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Up until the mid-14th century, Europe had experienced steadily increasing urbanisation. Cities were also decimated by the Black Death, but the role of urban areas as centres of learning, commerce and government ensured continued growth. By 1500, Venice, Milan, Naples, Paris and Constantinople each probably had more than 100,000 inhabitants. Twenty-two other cities were larger than 40,000; most of these were in Italy and the Iberian peninsula, but there were also some in France, the Empire, the Low Countries, plus London in England.
Changes also took place within the recruitment and composition of armies. The use of the national or feudal levy was gradually replaced by paid troops of domestic retinues or foreign mercenaries. The practice was associated with Edward III of England and the condottieri of the Italian city-states. All over Europe, Swiss soldiers were in particularly high demand. At the same time, the period also saw the emergence of the first permanent armies. It was in Valois France, under the heavy demands of the Hundred Years' War, that the armed forces gradually assumed a permanent nature.
Parallel to the military developments emerged also a constantly more elaborate chivalric code of conduct for the warrior class. This new-found ethos can be seen as a response to the diminishing military role of the aristocracy, and gradually it became almost entirely detached from its military origin. The spirit of chivalry was given expression through the new (secular) type of chivalric orders; the first of these was the Order of St. George, founded by Charles I of Hungary in 1325, while the best known was probably the English Order of the Garter, founded by Edward III in 1348.
The French crown's increasing dominance over the Papacy culminated in the transference of the Holy See to Avignon in 1309. When the Pope returned to Rome in 1377, this led to the election of different popes in Avignon and Rome, resulting in the Papal Schism (1378–1417). The Schism divided Europe along political lines; while France, her ally Scotland and the Spanish kingdoms supported the Avignon Papacy, France's enemy England stood behind the Pope in Rome, together with Portugal, Scandinavia and most of the German princes.
Though many of the events were outside the traditional time-period of the Middle Ages, the end of the unity of the Western Church (the Protestant Reformation), was one of the distinguishing characteristics of the medieval period. The Catholic Church had long fought against heretic movements, but during the Late Middle Ages, it started to experience demands for reform from within. The first of these came from Oxford professor John Wycliffe in England. Wycliffe held that the Bible should be the only authority in religious questions, and he spoke out against transubstantiation, celibacy and indulgences. In spite of influential supporters among the English aristocracy, such as John of Gaunt, the movement was not allowed to survive. Though Wycliffe himself was left unmolested, his supporters, the Lollards, were eventually suppressed in England.
The marriage of Richard II of England to Anne of Bohemia established contacts between the two nations and brought Lollard ideas to her homeland. The teachings of the Czech priest Jan Hus were based on those of John Wycliffe, yet his followers, the Hussites, were to have a much greater political impact than the Lollards. Hus gained a great following in Bohemia, and in 1414, he was requested to appear at the Council of Constance to defend his cause. When he was burned as a heretic in 1415, it caused a popular uprising in the Czech lands. The subsequent Hussite Wars fell apart due to internal quarrels and did not result in religious or national independence for the Czechs, but both the Catholic Church and the German element within the country were weakened.
Martin Luther, a German monk, started the German Reformation by posting 95 theses on the castle church of Wittenberg on October 31, 1517. The immediate provocation spurring this act was Pope Leo X’s renewal of the indulgence for the building of the new St. Peter's Basilica in 1514. Luther was challenged to recant his heresy at the Diet of Worms in 1521. When he refused, he was placed under the ban of the Empire by Charles V. Receiving the protection of Frederick the Wise, he was then able to translate the Bible into German.
In the late 13th and early 14th centuries, a process took place – primarily in Italy but partly also in the Empire – that historians have termed a 'commercial revolution'. Among the innovations of the period were new forms of partnership and the issuing of insurance, both of which contributed to reducing the risk of commercial ventures; the bill of exchange and other forms of credit that circumvented the canonical laws for gentiles against usury, and eliminated the dangers of carrying bullion; and new forms of accounting, in particular double-entry bookkeeping, which allowed for better oversight and accuracy.
With the financial expansion, trading rights became more jealously guarded by the commercial elite. Towns saw the growing power of guilds, while on a national level special companies would be granted monopolies on particular trades, like the English wool Staple. The beneficiaries of these developments would accumulate immense wealth. Families like the Fuggers in Germany, the Medicis in Italy, the de la Poles in England, and individuals like Jacques Coeur in France would help finance the wars of kings, and achieve great political influence in the process.
Though there is no doubt that the demographic crisis of the 14th century caused a dramatic fall in production and commerce in absolute terms, there has been a vigorous historical debate over whether the decline was greater than the fall in population. While the older orthodoxy held that the artistic output of the Renaissance was a result of greater opulence, more recent studies have suggested that there might have been a so-called 'depression of the Renaissance'. In spite of convincing arguments for the case, the statistical evidence is simply too incomplete for a definite conclusion to be made.
The predominant school of thought in the 13th century was the Thomistic reconciliation of the teachings of Aristotle with Christian theology. The Condemnation of 1277, enacted at the University of Paris, placed restrictions on ideas that could be interpreted as heretical; restrictions that had implication for Aristotelian thought. An alternative was presented by William of Ockham, who insisted that the world of reason and the world of faith had to be kept apart. Ockham introduced the principle of parsimony – or Occam's razor – whereby a simple theory is preferred to a more complex one, and speculation on unobservable phenomena is avoided.
This new approach liberated scientific speculation from the dogmatic restraints of Aristotelian science, and paved the way for new approaches. Particularly within the field of theories of motion great advances were made, when such scholars as Jean Buridan, Nicole Oresme and the Oxford Calculators challenged the work of Aristotle. Buridan developed the theory of impetus as the cause of the motion of projectiles, which was an important step towards the modern concept of inertia. The works of these scholars anticipated the heliocentric worldview of Nicolaus Copernicus.
Certain technological inventions of the period – whether of Arab or Chinese origin, or unique European innovations – were to have great influence on political and social developments, in particular gunpowder, the printing press and the compass. The introduction of gunpowder to the field of battle affected not only military organisation, but helped advance the nation state. Gutenberg's movable type printing press made possible not only the Reformation, but also a dissemination of knowledge that would lead to a gradually more egalitarian society. The compass, along with other innovations such as the cross-staff, the mariner's astrolabe, and advances in shipbuilding, enabled the navigation of the World Oceans, and the early phases of colonialism. Other inventions had a greater impact on everyday life, such as eyeglasses and the weight-driven clock.
The period saw several important technical innovations, like the principle of linear perspective found in the work of Masaccio, and later described by Brunelleschi. Greater realism was also achieved through the scientific study of anatomy, championed by artists like Donatello. This can be seen particularly well in his sculptures, inspired by the study of classical models. As the centre of the movement shifted to Rome, the period culminated in the High Renaissance masters da Vinci, Michelangelo and Raphael.
The ideas of the Italian Renaissance were slow to cross the Alps into northern Europe, but important artistic innovations were made also in the Low Countries. Though not – as previously believed – the inventor of oil painting, Jan van Eyck was a champion of the new medium, and used it to create works of great realism and minute detail. The two cultures influenced each other and learned from each other, but painting in the Netherlands remained more focused on textures and surfaces than the idealized compositions of Italy.
