
"References"
] | [
"Greek New Testament uncials",
"Palimpsests",
"9th-century biblical manuscripts"
] |
projected-26721793-000 | https://en.wikipedia.org/wiki/Tom%20Williams%20%28footballer%2C%20born%201980%29 | Tom Williams (footballer, born 1980) | Introduction | Thomas Andrew Williams (born 8 July 1980) is a professional footballer who plays for Hashtag United of the Isthmian League North Division. A defender or midfielder, he made nearly 300 appearances in the Football League playing for numerous clubs.
Born in England, he represented Cyprus at international level. | [] | [
"Introduction"
] | [
"1980 births",
"Living people",
"Footballers from Carshalton",
"Association football midfielders",
"English footballers",
"Cypriot footballers",
"Cyprus international footballers",
"Cypriot people of English descent",
"Walton & Hersham F.C. players",
"West Ham United F.C. players",
"Peterborough... | |
projected-26721793-002 | https://en.wikipedia.org/wiki/Tom%20Williams%20%28footballer%2C%20born%201980%29 | Tom Williams (footballer, born 1980) | Club career | Thomas Andrew Williams (born 8 July 1980) is a professional footballer who plays for Hashtag United of the Isthmian League North Division. A defender or midfielder, he made nearly 300 appearances in the Football League playing for numerous clubs.
Born in England, he represented Cyprus at international level. | Williams was born in Carshalton, London. His professional career began with West Ham United in April 2000 when he joined the club from Walton & Hersham for a fee of £40,000. He went on loan to Peterborough United in March 2001, without having made his senior debut, and the move was made permanent during the summer. He stayed with the Posh for one season, before moving to Birmingham City for a fee of £350,000.
His career stalled at St Andrew's, playing just four games for Birmingham, and, after two loan periods at Queens Park Rangers, during which he scored once, against Huddersfield Town, he rejoined Peterborough United, initially on loan, later joining permanently. In May 2004 Williams went to Barnsley on a free transfer.
He played a full season for the South Yorkshire side, before moving again on a free transfer to Gillingham in July 2005, and then signing for Swansea City in January 2006 after the Gills suffered financial problems. He returned to the side in December 2006 after a hernia operation in November, and was released at the end of the season.
On 27 July 2007, he joined Wycombe Wanderers on a two-year deal.
On 31 December 2007 Williams joined Peterborough United for the third time, initially on an emergency loan to make him available for the match on New Year's Day, for which he was an unused substitute. The loan was converted to a permanent deal two days later.
On 9 November 2009, Williams rejoined Championship side Queens Park Rangers on a short-term loan deal, with a possible view to sign permanently in the January transfer window. This did not happen in the end and he returned to Peterborough during January 2010.
Williams joined former boss Darren Ferguson at Preston North End on loan for the rest of the season. Preston decided not to sign him on a permanent basis, and he returned to Peterborough, where he was released following his contract expiry.
After a pre-season trial, Williams joined Championship club Bristol City on a six-month contract on 5 August 2010.
Williams joined Colchester United on a month's loan on 30 September, later extended for a further two months. He made nine appearances in all competitions and scored once, in a 2–1 win over AFC Bournemouth. Williams' Bristol City contract was terminated on 5 January 2011.
On 14 February, he joined League One club Walsall until the end of the season. He made fourteen league appearances and scored once, in a 1–1 draw with Oldham Athletic. In August 2011, Williams played one match in the Conference for Kettering Town, a 3–0 defeat away at Mansfield Town. He signed for Notts County in August 2012 on a short-term deal, and was released in January 2013 when his contract expired.
Williams played for Southern League Division 1 South and West club Guildford City in early 2014.
In February 2014, Williams was one of a number of foreign signings made by Vanuatu club Amicale to strengthen their team ahead of the 2013–14 OFC Champions League campaign.
He joined Slough Town in March 2016, making five Southern League appearances, before making five appearances for Arizona United in the 2016 USL season. In September 2017 he was playing for Houghton & Wyton in the Cambridgeshire County Football League.
Following a trial in July 2018, Williams joined Hashtag United of the Eastern Counties League Division One South. After his first season ended with promotion as champions, Williams moved into a player/coach role for the 2019–20 season. On 3 September, during an Essex Senior Cup first round win away to Halstead Town, Williams suffered a serious hand injury after smashing a home dressing room window after he had received a red card. | [] | [
"Career",
"Club career"
] | [
"1980 births",
"Living people",
"Footballers from Carshalton",
"Association football midfielders",
"English footballers",
"Cypriot footballers",
"Cyprus international footballers",
"Cypriot people of English descent",
"Walton & Hersham F.C. players",
"West Ham United F.C. players",
"Peterborough... |
projected-26721793-003 | https://en.wikipedia.org/wiki/Tom%20Williams%20%28footballer%2C%20born%201980%29 | Tom Williams (footballer, born 1980) | International career | Thomas Andrew Williams (born 8 July 1980) is a professional footballer who plays for Hashtag United of the Isthmian League North Division. A defender or midfielder, he made nearly 300 appearances in the Football League playing for numerous clubs.
