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"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." | Mr. Beebe | a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would | it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started | they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." | your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might | Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. | towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, | mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire. Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing | towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe,<|quote|>"dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."</|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and | A Room With A View |
"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." | Lucy | than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all | uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." | tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might | remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with | The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast | re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they | sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other | am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know."<|quote|>"I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."</|quote|>"The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How | A Room With A View |
"The two ladies, at all events, have made it up." | Mr. Beebe | little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the | I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so | "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. | tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming | to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine | silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they | gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this | as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish."<|quote|>"The two ladies, at all events, have made it up."</|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. | A Room With A View |
He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. | No speaker | events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you | "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And | such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room | say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from | old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in | know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you | sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order | piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up."<|quote|>He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.</|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! | A Room With A View |
"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." | Miss Catherine Alan | same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and | Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she | south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No | reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." | apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what | "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, | of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot | Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door.<|quote|>"Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."</|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise | A Room With A View |
She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. | No speaker | no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful | actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I | a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to | in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and | strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, | of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so | lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED | clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions."<|quote|>She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.</|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that | A Room With A View |
"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." | Miss Catherine Alan | a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe | which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell | Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most | might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their | his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who | to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. | loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved | tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman.<|quote|>"I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."</|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left | A Room With A View |
Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, | No speaker | person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He | in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I | contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they | dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, | somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last | replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing | and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her." Lucy at once re-entered daily life. "Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who | me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another."<|quote|>Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully,</|quote|>"Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good | A Room With A View |
He contented himself with saying: | No speaker | cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, | him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are | one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, | She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's | in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her | would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she | what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to | provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia."<|quote|>He contented himself with saying:</|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, | A Room With A View |
"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" | Mr. Beebe | He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you | cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over | of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed | sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, | traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" | started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get | one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no | slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying:<|quote|>"I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"</|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to | A Room With A View |
'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." | No speaker | to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said | is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, | our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to | bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a | hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into | Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't | she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the | third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:"<|quote|>'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."</|quote|>"That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner | A Room With A View |
"That belongs to Lavish." | Mr. Beebe | turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good | on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish | that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, | nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It | pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a | a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if | tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made | same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L."<|quote|>"That belongs to Lavish."</|quote|>said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who | A Room With A View |
said the clergyman. | No speaker | L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but | in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a | a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's | not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad | everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but | yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed | throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of | flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish."<|quote|>said the clergyman.</|quote|>"A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes | A Room With A View |
"A good fellow, Lavish, but I wish she'd start a pipe." | Mr. Beebe | to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss | initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and | humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it | gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say | know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. | mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, | day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. | by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman.<|quote|>"A good fellow, Lavish, but I wish she'd start a pipe."</|quote|>"Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The | A Room With A View |
"Oh, Mr. Beebe," | Miss Catherine Alan | wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between | good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though | satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What | sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always | at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa | the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That | into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had | Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe."<|quote|>"Oh, Mr. Beebe,"</|quote|>said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus | A Room With A View |
said Miss Alan, divided between awe and mirth. | No speaker | a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful | but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it | to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back | little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in | They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she | inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" | like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, | towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe,"<|quote|>said Miss Alan, divided between awe and mirth.</|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful | A Room With A View |
"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." | Miss Catherine Alan | divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. | Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, | disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly | things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to | From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on | drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may | the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish | from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth.<|quote|>"Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."</|quote|>"What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' | A Room With A View |