Dante Alighieri's Divine Comedy, written in the early 14th century, merged a medieval world view with classical ideals. Another promoter of the Italian language was Boccaccio with his Decameron. The application of the vernacular did not entail a rejection of Latin, and both Dante and Boccaccio wrote prolifically in Latin as well as Italian, as would Petrarch later (whose Canzoniere also promoted the vernacular and whose contents are considered the first modern lyric poems). Together the three poets established the Tuscan dialect as the norm for the modern Italian language.
Music was an important part of both secular and spiritual culture, and in the universities it made up part of the quadrivium of the liberal arts. From the early 13th century, the dominant sacred musical form had been the motet; a composition with text in several parts. From the 1330s and onwards, emerged the polyphonic style, which was a more complex fusion of independent voices. Polyphony had been common in the secular music of the Provençal troubadours. Many of these had fallen victim to the 13th-century Albigensian Crusade, but their influence reached the papal court at Avignon.
The main representatives of the new style, often referred to as ars nova as opposed to the ars antiqua, were the composers Philippe de Vitry and Guillaume de Machaut. In Italy, where the Provençal troubadours had also found refuge, the corresponding period goes under the name of trecento, and the leading composers were Giovanni da Cascia, Jacopo da Bologna and Francesco Landini. Prominent reformer of Orthodox Church music from the first half of 14th century was John Kukuzelis; he also introduced a system of notation widely used in the Balkans in the following centuries.
Morality plays emerged as a distinct dramatic form around 1400 and flourished until 1550. The most interesting morality play is The Castle of Perseverance which depicts mankind's progress from birth to death. However, the most famous morality play and perhaps best known medieval drama is Everyman. Everyman receives Death's summons, struggles to escape and finally resigns himself to necessity. Along the way, he is deserted by Kindred, Goods, and Fellowship - only Good Deeds goes with him to the grave.
At the end of the Late Middle Ages, professional actors began to appear in England and Europe. Richard III and Henry VII both maintained small companies of professional actors. Their plays were performed in the Great Hall of a nobleman's residence, often with a raised platform at one end for the audience and a "screen" at the other for the actors. Also important were Mummers' plays, performed during the Christmas season, and court masques. These masques were especially popular during the reign of Henry VIII who had a House of Revels built and an Office of Revels established in 1545.
The end of medieval drama came about due to a number of factors, including the weakening power of the Catholic Church, the Protestant Reformation and the banning of religious plays in many countries. Elizabeth I forbid all religious plays in 1558 and the great cycle plays had been silenced by the 1580s. Similarly, religious plays were banned in the Netherlands in 1539, the Papal States in 1547 and in Paris in 1548. The abandonment of these plays destroyed the international theatre that had thereto existed and forced each country to develop its own form of drama. It also allowed dramatists to turn to secular subjects and the reviving interest in Greek and Roman theatre provided them with the perfect opportunity.
After the end of the late Middle Ages period, the Renaissance would spread unevenly over continental Europe from the southern European region. The intellectual transformation of the Renaissance is viewed as a bridge between the Middle Ages and the Modern era. Europeans would later begin an era of world discovery. Combined with the influx of classical ideas was the invention of printing which facilitated dissemination of the printed word and democratized learning. These two things would lead to the Protestant Reformation. Europeans also discovered new trading routes, as was the case with Columbus’s travel to the Americas in 1492, and Vasco da Gama’s circumnavigation of Africa and India in 1498. Their discoveries strengthened the economy and power of European nations.
At the end of the 15th century the Ottoman Empire advanced all over Southeastern Europe, eventually conquering the Byzantine Empire and extending control over the Balkan states. Hungary was the last bastion of the Latin Christian world in the East, and fought to keep its rule over a period of two centuries. After the tragic death of the young king Vladislaus I of Hungary during the Battle of Varna in 1444 against the Ottomans, the Kingdom was placed in the hands of count John Hunyadi, who became Hungary's regent-governor (1446–1453). Hunyadi was considered one of the most relevant military figures of the 15th century: Pope Pius II awarded him the title of Athleta Christi or Champion of Christ for being the only hope of resisting the Ottomans from advancing to Central and Western Europe.
Hunyadi succeeded during the Siege of Belgrade in 1456 against the Ottomans, the biggest victory against that empire in decades. This battle became a real Crusade against the Muslims, as the peasants were motivated by the Franciscan monk Saint John of Capistrano, who came from Italy predicating Holy War. The effect that it created in that time was one of the main factors that helped in achieving the victory. However the premature death of the Hungarian Lord left Pannonia defenseless and in chaos. In an extremely unusual event for the Middle Ages, Hunyadi's son, Matthias, was elected as King of Hungary by the nobility. For the first time, a member of an aristocratic family (and not from a royal family) was crowned.
King Matthias Corvinus of Hungary (1458–1490) was one of the most prominent figures of the period, directing campaigns to the West, conquering Bohemia in answer to the Pope's call for help against the Hussite Protestants. Also, in resolving political hostilities with the German emperor Frederick III of Habsburg, he invaded his western domains. Matthew organized the Black Army of mercenary soldiers; it was considered as the biggest army of its time. Using this powerful tool, the Hungarian king led wars against the Turkish armies and stopped the Ottomans during his reign. After the death of Matthew, and with end of the Black Army, the Ottoman Empire grew in strength and Central Europe was defenseless. At the Battle of Mohács, the forces of the Ottoman Empire annihilated the Hungarian army and Louis II of Hungary drowned in the Csele Creek while trying to escape. The leader of the Hungarian army, Pál Tomori, also died in the battle. This is considered to be one of the final battles of Medieval times.
The changes brought about by these developments have led many scholars to view this period as the end of the Middle Ages and beginning of modern history and early modern Europe. However, the division is somewhat artificial, since ancient learning was never entirely absent from European society. As a result there was developmental continuity between the ancient age (via classical antiquity) and the modern age. Some historians, particularly in Italy, prefer not to speak of the late Middle Ages at all, but rather see the high period of the Middle Ages transitioning to the Renaissance and the modern era.
Ann Arbor was founded in 1824, named for wives of the village's founders and the stands of Bur Oak trees. The University of Michigan moved from Detroit to Ann Arbor in 1837, and the city grew at a rapid rate in the early to mid-20th century. During the 1960s and 1970s, the city gained a reputation as a center for left-wing politics. Ann Arbor became a focal point for political activism and served as a hub for the civil-rights movement and anti-Vietnam War movement, as well as various student movements.
Ann Arbor was founded in 1824 by land speculators John Allen and Elisha Walker Rumsey. On 25 May 1824, the town plat was registered with Wayne County as "Annarbour;" this represents the earliest known use of the town's name. Allen and Rumsey decided to name it for their wives, both named Ann, and for the stands of Bur Oak in the 640 acres (260 ha) of land they purchased for $800 from the federal government at $1.25 per acre. The local Ojibwa named the settlement kaw-goosh-kaw-nick, after the sound of Allen's sawmill.
Since the university's establishment in the city in 1837, the histories of the University of Michigan and Ann Arbor have been closely linked. The town became a regional transportation hub in 1839 with the arrival of the Michigan Central Railroad, and a north—south railway connecting Ann Arbor to Toledo and other markets to the south was established in 1878. Throughout the 1840s and the 1850s settlers continued to come to Ann Arbor. While the earlier settlers were primarily of British ancestry, the newer settlers also consisted of Germans, Irish, and African-Americans. In 1851, Ann Arbor was chartered as a city, though the city showed a drop in population during the Depression of 1873. It was not until the early 1880s that Ann Arbor again saw robust growth, with new immigrants coming from Greece, Italy, Russia, and Poland. Ann Arbor saw increased growth in manufacturing, particularly in milling. Ann Arbor's Jewish community also grew after the turn of the 20th century, and its first and oldest synagogue, Beth Israel Congregation, was established in 1916.
