Text stringlengths 1 42.7k ⌀ | Speaker stringclasses 528 values | Text_10_word_context stringlengths 44 42.8k | Text_20_word_context stringlengths 74 42.8k | Text_100_word_context stringlengths 291 43.2k | Text_200_word_context stringlengths 562 43.7k | Text_400_word_context stringlengths 1.08k 44.7k | Text_800_word_context stringlengths 2.14k 46.9k | Text_1600_word_context stringlengths 4.15k 51.3k | Text_variable_400_to_1200_word_context stringlengths 1.3k 48k | Book stringclasses 47 values |
|---|---|---|---|---|---|---|---|---|---|---|
Miss Lavish seemed interested, and slackened her trot. | No speaker | Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I | hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It | is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at | Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. | through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed | by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more | Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation | Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald."<|quote|>Miss Lavish seemed interested, and slackened her trot.</|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the | A Room With A View |
"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" | Miss Lavish | interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old | the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, | glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, | voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not | short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! | Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour | return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she | dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot.<|quote|>"What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"</|quote|>"Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I | A Room With A View |
"Very well indeed." | Lucy | Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the | you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a | suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and | father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which | cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we | a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at | in, and having commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way | delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?"<|quote|>"Very well indeed."</|quote|>"And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least | A Room With A View |
"And old Mrs. Butterworth the philanthropist?" | Miss Lavish | there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field | Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss | Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not | I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just | blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in | Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or | commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first | at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed."<|quote|>"And old Mrs. Butterworth the philanthropist?"</|quote|>"Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last | A Room With A View |
"Why, she rents a field of us! How funny!" | Lucy | old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the | was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and | Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of | Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke | Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call | lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some | unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in | to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?"<|quote|>"Why, she rents a field of us! How funny!"</|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no | A Room With A View |
Miss Lavish looked at the narrow ribbon of sky, and murmured: | No speaker | field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in | philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, | and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the | as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've | "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as | Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked | before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high | the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!"<|quote|>Miss Lavish looked at the narrow ribbon of sky, and murmured:</|quote|>"Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." | A Room With A View |
"Oh, you have property in Surrey?" | Miss Lavish | ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful | Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. | so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, | last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had | you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should | cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of | or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of | come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured:<|quote|>"Oh, you have property in Surrey?"</|quote|>"Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and | A Room With A View |
"Hardly any," | Lucy | you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being | of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty | the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had | it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a | little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the | Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper | would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and | tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?"<|quote|>"Hardly any,"</|quote|>said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and | A Room With A View |
said Lucy, fearful of being thought a snob. | No speaker | property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, | and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." | nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other | the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower | to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word | Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair | gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of | coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any,"<|quote|>said Lucy, fearful of being thought a snob.</|quote|>"Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have | A Room With A View |
"Only thirty acres--just the garden, all downhill, and some fields." | Lucy | of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, | "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just | Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd | "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. | Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT | well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them | cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not | only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.<|quote|>"Only thirty acres--just the garden, all downhill, and some fields."</|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher | A Room With A View |
Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: | No speaker | all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and | "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the | Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had | About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, | you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the | would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. | clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, | Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields."<|quote|>Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:</|quote|>"Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their | A Room With A View |
"Bless us! Bless us and save us! We've lost the way." | Miss Lavish | she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a | Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa | estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, | at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, | the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those | distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last | not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. | Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:<|quote|>"Bless us! Bless us and save us! We've lost the way."</|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly | A Room With A View |
Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. | No speaker | us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss | us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes | Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa | property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they | Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, | the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at | certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked | father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way."<|quote|>Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.</|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the | A Room With A View |
"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." | Miss Lavish | followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see | by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a | save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. | to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in | I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut | as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the | Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred | to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.<|quote|>"Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."</|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How | A Room With A View |
Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. | No speaker | what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the | unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And | had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in | exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can | looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which | Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her | you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as | was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure."<|quote|>Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.</|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when | A Room With A View |
"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." | Miss Lavish | should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a | a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, | a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the | in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but | fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade | inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she | Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to | alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there.<|quote|>"Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."</|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing | A Room With A View |
Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. | No speaker | it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those | I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or | see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were | no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" | They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon | Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes | Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson | dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift."<|quote|>Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.</|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose | A Room With A View |
"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" | Miss Lavish | Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at | it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have | wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper | path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, | eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to | Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic | smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, | size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over.<|quote|>"Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"</|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago | A Room With A View |
"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." | Lucy | too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed | are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through | surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid | shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes | and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was | and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the | doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he | way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!"<|quote|>"We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."</|quote|>"Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that | A Room With A View |
"Look at their figures!" | Miss Lavish | They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk | have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a | let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on | hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I | with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. | tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved | and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are | Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind."<|quote|>"Look at their figures!"</|quote|>laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman | A Room With A View |
laughed Miss Lavish. | No speaker | kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy | rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. | go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as | the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a | bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that | been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and | that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," | Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!"<|quote|>laughed Miss Lavish.</|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in | A Room With A View |
"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." | Miss Lavish | their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" | so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand | I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, | But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, | garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she | from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to | How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme | fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish.<|quote|>"They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."</|quote|>"What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half | A Room With A View |
"What would you ask us?" | Lucy | tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand | Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as | us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and | Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon | they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How | we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out | a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused | a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it."<|quote|>"What would you ask us?"</|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, | A Room With A View |
Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: | No speaker | "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! | tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word | so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the | "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, | path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she | turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so | to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility | "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?"<|quote|>Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:</|quote|>"There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the | A Room With A View |
"There goes my local-colour box! I must have a word with him!" | Miss Lavish | up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she | Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, | Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get | very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish | partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, | is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three | the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," | She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried:<|quote|>"There goes my local-colour box! I must have a word with him!"</|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was | A Room With A View |
And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. | No speaker | have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice | my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who | that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these | my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's | them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make | NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new | now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy." "Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp." "Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we | heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!"<|quote|>And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.</|quote|>"Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being | A Room With A View |
"Hateful bishop!" | Mr. Emerson | upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old | too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted | virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and | hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had | instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures | Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and | of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails | in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes.<|quote|>"Hateful bishop!"</|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. | A Room With A View |
exclaimed the voice of old Mr. Emerson, who had darted forward also. | No speaker | prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in | He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the | followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his | towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy | acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a | jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," | dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed | upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!"<|quote|>exclaimed the voice of old Mr. Emerson, who had darted forward also.</|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. | A Room With A View |
"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" | Mr. Emerson | who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at | voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these | so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you | with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers | notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She | find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of | by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for | in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also.<|quote|>"Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"</|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. | A Room With A View |
The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. | No speaker | ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. | for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a | heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. | for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," | they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That | ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for | a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into | she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!"<|quote|>The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.</|quote|>"Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your | A Room With A View |
"Look at him!" | Mr. Emerson | him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. | rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby | into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian | his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. | that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," | depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving | But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like | that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious.<|quote|>"Look at him!"</|quote|>said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite | A Room With A View |
said Mr. Emerson to Lucy. | No speaker | be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby | and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But | little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have | the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than | Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But | not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. | them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was | originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!"<|quote|>said Mr. Emerson to Lucy.</|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge | A Room With A View |
