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framework where we put the isochronous stream s to work |
the cis structure and timings |
when you design for digital audio you generally have the constraint that youre go ing to be |
sampling the incoming audio at a standard consistent rate once the incoming audio is |
sampled and encoded its sent down to the bluetooth transmitter to send to the receiving |
device the system is repetitive the audio data is time bounded an d transmissions have a |
constant interval between them which is called the isochronous interval or the isointerval |
the start of each isochronous interval in a cis is called its anchor point as figure |
shows the transmission starts off with an initiator sending a packet containing audio data d |
to an acceptor when the acceptor receive s it it sends back an acknowledgement and that |
process is repeated on a regular basis the third data packet in figure has no |
acknowledgement so the initiator would presume it had not been received |
chapter isochronous streams |
figure simplified unidirectional audio transfer |
most modern codecs are optimised to run at a frame rate of milliseconds ie they sample |
milliseconds of audio at a time which provides a good compromise between audio quality |
and latency thats the preferred setting for lc which is the mandat ory codec for bluetooth |
le audio unless i specify otherwise well be assuming a millisecond sampling interval is |
used throughout this book so the isochronous intervals will always be ms or multiple s of |
ms |
isochronous payloads |
the structure of the data in the pdu of the air interface packet d shown i n figure which |
is sent between devices is very simple and is shown in figure |
figure bluetooth le link layer packet format |
the encoded iso pdu is preceded by a preamble and access address and followed by a |
crc these add or octets when transmitting over a n le m phy depending on |
phy refers to the physical layer and specifically the choice of symbol rate which corresponds to |
the number of bits which can be transmitted each second currently most bluetooth le products use |
a symbol rate of million symbols per second in contrast most bluetooth le audio products will |
use the enhanced symbol rate of million symbols per second as that allows higher quality codec |
parameters to be used the trade off is a slight reduction in range |
section connected isochronous streams |
whether there is a m essage integrity check m ic included with the iso pdu payload and |
or octets when using a le m phy |
for a cis t he iso pdu is called the cis pdu and its structure is shown in figure |
figure iso pdu format and header for a cis |
the iso pdu has a header followed by a payload of up to octets if the audio needs to |
be encrypted theres an optional mic at the end of that packet in the cis pdu header there |
are five control elements |
the llid link layer id which indicates whether it is framed or unframed |
nesn and sn the next expected sequence number and sequence number |
which are used for acknowledgments and flow control at the link layer level |
cie the close isochronous event bit and |
npi the null payload indicator which indicates the payload is a null pdu |
identifying that there is no data to send |
subevent s and retransmissions |
well cover the control bits in the iso pdu header as they become relevant to the explanation |
of how cises work b efore that we need to look at the structure of a connected isochronous |
stream weve already talked about the isochronous interval which is the time between |
successive anchor points of a c is the anchor point is the point where the first packet of a |
cis is transmitted by the initiator and the start of each successive isochronous interval |
within a cis we can retransmit the cis pdu if required as the cis structure supports |
multiple subev ents each subevent starts with the transmission from the initiator and ends |
with the final point of the expected response from an acceptor all of the subevent s within |
a cis form a cis event which starts at the anchor point of the cis and finishe s at the |
reception of the last transmitted bit received from the acceptor |
message integrity check a value calculated from the payload contents to detect if it has been |
corrupted |
chapter isochronous streams |
figure events subevent s and subintervals |
the time between successive subevent s is defined as the subinterval spacing which is the |
maximum duration of the subevent for that cis plus the inter frame spacing which is defined |
as being µs the sub interval spacing is determined when the cis is configured and does |
not ch ange for the lifetime of the cis |
frequency hopping |
an important reason for defining subevent s is that bluetooth le audio changes the |
transmission channel on every subevent as illustrated in figure to protect against |
interference |
figure frequency hopping per subevent |
the core specification introduced a new channel selection algorithm which is more |
efficient than the one in core this is applied to each subevent if a subevent is not |
transmitted then the channel hopping scheme assumes that it has been and moves to the next |
frequency channel for the fo llowing subevent |
closing a subevent |
when we looked at the isochronous pdu header we saw that theres a close isochronous |
event bit the cie thats used by the initiator to signify that it has received an |
acknowledgmen t from an acceptor confirming that its packet was successfully received by the |
acceptor so that it will stop further retransmission s of that particular pdu in figure |
the initiator has sent out its first pdu and had an acknowledgment back so it then sends a |
section connected isochronous streams |
packet with the cie bit set to to tell the acceptor that there will be no further transmissions |
as it is closing the event it would not normally bother to include the audio data in that |
transmission so it would also set the null packet indicator bit allowing it to shorten the |
transmitted packet figure shows the duration of the original cis event for |
comparison |
figure closing a cis event early with the cie bit |
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