During the 1960s and 1970s, the city gained a reputation as an important center for liberal politics. Ann Arbor also became a locus for left-wing activism and served as a hub for the civil-rights movement and anti-Vietnam War movement, as well as the student movement. The first major meetings of the national left-wing campus group Students for a Democratic Society took place in Ann Arbor in 1960; in 1965, the city was home to the first U.S. teach-in against the Vietnam War. During the ensuing 15 years, many countercultural and New Left enterprises sprang up and developed large constituencies within the city. These influences washed into municipal politics during the early and mid-1970s when three members of the Human Rights Party (HRP) won city council seats on the strength of the student vote. During their time on the council, HRP representatives fought for measures including pioneering antidiscrimination ordinances, measures decriminalizing marijuana possession, and a rent-control ordinance; many of these remain in effect in modified form. Alongside these liberal and left-wing efforts, a small group of conservative institutions were born in Ann Arbor. These include Word of God (established in 1967), a charismatic inter-denominational movement; and the Thomas More Law Center (established in 1999), a religious-conservative advocacy group.
In the past several decades, Ann Arbor has grappled with the effects of sharply rising land values, gentrification, and urban sprawl stretching into outlying countryside. On 4 November 2003, voters approved a greenbelt plan under which the city government bought development rights on agricultural parcels of land adjacent to Ann Arbor to preserve them from sprawling development. Since then, a vociferous local debate has hinged on how and whether to accommodate and guide development within city limits. Ann Arbor consistently ranks in the "top places to live" lists published by various mainstream media outlets every year. In 2008, it was ranked by CNNMoney.com 27th out of 100 "America's best small cities". And in the year 2010, Forbes listed Ann Arbor as one of the most liveable cities in the United States of America.
According to the United States Census Bureau, the city has a total area of 28.70 square miles (74.33 km2), of which, 27.83 square miles (72.08 km2) of it is land and 0.87 square miles (2.25 km2) is water, much of which is part of the Huron River. Ann Arbor is about 35 miles (56 km) west of Detroit. Ann Arbor Charter Township adjoins the city's north and east sides. Ann Arbor is situated on the Huron River in a productive agricultural and fruit-growing region. The landscape of Ann Arbor consists of hills and valleys, with the terrain becoming steeper near the Huron River. The elevation ranges from about 750 feet (230 m) along the Huron River to 1,015 feet (309 m) on the city's west side, near the intersection of Maple Road and Pauline Blvd. Generally, the west-central and northwestern parts of the city and U-M's North Campus are the highest parts of the city; the lowest parts are along the Huron River and in the southeast. Ann Arbor Municipal Airport, which is south of the city at 42°13.38′N 83°44.74′W / 42.22300°N 83.74567°W / 42.22300; -83.74567, has an elevation of 839 feet (256 m).
Ann Arbor's "Tree Town" nickname stems from the dense forestation of its parks and residential areas. The city contains more than 50,000 trees along its streets and an equal number in parks. In recent years, the emerald ash borer has destroyed many of the city's approximately 10,500 ash trees. The city contains 157 municipal parks ranging from small neighborhood green spots to large recreation areas. Several large city parks and a university park border sections of the Huron River. Fuller Recreation Area, near the University Hospital complex, contains sports fields, pedestrian and bike paths, and swimming pools. The Nichols Arboretum, owned by the University of Michigan, is a 123-acre (50 ha) arboretum that contains hundreds of plant and tree species. It is on the city's east side, near the university's Central Campus. Located across the Huron River just beyond the university's North Campus is the university's Matthaei Botanical Gardens, which contains 300 acres of gardens and a large tropical conservatory.
The Kerrytown Shops, Main Street Business District, the State Street Business District, and the South University Business District are commercial areas in downtown Ann Arbor. Three commercial areas south of downtown include the areas near I-94 and Ann Arbor-Saline Road, Briarwood Mall, and the South Industrial area. Other commercial areas include the Arborland/Washtenaw Avenue and Packard Road merchants on the east side, the Plymouth Road area in the northeast, and the Westgate/West Stadium areas on the west side. Downtown contains a mix of 19th- and early-20th-century structures and modern-style buildings, as well as a farmers' market in the Kerrytown district. The city's commercial districts are composed mostly of two- to four-story structures, although downtown and the area near Briarwood Mall contain a small number of high-rise buildings.
Ann Arbor's residential neighborhoods contain architectural styles ranging from classic 19th-century and early-20th-century designs to ranch-style houses. Among these homes are a number of kit houses built in the early 20th century. Contemporary-style houses are farther from the downtown district. Surrounding the University of Michigan campus are houses and apartment complexes occupied primarily by student renters. Tower Plaza, a 26-story condominium building located between the University of Michigan campus and downtown, is the tallest building in Ann Arbor. The 19th-century buildings and streetscape of the Old West Side neighborhood have been preserved virtually intact; in 1972, the district was listed on the National Register of Historic Places, and it is further protected by city ordinances and a nonprofit preservation group.
Ann Arbor has a typically Midwestern humid continental climate (Köppen Dfa), which is influenced by the Great Lakes. There are four distinct seasons: winters are cold with moderate to heavy snowfall, while summers are very warm and humid, and spring and autumn are short but mild. The area experiences lake effect weather, primarily in the form of increased cloudiness during late fall and early winter. The monthly daily average temperature in July is 72.6 °F (22.6 °C), while the same figure for January is 24.5 °F (−4.2 °C). Temperatures reach or exceed 90 °F (32 °C) on 10 days, and drop to or below 0 °F (−18 °C) on 4.6 nights. Precipitation tends to be the heaviest during the summer months, but most frequent during winter. Snowfall, which normally occurs from November to April but occasionally starts in October, averages 58 inches (147 cm) per season. The lowest recorded temperature was −23 °F (−31 °C) on 11 February 1885 and the highest recorded temperature was 105 °F (41 °C) on 24 July 1934.
As of the 2010 U.S. Census, there were 113,394 people, 45,634 households, and 21,704 families residing in the city. The population density was 4,270.33 people per square mile (2653.47/km²). There were 49,982 housing units at an average density of 1,748.0 per square mile (675.0/km²), making it less densely populated than inner-ring Detroit suburbs like Oak Park and Ferndale (and than Detroit proper), but more densely populated than outer-ring suburbs like Livonia or Troy. The racial makeup of the city was 73.0% White (70.4% non-Hispanic White), 7.7% Black or African American, 0.3% Native American, 14.4% Asian, 0.0% Pacific Islander, 1.0% from other races, and 3.6% from two or more races. Hispanic or Latino residents of any race were 4.1% of the population.
In 2000, out of 45,693 households, 23.0% had children under the age of 18 living with them, 37.8% were married couples living together, 7.5% had a female householder with no husband present, and 52.5% were nonfamilies. 35.5% of households were made up of individuals and 6.6% had someone living alone who was 65 years of age or older. The average household size was 2.22 and the average family size was 2.90. The age distribution was 16.8% under 18, 26.8% from 18 to 24, 31.2% from 25 to 44, 17.3% from 45 to 64, and 7.9% were 65 or older. The median age was 28 years. For every 100 females there were 97.7 males; while for every 100 females age 18 and over, there were 96.4 males.