Born in England, he represented Cyprus at international level. | Williams qualifies for Cyprus through his mother, and has one international cap, which came in 2006. | [] | [
"Career",
"International career"
] | [
"1980 births",
"Living people",
"Footballers from Carshalton",
"Association football midfielders",
"English footballers",
"Cypriot footballers",
"Cyprus international footballers",
"Cypriot people of English descent",
"Walton & Hersham F.C. players",
"West Ham United F.C. players",
"Peterborough... |
projected-26721793-004 | https://en.wikipedia.org/wiki/Tom%20Williams%20%28footballer%2C%20born%201980%29 | Tom Williams (footballer, born 1980) | Personal life | Thomas Andrew Williams (born 8 July 1980) is a professional footballer who plays for Hashtag United of the Isthmian League North Division. A defender or midfielder, he made nearly 300 appearances in the Football League playing for numerous clubs.
Born in England, he represented Cyprus at international level. | Williams is married to former glamour model Nicola McLean. | [] | [
"Personal life"
] | [
"1980 births",
"Living people",
"Footballers from Carshalton",
"Association football midfielders",
"English footballers",
"Cypriot footballers",
"Cyprus international footballers",
"Cypriot people of English descent",
"Walton & Hersham F.C. players",
"West Ham United F.C. players",
"Peterborough... |
projected-26721793-005 | https://en.wikipedia.org/wiki/Tom%20Williams%20%28footballer%2C%20born%201980%29 | Tom Williams (footballer, born 1980) | Honours | Thomas Andrew Williams (born 8 July 1980) is a professional footballer who plays for Hashtag United of the Isthmian League North Division. A defender or midfielder, he made nearly 300 appearances in the Football League playing for numerous clubs.
Born in England, he represented Cyprus at international level. | Hashtag United
Eastern Counties League Division One South: 2018–19 | [] | [
"Honours"
] | [
"1980 births",
"Living people",
"Footballers from Carshalton",
"Association football midfielders",
"English footballers",
"Cypriot footballers",
"Cyprus international footballers",
"Cypriot people of English descent",
"Walton & Hersham F.C. players",
"West Ham United F.C. players",
"Peterborough... |
projected-44497052-000 | https://en.wikipedia.org/wiki/League%201%20Cup | League 1 Cup | Introduction | The League 1 Cup was a knockout cup competition organised by the Rugby Football League for the third division of rugby league in Britain. The cup was contested by the British League 1 teams, as well as two teams from the National Conference League. The final took place on the same weekend as The Summer Bash, and was the first game of the weekend to be played.
In 2017 it was announced the League 1 Cup would be retired after just three seasons. | [] | [
"Introduction"
] | [
"RFL League 1",
"Sports leagues established in 2015",
"2015 establishments in England",
"Rugby league competitions in the United Kingdom"
] | |
projected-44497052-001 | https://en.wikipedia.org/wiki/League%201%20Cup | League 1 Cup | History | The League 1 Cup was a knockout cup competition organised by the Rugby Football League for the third division of rugby league in Britain. The cup was contested by the British League 1 teams, as well as two teams from the National Conference League. The final took place on the same weekend as The Summer Bash, and was the first game of the weekend to be played.
In 2017 it was announced the League 1 Cup would be retired after just three seasons. | In 2013 the Championship Cup was decommissioned after 12 seasons and the Challenge Cup became the only cup competition available to the Championships. In 2015, as part of the new structure a new cup competition was to be introduced, but only available to League 1 clubs and two clubs invited from the National Conference League. The first final was played as the opening game of The Summer Bash at Bloomfield Road in Blackpool.
In 2017 the Rugby Football League (RFL) confirmed the 16 League 1 clubs had voted to scrap the League 1 Cup, mainly due to it interfering with the domestic league season. The last winners were Barrow Raiders. | [] | [
"History"
] | [
"RFL League 1",
"Sports leagues established in 2015",
"2015 establishments in England",
"Rugby league competitions in the United Kingdom"
] |
projected-44497052-002 | https://en.wikipedia.org/wiki/League%201%20Cup | League 1 Cup | Format | The League 1 Cup was a knockout cup competition organised by the Rugby Football League for the third division of rugby league in Britain. The cup was contested by the British League 1 teams, as well as two teams from the National Conference League. The final took place on the same weekend as The Summer Bash, and was the first game of the weekend to be played.
In 2017 it was announced the League 1 Cup would be retired after just three seasons. | The first round of the League 1 Cup is split into two pools; Northern regions and South and Midlands regions, all the League 1 clubs and any National Conference League (NCL) clubs invited to enter to make the number of teams up to 16 enter at this stage. A draw is made at the beginning of each round to determine fixtures.