"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" | Mr. Emerson | said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become | be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time | hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened | bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those | began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried | whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man | another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it | the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy.<|quote|>"Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"</|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your | A Room With A View |
The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. | No speaker | you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," | frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have | at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said | upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference | dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken | But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as | Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go | remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?"<|quote|>The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.</|quote|>"You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank | A Room With A View |
"You are a clever woman," | Mr. Emerson | with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have | knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the | it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned | him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That | by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. | that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper | their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself | cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away.<|quote|>"You are a clever woman,"</|quote|>said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his | A Room With A View |
said Mr. Emerson. | No speaker | "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than | with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the | Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. | "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," | his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad | transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is | "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed | Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman,"<|quote|>said Mr. Emerson.</|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge | A Room With A View |
"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" | Mr. Emerson | clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. | walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, | lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase | said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was | the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. | one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, | my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, | They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson.<|quote|>"You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"</|quote|>He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy | A Room With A View |
He paused for a phrase. | No speaker | no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, | their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. | Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some | Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just | had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said | puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a | ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in | out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--"<|quote|>He paused for a phrase.</|quote|>"Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that | A Room With A View |
said the Italian lady, and returned to her prayers. | No speaker | paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands | scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her | away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," | erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and | life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the | that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all | hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear | The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente,"<|quote|>said the Italian lady, and returned to her prayers.</|quote|>"I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a | A Room With A View |
"I'm not sure she understands English," | Lucy | and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened | "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised | "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what | lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I | little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge | notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It | that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." | Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers.<|quote|>"I'm not sure she understands English,"</|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could | A Room With A View |
suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. | No speaker | not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was | returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what | the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she | saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said | to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you | interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre | get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for | his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English,"<|quote|>suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.</|quote|>"That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the | A Room With A View |
"That woman understands everything," | Mr. Emerson | reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But | Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? | returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and | woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad | superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving | fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the | a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will | to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms.<|quote|>"That woman understands everything,"</|quote|>was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the | A Room With A View |
was Mr. Emerson's reply. | No speaker | rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing | gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the | "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a | "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. | said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last | Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi | And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." | did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything,"<|quote|>was Mr. Emerson's reply.</|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the | A Room With A View |
"But what are you doing here? Are you doing the church? Are you through with the church?" | Mr. Emerson | everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her | pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with | understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't | than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again | Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the | she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school | she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books | also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply.<|quote|>"But what are you doing here? Are you doing the church? Are you through with the church?"</|quote|>"No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice | A Room With A View |
"No," | Lucy | you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. | you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss | to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you | in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious | a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old | Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who | speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as | and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?"<|quote|>"No,"</|quote|>cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you | A Room With A View |
cried Lucy, remembering her grievance. | No speaker | through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss | doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain | be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the | those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and | church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that | memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. | till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their | sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No,"<|quote|>cried Lucy, remembering her grievance.</|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in | A Room With A View |
"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." | Lucy | cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. | through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you | rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. | happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very | become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you | towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the | old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for | was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance.<|quote|>"I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."</|quote|>"Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled | A Room With A View |
"Why shouldn't you?" | Mr. Emerson | to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why | quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" | doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." | she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I | rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. | Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he | she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" | Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself."<|quote|>"Why shouldn't you?"</|quote|>said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember | A Room With A View |
said Mr. Emerson. | No speaker | by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come | I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, | Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. | despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think | mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you | they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the | a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared | There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?"<|quote|>said Mr. Emerson.</|quote|>"Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell | A Room With A View |