The University of Michigan shapes Ann Arbor's economy significantly. It employs about 30,000 workers, including about 12,000 in the medical center. Other employers are drawn to the area by the university's research and development money, and by its graduates. High tech, health services and biotechnology are other major components of the city's economy; numerous medical offices, laboratories, and associated companies are located in the city. Automobile manufacturers, such as General Motors and Visteon, also employ residents.
High tech companies have located in the area since the 1930s, when International Radio Corporation introduced the first mass-produced AC/DC radio (the Kadette, in 1931) as well as the first pocket radio (the Kadette Jr., in 1933). The Argus camera company, originally a subsidiary of International Radio, manufactured cameras in Ann Arbor from 1936 to the 1960s. Current firms include Arbor Networks (provider of Internet traffic engineering and security systems), Arbortext (provider of XML-based publishing software), JSTOR (the digital scholarly journal archive), MediaSpan (provider of software and online services for the media industries), Truven Health Analytics, and ProQuest, which includes UMI. Ann Arbor Terminals manufactured a video-display terminal called the Ann Arbor Ambassador during the 1980s. Barracuda Networks, which provides networking, security, and storage products based on network appliances and cloud services, opened an engineering office in Ann Arbor in 2008 on Depot St. and recently announced it will move downtown to occupy the building previously used as the Borders headquarters.
Websites and online media companies in or near the city include All Media Guide, the Weather Underground, and Zattoo. Ann Arbor is the home to Internet2 and the Merit Network, a not-for-profit research and education computer network. Both are located in the South State Commons 2 building on South State Street, which once housed the Michigan Information Technology Center Foundation. The city is also home to the headquarters of Google's AdWords program—the company's primary revenue stream. The recent surge in companies operating in Ann Arbor has led to a decrease in its office and flex space vacancy rates. As of 31 December 2012, the total market vacancy rate for office and flex space is 11.80%, a 1.40% decrease in vacancy from one year previous, and the lowest overall vacancy level since 2003. The office vacancy rate decreased to 10.65% in 2012 from 12.08% in 2011, while the flex vacancy rate decreased slightly more, with a drop from 16.50% to 15.02%.
Pfizer, once the city's second largest employer, operated a large pharmaceutical research facility on the northeast side of Ann Arbor. On 22 January 2007, Pfizer announced it would close operations in Ann Arbor by the end of 2008. The facility was previously operated by Warner-Lambert and, before that, Parke-Davis. In December 2008, the University of Michigan Board of Regents approved the purchase of the facilities, and the university anticipates hiring 2,000 researchers and staff during the next 10 years. The city is the home of other research and engineering centers, including those of Lotus Engineering, General Dynamics and the National Oceanic and Atmospheric Administration (NOAA). Other research centers sited in the city are the United States Environmental Protection Agency's National Vehicle and Fuel Emissions Laboratory and the Toyota Technical Center. The city is also home to National Sanitation Foundation International (NSF International), the nonprofit non-governmental organization that develops generally accepted standards for a variety of public health related industries and subject areas.
Borders Books, started in Ann Arbor, was opened by brothers Tom and Louis Borders in 1971 with a stock of used books. The Borders chain was based in the city, as was its flagship store until it closed in September 2011. Domino's Pizza's headquarters is near Ann Arbor on Domino's Farms, a 271-acre (110 ha) Frank Lloyd Wright-inspired complex just northeast of the city. Another Ann Arbor-based company is Zingerman's Delicatessen, which serves sandwiches and has developed businesses under a variety of brand names. Zingerman's has grown into a family of companies which offers a variety of products (bake shop, mail order, creamery, coffee) and services (business education). Flint Ink Corp., another Ann Arbor-based company, was the world's largest privately held ink manufacturer until it was acquired by Stuttgart-based XSYS Print Solutions in October 2005. Avfuel, a global supplier of aviation fuels and services, is also headquartered in Ann Arbor. Aastrom Biosciences, a publicly traded company that develops stem cell treatments for cardiovascular diseases, is headquartered in Ann Arbor.
Several performing arts groups and facilities are on the University of Michigan's campus, as are museums dedicated to art, archaeology, and natural history and sciences. Founded in 1879, the University Musical Society is an independent performing arts organization that presents over 60 events each year, bringing international artists in music, dance, and theater. Since 2001 Shakespeare in the Arb has presented one play by Shakespeare each June, in a large park near downtown. Regional and local performing arts groups not associated with the university include the Ann Arbor Civic Theatre, the Arbor Opera Theater, the Ann Arbor Symphony Orchestra, the Ann Arbor Ballet Theater, the Ann Arbor Civic Ballet (established in 1954 as Michigan's first chartered ballet company), The Ark, and Performance Network Theatre. Another unique piece of artistic expression in Ann Arbor is the fairy doors. These small portals are examples of installation art and can be found throughout the downtown area.
The Ann Arbor Hands-On Museum is located in a renovated and expanded historic downtown fire station. Multiple art galleries exist in the city, notably in the downtown area and around the University of Michigan campus. Aside from a large restaurant scene in the Main Street, South State Street, and South University Avenue areas, Ann Arbor ranks first among U.S. cities in the number of booksellers and books sold per capita. The Ann Arbor District Library maintains four branch outlets in addition to its main downtown building. The city is also home to the Gerald R. Ford Presidential Library.
Several annual events—many of them centered on performing and visual arts—draw visitors to Ann Arbor. One such event is the Ann Arbor Art Fairs, a set of four concurrent juried fairs held on downtown streets. Scheduled on Wednesday through Saturday of the third week of July, the fairs draw upward of half a million visitors. Another is the Ann Arbor Film Festival, held during the third week of March, which receives more than 2,500 submissions annually from more than 40 countries and serves as one of a handful of Academy Award–qualifying festivals in the United States.
Ann Arbor has a long history of openness to marijuana, given Ann Arbor's decriminalization of cannabis, the large number of medical marijuana dispensaries in the city (one dispensary, called People's Co-op, was directly across the street from Michigan Stadium until zoning forced it to move one mile to the west), the large number of pro-marijuana residents, and the annual Hash Bash: an event that is held on the first Saturday of April. Until (at least) the successful passage of Michigan's medical marijuana law, the event had arguably strayed from its initial intent, although for years, a number of attendees have received serious legal responses due to marijuana use on University of Michigan property, which does not fall under the City's progressive and compassionate ticketing program.
Ann Arbor is a major scene of college sports, most notably at the University of Michigan, a member of the Big Ten Conference. Several well-known college sports facilities exist in the city, including Michigan Stadium, the largest American football stadium in the world. The stadium was completed in 1927 and cost more than $950,000 to build. It has a 109,901 seating capacity after multiple renovations were made. The stadium is colloquially known as "The Big House". Crisler Center and Yost Ice Arena play host to the school's basketball (both men's and women's) and ice hockey teams, respectively. Concordia University, a member of the NAIA, also fields sports teams.