"What was that?" | Lucy | that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat | away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan | Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, | continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and | the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get | actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to | murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare | look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable."<|quote|>"What was that?"</|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not | A Room With A View |
asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: | No speaker | more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I | landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I | Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the | and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has | 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there | hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so | was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old | proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?"<|quote|>asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:</|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a | A Room With A View |
"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" | Miss Catherine Alan | Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little | Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know | to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted | extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she | HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for | down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests | way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed | know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows:<|quote|>"It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"</|quote|>'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were | A Room With A View |
'Can I have a little ink, please?' | No speaker | a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians | Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto | a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, | to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an | supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is | suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very | Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, | mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:"<|quote|>'Can I have a little ink, please?'</|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which | A Room With A View |
"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." | Miss Catherine Alan | have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus | ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better | sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her | life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't | of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is | tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The | refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, | "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?'<|quote|>"But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."</|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" | A Room With A View |
Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. | No speaker | do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is | in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like | not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, | cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued | very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing | nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the | to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, | of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them."<|quote|>Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.</|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she | A Room With A View |
"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." | Miss Catherine Alan | apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss | almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote | Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. | start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to | have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, | tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had | attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by | Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.<|quote|>"All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."</|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and | A Room With A View |
Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. | No speaker | strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, | unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that | as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, | round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the | the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early | and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was | would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas | russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived."<|quote|>Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.</|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must | A Room With A View |
"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" | Miss Catherine Alan | the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was | be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social | for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I | of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' | tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is | "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, | had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their | sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.<|quote|>"I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"</|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end | A Room With A View |
Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: | No speaker | who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole | lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called | plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by | there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much | had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when | "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever | drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like | good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--"<|quote|>Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:</|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me | A Room With A View |
"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" | Miss Catherine Alan | Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she | tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she | that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute | little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that | First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the | work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do | Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with | from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:<|quote|>"Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"</|quote|>'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. | A Room With A View |
'drummers' | No speaker | thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and | different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried | I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you | strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is | woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first | in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not | necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy | a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--"<|quote|>'drummers'</|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the | A Room With A View |
"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" | Miss Catherine Alan | they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one | grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better | forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, | Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, | there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, | the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him | No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the | 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers'<|quote|>"was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"</|quote|>'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." | A Room With A View |
'There, Miss Lavish, is one who can confute you better than I,' | No speaker | saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful | the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then | of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I | have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and | the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden | the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, | him in his bath, exclaiming cheerfully, "Fa niente, sono vecchia." He contented himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a | "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:"<|quote|>'There, Miss Lavish, is one who can confute you better than I,'</|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, | A Room With A View |
"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" | Miss Catherine Alan | confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just | Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' | she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible | laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman | anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except | remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A | himself with saying: "I quite agree with you, Miss Alan. The Italians are a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light | finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,'<|quote|>"and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"</|quote|>'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made | A Room With A View |
'Tut! The early Victorians.' | No speaker | Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early | that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, | and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her | matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' | of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in | and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad | a most unpleasant people. They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and | that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:"<|quote|>'Tut! The early Victorians.'</|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial | A Room With A View |
"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" | Miss Catherine Alan | said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am | Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, | on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say | is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this | don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said | into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, | They pry everywhere, they see everything, and they know what we want before we know it ourselves. We are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," | "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.'<|quote|>"Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"</|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. | A Room With A View |
: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' | No speaker | bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I | had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen | she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I | meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up | hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of | novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe | are at their mercy. They read our thoughts, they foretell our desires. From the cab-driver down to--to Giotto, they turn us inside out, and I resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go | pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said"<|quote|>: 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'</|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that | A Room With A View |