"Yes, why shouldn't you come by yourself?" | George Emerson | shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the | come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first | with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new | She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not | mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." | Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; | ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could | that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson.<|quote|>"Yes, why shouldn't you come by yourself?"</|quote|>said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. | A Room With A View |
said the son, addressing the young lady for the first time. | No speaker | shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even | said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said | her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If | them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really | boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been | virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of | She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. | ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?"<|quote|>said the son, addressing the young lady for the first time.</|quote|>"But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, | A Room With A View |
"But Miss Lavish has even taken away Baedeker." | Lucy | lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm | the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. | explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better | Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to | gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to | the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had | Miss Lavish, who was really almost too original. But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is | they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time.<|quote|>"But Miss Lavish has even taken away Baedeker."</|quote|>"Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church | A Room With A View |
"Baedeker?" | Mr. Emerson | has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad | first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's | too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join | pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank | a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose | Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. | But at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the | stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker."<|quote|>"Baedeker?"</|quote|>said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to | A Room With A View |
said Mr. Emerson. | No speaker | even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you | time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the | bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this | rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so | clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as | and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto | at that moment Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George | forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?"<|quote|>said Mr. Emerson.</|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a | A Room With A View |
"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." | Mr. Emerson | Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was | Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new | away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I | understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any | Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was | feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything | Miss Lavish and her local-colour box moved also, and disappeared down a side street, both gesticulating largely. Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had | Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson.<|quote|>"I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."</|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith | A Room With A View |
Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. | No speaker | a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said | worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join | said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I | Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older | your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, | too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who | Tears of indignation came to Lucy's eyes partly because Miss Lavish had jilted her, partly because she had taken her Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we | saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding."<|quote|>Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.</|quote|>"If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of | A Room With A View |
"If you've no Baedeker," | George Emerson | whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better | idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where | time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help | to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are | He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that | had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed | Baedeker. How could she find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How | The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her.<|quote|>"If you've no Baedeker,"</|quote|>said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint | A Room With A View |
said the son, | No speaker | her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was | sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would | has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, | just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be | phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought | "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in | find her way home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall | am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker,"<|quote|>said the son,</|quote|>"you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember | A Room With A View |
"you'd better join us." | George Emerson | no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea | would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge | away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you | door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are | the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with | hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a | home? How could she find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we | she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son,<|quote|>"you'd better join us."</|quote|>Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but | A Room With A View |
Was this where the idea would lead? She took refuge in her dignity. | No speaker | son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but | you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of | Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you | simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of | returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him | out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That | find her way about in Santa Croce? Her first morning was ruined, and she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will | sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us."<|quote|>Was this where the idea would lead? She took refuge in her dignity.</|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical | A Room With A View |
"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." | Lucy | took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old | the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that | of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take | in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old | her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like | for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the | she might never be in Florence again. A few minutes ago she had been all high spirits, talking as a woman of culture, and half persuading herself that she was full of originality. Now she entered the church depressed and humiliated, not even able to remember whether it was built by the Franciscans or the Dominicans. Of course, it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were | dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity.<|quote|>"Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."</|quote|>"My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself | A Room With A View |
"My dear," | Mr. Emerson | put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, | that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are | think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to | puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and | through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child | can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice | it must be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, | the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience."<|quote|>"My dear,"</|quote|>said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," | A Room With A View |
said the old man gently, | No speaker | any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are | have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard | that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real | was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour | the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered | expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. | be a wonderful building. But how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father | English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear,"<|quote|>said the old man gently,</|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful | A Room With A View |
"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." | Mr. Emerson | said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, | any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have | not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. | new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that | remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; | child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes | how like a barn! And how very cold! Of course, it contained frescoes by Giotto, in the presence of whose tactile values she was capable of feeling what was proper. But who was to tell her which they were? She walked about disdainfully, unwilling to be enthusiastic over monuments of uncertain authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." | by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently,<|quote|>"I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."</|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these | A Room With A View |
Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. | No speaker | will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I | To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos | think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. | suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," | said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't | boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the | authorship or date. There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy. She puzzled out the Italian notices--the notices that forbade people to introduce dogs into the church--the notice that prayed people, in the interest of health and out of respect to the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet | shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure."<|quote|>Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.</|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the | A Room With A View |
"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." | Lucy | that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a | him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he | was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out | see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before | I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as | longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a | the sacred edifice in which they found themselves, not to spit. She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her | said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying.<|quote|>"I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."</|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. | A Room With A View |
The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. | No speaker | tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the | see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of | that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. | it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen | help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not | by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us | cold was Santa Croce. She beheld the horrible fate that overtook three Papists--two he-babies and a she-baby--who began their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli memorial, dripping but hallowed. Advancing towards it very slowly and from immense distances, they touched the stone with their fingers, with their handkerchiefs, with their heads, and then retreated. What could this mean? They did it again and again. Then Lucy realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the | Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are."<|quote|>The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.</|quote|>"Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we | A Room With A View |
"Remember," | George Emerson | the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts | by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa | him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could | replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't | to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember | shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. | realized that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture | addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit.<|quote|>"Remember,"</|quote|>he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the | A Room With A View |
he was saying, | No speaker | standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church | tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it | She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more | "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And | see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. | you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession | that they had mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis | join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember,"<|quote|>he was saying,</|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if | A Room With A View |
"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" | George Emerson | spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in | by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice | a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh | touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she | you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie | Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too | mistaken Machiavelli for some saint, hoping to acquire virtue. Punishment followed quickly. The smallest he-baby stumbled over one of the sepulchral slabs so much admired by Mr. Ruskin, and entangled his feet in the features of a recumbent bishop. Protestant as she was, Lucy darted forward. She was too late. He fell heavily upon the prelate's upturned toes. "Hateful bishop!" exclaimed the voice of old Mr. Emerson, who had darted forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about | "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying,<|quote|>"the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"</|quote|>"No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," | A Room With A View |
"No!" | Mr. Emerson | a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much | knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for | before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as | out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought | felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at | no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? | forward also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa | it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!"<|quote|>"No!"</|quote|>exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall | A Room With A View |
exclaimed Mr. Emerson, in much too loud a voice for church. | No speaker | man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! | and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That | any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky | of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a | that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will | Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't | also. "Hard in life, hard in death. Go out into the sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many | to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!"<|quote|>exclaimed Mr. Emerson, in much too loud a voice for church.</|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down | A Room With A View |
"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." | Mr. Emerson | loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the | Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of | these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They | to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and | all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no | the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies | sunshine, little boy, and kiss your hand to the sun, for that is where you ought to be. Intolerable bishop!" The child screamed frantically at these words, and at these dreadful people who picked him up, dusted him, rubbed his bruises, and told him not to be superstitious. "Look at him!" said Mr. Emerson to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success | came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church.<|quote|>"Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."</|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to | A Room With A View |
He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. | No speaker | sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or | he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" | sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, | by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not | Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession | last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they | to Lucy. "Here's a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?" The child's legs had become as melting wax. Each time that old Mr. Emerson and Lucy set it erect it collapsed with a roar. Fortunately an Italian lady, who ought to have been saying her prayers, came to the rescue. By some mysterious virtue, which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And | gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon."<|quote|>He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.</|quote|>"Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next | A Room With A View |
"Now, did this happen, or didn't it? Yes or no?" | Mr. Emerson | not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like | so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at | lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," | as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen | "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard | you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly | which mothers alone possess, she stiffened the little boy's back-bone and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far | that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave.<|quote|>"Now, did this happen, or didn't it? Yes or no?"</|quote|>George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson | A Room With A View |
George replied: | No speaker | didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if | "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I | uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his | Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, | was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the | was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" | and imparted strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I | was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?"<|quote|>George replied:</|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis | A Room With A View |
"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." | George Emerson | Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," | this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and | so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, | that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as | by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him | impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For | strength to his knees. He stood. Still gibbering with agitation, he walked away. "You are a clever woman," said Mr. Emerson. "You have done more than all the relics in the world. I am not of your creed, but I do believe in those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And | join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied:<|quote|>"It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."</|quote|>"You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to | A Room With A View |
"You will never go up," | Mr. Emerson | just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and | to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie | didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen | it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their | How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that | might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face | those who make their fellow-creatures happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been | Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here."<|quote|>"You will never go up,"</|quote|>said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of | A Room With A View |