A person from Ann Arbor is called an "Ann Arborite", and many long-time residents call themselves "townies". The city itself is often called "A²" ("A-squared") or "A2" ("A two") or "AA", "The Deuce" (mainly by Chicagoans), and "Tree Town". With tongue-in-cheek reference to the city's liberal political leanings, some occasionally refer to Ann Arbor as "The People's Republic of Ann Arbor" or "25 square miles surrounded by reality", the latter phrase being adapted from Wisconsin Governor Lee Dreyfus's description of Madison, Wisconsin. In A Prairie Home Companion broadcast from Ann Arbor, Garrison Keillor described Ann Arbor as "a city where people discuss socialism, but only in the fanciest restaurants." Ann Arbor sometimes appears on citation indexes as an author, instead of a location, often with the academic degree MI, a misunderstanding of the abbreviation for Michigan. Ann Arbor has become increasingly gentrified in recent years.
Ann Arbor has a council-manager form of government. The City Council has 11 voting members: the mayor and 10 city council members. The mayor and city council members serve two-year terms: the mayor is elected every even-numbered year, while half of the city council members are up for election annually (five in even-numbered and five in odd-numbered years). Two council members are elected from each of the city's five wards. The mayor is elected citywide. The mayor is the presiding officer of the City Council and has the power to appoint all Council committee members as well as board and commission members, with the approval of the City Council. The current mayor of Ann Arbor is Christopher Taylor, a Democrat who was elected as mayor in 2014. Day-to-day city operations are managed by a city administrator chosen by the city council.
Ann Arbor is part of Michigan's 12th congressional district, represented in Congress by Representative Debbie Dingell, a Democrat. On the state level, the city is part of the 18th district in the Michigan Senate, represented by Democrat Rebekah Warren. In the Michigan House of Representatives, representation is split between the 55th district (northern Ann Arbor, part of Ann Arbor Township, and other surrounding areas, represented by Democrat Adam Zemke), the 53rd district (most of downtown and the southern half of the city, represented by Democrat Jeff Irwin) and the 52nd district (southwestern areas outside Ann Arbor proper and western Washtenaw County, represented by Democrat Gretchen Driskell).
Left-wing politics have been particularly strong in municipal government since the 1960s. Voters approved charter amendments that have lessened the penalties for possession of marijuana (1974), and that aim to protect access to abortion in the city should it ever become illegal in the State of Michigan (1990). In 1974, Kathy Kozachenko's victory in an Ann Arbor city-council race made her the country's first openly homosexual candidate to win public office. In 1975, Ann Arbor became the first U.S. city to use instant-runoff voting for a mayoral race. Adopted through a ballot initiative sponsored by the local Human Rights Party, which feared a splintering of the liberal vote, the process was repealed in 1976 after use in only one election. As of August 2009, Democrats hold the mayorship and all council seats. The left tilt of politics in the city has earned it the nickname "The People's Republic of Ann Arbor". Nationally, Ann Arbor is located in Michigan's 12th congressional district, represented by Democrat Debbie Dingell.
Other local colleges and universities include Concordia University Ann Arbor, a Lutheran liberal-arts institution; a campus of the University of Phoenix; and Cleary University, a private business school. Washtenaw Community College is located in neighboring Ann Arbor Township. In 2000, the Ave Maria School of Law, a Roman Catholic law school established by Domino's Pizza founder Tom Monaghan, opened in northeastern Ann Arbor, but the school moved to Ave Maria, Florida in 2009, and the Thomas M. Cooley Law School acquired the former Ave Maria buildings for use as a branch campus.
Public schools are part of the Ann Arbor Public Schools (AAPS) district. AAPS has one of the country's leading music programs. In September 2008, 16,539 students had been enrolled in the Ann Arbor Public Schools. There were 21 elementary schools, five middle schools (Forsythe, Slauson, Tappan, Scarlett, and Clague) three traditional high schools (Pioneer, Huron, and Skyline), and three alternative high schools (Community High, Stone School, and Roberto Clemente) in the district. The district also operates a K-8 open school program, Ann Arbor Open School, out of the former Mack School. This program is open to all families who live within the district. Ann Arbor Public Schools also operates a preschool and family center, with programs for at-risk infants and children before kindergarten. The district has a preschool center with both free and tuition-based programs for preschoolers in the district.
The Ann Arbor News, owned by the Michigan-based Booth Newspapers chain, is the major daily newspaper serving Ann Arbor and the rest of Washtenaw County. The newspaper ended its 174-year print run in 2009, due to economic difficulties. It was replaced by AnnArbor.com, but returned to a limited print publication under its former name in 2013. Another Ann Arbor-based publication that has ceased production was the Ann Arbor Paper, a free monthly. Ann Arbor has been said to be the first significant city to lose its only daily paper. The Ann Arbor Chronicle, an online newspaper, covered local news, including meetings of the library board, county commission, and DDA until September 3, 2014.
Current publications in the city include the Ann Arbor Journal (A2 Journal), a weekly community newspaper; the Ann Arbor Observer, a free monthly local magazine; the Ann Arbor Independent, a locally owned, independent weekly; and Current, a free entertainment-focused alt-weekly. The Ann Arbor Business Review covers local business in the area. Car and Driver magazine and Automobile Magazine are also based in Ann Arbor. The University of Michigan is served by many student publications, including the independent Michigan Daily student newspaper, which reports on local, state, and regional issues in addition to campus news.
Four major AM radio stations based in or near Ann Arbor are WAAM 1600, a conservative news and talk station; WLBY 1290, a business news and talk station; WDEO 990, Catholic radio; and WTKA 1050, which is primarily a sports station. The city's FM stations include NPR affiliate WUOM 91.7; country station WWWW 102.9; and adult-alternative station WQKL 107.1. Freeform station WCBN-FM 88.3 is a local community radio/college radio station operated by the students of the University of Michigan featuring noncommercial, eclectic music and public-affairs programming. The city is also served by public and commercial radio broadcasters in Ypsilanti, the Lansing/Jackson area, Detroit, Windsor, and Toledo.
WPXD channel 31, an affiliate of the ION Television network, is licensed to the city. WHTV channel 18, a MyNetworkTV-affiliated station for the Lansing market, broadcasts from a transmitter in Lyndon Township, west of Ann Arbor. Community Television Network (CTN) is a city-provided cable television channel with production facilities open to city residents and nonprofit organizations. Detroit and Toledo-area radio and television stations also serve Ann Arbor, and stations from Lansing and Windsor, Ontario, can be heard in parts of the area.
The University of Michigan Medical Center, the only teaching hospital in the city, took the number 1 slot in U.S. News & World Report for best hospital in the state of Michigan, as of 2015. The University of Michigan Health System (UMHS) includes University Hospital, C.S. Mott Children's Hospital and Women's Hospital in its core complex. UMHS also operates out-patient clinics and facilities throughout the city. The area's other major medical centers include a large facility operated by the Department of Veterans Affairs in Ann Arbor, and Saint Joseph Mercy Hospital in nearby Superior Township.
The city provides sewage disposal and water supply services, with water coming from the Huron River and groundwater sources. There are two water-treatment plants, one main and three outlying reservoirs, four pump stations, and two water towers. These facilities serve the city, which is divided into five water districts. The city's water department also operates four dams along the Huron River, two of which provide hydroelectric power. The city also offers waste management services, with Recycle Ann Arbor handling recycling service. Other utilities are provided by private entities. Electrical power and gas are provided by DTE Energy. AT&T Inc. is the primary wired telephone service provider for the area. Cable TV service is primarily provided by Comcast.