"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" | Miss Catherine Alan | censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I | will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her | Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner | England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that | went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. | Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who | resent it. Yet in their heart of hearts they are--how superficial! They have no conception of the intellectual life. How right is Signora Bertolini, who exclaimed to me the other day:" 'Ho, Mr. Beebe, if you knew what I suffer over the children's edjucaishion. HI won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want | is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.'<|quote|>"It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"</|quote|>'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and | A Room With A View |
'Quite so, quite so! I honour the woman for her Irish visit.' | No speaker | called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things | Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see | censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going | picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in | As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to | something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an | won't 'ave my little Victorier taught by a hignorant Italian what can't explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, | a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:"<|quote|>'Quite so, quite so! I honour the woman for her Irish visit.'</|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told | A Room With A View |
"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" | Miss Catherine Alan | woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going | quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk | how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, | "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes | is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady | them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her | explain nothink!'" Miss Alan did not follow, but gathered that she was being mocked in an agreeable way. Her sister was a little disappointed in Mr. Beebe, having expected better things from a clergyman whose head was bald and who wore a pair of russet whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to | so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.'<|quote|>"The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"</|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe | A Room With A View |
'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' | No speaker | actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused | all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and | woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." | horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No | great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: | allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This | whiskers. Indeed, who would have supposed that tolerance, sympathy, and a sense of humour would inhabit that militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they | it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:"<|quote|>'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'</|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only | A Room With A View |
"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." | Miss Catherine Alan | two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," | smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had | tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No | to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question | table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. | to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally | militant form? In the midst of her satisfaction she continued to sidle, and at last the cause was disclosed. From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in turquoise the initials "E. L." "That belongs to Lavish." said the clergyman. "A good fellow, Lavish, but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. | on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.'<|quote|>"Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."</|quote|>"Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not | A Room With A View |
"Let me finish the story," | Mr. Beebe | of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had | who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss | "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will | tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it | felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. | lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the | but I wish she'd start a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted | takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers."<|quote|>"Let me finish the story,"</|quote|>said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, | A Room With A View |
said Mr. Beebe, who had returned. | No speaker | "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, | of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" | such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never | this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is | said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really | yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she | a pipe." "Oh, Mr. Beebe," said Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that | Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story,"<|quote|>said Mr. Beebe, who had returned.</|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been | A Room With A View |
"Miss Lavish tried Miss Pole, myself, everyone, and finally said:" | Mr. Beebe | Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She | me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of | had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it | S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss | an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do | Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner | Miss Alan, divided between awe and mirth. "Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform | she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned.<|quote|>"Miss Lavish tried Miss Pole, myself, everyone, and finally said:"</|quote|>'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these | A Room With A View |
'I shall go alone.' | No speaker | myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end | "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned | my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old | was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you | will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. | She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But | is dreadful for her to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. | continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:"<|quote|>'I shall go alone.'</|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as | A Room With A View |
"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." | Mr. Beebe | said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No | Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will | that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that | dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, | of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini | Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't | to smoke, it is not quite as dreadful as you suppose. She took to it, practically in despair, after her life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to | you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.'<|quote|>"She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."</|quote|>"Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." | A Room With A View |
"Whatever happened?" | Lucy | board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. | unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. | of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should | two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her | when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and | whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, | life's work was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. | imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience."<|quote|>"Whatever happened?"</|quote|>cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father | A Room With A View |
cried Lucy. | No speaker | began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one | a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish | to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the | men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by | did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort | He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said | was carried away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was | I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?"<|quote|>cried Lucy.</|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. | A Room With A View |
"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." | Mr. Beebe | patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is | baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? | travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what | too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who | want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the | Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they | away in a landslip. Surely that makes it more excusable." "What was that?" asked Lucy. Mr. Beebe sat back complacently, and Miss Alan began as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to | her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy.<|quote|>"No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."</|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and | A Room With A View |
"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." | Lucy | not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested | tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the | go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. | and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place | his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, | was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now | as follows: "It was a novel--and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. | to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling."<|quote|>"Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."</|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, | A Room With A View |
Mr. Beebe laughed and suggested that she should settle the question for herself. | No speaker | do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so | nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so | baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider | army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture | woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given | that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he | very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, | lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know."<|quote|>Mr. Beebe laughed and suggested that she should settle the question for herself.</|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He | A Room With A View |