said his father. | No speaker | "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, | just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in | George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if | uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed | knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why | other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until | happy. There is no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from | refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up,"<|quote|>said his father.</|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if | A Room With A View |
"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." | Mr. Emerson | go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can | do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, | happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer | did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. | cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come | son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a | no scheme of the universe--" He paused for a phrase. "Niente," said the Italian lady, and returned to her prayers. "I'm not sure she understands English," suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he | night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father.<|quote|>"You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."</|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. | A Room With A View |
"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." | George Emerson | surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid | our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat | there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel | and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life | faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a | was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; | suggested Lucy. In her chastened mood she no longer despised the Emersons. She was determined to be gracious to them, beautiful rather than delicate, and, if possible, to erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. | with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives."<|quote|>"Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."</|quote|>"Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think | A Room With A View |
"Pardon me," | Rev. Cuthbert Eager | if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The | It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for | boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. | it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. | He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could | me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was | erase Miss Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also | sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all."<|quote|>"Pardon me,"</|quote|>said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and | A Room With A View |
said a frigid voice. | No speaker | happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small | happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will | lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the | at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do | weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again | they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have | Bartlett's civility by some gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother | she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me,"<|quote|>said a frigid voice.</|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart | A Room With A View |
"The chapel is somewhat small for two parties. We will incommode you no longer." | Rev. Cuthbert Eager | me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, | it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be | the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" | rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and | I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of | nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when | gracious reference to the pleasant rooms. "That woman understands everything," was Mr. Emerson's reply. "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would | you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice.<|quote|>"The chapel is somewhat small for two parties. We will incommode you no longer."</|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling | A Room With A View |
The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. | No speaker | will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's | small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us | work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel | I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps | was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves | Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good | "But what are you doing here? Are you doing the church? Are you through with the church?" "No," cried Lucy, remembering her grievance. "I came here with Miss Lavish, who was to explain everything; and just by the door--it is too bad!--she simply ran away, and after waiting quite a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no | take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer."<|quote|>The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.</|quote|>"Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in | A Room With A View |
"Stop!" | Mr. Emerson | Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty | ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. | longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and | our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he | were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our | by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in | a time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. | standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan.<|quote|>"Stop!"</|quote|>cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves | A Room With A View |
cried Mr. Emerson. | No speaker | and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for | of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession | The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps | work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." | so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he | tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the | time, I had to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: | sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!"<|quote|>cried Mr. Emerson.</|quote|>"There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, | A Room With A View |
"There's plenty of room for us all. Stop!" | Mr. Emerson | Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a | Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could | a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had | of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But | so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; | by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on | to come in by myself." "Why shouldn't you?" said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't | He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson.<|quote|>"There's plenty of room for us all. Stop!"</|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, | A Room With A View |
The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. | No speaker | room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that | Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." | his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too | grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear | to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; | was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those | said Mr. Emerson. "Yes, why shouldn't you come by yourself?" said the son, addressing the young lady for the first time. "But Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer | satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!"<|quote|>The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.</|quote|>"George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't | A Room With A View |
"George, I do believe that clergyman is the Brixton curate." | Mr. Emerson | the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next | in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps | them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are | a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the | all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He | before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know | Miss Lavish has even taken away Baedeker." "Baedeker?" said Mr. Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am | of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis.<|quote|>"George, I do believe that clergyman is the Brixton curate."</|quote|>George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang | A Room With A View |
George went into the next chapel and returned, saying | No speaker | clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't | "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better | Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come | parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. | than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had | Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" | Emerson. "I'm glad it's THAT you minded. It's worth minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He | to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate."<|quote|>George went into the next chapel and returned, saying</|quote|>"Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did | A Room With A View |
"Perhaps he is. I don't remember." | George Emerson | next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak | curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him | Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," | was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little | there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched | by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested | minding, the loss of a Baedeker. THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and | him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying<|quote|>"Perhaps he is. I don't remember."</|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful | A Room With A View |
"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." | Mr. Emerson | he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," | chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, | us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The | must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he | to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden | perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also | THAT'S worth minding." Lucy was puzzled. She was again conscious of some new idea, and was not sure whither it would lead her. "If you've no Baedeker," said the son, "you'd better join us." Was this where the idea would lead? She took refuge in her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread | workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember."<|quote|>"Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."</|quote|>"He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and | A Room With A View |