In the first year of the cup, 2015, there were only 14 clubs in League 1 so two NCL clubs were invited to play in the competition. In 2016 and 2017 although there were 16 clubs in League 1, the non-UK based clubs; Toulouse Olympique (2016) and Toronto Wolfpack (2017); decided not to enter the cup so one NCL club was invited to play in their stead.
Other than a regional based first round to reduce travel costs, the cup is a knock-out competition with no seeding. Only the final is played at a neutral venue.
First Round: 16 clubs enter
Second Round: Last 8
Semi Finals: Last 4.
Final: Played at Bloomfield Road | [] | [
"Format"
] | [
"RFL League 1",
"Sports leagues established in 2015",
"2015 establishments in England",
"Rugby league competitions in the United Kingdom"
] |
projected-44497052-005 | https://en.wikipedia.org/wiki/League%201%20Cup | League 1 Cup | Sponsorship | The League 1 Cup was a knockout cup competition organised by the Rugby Football League for the third division of rugby league in Britain. The cup was contested by the British League 1 teams, as well as two teams from the National Conference League. The final took place on the same weekend as The Summer Bash, and was the first game of the weekend to be played.
In 2017 it was announced the League 1 Cup would be retired after just three seasons. | In February 2015, the Rugby Football League (RFL) announced a 3-year deal with isotonic soft drink company iPro for the competition to be been known as the iPro Sport Cup.
The official rugby ball supplier was Steeden. | [] | [
"Sponsorship"
] | [
"RFL League 1",
"Sports leagues established in 2015",
"2015 establishments in England",
"Rugby league competitions in the United Kingdom"
] |
projected-26721803-000 | https://en.wikipedia.org/wiki/Potentilla%20cristae | Potentilla cristae | Introduction | Potentilla cristae is a rare species of cinquefoil known by the common name crested cinquefoil. It is endemic to the Klamath Mountains of far northern California, where it is known from a few occurrences in the subalpine and alpine climates of the high mountain ridges. It grows in talus and moist rocky or gravelly serpentine soils. This is a low, matted plant producing a clump of hairy, glandular herbage up to about 20 centimeters tall. Each hairy leaf is divided into three rounded leaflets which are toothed or lobed and measure up to 2 centimeters in length. The inflorescence is a cyme of a few flowers, each with five small yellow petals. The fruit is a minute achene just a millimeter wide, which is smooth with a crest. | [] | [
"Introduction"
] | [
"Potentilla",
"Endemic flora of California",
"Plants described in 1990"
] | |
projected-56566679-000 | https://en.wikipedia.org/wiki/Tam%C3%A1s%20Cseri | Tamás Cseri | Introduction | Tamás Cseri (born 15 January 1988) is a Hungarian professional footballer who plays as a midfielder for Mezőkövesdi SE. | [] | [
"Introduction"
] | [
"1998 births",
"Living people",
"Sportspeople from Győr",
"Hungarian footballers",
"Hungary international footballers",
"Association football midfielders",
"Mosonmagyaróvári TE 1904 footballers",
"Győri ETO FC players",
"Pécsi MFC players",
"BKV Előre SC footballers",
"Gyirmót FC Győr players",
... | |
projected-56566679-001 | https://en.wikipedia.org/wiki/Tam%C3%A1s%20Cseri | Tamás Cseri | Club career | Tamás Cseri (born 15 January 1988) is a Hungarian professional footballer who plays as a midfielder for Mezőkövesdi SE. | On 15 July 2017, Cseri signed for Nemzeti Bajnokság I club Mezőkövesdi SE. | [] | [
"Club career"
] | [
"1998 births",
"Living people",
"Sportspeople from Győr",
"Hungarian footballers",
"Hungary international footballers",
"Association football midfielders",
"Mosonmagyaróvári TE 1904 footballers",
"Győri ETO FC players",
"Pécsi MFC players",
"BKV Előre SC footballers",
"Gyirmót FC Győr players",
... |
projected-56566679-002 | https://en.wikipedia.org/wiki/Tam%C3%A1s%20Cseri | Tamás Cseri | International career | Tamás Cseri (born 15 January 1988) is a Hungarian professional footballer who plays as a midfielder for Mezőkövesdi SE. | Cseri made his Hungary national team debut on 6 September 2020 at the age of 32 in a Nations League game against Russia. He substituted Dominik Szoboszlai in the 82nd minute of a 3–2 home loss.
