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and broadcast isochronous stream s which are used for the broadcast use cases but the |
underlying principles are very similar were no w ready to see how theyre all put together |
which means diving into the core |
isochronous stream s and roles |
the isochronous stream s feature in the core release is a fundamentally new concept within |
bluetooth low e nergy if youre familiar with hands free profile or adp youll know that |
they have quite a constrained topology hfp has a bidirectional onetoone link typically |
between a phone and a headset or hands free device it has two roles an audio gatewa y |
and a hands free device adp is an even simpler unicast link specifying a source device |
that generates audio and a sink device which can be your headphone speakers amplifier or a |
recording device which receives that audio |
figure bluetooth classic audio topologies |
bluetooth le audio is built on the fundamental asymmetry that exists within the bluetooth |
le specification where one device the central device is responsible for se tting up and |
controlling the isochronous stream s the central can connect to a number of peripheral |
devices which use those isochronous stream s to send and receive audio data the asymmetry |
means that the peripheral devices can be much lower power for cises they have a say in |
how the isochronous stream s are configured which will affect the audio quality latency and |
their battery life giving them more control over the audio streams than with bluetooth classic |
audio profiles for b ises the central makes all of the decisions with the peripheral deciding |
section isochronous streams and roles |
which broadcast isochronous stream s it wants to receive |
repeating what we said in the terminology overview in section as we move up the stack |
of the bluetooth le audio specifications well come across a number of different names for |
the roles which devices perform in the core they are defined as central and peripheral |
devices in the baps set of specif ications theyre called clients and servers and in cap they |
become initiators and acceptors the initiator role always exists in a central device which is |
responsible for scheduling the isochronous stream s acceptors are the devices that participate |
in these streams there is always one initiator but there can be multiple acceptors |
figure bluetooth le audio roles |
when we move up into the top level profiles theres an avalanche of new role names with |
senders broadcasters and receivers im going to ignore all of those and use the initiator and |
acceptor names for most of time e ven though theyre technically roles because i think they |
best explain the way that bluetooth le audio streams work when theres no audio stream |
involved which is the case with the control specifications ill drop back to using client and |
server |
one thing id like to point out at this stage is that other than for broadcast either device can |
act as an audio source generating audio data or as an audio sink receiving that data both |
initiators and acceptors can be sources and sinks at the same time and they can each contain |
multi ple bl uetooth le audio sinks and sources the concept of who generates the audio and |
who receives and renders it is orthogonal to the concept of the initiator and the acceptor |
the important thing to remember is that the i nitiator is the device that is responsible for |
working out the timing of every transmission of audio data that i s sent that task is called the |
scheduling the acceptor is the device that accepts those streams that concept applies both |
in unicast and br oadcast an acceptor can also generat e audio data such as capturing your |
voice from your headsets microphone but the initiator is responsible for telling it when it |
needs to send that data back |
as the initiator role is far more complex than the acceptor role initiators are normally devices |
like phones tvs and tablets which have bigger batteries and more resources the scheduling |
has to take account of other demands on the initiators radio whic h may include other |
bluetooth connections and often wi fi as well thats a complex operation which is handled |
by the chip designers but a s well see later on the bluetooth le audio profiles give |
applications a fair amount of scope to influence that scheduling which is why developers need |
to have a clear idea about how isochronous stream s work |
chapter isochronous streams |
for unicast bluetooth le audio we have a lot of flexibility in terms of topologies which are |
depicted in figure we can replicate the same topologies that we had in hfp or adp |
where we have a single device typically your phone and a single peripheral device such as |
your headset with an audio l ink between them moving up from that bluetooth technology |
can now support an initiator that talks to two or more acceptors the main application for |
that is to allow your phone to talk to a left and a right pair of earbuds or hearing aids they |
no lon ger need to be from the same manufacturer as bluetooth le audio is an interoperable |
standard |
we can extend this by adding additional unicast streams to support more than one pair of |
earbuds or to connect multiple speakers to support surround sound sys tems with the example |
of figure showing the addition of a central woofer unit |
figure unicast audio topologies |
in theory the specification can support up to separate unicast isochronous streams which |
could connect different devices thats not actually realistic for audio as we start to run |
out of bandwidth after three or four stream s the reason for the limit of streams in the |
core specification is that the isochronous stream s feature was designed to support many |
different time critical applications not just audio some of those need far les s bandwidth |
than audio does when we look at the lc codec well discover some of the trade offs we |
have to make between latency audio quality and robustness which place a limit on the number |
of audio streams we can actually support |
that airtime lim itation on the number of streams that unicast can support is one of the reasons |
to use broadcast as figure shows a single broadcaster can talk to multiple accepto rs |
which will often be configured as pairs of devices receiving either a single mono channel or |
separate left and right audio channels depending on the audio quality which typically sets |
the sampling rate and hence the airtime usage and maximum number of streams a |
broadcaster may be able to offer greater functionality such as transmit ting simultaneous audio |
streams in different languages these are the trade offs that need to be understood when |
designing a bluetooth le audio application which well cover in more detail in the following |
chapters |
section connected isochronous streams |
figure broadcast audio topologies |
connected isochronous stream s |
to understand the core isochronous features well start with unicast and connected |
isochronous stream s which are known as cises their structure is quite complex but its |
built on some very simple principles ill start by describing how connected isochronous |
stream s were designed to explain the component parts and how they work then look at how |
broadcast is different that gives you the foundations to move up into the generic audio |
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