"He will not come back," | George Emerson | perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, | sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away | he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little | "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because | of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, | indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides | her dignity. "Thank you very much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight | chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back."<|quote|>"He will not come back,"</|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And | A Room With A View |
said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. | No speaker | "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect | perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed | "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are | us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For | see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. | workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" | much, but I could not think of that. I hope you do not suppose that I came to join on to you. I really came to help with the child, and to thank you for so kindly giving us your rooms last night. I hope that you have not been put to any great inconvenience." "My dear," said the old man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things | the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back,"<|quote|>said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.</|quote|>"My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things | A Room With A View |
"My father has that effect on nearly everyone," | George Emerson | a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will | contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I | to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said | who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until | well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But | it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." | man gently, "I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things won't fit." "What things?" "The things of the | Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.<|quote|>"My father has that effect on nearly everyone,"</|quote|>he informed her. "He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What | A Room With A View |
he informed her. | No speaker | that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be | listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all | apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in | did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell | out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt | did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," | what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things won't fit." "What things?" "The things of the universe. It is | guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone,"<|quote|>he informed her.</|quote|>"He will try to be kind." "I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and | A Room With A View |
"He will try to be kind." | George Emerson | nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," | father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because | a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think | Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into | chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know | was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful | heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things won't fit." "What things?" "The things of the universe. It is quite true. They don't." "Oh, Mr. | can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her.<|quote|>"He will try to be kind."</|quote|>"I hope we all try," said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her | A Room With A View |
"I hope we all try," | Lucy | will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because | everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our | again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done | vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once | the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't | to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his | pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things won't fit." "What things?" "The things of the universe. It is quite true. They don't." "Oh, Mr. Emerson, whatever do you mean?" | properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind."<|quote|>"I hope we all try,"</|quote|>said she, smiling nervously. "Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been | A Room With A View |
said she, smiling nervously. | No speaker | "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves | will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is | voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw | say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on | of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of | but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I | you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure." Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one's temper as it is difficult at other times to keep it. Lucy could not get cross. Mr. Emerson was an old man, and surely a girl might humour him. On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, or at all events be offended before him. It was at him that she gazed before replying. "I am not touchy, I hope. It is the Giottos that I want to see, if you will kindly tell me which they are." The son nodded. With a look of sombre satisfaction, he led the way to the Peruzzi Chapel. There was a hint of the teacher about him. She felt like a child in school who had answered a question rightly. The chapel was already filled with an earnest congregation, and out of them rose the voice of a lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of the spirit. "Remember," he was saying, "the facts about this church of Santa Croce; how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance had appeared. Observe how Giotto in these frescoes--now, unhappily, ruined by restoration--is untroubled by the snares of anatomy and perspective. Could anything be more majestic, more pathetic, beautiful, true? How little, we feel, avails knowledge and technical cleverness against a man who truly feels!" "No!" exclaimed Mr. Emerson, in much too loud a voice for church. "Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air balloon." He was referring to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that she could not remember how to behave. "Now, did this happen, or didn't it? Yes or no?" George replied: "It happened like this, if it happened at all. I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like my friends to lean out of it, just as they do here." "You will never go up," said his father. "You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as surely as our work survives." "Some of the people can only see the empty grave, not the saint, whoever he is, going up. It did happen like that, if it happened at all." "Pardon me," said a frigid voice. "The chapel is somewhat small for two parties. We will incommode you no longer." The lecturer was a clergyman, and his audience must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised in Ruskin?" He did not know, and suggested that they should try to guess it. George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son. "Why will he look at that fresco?" he said uneasily. "I saw nothing in it." "I like Giotto," she replied. "It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better." "So you ought. A baby is worth a dozen saints. And my baby's worth the whole of Paradise, and as far as I can see he lives in Hell." Lucy again felt that this did not do. "In Hell," he repeated. "He's unhappy." "Oh, dear!" said Lucy. "How can he be unhappy when he is strong and alive? What more is one to give him? And think how he has been brought up--free from all the superstition and ignorance that lead men to hate one another in the name of God. With such an education as that, I thought he was bound to grow up happy." She was no theologian, but she felt that here was a very foolish old man, as well as a very irreligious one. She also felt that her mother might not like her talking to that kind of person, and that Charlotte would object most strongly. "What are we to do with him?" he asked. "He comes out for his holiday to Italy, and behaves--like that; like the little child who ought to have been playing, and who hurt himself upon the tombstone. Eh? What did you say?" Lucy had made no suggestion. Suddenly he said: "Now don't be stupid over this. I don't require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you." To this extraordinary speech Lucy found no answer. "I only know what it is that's wrong with him; not why it is." "And what is it?" asked Lucy fearfully, expecting some harrowing tale. "The old trouble; things won't fit." "What things?" "The things of the universe. It is quite true. They don't." "Oh, Mr. Emerson, whatever do you mean?" In his ordinary voice, | must be also his flock, for they held prayer-books as well as guide-books in their hands. They filed out of the chapel in silence. Amongst them were the two little old ladies of the Pension Bertolini--Miss Teresa and Miss Catherine Alan. "Stop!" cried Mr. Emerson. "There's plenty of room for us all. Stop!" The procession disappeared without a word. Soon the lecturer could be heard in the next chapel, describing the life of St. Francis. "George, I do believe that clergyman is the Brixton curate." George went into the next chapel and returned, saying "Perhaps he is. I don't remember." "Then I had better speak to him and remind him who I am. It's that Mr. Eager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn't I better? Then perhaps he will come back." "He will not come back," said George. But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also. "My father has that effect on nearly everyone," he informed her. "He will try to be kind." "I hope we all try,"<|quote|>said she, smiling nervously.</|quote|>"Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened." "How silly of them!" said Lucy, though in her heart she sympathized; "I think that a kind action done tactfully--" "Tact!" He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. "Were you snubbed?" asked his son tranquilly. "But we have spoilt the pleasure of I don't know how many people. They won't come back." "...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man..." Scraps of the lecture on St. Francis came floating round the partition wall. "Don't let us spoil yours," he continued to Lucy. "Have you looked at those saints?" "Yes," said Lucy. "They are lovely. Do you know which is the tombstone that is praised | A Room With A View |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.