On 1 June 2021, Cseri was included in the final 26-man squad to represent Hungary at the rescheduled UEFA Euro 2020 tournament. | [] | [
"International career"
] | [
"1998 births",
"Living people",
"Sportspeople from Győr",
"Hungarian footballers",
"Hungary international footballers",
"Association football midfielders",
"Mosonmagyaróvári TE 1904 footballers",
"Győri ETO FC players",
"Pécsi MFC players",
"BKV Előre SC footballers",
"Gyirmót FC Győr players",
... |
projected-56566679-004 | https://en.wikipedia.org/wiki/Tam%C3%A1s%20Cseri | Tamás Cseri | Honours | Tamás Cseri (born 15 January 1988) is a Hungarian professional footballer who plays as a midfielder for Mezőkövesdi SE. | Mezőkövesd
Hungarian Cup runner-up: 2019-20 | [] | [
"Honours"
] | [
"1998 births",
"Living people",
"Sportspeople from Győr",
"Hungarian footballers",
"Hungary international footballers",
"Association football midfielders",
"Mosonmagyaróvári TE 1904 footballers",
"Győri ETO FC players",
"Pécsi MFC players",
"BKV Előre SC footballers",
"Gyirmót FC Győr players",
... |
projected-44497075-000 | https://en.wikipedia.org/wiki/Outrage%3A%20The%20Five%20Reasons%20Why%20O.%20J.%20Simpson%20Got%20Away%20with%20Murder | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder | Introduction | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder is a true crime book by Vincent Bugliosi published in 1996. Bugliosi sets forth five main reasons why the Los Angeles County District Attorney's office failed to successfully convict O. J. Simpson for the murders of Nicole Brown Simpson and Ronald Goldman. Personally convinced of Simpson's guilt, Bugliosi blames his acquittal on the district attorney, the judge, and especially the prosecuting attorneys Marcia Clark and Christopher Darden. | [] | [
"Introduction"
] | [
"1996 non-fiction books",
"Books by Vincent Bugliosi",
"O. J. Simpson murder case",
"W. W. Norton & Company books"
] | |
projected-44497075-001 | https://en.wikipedia.org/wiki/Outrage%3A%20The%20Five%20Reasons%20Why%20O.%20J.%20Simpson%20Got%20Away%20with%20Murder | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder | Reviews | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder is a true crime book by Vincent Bugliosi published in 1996. Bugliosi sets forth five main reasons why the Los Angeles County District Attorney's office failed to successfully convict O. J. Simpson for the murders of Nicole Brown Simpson and Ronald Goldman. Personally convinced of Simpson's guilt, Bugliosi blames his acquittal on the district attorney, the judge, and especially the prosecuting attorneys Marcia Clark and Christopher Darden. | Upon its release, the book was subject to criticism from various critics. The Los Angeles Times notes that Bugliosi's tone is in line that of anger and astonishment, as he condemned the majority of the major players in the case. They employed the metaphor of a 'dagger' to emphasise his ruthless tone. Similarly, the San Francisco Chronicle praised the book for its observational and authoritative tone which followers of the case were longing for. The Globe and Mail described the book as "engagingly idiosyncratic, and occasionally self-serving and simplistic." | [] | [
"Reviews"
] | [
"1996 non-fiction books",
"Books by Vincent Bugliosi",
"O. J. Simpson murder case",
"W. W. Norton & Company books"
] |
projected-44497075-002 | https://en.wikipedia.org/wiki/Outrage%3A%20The%20Five%20Reasons%20Why%20O.%20J.%20Simpson%20Got%20Away%20with%20Murder | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder | References | Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder is a true crime book by Vincent Bugliosi published in 1996. Bugliosi sets forth five main reasons why the Los Angeles County District Attorney's office failed to successfully convict O. J. Simpson for the murders of Nicole Brown Simpson and Ronald Goldman. Personally convinced of Simpson's guilt, Bugliosi blames his acquittal on the district attorney, the judge, and especially the prosecuting attorneys Marcia Clark and Christopher Darden. | Category:1996 non-fiction books
Category:Books by Vincent Bugliosi
Category:O. J. Simpson murder case
Category:W. W. Norton & Company books | [] | [
"References"
] | [
"1996 non-fiction books",
"Books by Vincent Bugliosi",
"O. J. Simpson murder case",
"W. W. Norton & Company books"
] |
projected-44497083-000 | https://en.wikipedia.org/wiki/Conrad%20Mollenhauer%20GmbH | Conrad Mollenhauer GmbH | Introduction | Conrad Mollenhauer GmbH (commonly called simply Mollenhauer) is a leading German manufacturer of recorders.
The company was founded in 1822 by Johann Andreas Mollenhauer (1798–1871) in Fulda. In 1961 Bernhard Mollenhauer took over the business.
The company produces recorders for beginners and handmade instruments for soloists. In an effort to develop a renaissance style recorder for use by beginners Adriana Breukink developed the Adri's Dream recorder in collaboration with Mollenhauer in 1999. This line was later expanded to include Dream Edition recorders for more advanced players. | [] | [
"Introduction"
] | [
"Manufacturing companies established in 1822",
"Flute makers",
"Fulda",
"Recorder makers",
"1822 establishments in Europe",
"Musical instrument manufacturing companies of Germany"
] | |
projected-26721810-000 | https://en.wikipedia.org/wiki/Ryan%20Block | Ryan Block | Introduction | Ryan Block (born June 25, 1982) is a San Francisco-based technology entrepreneur. He was the editor-in-chief of AOL’s Engadget before he co-founded the community site gdgt. With gdgt's sale to AOL in 2013, he returned to the company and headed up its product group, but left in 2015 to start a new business.