The streets in downtown Ann Arbor conform to a grid pattern, though this pattern is less common in the surrounding areas. Major roads branch out from the downtown district like spokes on a wheel to the highways surrounding the city. The city is belted by three freeways: I-94, which runs along the southern portion of the city; U.S. Highway 23 (US 23), which primarily runs along the eastern edge of Ann Arbor; and M-14, which runs along the northern edge of the city. Other nearby highways include US 12, M-17, and M-153. Several of the major surface arteries lead to the I-94/M-14 interchange in the west, US 23 in the east, and the city's southern areas. The city also has a system of bike routes and paths and includes the nearly complete Washtenaw County Border-to-Border Trail.
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. Originating in 12th-century France and lasting into the 16th century, Gothic architecture was known during the period as Opus Francigenum ("French work") with the term Gothic first appearing during the later part of the Renaissance. Its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the great cathedrals, abbeys and churches of Europe. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, such as dorms and rooms.
It is in the great churches and cathedrals and in a number of civic buildings that the Gothic style was expressed most powerfully, its characteristics lending themselves to appeals to the emotions, whether springing from faith or from civic pride. A great number of ecclesiastical buildings remain from this period, of which even the smallest are often structures of architectural distinction while many of the larger churches are considered priceless works of art and are listed with UNESCO as World Heritage Sites. For this reason a study of Gothic architecture is largely a study of cathedrals and churches.
The term "Gothic architecture" originated as a pejorative description. Giorgio Vasari used the term "barbarous German style" in his Lives of the Artists to describe what is now considered the Gothic style, and in the introduction to the Lives he attributes various architectural features to "the Goths" whom he holds responsible for destroying the ancient buildings after they conquered Rome, and erecting new ones in this style. At the time in which Vasari was writing, Italy had experienced a century of building in the Classical architectural vocabulary revived in the Renaissance and seen as evidence of a new Golden Age of learning and refinement.
The greatest number of surviving Gothic buildings are churches. These range from tiny chapels to large cathedrals, and although many have been extended and altered in different styles, a large number remain either substantially intact or sympathetically restored, demonstrating the form, character and decoration of Gothic architecture. The Gothic style is most particularly associated with the great cathedrals of Northern France, the Low Countries, England and Spain, with other fine examples occurring across Europe.
At the end of the 12th century, Europe was divided into a multitude of city states and kingdoms. The area encompassing modern Germany, southern Denmark, the Netherlands, Belgium, Luxembourg, Switzerland, Austria, Slovakia, Czech Republic and much of northern Italy (excluding Venice and Papal State) was nominally part of the Holy Roman Empire, but local rulers exercised considerable autonomy. France, Denmark, Poland, Hungary, Portugal, Scotland, Castile, Aragon, Navarre, Sicily and Cyprus were independent kingdoms, as was the Angevin Empire, whose Plantagenet kings ruled England and large domains in what was to become modern France. Norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, while Lusignan kings introduced French Gothic architecture to Cyprus.
Throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with each other, or united for mutual weal, as in the Hanseatic League. Civic building was of great importance to these towns as a sign of wealth and pride. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, rather than grand town halls for their burghers.
The Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the feudal lords (kings, dukes and other landowners) and they often ruled as virtual princes over large estates. The early Medieval periods had seen a rapid growth in monasticism, with several different orders being prevalent and spreading their influence widely. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France and England. A part of their influence was that towns developed around them and they became centers of culture, learning and commerce. The Cluniac and Cistercian Orders were prevalent in France, the great monastery at Cluny having established a formula for a well planned monastic site which was then to influence all subsequent monastic building for many centuries.
From the 10th to the 13th century, Romanesque architecture had become a pan-European style and manner of construction, affecting buildings in countries as far apart as Ireland, Croatia, Sweden and Sicily. The same wide geographic area was then affected by the development of Gothic architecture, but the acceptance of the Gothic style and methods of construction differed from place to place, as did the expressions of Gothic taste. The proximity of some regions meant that modern country borders do not define divisions of style. On the other hand, some regions such as England and Spain produced defining characteristics rarely seen elsewhere, except where they have been carried by itinerant craftsmen, or the transfer of bishops. Regional differences that are apparent in the great abbey churches and cathedrals of the Romanesque period often become even more apparent in the Gothic.
In Northern Germany, Netherlands, northern Poland, Denmark, and the Baltic countries local building stone was unavailable but there was a strong tradition of building in brick. The resultant style, Brick Gothic, is called "Backsteingotik" in Germany and Scandinavia and is associated with the Hanseatic League. In Italy, stone was used for fortifications, but brick was preferred for other buildings. Because of the extensive and varied deposits of marble, many buildings were faced in marble, or were left with undecorated façade so that this might be achieved at a later date.
By the 12th century, Romanesque architecture (termed Norman architecture in England because of its association with the Norman invasion), was established throughout Europe and provided the basic architectural forms and units that were to remain in evolution throughout the Medieval period. The important categories of building: the cathedral church, the parish church, the monastery, the castle, the palace, the great hall, the gatehouse, the civic building, had been established in the Romanesque period.
It was principally the widespread introduction of a single feature, the pointed arch, which was to bring about the change that separates Gothic from Romanesque. The technological change permitted a stylistic change which broke the tradition of massive masonry and solid walls penetrated by small openings, replacing it with a style where light appears to triumph over substance. With its use came the development of many other architectural devices, previously put to the test in scattered buildings and then called into service to meet the structural, aesthetic and ideological needs of the new style. These include the flying buttresses, pinnacles and traceried windows which typify Gothic ecclesiastical architecture. But while pointed arch is so strongly associated with the Gothic style, it was first used in Western architecture in buildings that were in other ways clearly Romanesque, notably Durham Cathedral in the north of England, Monreale Cathedral and Cathedral of Cefalù in Sicily, Autun Cathedral in France.
The pointed arch, one of the defining attributes of Gothic, was earlier incorporated into Islamic architecture following the Islamic conquests of Roman Syria and the Sassanid Empire in the Seventh Century. The pointed arch and its precursors had been employed in Late Roman and Sassanian architecture; within the Roman context, evidenced in early church building in Syria and occasional secular structures, like the Roman Karamagara Bridge; in Sassanid architecture, in the parabolic and pointed arches employed in palace and sacred construction.
Increasing military and cultural contacts with the Muslim world, including the Norman conquest of Islamic Sicily in 1090, the Crusades, beginning 1096, and the Islamic presence in Spain, may have influenced Medieval Europe's adoption of the pointed arch, although this hypothesis remains controversial. Certainly, in those parts of the Western Mediterranean subject to Islamic control or influence, rich regional variants arose, fusing Romanesque and later Gothic traditions with Islamic decorative forms, as seen, for example, in Monreale and Cefalù Cathedrals, the Alcázar of Seville, and Teruel Cathedral.
The characteristic forms that were to define Gothic architecture grew out of Romanesque architecture and developed at several different geographic locations, as the result of different influences and structural requirements. While barrel vaults and groin vaults are typical of Romanesque architecture, ribbed vaults were used in the naves of two Romanesque churches in Caen, Abbey of Saint-Étienne and Abbaye aux Dames in 1120. Another early example is the nave and apse area of the Cathedral of Cefalù in 1131. The ribbed vault over the north transept at Durham Cathedral in England, built from 1128 to 1133, is probably earlier still and was the first time pointed arches were used in a high vault.