"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" | Lucy | settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook | and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. | No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How | finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." | were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex | liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of | them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, | old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself.<|quote|>"No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"</|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among | A Room With A View |
The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: | No speaker | you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are | him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as | nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. | end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had | came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This | prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours | while she went for a little ink. She said:" 'Can I have a little ink, please?' "But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and | on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?"<|quote|>The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:</|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening | A Room With A View |
"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." | Mr. Beebe | stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told | Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How | for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. | one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly | "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it | table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There | are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet | when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying:<|quote|>"I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."</|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons | A Room With A View |
"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." | Miss Catherine Alan | that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He | as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort | him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good | think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex | would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying | than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want | she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour--this novel is to be about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and | used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets."<|quote|>"Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."</|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, | A Room With A View |
Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. | No speaker | Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying | I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with | do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had | The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to | end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go | dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric | about modern Italy; the other was historical--but that she could not start till she had an idea. First she tried Perugia for an inspiration, then she came here--this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them." Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration. "All the same, she is a little too--I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived." Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman. "I don't know, Miss Honeychurch, if you have noticed that Miss Pole, the lady who has so much yellow hair, takes lemonade. That old Mr. Emerson, who puts things very strangely--" Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's | prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice."<|quote|>Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.</|quote|>"But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval | A Room With A View |
"But aren't they always waylaying you to go out with them, dear?" | Miss Catherine Alan | at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. | them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like | knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer | possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people | Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the | alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were | Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were | sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved.<|quote|>"But aren't they always waylaying you to go out with them, dear?"</|quote|>said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." | A Room With A View |
said the little lady inquisitively. | No speaker | go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like | they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, | whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father | their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached | a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by | with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte | tea, and she continued to Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt | Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?"<|quote|>said the little lady inquisitively.</|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much | A Room With A View |
"Only once. Charlotte didn't like it, and said something--quite politely, of course." | Lucy | said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They | go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They | parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would | interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees | the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible | and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were | Lucy in a hasty whisper: "Stomach. He warned Miss Pole of her stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of | for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively.<|quote|>"Only once. Charlotte didn't like it, and said something--quite politely, of course."</|quote|>"Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there | A Room With A View |
"Most right of her. They don't understand our ways. They must find their level." | Miss Catherine Alan | said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that | Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They | thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with | did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to | almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we | one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire | stomach-acidity, he called it--and he may have meant to be kind. I must say I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste | a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course."<|quote|>"Most right of her. They don't understand our ways. They must find their level."</|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the | A Room With A View |
Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. | No speaker | They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," | They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a | their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who | rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads | was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation | does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of | I forgot myself and laughed; it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively ATTRACTED by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers--" 'drummers' "was the word she used--and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so:" 'There, Miss Lavish, is one who can confute you better than I,' "and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said:" 'Tut! The early Victorians.' "Just imagine! 'Tut! The early Victorians.' My sister had gone, and I felt bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily | whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level."<|quote|>Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.</|quote|>"Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly | A Room With A View |
"Too late to go out," | Miss Catherine Alan | brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a | facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the | the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in | he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But | that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something | lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, | bound to speak. I said" : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs | one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun.<|quote|>"Too late to go out,"</|quote|>said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to | A Room With A View |
said Miss Alan in a voice of relief. | No speaker | "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." | brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go | purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: | pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far | were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have | poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has | : 'Miss Lavish, I am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia | "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out,"<|quote|>said Miss Alan in a voice of relief.</|quote|>"All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things | A Room With A View |
"All the galleries are shut." | Miss Catherine Alan | in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go | go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want | and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily | expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as | them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the | No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this | at least, that is to say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance | of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief.<|quote|>"All the galleries are shut."</|quote|>"I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept | A Room With A View |
"I think I shall go out," | Lucy | "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to | in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in | were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do | chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only | at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. | I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of | say, I will hear no breath of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a | the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut."<|quote|>"I think I shall go out,"</|quote|>said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of | A Room With A View |
said Lucy. | No speaker | think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round | the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular | among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to | It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for | aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she | They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and | of censure against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, | should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out,"<|quote|>said Lucy.</|quote|>"I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most | A Room With A View |
"I want to go round the town in the circular tram--on the platform by the driver." | Lucy | shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. | are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible | clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss | one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go | always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once | not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, | against our dear Queen.' "It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of | for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy.<|quote|>"I want to go round the town in the circular tram--on the platform by the driver."</|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they | A Room With A View |
Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: | No speaker | the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily | town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you | San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far | chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to | Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission | into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, | to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place | the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver."<|quote|>Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:</|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. | A Room With A View |
"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" | Mr. Beebe | Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said | her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall | "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by | and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had | find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could | who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title | unluckily, Mr. Emerson overheard this part, and called in his deep voice:" 'Quite so, quite so! I honour the woman for her Irish visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of | do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say:<|quote|>"I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"</|quote|>"Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course | A Room With A View |
"Italians, dear, you know," | Miss Catherine Alan | be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I | go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads | tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really | and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the | and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if | an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, | visit.' "The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose | said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?"<|quote|>"Italians, dear, you know,"</|quote|>said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. | A Room With A View |
said Miss Alan. | No speaker | feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone | you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and | the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at | facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor | was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into | be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there | tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the | Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know,"<|quote|>said Miss Alan.</|quote|>"Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect | A Room With A View |
"Perhaps I shall meet someone who reads me through and through!" | Lucy | you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, | on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded | two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, | Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted | silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and | case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval | badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no | that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan.<|quote|>"Perhaps I shall meet someone who reads me through and through!"</|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known | A Room With A View |
But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. | No speaker | reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go | I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, | in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not | out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big | a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers | account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, | this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said:" 'Miss Alan, I am going into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground | following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!"<|quote|>But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.</|quote|>"She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. | A Room With A View |
"She oughtn't really to go at all," | Mr. Beebe | the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they | little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, | dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the | the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to | memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many | strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps | into the smoking-room to talk to those two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did | Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists.<|quote|>"She oughtn't really to go at all,"</|quote|>said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's | A Room With A View |
said Mr. Beebe, as they watched her from the window, | No speaker | really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I | frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too | I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted | companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to | air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early | private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she | two nice men. Come, too.' "Needless to say, I refused such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about | up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all,"<|quote|>said Mr. Beebe, as they watched her from the window,</|quote|>"and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, | A Room With A View |
"and she knows it. I put it down to too much Beethoven." | Mr. Beebe | watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. | said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never | But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her | in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire | were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of | wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which | such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at | at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought | A Room With A View |
Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. | No speaker | down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is | knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, | Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza | could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled | twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, | rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I | that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy | the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven."<|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.</|quote|>"The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came | A Room With A View |
"The world," | Lucy | to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full | it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only | babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and | persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on | rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer | had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, | for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She | IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it.<|quote|>"The world,"</|quote|>she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. | A Room With A View |
she thought, | No speaker | conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful | new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could | some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly | to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. | ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by | written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have | folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of | an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world,"<|quote|>she thought,</|quote|>"is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he | A Room With A View |
"is certainly full of beautiful things, if only I could come across them." | Lucy | it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that | her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, | Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in | without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a | which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized | illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at | they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made | midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought,<|quote|>"is certainly full of beautiful things, if only I could come across them."</|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! | A Room With A View |
It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. | No speaker | I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," | of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered | every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, | the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that | she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. | The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in | It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and | kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them."<|quote|>It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.</|quote|>"Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade | A Room With A View |
"Nothing ever happens to me," | Lucy | daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered | that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked | her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily | bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are | sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia | early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting | became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter | marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.<|quote|>"Nothing ever happens to me,"</|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of | A Room With A View |
she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: | No speaker | "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" | daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" | to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps | "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us | so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. | Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, | the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window, "and she knows it. I put it down to too much Beethoven." Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over | Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me,"<|quote|>she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:</|quote|>"Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon | A Room With A View |
"Oh, what have I done?" | Lucy | fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" | slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her | away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He | deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point | no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your | be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. | and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," | in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought:<|quote|>"Oh, what have I done?"</|quote|>"Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous | A Room With A View |