Block currently co-hosts MVP, a technology podcast, with frequent collaborator Peter Rojas. He lives in San Francisco, California with his wife, Veronica Belmont. | [] | [
"Introduction"
] | [
"American Internet celebrities",
"Living people",
"Weblogs, Inc.",
"Writers from San Francisco",
"American technology writers",
"American technology company founders",
"AOL employees",
"1982 births"
] | |
projected-26721810-001 | https://en.wikipedia.org/wiki/Ryan%20Block | Ryan Block | History | Ryan Block (born June 25, 1982) is a San Francisco-based technology entrepreneur. He was the editor-in-chief of AOL’s Engadget before he co-founded the community site gdgt. With gdgt's sale to AOL in 2013, he returned to the company and headed up its product group, but left in 2015 to start a new business.
Block currently co-hosts MVP, a technology podcast, with frequent collaborator Peter Rojas. He lives in San Francisco, California with his wife, Veronica Belmont. | Block joined technology news website Engadget as a part-time reporter in June 2004, and started full-time in June 2005. He went on to replace the site's creator Peter Rojas as editor-in-chief in 2007.
In July 2008 Block posted on Engadget that he would be stepping down as editor-in-chief to create a new company, leaving then Associate Editor Joshua Topolsky in charge. On 1 July 2009, using $550,000 in initial seed financing received from Betaworks and True Ventures, Block and Rojas launched gdgt; a discussion forum that generates reviews and answers questions about thousands of gadgets. gdgt was sold to AOL in 2013
, and Block left the company in 2015. | [] | [
"History"
] | [
"American Internet celebrities",
"Living people",
"Weblogs, Inc.",
"Writers from San Francisco",
"American technology writers",
"American technology company founders",
"AOL employees",
"1982 births"
] |
projected-26721810-002 | https://en.wikipedia.org/wiki/Ryan%20Block | Ryan Block | Comcast support call | Ryan Block (born June 25, 1982) is a San Francisco-based technology entrepreneur. He was the editor-in-chief of AOL’s Engadget before he co-founded the community site gdgt. With gdgt's sale to AOL in 2013, he returned to the company and headed up its product group, but left in 2015 to start a new business.
Block currently co-hosts MVP, a technology podcast, with frequent collaborator Peter Rojas. He lives in San Francisco, California with his wife, Veronica Belmont. | In July 2014, Block and his wife attempted to disconnect their Comcast service over the telephone and were repeatedly blocked by the Comcast representative in a call which lasted 18 minutes. The last 8 minutes of this phone call was recorded by Block and posted to Reddit, immediately going viral across the internet. The next day Comcast apologized. | [] | [
"Comcast support call"
] | [
"American Internet celebrities",
"Living people",
"Weblogs, Inc.",
"Writers from San Francisco",
"American technology writers",
"American technology company founders",
"AOL employees",
"1982 births"
] |
projected-44497086-000 | https://en.wikipedia.org/wiki/Phalaritica | Phalaritica | Introduction | Phalaritica is a genus of moths in the family Momphidae. There is only one species in this genus: Phalaritica vindex Meyrick, 1913 that is found in Sri Lanka. | [] | [
"Introduction"
] | [
"Momphidae",
"Moths of Sri Lanka"
] | |
projected-44497086-001 | https://en.wikipedia.org/wiki/Phalaritica | Phalaritica | References | Phalaritica is a genus of moths in the family Momphidae. There is only one species in this genus: Phalaritica vindex Meyrick, 1913 that is found in Sri Lanka. | ftp.funet.fr
www.nhm.ac.uk
Category:Momphidae
Category:Moths of Sri Lanka | [] | [
"References"
] | [
"Momphidae",
"Moths of Sri Lanka"
] |
projected-06900887-000 | https://en.wikipedia.org/wiki/R.%20Harold%20Zook | R. Harold Zook | Introduction | Roscoe Harold Zook (21 May 1889 – 17 April 1949) was an American architect best known for his work in suburban Chicago, Illinois. He received a degree in architecture from the Armour Institute of Technology (now Illinois Institute of Technology, or IIT) in 1914. In 1916 Zook married his first wife, Mildred Barnard. They divorced in the late 1930s. They had one son, Harold Barnard Zook, who followed in his father's footsteps to become an architect in Corona del Mar, California. In the early 1940s, Zook married his second wife, Florence (Barkey) Nissen, whom he met through mutual friends (and clients). Zook died in April 1949, just short of his 60th birthday. | [] | [
"Introduction"
] | [
"Architects from Illinois",
"American theatre architects",
"Illinois Institute of Technology alumni",
"Hinsdale, Illinois",
"1889 births",
"1949 deaths",
"People from Valparaiso, Indiana"
] | |
projected-06900887-001 | https://en.wikipedia.org/wiki/R.%20Harold%20Zook | R. Harold Zook | Early life and career | Roscoe Harold Zook (21 May 1889 – 17 April 1949) was an American architect best known for his work in suburban Chicago, Illinois. He received a degree in architecture from the Armour Institute of Technology (now Illinois Institute of Technology, or IIT) in 1914. In 1916 Zook married his first wife, Mildred Barnard. They divorced in the late 1930s. They had one son, Harold Barnard Zook, who followed in his father's footsteps to become an architect in Corona del Mar, California. In the early 1940s, Zook married his second wife, Florence (Barkey) Nissen, whom he met through mutual friends (and clients). Zook died in April 1949, just short of his 60th birthday. | Roscoe Harold Zook was born in Valparaiso, Indiana on May 21, 1889, the sixth child of Florence and Dennis Coder Zook. His father was a builder, working as a master carpenter for the Pennsylvania Railroad in Fort Wayne. Zook's uncle, Jacob Steel Zook, was also a builder, most notably designing the Brumback Library in Van Wert, Ohio, now recognized as a Historic Place.