The Basilica of Saint Denis is generally cited as the first truly Gothic building, however the distinction is best reserved for the choir, of which the ambulatory remains intact. Noyon Cathedral, also in France, saw the earliest completion of a rebuilding of an entire cathedral in the new style from 1150 to 1231. While using all those features that came to be known as Gothic, including pointed arches, flying buttresses and ribbed vaulting, the builders continued to employ many of the features and much of the character of Romanesque architecture including round-headed arch throughout the building, varying the shape to pointed where it was functionally practical to do so.
At the Abbey Saint-Denis, Noyon Cathedral, Notre Dame de Paris and at the eastern end of Canterbury Cathedral in England, simple cylindrical columns predominate over the Gothic forms of clustered columns and shafted piers. Wells Cathedral in England, commenced at the eastern end in 1175, was the first building in which the designer broke free from Romanesque forms. The architect entirely dispensed with the round arch in favour of the pointed arch and with cylindrical columns in favour of piers composed of clusters of shafts which lead into the mouldings of the arches. The transepts and nave were continued by Adam Locke in the same style and completed in about 1230. The character of the building is entirely Gothic. Wells Cathedral is thus considered the first truly Gothic cathedral.
Suger, friend and confidant of the French Kings, Louis VI and Louis VII, decided in about 1137, to rebuild the great Church of Saint-Denis, attached to an abbey which was also a royal residence. He began with the West Front, reconstructing the original Carolingian façade with its single door. He designed the façade of Saint-Denis to be an echo of the Roman Arch of Constantine with its three-part division and three large portals to ease the problem of congestion. The rose window is the earliest-known example above the West portal in France. The façade combines both round arches and pointed arches of the Gothic style.
At the completion of the west front in 1140, Abbot Suger moved on to the reconstruction of the eastern end, leaving the Carolingian nave in use. He designed a choir that would be suffused with light. To achieve his aims, his masons drew on the several new features which evolved or had been introduced to Romanesque architecture, the pointed arch, the ribbed vault, the ambulatory with radiating chapels, the clustered columns supporting ribs springing in different directions and the flying buttresses which enabled the insertion of large clerestory windows.
While many secular buildings exist from the Late Middle Ages, it is in the buildings of cathedrals and great churches that Gothic architecture displays its pertinent structures and characteristics to the fullest advantage. A Gothic cathedral or abbey was, prior to the 20th century, generally the landmark building in its town, rising high above all the domestic structures and often surmounted by one or more towers and pinnacles and perhaps tall spires. These cathedrals were the skyscrapers of that day and would have been the largest buildings by far that Europeans would ever have seen. It is in the architecture of these Gothic churches that a unique combination of existing technologies established the emergence of a new building style. Those technologies were the ogival or pointed arch, the ribbed vault, and the buttress.
The eastern arm shows considerable diversity. In England it is generally long and may have two distinct sections, both choir and presbytery. It is often square ended or has a projecting Lady Chapel, dedicated to the Virgin Mary. In France the eastern end is often polygonal and surrounded by a walkway called an ambulatory and sometimes a ring of chapels called a "chevet". While German churches are often similar to those of France, in Italy, the eastern projection beyond the transept is usually just a shallow apsidal chapel containing the sanctuary, as at Florence Cathedral.
Contrary to the diffusionist theory, it appears that there was simultaneously a structural evolution towards the pointed arch, for the purpose of vaulting spaces of irregular plan, or to bring transverse vaults to the same height as diagonal vaults. This latter occurs at Durham Cathedral in the nave aisles in 1093. Pointed arches also occur extensively in Romanesque decorative blind arcading, where semi-circular arches overlap each other in a simple decorative pattern, and the points are accidental to the design.
The Gothic vault, unlike the semi-circular vault of Roman and Romanesque buildings, can be used to roof rectangular and irregularly shaped plans such as trapezoids. The other structural advantage is that the pointed arch channels the weight onto the bearing piers or columns at a steep angle. This enabled architects to raise vaults much higher than was possible in Romanesque architecture. While, structurally, use of the pointed arch gave a greater flexibility to architectural form, it also gave Gothic architecture a very different and more vertical visual character than Romanesque.
Externally, towers and spires are characteristic of Gothic churches both great and small, the number and positioning being one of the greatest variables in Gothic architecture. In Italy, the tower, if present, is almost always detached from the building, as at Florence Cathedral, and is often from an earlier structure. In France and Spain, two towers on the front is the norm. In England, Germany and Scandinavia this is often the arrangement, but an English cathedral may also be surmounted by an enormous tower at the crossing. Smaller churches usually have just one tower, but this may also be the case at larger buildings, such as Salisbury Cathedral or Ulm Minster, which has the tallest spire in the world, slightly exceeding that of Lincoln Cathedral, the tallest which was actually completed during the medieval period, at 160 metres (520 ft).
On the exterior, the verticality is emphasised in a major way by the towers and spires and in a lesser way by strongly projecting vertical buttresses, by narrow half-columns called attached shafts which often pass through several storeys of the building, by long narrow windows, vertical mouldings around doors and figurative sculpture which emphasises the vertical and is often attenuated. The roofline, gable ends, buttresses and other parts of the building are often terminated by small pinnacles, Milan Cathedral being an extreme example in the use of this form of decoration.
On the interior of the building attached shafts often sweep unbroken from floor to ceiling and meet the ribs of the vault, like a tall tree spreading into branches. The verticals are generally repeated in the treatment of the windows and wall surfaces. In many Gothic churches, particularly in France, and in the Perpendicular period of English Gothic architecture, the treatment of vertical elements in gallery and window tracery creates a strongly unifying feature that counteracts the horizontal divisions of the interior structure.
Expansive interior light has been a feature of Gothic cathedrals since the first structure was opened. The metaphysics of light in the Middle Ages led to clerical belief in its divinity and the importance of its display in holy settings. Much of this belief was based on the writings of Pseudo-Dionysius, a sixth-century mystic whose book, The Celestial Hierarchy, was popular among monks in France. Pseudo-Dionysius held that all light, even light reflected from metals or streamed through windows, was divine. To promote such faith, the abbot in charge of the Saint-Denis church on the north edge of Paris, the Abbot Suger, encouraged architects remodeling the building to make the interior as bright as possible.
Above the main portal there is generally a large window, like that at York Minster, or a group of windows such as those at Ripon Cathedral. In France there is generally a rose window like that at Reims Cathedral. Rose windows are also often found in the façades of churches of Spain and Italy, but are rarer elsewhere and are not found on the façades of any English Cathedrals. The gable is usually richly decorated with arcading or sculpture or, in the case of Italy, may be decorated with the rest of the façade, with polychrome marble and mosaic, as at Orvieto Cathedral.
The distinctive characteristic of French cathedrals, and those in Germany and Belgium that were strongly influenced by them, is their height and their impression of verticality. Each French cathedral tends to be stylistically unified in appearance when compared with an English cathedral where there is great diversity in almost every building. They are compact, with slight or no projection of the transepts and subsidiary chapels. The west fronts are highly consistent, having three portals surmounted by a rose window, and two large towers. Sometimes there are additional towers on the transept ends. The east end is polygonal with ambulatory and sometimes a chevette of radiating chapels. In the south of France, many of the major churches are without transepts and some are without aisles.