"Oh, what have I done?" | Lucy | "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her | fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked | the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He | of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held | longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He | world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian | been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt | her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?"<|quote|>"Oh, what have I done?"</|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she | A Room With A View |
she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: | No speaker | "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" | "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very | had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see | them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, | some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly | full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, | point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. | that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?"<|quote|>she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:</|quote|>"Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked | A Room With A View |
"Oh, what have I done?" | Lucy | dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very | she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" | but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the | of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. | upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I | the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians | cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could | some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:<|quote|>"Oh, what have I done?"</|quote|>"You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to | A Room With A View |
"You fainted." | George Emerson | "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How | dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely | had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had | the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" | he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" | late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave | alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry | unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?"<|quote|>"You fainted."</|quote|>"I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled | A Room With A View |
"I--I am very sorry." | Lucy | have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly | knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began | of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The | itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs | towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch | strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the | creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. | but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted."<|quote|>"I--I am very sorry."</|quote|>"How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't | A Room With A View |
"How are you now?" | George Emerson | fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she | what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. | one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale | above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must | look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had | already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was | her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing | a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<|quote|>"How are you now?"</|quote|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" | A Room With A View |
"Perfectly well--absolutely well." | Lucy | sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod | "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us | and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of | to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them | if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." | twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians | are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost | without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?"<|quote|>"Perfectly well--absolutely well."</|quote|>And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should | A Room With A View |
And she began to nod and smile. | No speaker | you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. | am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our | her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you | slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked | an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the | half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are | strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had | still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well."<|quote|>And she began to nod and smile.</|quote|>"Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come | A Room With A View |
"Then let us come home. There's no point in our stopping." | George Emerson | began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand | "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She | on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I | it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching | his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She | to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti | heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her | content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile.<|quote|>"Then let us come home. There's no point in our stopping."</|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with | A Room With A View |
He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. | No speaker | no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have | let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt | her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in | I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with | out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the | The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it | She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might | nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping."<|quote|>He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.</|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to | A Room With A View |
"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." | Lucy | void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. | whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed | to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon | arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." | Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the | when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of | them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It | she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning.<|quote|>"How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."</|quote|>His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. | A Room With A View |
His hand was still extended. | No speaker | can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed | now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought | up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his | to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go | something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, | to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart | because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to | was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you."<|quote|>His hand was still extended.</|quote|>"Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as | A Room With A View |
"Oh, my photographs!" | Lucy | His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" | can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at | see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose | repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you | sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I | Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him | the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would | an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended.<|quote|>"Oh, my photographs!"</|quote|>she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she | A Room With A View |
she exclaimed suddenly. | No speaker | still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some | thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must | cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running | have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I | he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought | She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first | up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would you--" and hope | bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!"<|quote|>she exclaimed suddenly.</|quote|>"What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that | A Room With A View |
"What photographs?" | George Emerson | my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at | hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped | fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a | "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" | the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, | eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They | like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would you--" and hope that he | are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly.<|quote|>"What photographs?"</|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't | A Room With A View |
"I bought some photographs at Alinari's. I must have dropped them out there in the square." | Lucy | she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. | still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your | never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand | "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man | itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked | on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were | drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would you--" and hope that he would complete the sentence for himself, averting his eyes from her nakedness like the knight in | crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?"<|quote|>"I bought some photographs at Alinari's. I must have dropped them out there in the square."</|quote|>She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They | A Room With A View |
She looked at him cautiously. | No speaker | out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your | I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He | kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit | and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably | fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, | of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering | does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing below them, almost black in the advancing night. He had thrown her photographs into it, and then he had told her the reason. It struck her that it was hopeless to look for chivalry in such a man. He would do her no harm by idle gossip; he was trustworthy, intelligent, and even kind; he might even have a high opinion of her. But he lacked chivalry; his thoughts, like his behaviour, would not be modified by awe. It was useless to say to him, "And would you--" and hope that he would complete the sentence for himself, averting his eyes from her nakedness like the knight in that beautiful picture. She had | to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry." "How are you now?" "Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square."<|quote|>She looked at him cautiously.</|quote|>"Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a | A Room With A View |
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