R. Harold Zook spent most of his childhood in Fort Wayne, attending the public schools and showing an early proficiency for art. He attended college at the Armour Institute of Technology. After graduating in 1914, Zook was named to the faculty and taught for four years. He also taught interior design at the Art Institute of Chicago and apprenticed under Howard Van Doren Shaw. In the 1910s, Zook served as President of the Architects Club of Chicago, and was a member of several local architectural clubs. In 1922, Zook made an unsuccessful entry in the Chicago Tribune design competition for their new Chicago building.
Zook built a home and studio in Hinsdale in 1924. In 1925, Zook partnered with William F. McCaughey, a fellow apprentice of Shaw, to start a new architectural firm, operating out of the Auditorium Building. Later, he opened a new office on the 17th floor of the Marquette Building. He designed thirty-four homes and buildings in Hinsdale from 1922 to 1953. Twenty-eight houses in the neighborhood are still occupied. He also worked in Iowa, Wisconsin and Virginia.
He is known for the "Cotswold style cottages" he designed which use details from Tudor architecture including timber framing, exposed beams, diamond-shaped window panes, and intricate brick or stonework. He developed a roofing technique that came to be known as the "Zook roof", with wood shingles laid out in an undulating pattern across the surface to recreate the appearance of a thatched roof. The roofers used "rolled eaves" at the edges of the roof to make a curved transition into the wall below. Zook designed ornamental ironwork for several of these houses using a trademark spider web pattern.
In partnership with architect William F. McCaughey, Zook designed the 1928 art deco style Pickwick Theatre in Park Ridge, Illinois. This was their only theater design, now listed on the National Register of Historic Places. The theater features a tower and lantern, a unique marquee and one of the original installations of a Mighty Wurlitzer theater organ. | [
"ParkRidgePickwick.jpg"
] | [
"Early life and career"
] | [
"Architects from Illinois",
"American theatre architects",
"Illinois Institute of Technology alumni",
"Hinsdale, Illinois",
"1889 births",
"1949 deaths",
"People from Valparaiso, Indiana"
] |
projected-06900887-002 | https://en.wikipedia.org/wiki/R.%20Harold%20Zook | R. Harold Zook | Buildings | Roscoe Harold Zook (21 May 1889 – 17 April 1949) was an American architect best known for his work in suburban Chicago, Illinois. He received a degree in architecture from the Armour Institute of Technology (now Illinois Institute of Technology, or IIT) in 1914. In 1916 Zook married his first wife, Mildred Barnard. They divorced in the late 1930s. They had one son, Harold Barnard Zook, who followed in his father's footsteps to become an architect in Corona del Mar, California. In the early 1940s, Zook married his second wife, Florence (Barkey) Nissen, whom he met through mutual friends (and clients). Zook died in April 1949, just short of his 60th birthday. | 1924 - Harold Zook Home & Studio - Hinsdale, Illinois
1928 - Jensen House (or W. W. Thompson Home), 325 East Eighth Street, Hinsdale, Du Page County, IL
1928 - Pickwick Theater - Park Ridge, Illinois
1934 - Burns Field Shelter
1940 - St. Charles Municipal Building - St. Charles, Illinois
1948 - Aichinger Residence, 371 Kent Road, Riverside, Illinois
1927 - Private Residence Oak Street Hinsdale 2015 Luxe Magazine photo tour and article HGTV Faces of Design Dramatic Transformation winner with before and after photos | [] | [
"Buildings"
] | [
"Architects from Illinois",
"American theatre architects",
"Illinois Institute of Technology alumni",
"Hinsdale, Illinois",
"1889 births",
"1949 deaths",
"People from Valparaiso, Indiana"
] |
projected-44497087-000 | https://en.wikipedia.org/wiki/HMS%20Aldborough%20%281727%29 | HMS Aldborough (1727) | Introduction | HMS Aldborough was a 20-gun sixth-rate ship of the Royal Navy, built in 1727 according to the 1719 Establishment and in service in the West Indies, the North Sea and the Mediterranean until 1742. The future Admiral, Hugh Palliser, served aboard Aldborough as midshipman at the commencement of his naval career. | [] | [
"Introduction"
] | [
"Individual sailing vessels",
"1720s ships",
"Ships built in Portsmouth",
"Fireships of the Royal Navy",
"Sixth rates of the Royal Navy"
] | |
projected-44497087-001 | https://en.wikipedia.org/wiki/HMS%20Aldborough%20%281727%29 | HMS Aldborough (1727) | Naval career | HMS Aldborough was a 20-gun sixth-rate ship of the Royal Navy, built in 1727 according to the 1719 Establishment and in service in the West Indies, the North Sea and the Mediterranean until 1742. The future Admiral, Hugh Palliser, served aboard Aldborough as midshipman at the commencement of his naval career. | Aldborough was commissioned in March 1727 and assigned to survey work in the British West Indies. Her first captain was Edward Baker, who remained in command until early 1729 when he was replaced by John Gascoigne.