The distinctive characteristic of English cathedrals is their extreme length, and their internal emphasis upon the horizontal, which may be emphasised visually as much or more than the vertical lines. Each English cathedral (with the exception of Salisbury) has an extraordinary degree of stylistic diversity, when compared with most French, German and Italian cathedrals. It is not unusual for every part of the building to have been built in a different century and in a different style, with no attempt at creating a stylistic unity. Unlike French cathedrals, English cathedrals sprawl across their sites, with double transepts projecting strongly and Lady Chapels tacked on at a later date, such as at Westminster Abbey. In the west front, the doors are not as significant as in France, the usual congregational entrance being through a side porch. The West window is very large and never a rose, which are reserved for the transept gables. The west front may have two towers like a French Cathedral, or none. There is nearly always a tower at the crossing and it may be very large and surmounted by a spire. The distinctive English east end is square, but it may take a completely different form. Both internally and externally, the stonework is often richly decorated with carvings, particularly the capitals.
Romanesque architecture in Germany, Poland, the Czech Lands and Austria is characterised by its massive and modular nature. This is expressed in the Gothic architecture of Central Europe in the huge size of the towers and spires, often projected, but not always completed. The west front generally follows the French formula, but the towers are very much taller and, if complete, are surmounted by enormous openwork spires that are a regional feature. Because of the size of the towers, the section of the façade between them may appear narrow and compressed. The eastern end follows the French form. The distinctive character of the interior of German Gothic cathedrals is their breadth and openness. This is the case even when, as at Cologne, they have been modelled upon a French cathedral. German cathedrals, like the French, tend not to have strongly projecting transepts. There are also many hall churches (Hallenkirchen) without clerestory windows.
The distinctive characteristic of Gothic cathedrals of the Iberian Peninsula is their spatial complexity, with many areas of different shapes leading from each other. They are comparatively wide, and often have very tall arcades surmounted by low clerestories, giving a similar spacious appearance to the 'Hallenkirche of Germany, as at the Church of the Batalha Monastery in Portugal. Many of the cathedrals are completely surrounded by chapels. Like English cathedrals, each is often stylistically diverse. This expresses itself both in the addition of chapels and in the application of decorative details drawn from different sources. Among the influences on both decoration and form are Islamic architecture and, towards the end of the period, Renaissance details combined with the Gothic in a distinctive manner. The West front, as at Leon Cathedral, typically resembles a French west front, but wider in proportion to height and often with greater diversity of detail and a combination of intricate ornament with broad plain surfaces. At Burgos Cathedral there are spires of German style. The roofline often has pierced parapets with comparatively few pinnacles. There are often towers and domes of a great variety of shapes and structural invention rising above the roof.
The distinctive characteristic of Italian Gothic is the use of polychrome decoration, both externally as marble veneer on the brick façade and also internally where the arches are often made of alternating black and white segments, and where the columns may be painted red, the walls decorated with frescoes and the apse with mosaic. The plan is usually regular and symmetrical, Italian cathedrals have few and widely spaced columns. The proportions are generally mathematically equilibrated, based on the square and the concept of "armonìa", and except in Venice where they loved flamboyant arches, the arches are almost always equilateral. Colours and moldings define the architectural units rather than blending them. Italian cathedral façades are often polychrome and may include mosaics in the lunettes over the doors. The façades have projecting open porches and occular or wheel windows rather than roses, and do not usually have a tower. The crossing is usually surmounted by a dome. There is often a free-standing tower and baptistry. The eastern end usually has an apse of comparatively low projection. The windows are not as large as in northern Europe and, although stained glass windows are often found, the favourite narrative medium for the interior is the fresco.
The Palais des Papes in Avignon is the best complete large royal palace, alongside the Royal palace of Olite, built during the 13th and 14th centuries for the kings of Navarre. The Malbork Castle built for the master of the Teutonic order is an example of Brick Gothic architecture. Partial survivals of former royal residences include the Doge's Palace of Venice, the Palau de la Generalitat in Barcelona, built in the 15th century for the kings of Aragon, or the famous Conciergerie, former palace of the kings of France, in Paris.
Secular Gothic architecture can also be found in a number of public buildings such as town halls, universities, markets or hospitals. The Gdańsk, Wrocław and Stralsund town halls are remarkable examples of northern Brick Gothic built in the late 14th centuries. The Belfry of Bruges or Brussels Town Hall, built during the 15th century, are associated to the increasing wealth and power of the bourgeoisie in the late Middle Ages; by the 15th century, the traders of the trade cities of Burgundy had acquired such wealth and influence that they could afford to express their power by funding lavishly decorated buildings of vast proportions. This kind of expressions of secular and economic power are also found in other late mediaeval commercial cities, including the Llotja de la Seda of Valencia, Spain, a purpose built silk exchange dating from the 15th century, in the partial remains of Westminster Hall in the Houses of Parliament in London, or the Palazzo Pubblico in Siena, Italy, a 13th-century town hall built to host the offices of the then prosperous republic of Siena. Other Italian cities such as Florence (Palazzo Vecchio), Mantua or Venice also host remarkable examples of secular public architecture.
By the late Middle Ages university towns had grown in wealth and importance as well, and this was reflected in the buildings of some of Europe's ancient universities. Particularly remarkable examples still standing nowadays include the Collegio di Spagna in the University of Bologna, built during the 14th and 15th centuries; the Collegium Carolinum of the University of Prague in Bohemia; the Escuelas mayores of the University of Salamanca in Spain; the chapel of King's College, Cambridge; or the Collegium Maius of the Jagiellonian University in Kraków, Poland.
Other cities with a concentration of secular Gothic include Bruges and Siena. Most surviving small secular buildings are relatively plain and straightforward; most windows are flat-topped with mullions, with pointed arches and vaulted ceilings often only found at a few focal points. The country-houses of the nobility were slow to abandon the appearance of being a castle, even in parts of Europe, like England, where defence had ceased to be a real concern. The living and working parts of many monastic buildings survive, for example at Mont Saint-Michel.
In 1663 at the Archbishop of Canterbury's residence, Lambeth Palace, a Gothic hammerbeam roof was built to replace that destroyed when the building was sacked during the English Civil War. Also in the late 17th century, some discrete Gothic details appeared on new construction at Oxford University and Cambridge University, notably on Tom Tower at Christ Church, Oxford, by Christopher Wren. It is not easy to decide whether these instances were Gothic survival or early appearances of Gothic revival.
In England, partly in response to a philosophy propounded by the Oxford Movement and others associated with the emerging revival of 'high church' or Anglo-Catholic ideas during the second quarter of the 19th century, neo-Gothic began to become promoted by influential establishment figures as the preferred style for ecclesiastical, civic and institutional architecture. The appeal of this Gothic revival (which after 1837, in Britain, is sometimes termed Victorian Gothic), gradually widened to encompass "low church" as well as "high church" clients. This period of more universal appeal, spanning 1855–1885, is known in Britain as High Victorian Gothic.
The Houses of Parliament in London by Sir Charles Barry with interiors by a major exponent of the early Gothic Revival, Augustus Welby Pugin, is an example of the Gothic revival style from its earlier period in the second quarter of the 19th century. Examples from the High Victorian Gothic period include George Gilbert Scott's design for the Albert Memorial in London, and William Butterfield's chapel at Keble College, Oxford. From the second half of the 19th century onwards it became more common in Britain for neo-Gothic to be used in the design of non-ecclesiastical and non-governmental buildings types. Gothic details even began to appear in working-class housing schemes subsidised by philanthropy, though given the expense, less frequently than in the design of upper and middle-class housing.

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