After seven years in the West Indies the ship was returned to Deptford Dockyard in 1734 for refit and repair. Aboard as passengers for this voyage were James Oglethorpe, the founder of the colony of Georgia, and a delegation of Yamacraw sent to meet with the British Government. Aldboroughs years in tropical waters had taken their toll with extensive work required to restore her hull and timbers. Refitting continued until June 1735 at a cost of £5,417, more than two thirds of her original construction expense of £7,461.
Temporarily restored to seaworthiness, Aldborough was assigned to the command of Captain Nicholas Robinson and transferred to coastal patrol in the English Channel and North Sea. Robinson's 11-year-old nephew Hugh Palliser was also signed aboard as a midshipman from 1735. The ship remained in poor condition despite her recent refit, and was paid off for further repair in 1736.
Aldborough was refitted in 1737 as a fireship of 8 guns and 55 crew. In 1738 this designation was reversed, with Aldborough restored to the Navy lists as a 20-gun sixth rate and assigned to Mediterranean service under Captain George Pocock. She was immediately deployed as a privateer hunter, capturing a Spanish barque on 28 January 1739 and taking part in the capture of two more vessels in June. She was less successful in 1740, cruising for several weeks off the coast of Malta without encountering enemy craft. In January 1741 she was part of the British fleet at Port Mahon off the coast of Spain. | [] | [
"Naval career"
] | [
"Individual sailing vessels",
"1720s ships",
"Ships built in Portsmouth",
"Fireships of the Royal Navy",
"Sixth rates of the Royal Navy"
] |
projected-44497087-002 | https://en.wikipedia.org/wiki/HMS%20Aldborough%20%281727%29 | HMS Aldborough (1727) | Fate | HMS Aldborough was a 20-gun sixth-rate ship of the Royal Navy, built in 1727 according to the 1719 Establishment and in service in the West Indies, the North Sea and the Mediterranean until 1742. The future Admiral, Hugh Palliser, served aboard Aldborough as midshipman at the commencement of his naval career. | Aldborough was broken up at Deptford Dockyard on 31 March 1742, in accordance with Admiralty orders that another ship of the same name be constructed in her place. | [] | [
"Fate"
] | [
"Individual sailing vessels",
"1720s ships",
"Ships built in Portsmouth",
"Fireships of the Royal Navy",
"Sixth rates of the Royal Navy"
] |
projected-44497087-004 | https://en.wikipedia.org/wiki/HMS%20Aldborough%20%281727%29 | HMS Aldborough (1727) | Bibliography | HMS Aldborough was a 20-gun sixth-rate ship of the Royal Navy, built in 1727 according to the 1719 Establishment and in service in the West Indies, the North Sea and the Mediterranean until 1742. The future Admiral, Hugh Palliser, served aboard Aldborough as midshipman at the commencement of his naval career. | Category:Individual sailing vessels
Category:1720s ships
Category:Ships built in Portsmouth
Category:Fireships of the Royal Navy
Category:Sixth rates of the Royal Navy | [] | [
"Bibliography"
] | [
"Individual sailing vessels",
"1720s ships",
"Ships built in Portsmouth",
"Fireships of the Royal Navy",
"Sixth rates of the Royal Navy"
] |
projected-56566689-000 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Introduction | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | [] | [
"Introduction"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] | |
projected-56566689-002 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Hosts | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | Chris Jaftha
Tracey Lange | [] | [
"Cast",
"Hosts"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-56566689-003 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Judges | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | Jason Gilkison
Tebogo Kgobokoe
Debbie Turner
Bryan Watson | [] | [
"Cast",
"Judges"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-56566689-004 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Winner | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | 2018: Connell Cruise | [] | [
"Cast",
"Winner"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-56566689-007 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Scoring and voting | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | Every dance is scored out of 40 by the four Judges (each judge contributing a score out of 10) and these Judge's scores create the official ranking of the contestants for the week. Pre-registered voters cast their vote during the live show for their favorite couple (a maximum of 100 votes on the website platform and 100 votes on the mobile platform; a total of 200 votes per registered voter). The ranking determined by the judges gives each position on the leaderboard assigned points. With 11 contestants the system works as follows; first place is awarded 11 points, second place is awarded 10 points, third place is awarded 9 points and so on until eleventh place which is awarded 1 point. The public vote is tallied at the end of the Live Show and a ranking is determined based on those votes. Once again, this ranking assigns points based on position. With 11 contestants the system works as follows; first position is awarded 11 points, second position is awarded 10 points, third position is awarded 9 points and so on until eleventh position which is awarded 1 point. For each contestant the points earned by the Judge's ranking and points earned by the public votes are added to create a final score and the couple with the lowest combined score is eliminated. | [] | [
"Scoring and voting"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-56566689-008 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Scoring charts | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | Red numbers indicate the lowest score for each week
Green numbers indicate the highest score for each week
the couple eliminated that week
the winning couple
the runner-up couple | [] | [
"Scoring and voting",
"Scoring charts"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-56566689-010 | https://en.wikipedia.org/wiki/Dancing%20with%20the%20Stars%20%28South%20African%20TV%20series%29 | Dancing with the Stars (South African TV series) | Times and reception | Dancing with the Stars SA is a South African dance competition television series that premiered on 4 February 2018 on M-Net. The show is the South African version of the BBC Worldwide format Dancing with the Stars. The show is produced by Rapid Blue and co-hosted by Tracey Lange and Chris Jaftha.
The format of the show consists of 6 male and 6 female celebrities paired with a professional dancer. Each couple performs predetermined dances and competes against the others for judges' points and audience votes. The couple receiving the lowest combined total of judges' points and audience votes is eliminated each week until only the champion dance pair remains. | The show airs on M-Net on a Sunday at 17:00 to 19:00 and the Live Results Show takes place after M-Net's flagship Investigative show Carte Blanche from 20:00 to 20:30. | [] | [
"Times and reception"
] | [
"Dancing with the Stars",
"South African reality television series",
"South African music television series",
"2018 South African television series debuts",
"South African television series based on British television series"
] |
projected-44497102-000 | https://en.wikipedia.org/wiki/Hajdana%20Radunovi%C4%87 | Hajdana Radunović | Introduction | Hajdana Radunović (born 10 January 1978) is a Montenegrin women's basketball player, who plays as a center. | [] | [
"Introduction"
] | [
"1978 births",
"Living people",
"Sportspeople from Podgorica",
"Montenegrin women's basketball players",
"Centers (basketball)",
"ŽKK Partizan players",
"New York Liberty players",
"Montenegrin expatriate basketball people in Serbia",
"Montenegrin expatriate basketball people in the United States"
] | |
projected-44497102-001 | https://en.wikipedia.org/wiki/Hajdana%20Radunovi%C4%87 | Hajdana Radunović | References | Hajdana Radunović (born 10 January 1978) is a Montenegrin women's basketball player, who plays as a center. | Category:1978 births
Category:Living people
Category:Sportspeople from Podgorica
Category:Montenegrin women's basketball players
Category:Centers (basketball)
Category:ŽKK Partizan players
Category:New York Liberty players
Category:Montenegrin expatriate basketball people in Serbia
Category:Montenegrin expatriate basketball people in the United States | [] | [
"References"
] | [
"1978 births",
"Living people",
"Sportspeople from Podgorica",
"Montenegrin women's basketball players",
"Centers (basketball)",
"ŽKK Partizan players",
"New York Liberty players",
"Montenegrin expatriate basketball people in Serbia",
"Montenegrin expatriate basketball people in the United States"
] |
projected-44497113-000 | https://en.wikipedia.org/wiki/Piccadilly%20College%2C%20Manchester | Piccadilly College, Manchester | Introduction | Piccadilly College (formerly Aitchison College) was a UK based further education provider, situated in the heart of Manchester. | [] | [
"Introduction"
] | [
"Further education colleges in Manchester",
"Educational institutions established in 2013",
"Educational institutions disestablished in 2016",
"Defunct schools in Manchester"
] | |
projected-44497113-001 | https://en.wikipedia.org/wiki/Piccadilly%20College%2C%20Manchester | Piccadilly College, Manchester | History | Piccadilly College (formerly Aitchison College) was a UK based further education provider, situated in the heart of Manchester. | The college was formed 18 July 2013 as Aitchison College. It was renamed Piccadilly College on 25 July 2013 and was closed on 1 March 2016.
The college taught English as a Foreign Language, with their advertising targeting Spanish-speaking pupils. | [] | [
"History"
] | [
"Further education colleges in Manchester",
"Educational institutions established in 2013",
"Educational institutions disestablished in 2016",
"Defunct schools in Manchester"
] |